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Recovering the Satellites | ||||
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Studio album by | ||||
Released | October 15, 1996 | |||
Recorded | January–March 1996, Hollywood, San Francisco and The Sound Factory, Hollywood | |||
Genre | Alternative rock | |||
Length | 59:22 | |||
Label | Geffen | |||
Producer | Gil Norton | |||
Counting Crows chronology | ||||
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Singles from Recovering the Satellites | ||||
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Recovering the Satellites is the second studio album by American rock band Counting Crows, released on October 15, 1996, in the United States. Released three years after their debut album (and two years of worldwide touring), it reached No. 1 in the United States and was a top seller in Australia, Canada, and the UK as well. The album featured founding Counting Crows members Adam Duritz, David Bryson (guitar), Charlie Gillingham (keyboards), Matt Malley (bass), as well as new additions Ben Mize (drums) and Dan Vickrey (guitars). [4] Multi-instrumentalist David Immerglück played on the album as a session musician as well. Counting Crows brought in producer Gil Norton for Recovering the Satellites. (The track "Miller's Angels" was produced by Marvin Etzioni.) Three singles were released from the album, with "A Long December" being the best charting, reaching number 6 on the US Radio Songs chart [5] and number 1 in Canada. The album itself peaked on the top spot of the Billboard Hot 200 album chart and has been certified double-platinum in both the US and Canada.
As with their debut album August and Everything After , the band recorded this album by renting a large house and using the acoustics of that space for unique sounds.
Vocalist Adam Duritz recorded two songs on piano with friends of his in Soul Rebels Brass Band that he could not figure out how to sequence with the rest of this album. "Chelsea" would end up being a bonus track on Across a Wire: Live in New York City and "Good Luck" was presumed lost for several years, until in the early 2020s, HBO contacted Geffen Records to make a documentary on the band and they found the original masters of these recordings as well as video performances. [6]
Review scores | |
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Source | Rating |
AllMusic | [7] |
Entertainment Weekly | C [8] |
Los Angeles Times | [9] |
MusicHound Rock | [10] |
Q | [11] |
Rolling Stone | [12] |
The Rolling Stone Album Guide | [13] |
Spin | 6/10 [11] |
Writing for Rolling Stone , Anthony DeCurtis gave the album four out of five stars. He said that the band's second album develops the sounds of August and Everything After and that they "largely achieve their serious ambitions". He praised Adam Duritz's lyrics and called the album "deeply satisfying". [12] Andy Gill from The Independent gave the album a more negative review. He criticized Duritz's song-writing as "self-pity[ing]" and called him a "classic solipsistic soul-barer, he just won't shut up about himself". He called the album "bland" with "obvious" influences (including R.E.M., Bruce Springsteen and Lynyrd Skynyrd). Gill had some praise for producer Gil Norton's work on the album. [14]
In a review for Entertainment Weekly , Ken Tucker also had negative feelings about the album, and gave it a "C" grade. He criticized Duritz's "yowling" and "moans" and called Counting Crows a "pastiche of its influences". [8] The Los Angeles Times concluded that "there are precious few of the killer pop hooks that made such songs as 'Mr. Jones' and ''Round Here' irresistible despite their lack of originality." [9]
In a review for AllMusic, Stephen Thomas Erlewine called the album a "self-consciously challenging response" to their successful debut album. He described the songs as "slightly more somber" than those on the first album but "more affecting". He noted an occasional "pretentiousness" on the album but praised "A Long December" as particularly articulate. [7]
All tracks written by Adam Duritz unless otherwise indicated
Weekly charts
| Year-end charts
|
Region | Certification | Certified units/sales |
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Australia (ARIA) [30] | Gold | 35,000^ |
Canada (Music Canada) [31] | 2× Platinum | 200,000^ |
New Zealand (RMNZ) [32] | Gold | 7,500^ |
United Kingdom (BPI) [33] | Gold | 100,000^ |
United States (RIAA) [34] | 2× Platinum | 2,000,000^ |
^ Shipments figures based on certification alone. |
Counting Crows is an American rock band from the San Francisco Bay Area, California. Formed in 1991, the band consists of guitarist David Bryson, drummer Jim Bogios, vocalist Adam Duritz, keyboardist Charlie Gillingham, multi-instrumentalist David Immerglück, bass guitarist Millard Powers, and guitarist Dan Vickrey. Past members include the drummers Steve Bowman (1991–1994) and Ben Mize (1994–2002), and bass guitarist Matt Malley (1991–2005).
Adam Fredric Duritz is an American singer, best known as the frontman for the rock band Counting Crows, for which he serves as a founding member and principal composer. Since its founding in 1991, Counting Crows has sold over 20 million records, released seven studio albums that have been certified gold or platinum, and been nominated for two Grammy Awards and an Academy Award.
August and Everything After is the debut studio album by American rock band Counting Crows, released September 14, 1993, on Geffen Records. The album was produced by T Bone Burnett and featured the founding members of the band: Steve Bowman (drums), David Bryson (guitar), Adam Duritz (vocals), Charlie Gillingham (keyboards), and Matt Malley (bass). Among the several session musicians used for the album was multi-instrumentalist David Immerglück, who later joined the band as a full-time member in 1999, as well as Burnett, who also provided additional guitar work.
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"A Long December" is a song by American rock band Counting Crows. The ballad is the second single and 13th track from their second album, Recovering the Satellites (1996). Lead singer Adam Duritz was inspired to write the track after his friend was hit by a motorist and injured, making the song about reflecting on tragedy with a positive disposition.
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