"Push" | ||||
---|---|---|---|---|
Single by Matchbox Twenty | ||||
from the album Yourself or Someone Like You | ||||
B-side | "Tired" | |||
Released | June 10, 1997 | |||
Studio | Triclops Recording (Atlanta) | |||
Genre | Alternative rock [1] | |||
Length | 3:59 | |||
Label | ||||
Songwriter(s) | ||||
Producer(s) | Matt Serletic | |||
Matchbox Twenty singles chronology | ||||
| ||||
Music video | ||||
"Push" on YouTube |
"Push" is a song by American rock band Matchbox Twenty. It was released in 1997 as the second single from their debut album, Yourself or Someone Like You (1996). After landing "Long Day" on several rock radio stations paving the way, "Push" topped the US Modern Rock Tracks chart and became one of the band's signature songs.
Vocalist Rob Thomas wrote the lyrics to "Push" with Matt Serletic. The song's lyrics are about the stress of falling in and out of love. [2] Thomas stated that the man in the song (either himself or fictional) was the one being abused, either emotionally or physically, by a woman. [3] Later after its release, some feminist groups were outraged and claimed the song was about abusing women, and Thomas expressed surprise when he heard that the song was being interpreted as misogynistic. [3] In an interview with The Morning Call , the bass guitarist Brian Yale adding "We were kind of surprised when we heard all that stuff. [Our response] was, 'Wow, really? No, it's not about that.' [2]
The video for "Push" was directed by Nigel Dick, and shot March 27–28, 1997, in Los Angeles. [4] The video starts and ends with Rob Thomas playing with a puppet. Throughout the song, the band is seen playing in an alley. A couple of scenes feature Thomas chained to a wall. Another scene is of Thomas holding onto a barbed wire fence while the band stands in the background. He gets stuck by the fence but keeps putting his hands back on it. Thomas is also seen in a room containing a clock and a bed, though no windows are shown.
Credits and personnel are adapted from the Yourself or Someone Like You album liner notes. [9]
Weekly charts
| Year-end charts
|
Region | Certification | Certified units/sales |
---|---|---|
Australia (ARIA) [40] | 5× Platinum | 350,000‡ |
United States (RIAA) [41] | 3× Platinum | 3,000,000‡ |
‡ Sales+streaming figures based on certification alone. |
Region | Date | Format(s) | Label(s) | Ref. |
---|---|---|---|---|
United States | 1997 | Rock radio | ||
June 10, 1997 | Contemporary hit radio | [42] | ||
Europe | October 20, 1997 | CD | [14] | |
Japan | November 15, 1997 |
| [43] | |
United Kingdom | March 23, 1998 |
|
| [44] |
An extract of the song was used in the "Weird Al" Yankovic polka medley, "Polka Power!", along with many other popular songs of the late 90s, off the album Running with Scissors . [45]
In the 2023 fantasy comedy Barbie , Ken (played by Ryan Gosling) adopts it as his favorite song after visiting the real world, and it becomes "a tongue-in-cheek anthem of patriarchal dominance" in Barbieland. [46] While many reviews of the film interpreted this as a critique of the song, [47] [48] director Greta Gerwig said that she was a fan of Matchbox Twenty and "I never put anything in a movie I don’t love." [49] Gosling's cover of the song was included on Barbie the Album (Best Weekend Ever Edition) . [50]
"Building a Mystery" is a song by Canadian singer-songwriter Sarah McLachlan from her fourth studio album, Surfacing (1997). At a live performance, Sarah explains the song as being "basically about the fact that we all... have insecurities to hide, and we often do that by putting on a facade." She also goes on to say that "unfortunately, if we just be who we are, that's usually the more attractive and beautiful thing".
"Fly" is a song by American rock band Sugar Ray. It appears on their 1997 album Floored twice: one version with reggae artist Super Cat and the other without. The song was serviced to US radio in May 1997.
"Smooth" is a song performed by American rock band Santana and Rob Thomas of Matchbox Twenty, who sings the lead vocals. It was released on June 15, 1999, as the lead single from Santana's 1999 studio album, Supernatural. It was written by Itaal Shur and Thomas, who re-wrote Shur's original melody and lyrics, and produced by Matt Serletic.
"Bent" is a song by American alternative rock band Matchbox Twenty. The rock ballad was shipped to radio on April 17, 2000, as the lead single from their second album, Mad Season, and was given a commercial release in the United States on July 5, 2000. "Bent" became the band's first and only song to top the US Billboard Hot 100, reaching number one on the chart dated July 22, 2000, and spending one week at the position. The song also topped the RPM 100 Hit Tracks chart in Canada for five nonconsecutive weeks. "Bent" was nominated for Best Rock Song at the 43rd Annual Grammy Awards and won the award for Most Performed Foreign Work at the APRA Music Awards of 2001.
"The Way" is a song by American alternative rock band Fastball. It was released on January 7, 1998, as the lead single from their second studio album, All the Pain Money Can Buy (1998). The song was written by the band's lead vocalist, Tony Scalzo, and was produced by the band and Julian Raymond. Scalzo was inspired to write the song after reading about the disappearance of an elderly couple who were found dead in their car many miles away from their intended destination.
"Everyday Is a Winding Road" is the second single from American singer and songwriter Sheryl Crow's 1996 eponymous album. Neil Finn, lead singer of Crowded House, provides backing vocals. Paul Hester, another member of Crowded House, was the inspiration for the song. The single was issued in the United Kingdom in November 1996 and was released in the United States the following year.
"One Headlight" is a song by American rock band the Wallflowers. The song was written by lead singer Jakob Dylan, and produced by T Bone Burnett. It was released in January 1997 as the second single from the band's second studio album, Bringing Down the Horse (1996).
"A Long December" is a song by American rock band Counting Crows. The ballad is the second single and 13th track from their second album, Recovering the Satellites (1996). Lead singer Adam Duritz was inspired to write the track after his friend was hit by a motorist and injured, making the song about reflecting on tragedy with a positive disposition.
"Walkin' on the Sun" is a song by American rock band Smash Mouth from their first album, Fush Yu Mang (1997). Released as their debut single in June 1997, the song was Smash Mouth's first major single, reaching No. 1 on the US Billboard Modern Rock Tracks chart and No. 2 on the Billboard Hot 100 Airplay chart. It was also a success abroad, peaking at No. 3 in Canada and Iceland, No. 5 in Italy and Spain, and No. 7 in Australia, where it is certified platinum for shipments exceeding 70,000 units.
"If You're Gone" is a song by American rock band Matchbox Twenty. The song, written by the band's frontman Rob Thomas, was released on September 18, 2000, as the second single from their second album, Mad Season (2000). It reached number five on the US Billboard Hot 100 chart, becoming the band's second best-ranking song on the chart, and also became a hit on adult contemporary radio, spending two weeks at number one on the Billboard Hot Adult Contemporary Tracks chart.
"3AM" is the third single and the third track from American rock band Matchbox 20's debut album, Yourself or Someone Like You (1996). Written by Rob Thomas, Jay Stanley, John Leslie Goff, and Brian Yale, the song was inspired by Thomas dealing with his mother's cancer as a teenager. The song was officially serviced to US modern rock radio in October 1997 and was given a commercial release outside North America the following month.
"The Impression That I Get" is a song by American ska punk band the Mighty Mighty Bosstones, released as the lead single from their fifth studio album, Let's Face It (1997), in February 1997. The track reached number one on the US Billboard Modern Rock Tracks chart and number 23 on the Billboard Hot 100 Airplay chart while also charting highly in Australia, Canada, and the United Kingdom. The song was certified gold in the United States and Australia. Chris Applebaum directed the song's music video while Adam Stern produced it.
"Lullaby" is a song by American rock singer Shawn Mullins from his fourth studio album, Soul's Core (1998). It was released in August 1998 and is Mullins' most successful song to date, reaching number one on the US Billboard Adult Top 40, number seven on the Billboard Hot 100, and number nine on the Billboard Modern Rock Tracks chart. It also found success abroad, reaching number nine on the UK Singles Chart, number five in Australia, and number two in Canada.
"Real World" is a song by American rock group Matchbox 20. It was released in March 1998 as the fourth single from their debut album, Yourself or Someone Like You. The single was initially ineligible to chart on the US Billboard Hot 100 due to not receiving a physical release in North America; it instead peaked at number nine on the Billboard Hot 100 Airplay chart in August 1998. However, in December 1998, the Hot 100 chart rules were changed to allow airplay-only singles to chart, and "Real World" became the band's first single to enter the listing, debuting and peaking at number 38. Worldwide, "Real World" reached number five in Canada and number 40 in Australia.
"Back 2 Good" is a song by American rock band Matchbox 20, released as the fifth single from their 1996 debut album, Yourself or Someone Like You, in September 1998.
"Save Tonight" is a song written and performed by Swedish rock musician Eagle-Eye Cherry, released on 7 October 1997 as the lead single from his debut album, Desireless (1997). It is the album's opening track and gained substantial radio success, reaching number three in Ireland, number five in the United States, number six in the United Kingdom, and number two in Cherry's native Sweden. "Save Tonight" was awarded the Rockbjörnen award in the "Swedish song of the year 1997" category.
"The Difference" is a song by American rock band the Wallflowers. It was released in 1997 as the third single from their second album, Bringing Down the Horse (1996). The song spent eight weeks at number three on the US Billboard Mainstream Rock Tracks chart and peaked at number five on the Modern Rock Tracks chart. It was nominated for a Grammy Award for Best Rock Song in 1998. "The Difference" also peaked at number 12 in Canada, topping the RPM Alternative 30 chart.
"Barbie Girl" is a song by Danish-Norwegian dance-pop group Aqua. It was released in April 1997 by Universal and MCA as the third single from the group's debut studio album, Aquarium. The song was written by band members Søren Rasted, Claus Norreen, René Dif, and Lene Nystrøm, and was produced by the former two alongside Johnny Jam and Delgado. It was written after Rasted saw an exhibit on kitsch culture in Denmark that featured Barbie dolls. The accompanying music video was directed by Danish directors Peder Pedersen and Peter Stenbæk.
American rock band Matchbox Twenty have released five studio albums, one compilation album, one box set, three video albums, two extended plays, twenty-five singles and nineteen music videos. The band released their debut studio album, Yourself or Someone Like You, in October 1996. The album's lead single "Long Day" was moderately successful, while the album's second single "Push" received large amounts of airplay in the United States. As it was not released for commercial sale, "Push" was deemed ineligible by American chart provider Billboard to appear on its main Hot 100 singles chart. It did, however, peak at number five on the Billboard Hot 100 Airplay chart and became a top-ten hit in countries such as Australia and Canada. With the success of "Push" and follow-up singles "3AM", "Real World" and "Back 2 Good", Yourself or Someone Like You eventually peaked at number five on the US Billboard 200 and was certified twelve-times platinum by the Recording Industry Association of America (RIAA).
"If You Could Only See" is a song by American rock band Tonic from their debut studio album Lemon Parade (1996). It was released to radio as the third and final single from the album on March 18, 1997, by Polydor Records. Frontman Emerson Hart is the sole writer of the song, whilst production on the song was helmed by Jack Joseph Puig. According to Hart, the song was written as a result of his family disowning him due to their disapproval of Hart's relationship with an older woman. The song is Tonic's most successful, becoming a hit in several countries, and has been described as "rock radio's most played song of 1997."
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