Recovering the Satellites is the second studio album by American alternative rock band Counting Crows. It was released in the United States on October 15, 1996, three years after their debut album and following two years of worldwide touring. With producer Gil Norton, it features founding members Adam Duritz, David Bryson (guitar), Charlie Gillingham (keyboards), and Matt Malley (bass), as well as new additions Ben Mize (drums) and Dan Vickrey (guitars).[4] Multi-instrumentalist and eventual band member David Immerglück played on the album as a session musician, as well.
Three singles were released, with "A Long December" being the best charting, peaking at number 6 on the US Radio Songs chart[5] and number 1 in Canada.
The album reached No. 1 on the Billboard Hot 200 album chart in the US, No. 4 on the OOC album charts in the UK, and No. 7 on the ARIA charts in Australia. It has been certified double-platinum in both the US and Canada, and well as gold in the UK, Australia, and New Zealand. It received generally positive reviews.
Recording and release
As with their debut, August and Everything After, the band recorded the album with Norton by renting a large house and using the acoustics of the space for unique sounds. Marvin Etzioni produced the album's eighth track, "Miller's Angels".
Duritz recorded two songs for the album on piano with friends from the Soul Rebels Brass Band playing horns that were ultimately cut: "Chelsea" and "Good Luck". He has said that he could not figure out how to sequence the songs with the rest of the album.[6]
"Chelsea" was eventually released as a bonus track on the live double album Across a Wire: Live in New York City. "Good Luck" was presumed lost for several years until in the early 2020s. Geffen Records were contacted by filmmakers making a documentary on the band for HBO, covering the period between August and Everything After and Recovering the Satellites, for music and archive information. Original masters of the recordings, once thought lost in the 2008 Universal Studios fire, and video performances were provided by the label, including "Good Luck".[6]
Writing for Rolling Stone, Anthony DeCurtis gave the album four out of five stars. He said that the band's second album develops the sounds of August and Everything After and that they "largely achieve their serious ambitions". He praised Adam Duritz's lyrics and called the album "deeply satisfying".[12] Andy Gill from The Independent gave the album a more negative review. He criticized Duritz's song-writing as "self-pity[ing]" and called him a "classic solipsistic soul-barer, he just won't shut up about himself". He called the album "bland" with "obvious" influences (including R.E.M., Bruce Springsteen and Lynyrd Skynyrd). Gill had some praise for producer Gil Norton's work on the album.[14]
In a review for Entertainment Weekly, Ken Tucker also had negative feelings about the album, and gave it a "C" grade. He criticized Duritz's "yowling" and "moans" and called Counting Crows a "pastiche of its influences".[8] The Los Angeles Times concluded that "there are precious few of the killer pop hooks that made such songs as 'Mr. Jones' and ''Round Here' irresistible despite their lack of originality."[9]
In a review for AllMusic, Stephen Thomas Erlewine called the album a "self-consciously challenging response" to their successful debut album. He described the songs as "slightly more somber" than those on the first album but "more affecting". He noted an occasional "pretentiousness" on the album but praised "A Long December" as particularly articulate.[7]
Track listing
All tracks written by Adam Duritz unless otherwise indicated
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