Robert White (tenor)

Last updated

Robert White (born October 27, 1936 [1] ) is an American tenor and voice teacher who has had an active performance career for eight decades. If he is not better known to the general public, it is because his career, confined to art song and the concert stage, has not brought him the wider renown of singers who make their careers in opera; but he has long been cherished by connoisseurs of vocal music for the pure lyric sweetness of his voice and his scrupulous musicianship.

Contents

He began performing Irish songs on the radio in 1942 at the age of six on programs like Coast to Coast on a Bus and The Fred Allen Show ; earning the nickname the "little John McCormack". In the late 1950s he embarked on a career as a concert tenor, and achieved great success as an exponent of early music by such composers as Handel, Bach, and Monteverdi during the 1960s, 1970s, and 1980s. He has performed in concerts with several major orchestras, including the New York Philharmonic under Leonard Bernstein and the Philadelphia Orchestra under Eugene Ormandy, and has performed at the White House for Presidents John F. Kennedy and Jimmy Carter.

In the mid 1970s White returned to his roots as a performer of Irish songs, and achieved fame internationally as an 'Irish tenor,' drawing comparison to John McCormack; he even performed on programs for BBC television in honor of the late tenor. He continues to perform in concerts with a diverse repertoire ranging from Irish ballads to opera to contemporary art songs and works from the classical tenor canon. Several composers have written works specifically for him, including Mark Adamo, William Bolcom, John Corigliano, Lukas Foss, Stephen Hough, Libby Larsen, Lowell Liebermann, Gian Carlo Menotti, Tobias Picker, Ned Rorem, and David Del Tredici. He has made several recordings for RCA Victor Records, mainly of Irish songs and ballads, and has also recorded a diverse repertoire for Virgin Classics, EMI, and Hyperion. A former faculty member of Hunter College and the Manhattan School of Music, he currently teaches on the voice faculty of the Juilliard School. He also works periodically as an interviewer for the radio station WQXR-FM.

Early life and education

White was born in the Bronx, the fifth of six children of tenor, composer, and radio actor Joseph White and lyricist Maureen O'Byrne White. [2] [3] His mother was originally from Galway, Ireland, and his father was the grandson of an Irish immigrant from Kerry. [3] His father achieved fame portraying the title role on the NBC Radio program The Silver-Masked Tenor ; a program for which he also composed many of the songs. White's mother Maureen was his father's lyricist. [2]

White began performing on WJZ radio at the age of 6 under the name Bobby White, and recorded his first album, Ring of Gold, at the age of 7. He usually performed Irish folk songs and ballads on the radio, and was dubbed by Milton Cross as "our own little John McCormack." [4] Some of the radio programs he performed on were Coast to Coast on a Bus; Irene Wicker, the Singing Lady; and The Fred Allen Show . [4] [5] On the latter show he became acquainted with The DeMarco Sisters, with whom he was notably trapped for four days during the North American blizzard of 1947. [6] He also had the opportunity to perform with such legendary entertainers as Humphrey Bogart, Bing Crosby, and Frank Sinatra on Allen's program. [1] By the age of 12 he was performing challenging tenor songs with full orchestras on NBC radio, such as 'Ah, Sweet Mystery of Life' from Victor Herbert's Naughty Marietta . [3]

White's initial training as a singer was established through lessons with his father. [4] His skills were also sharpened as a chorister at St. Jerome's Church in the Bronx. [1] He earned a Bachelor of Music in vocal performance from Hunter College. [7] He then pursued studies in Germany, Italy, and at the American Conservatory at Fontainebleau in France with Gerard Souzay and Nadia Boulanger. [1] [8] [9] He went on to earn a Master of Music in vocal performance from the Juilliard School in 1968 where he was a pupil of Beverley Peck Johnson. [1] [4] [10] While at Juilliard he created the role of Charles in the world premiere of Paul Hindemith's The Long Christmas Dinner for the Juilliard Opera Center in 1963. [11] He continued to study voice privately with Johnson throughout his professional career. [4]

Early career: 1959–1969

In 1959, at the age of 22, White replaced an ailing Russell Oberlin as Pilate in Georg Böhm's St John Passion (then falsely attributed to George Frideric Handel) for performances at Carnegie Hall with the New York Philharmonic under conductor Leonard Bernstein. [7] Later that year he was a featured soloist in Henry Purcell's The Fairy-Queen with the Masterwork Chorus of Morristown, New Jersey. [12] In 1960 he became a member of New York Pro Musica, first performing as a featured soloist with the group in a concert of works by Flemish composers Heinrich Isaac, Josquin des Prez, Jacob Obrecht, and Adrian Willaert at Town Hall in New York City. [13]

In the 1960s White performed as a member or guest artist with several early music chamber ensembles, including the Clarion Concerts Orchestra, the Renaissance Quartet and Trio Flauto Dolce. [14] [15] [16] In 1962 he sang Mathan in the United States premiere of Handel's Athalia at Saint Thomas Church in Manhattan in a concert conducted by Harold Aks and presented by the Interracial Music Council. [17] In 1963 he performed with soprano Helen Boatwright, actor Basil Rathbone, and The Consort Players under the direction of Sydney Beck for a concert in the East Room of the White House that was attended by President John F. Kennedy, First Lady Jacqueline Kennedy, Eunice Kennedy Shriver, and Charlotte, Grand Duchess of Luxembourg among other dignitaries. [18] That same year he portrayed The Old Chess Player in the world premiere of Gian Carlo Menotti's television opera Labyrinth with the NBC Opera Theatre. [19] In April 1964 he sang in the New York City premiere of Jack Gottlieb's Tea Party at the Donnell Library Center for the New York Composers Forum. [20]

In December 1965 White was the tenor soloist in both Handel's Messiah and Johann Sebastian Bach's Mass in B minor with the New York Chamber Orchestra under conductor Hermann Scherchen for concerts at Philharmonic Hall in Lincoln Center. [21] [22] In 1966 he was the tenor soloist in Mahler's Das Lied von der Erde with contralto Lili Chookasian, the Philadelphia Orchestra, and conductor Eugene Ormandy at Lincoln Center. [23] That same year he performed the world premiere of John Corigliano's The Cloisters at the Solomon R. Guggenheim Museum in 1966. [24] In 1967 he was the tenor soloist in Handel's L'Allegro, il Penseroso ed il Moderato with the Musica Aeterna Chorus & Orchestra and conductor Frederic Waldman at the Metropolitan Museum of Art. [25] He also returned to Lincoln Center that year as the tenor soloist in Mozart's Requiem with the New York Chamber Orchestra and conductor Werner Torkanowsky for the Mostly Mozart Festival. [26]

In 1968 White portrayed Acis in Handel's Acis and Galatea with the New York Chamber Soloists and conductor/harpsichordist Albert Fuller at the Metropolitan Museum of Art. [27] In 1969 he was the tenor soloist in the Clarion Music Society's (CMS) performance of Claudio Monteverdi's Vespro della Beata Vergine at Avery Fisher Hall. [28] That same year he portrayed Egeo in Simon Mayr's Medea in Corinto at Alice Tully Hall for the CMS with Marisa Galvany in the title role. [29]

1970s

In 1970 White performed on John Corigliano's album Caldara – A Moog Mass in which he was featured singing through an enema tube. [30] [31] In 1972 he was the tenor soloist in the New York City Ballet's performance of Stravinsky's Pulcinella that used new choreography by George Balanchine and Jerome Robbins. [32] In 1974 he was the tenor soloist in Schubert's Mass No. 2 with soprano Heather Harper, the Musica Aeterna Chorus & Orchestra, and conductor Frederic Waldman at the Metropolitan Museum of Art. [33] In 1975 he was the tenor soloist in a concert of works by Giovanni Battista Sammartini presented by the CMS at Alice Tully Hall with conductor Newell Jenkins. [34]

White returned to Avery Fisher Hall as the tenor soloist in Bach's Mass in B minor with The National Chorale and conductor Martin Josman in 1976. [35] In 1977 he performed a concert of Bach duets and arias with soprano Judith Bettina at the Washington Square Music Festival under conductor Henry Schuman. [36] That same year he was featured in a pair of concerts with flutist Eugenia Zukerman and the renaissance ensemble Calliope at the 92nd Street Y, and returned for a command performance at the White House for President Jimmy Carter and Prime Minister James Callaghan. [37] [38]

In 1976 White looked back towards his Irish heritage with the release of an album of Irish ballads for RCA Victor Records entitled When You And I Were Young Maggie with pianist Samuel Sanders. [39] His interest in programming Irish music alongside more serious classical repertoire has continued in many concerts and recitals. In 1977 he performed Irish ballads on BBC program The James Galway Hour with the renowned flautist. [4] In a 1978 review in The New York Times historian Joseph Horowitz stated:

The Spirit of John McCormack was invoked more than a little at a wonderful recital by Robert White at the Metropolitan Museum. Mr. White, a singer whose work is well known and appreciated here, offered the sort of mixed bag of popular and concert repertoire that was a McCormack trademark. [40]

In 1979 White released the album Robert White Sings Beethoven with cellist Yo-Yo Ma, violinist Ani Kavafian, and Sanders on piano. The album features 16 settings of Irish, Scottish, Welsh, and English folksongs that Beethoven made at the request of George Thomson. [41] Later that year he appeared as Alcibiade in the United States premiere of Agostino Steffani's La liberta contenta presented by the CMS at Alice Tully Hall. [42] He also was the featured performer in a 1979 BBC Television broadcast celebrating the 95th birthday of McCormack. Incredibly popular, White was hired to perform in six more specials for the BBC. [4]

1980s

In 1980 White released a third album of Irish songs for RCA Victor, Danny Boy, and Other Irish Ballads; this time accompanied by a full orchestra. [43] That same year he appeared at the Spoleto Festival USA and returned to the Mostly Mozart Festival at Lincoln Center to perform Beethoven's folksong settings with the Borodin Trio. [4] In 1981 he appeared in recital with soprano Beverly Hoch and pianist Marc Neikrug at Carnegie Hall performing settings of writings by Goethe. [44] That same year he appeared in the Chamber Music Society of Lincoln Center's performance of Igor Stravinsky's Renard under Michael Tilson Thomas at Avery Fisher Hall. [45] In 1982 he was the tenor soloist in Bach's B minor Mass with the New York Choral Society under Robert De Cormier at Carnegie Hall. [46] In March and April 1983 he undertook a sell-out tour of 23 concerts throughout Ireland under the title of “I Hear You Calling Me – Robert White Remembers John McCormack”. Later that year he performed on the Christmas episode of the BBC show The Good Old Days; televised 24 December 1983.

In 1985 White performed William Schuman's Time to the Old for a concert honoring the composer's 75th birthday at Lincoln Center. [47] That same year he performed three concerts in honor of tenor John McCormack with violinist Mark Peskanov at Alice Tully Hall. [48] He returned to Alice Tully Hall in 1987 to perform a recital of songs by Beethoven. [49] That same year he was the featured soloist in a concert of songs by Stephen Foster with The New York Pops. [50]

In 1988 White released another album, Favorite Irish Songs of Princess Grace, for Virgin Classics. [51] That same year he performed a recital of works by Friml, Romberg, Herbert, Hindemith, Korngold, Milhaud and Grainger with Samuel Sanders at Town Hall in Manhattan; and sang Benjamin Britten's song cycle Les Illuminations with the New York City Symphony. [8] [52] In 1989 he was the tenor soloist in Benjamin Britten's Serenade for Tenor, Horn and Strings, with the Fairfield Chamber Orchestra and sang Beethoven's folk song settings at the Santa Fe Chamber Music Festival. [53] [54]

1990s to present day

In 1991 White performed Vaughan Williams's Blake Songs at Weill Recital Hall with oboist Blair Tindall. [55] In 1992 he performed songs by Benjamin Godard and Harold Craxton in a concert celebrating the 90th birthday of Alice Tully at Lincoln Center. [56] In 1993 The New York Times recounted an entertaining story in which a bug flew into White's mouth during an outdoor concert at Wave Hill in Riverdale, the Bronx, while he was singing a song by Stephen Foster. White was quoted as saying "Just as I was going for a big high note, I felt myself swallow this bug. It went straight down, past the gag reflex. But I did let out the best high note of my career." [57] That same year he performed a recital of songs that all used text by James Joyce at the Juilliard School. [58] In 1994 he was a feature soloist in a concert honoring philanthropist and opera singer Alice Tully, who was a close friend of White's, at Lincoln Center along with the New York Philharmonic, soprano Jessye Norman, conductor James Levine, and other music luminaries. [59]

In 1996 White performed in recital at the Festival dei Due Mondi, and was invited by Mayor Rudy Giuliani to perform two arias by Handel for a ceremony presenting Kitty Carlisle the Handel Medal by the City of New York. [60] [61] In 1997 he gave a concert of Renaissance music at the Metropolitan Museum of Art which featured works by composers John Dowland, Roland de Lassus, William Corkine, and John Bartlet. [62] In 1998 he was a featured soloist in a concert honoring composer John Corigliano's 60th birthday at the 92nd Street Y, and performed a concert of works by Poulenc at the Music Festival of the Hamptons. [63] [64] In 1999 he performed in a memorial concert for his long time accompanist Samuel Sanders with whom he had performed since his days as an undergraduate student at Hunter College, and performed a concert of folksongs for Bargemusic. [65] [66]

In 2000 White performed a concert of Irish songs and ballads with the Westchester Chamber Orchestra, a performed a concert of works by Beethoven for Bargemusic. [67] [68] In 2001 he gave a recital at the Metropolitan Museum of Art featuring the world premieres of 19 art songs, including works by Mark Adamo, Milton Babbitt, William Bolcom, John Corigliano, Lukas Foss, Stephen Hough, Libby Larsen, Lowell Liebermann, Gian Carlo Menotti, Ben Moore, John Musto, Tobias Picker, Ned Rorem, William Jay Smith, David Del Tredici, and Brian Zeger; all of which were composed specifically for him. [69] [70] In 2002 he appeared in concert with pianist Wu Han and violist Paul Neubauer with Bargemusic. [71] In 2004 he sang 'Danny Boy' for the closing of La Caravelle restaurant at the request of the owner. [72] In 2006 he gave a recital at the Morgan Library & Museum entitled Music in the Time of J. P. Morgan. [73]

In 2010 White performed with flutist Linda Chesis for two concerts with Bargemusic. [74] In 2011 he performed a concert of Wartime songs with mezzo-soprano Joan Morris and pianist William Bolcom at the Metropolitan Museum of Art. In his review The New York Times critic Zachary Woolfe wrote, "Mr. White's sweet tenor warmed up as the concert progressed, culminating in a series of intimate confessions that he delivered with expert, easy grace: perfectly wrought songs like It's Been a Long, Long Time, Long Ago and Far Away and I'll Be Seeing You. As Don’t Sit Under the Apple Tree (With Anyone Else but Me) proved, Mr. White is also—good to know—a first-rate whistler." [75]

Other work as an educator and in media

White taught music history on the faculties of Hunter College and the Manhattan School of Music during the 1970s. [1] [4] He joined the faculty of the Juilliard School in 1991 where he still currently teaches. [76] In the 2000s he has worked as an interviewer of classical musicians for the radio station WQXR-FM. [77] In 2001 he sat on a panel for an event honoring comedian Fred Allen at the Museum of Television and Radio. [78] In 2002 he taught a masterclass with Barbara Cook at the Lincoln Center Festival entitled "Fyodor Chaliapin and the Silent Screen", which explored the way folk song has influenced art song. [79]

Related Research Articles

John Paul Corigliano Jr. is an American composer of contemporary classical music. His scores, now numbering over one hundred, have won him the Pulitzer Prize, five Grammy Awards, Grawemeyer Award for Music Composition, and an Oscar.

<span class="mw-page-title-main">Kathleen Battle</span> American operatic soprano (born 1948)

Kathleen Deanna Battle is an American operatic soprano known for her distinctive vocal range and tone. Born in Portsmouth, Ohio, Battle initially became known for her work within the concert repertoire through performances with major orchestras during the early and mid-1970s. She made her opera debut in 1975. Battle expanded her repertoire into lyric soprano and coloratura soprano roles during the 1980s and early 1990s, until her eventual dismissal from the Metropolitan Opera in 1994. She later has focused on recording and the concert stage. After a 22-year absence from the Met, Battle performed a concert of spirituals at the Metropolitan Opera House in November 2016.

John M. McCollum was an American tenor who had an active singing career in operas, concerts, and recitals during the 1950s through the 1970s. As an opera singer he performed with companies throughout North America, mostly working with second tier opera houses. He was much more successful as a singer of oratorios and other works from the concert repertoire, and enjoyed a particularly productive and lengthy relationship with the Boston Symphony Orchestra. As a concert singer he sang a wide repertoire but drew particular acclaim for his performances in the works of Johann Sebastian Bach and George Frideric Handel.

The Corigliano Quartet is a classical music string quartet founded in 1996 with the blessing of the Pulitzer-, Grammy-, and Oscar-winning John Corigliano. "They are truly one of the great quartets of the new generation," said the composer. "Their fiery intensity, musical sensitivity, and bold programming make for an absolutely stunning concert experience." The group's dedication and passion for new works has made them one of the most sought after interpreters of contemporary music today. For their efforts in bringing new music to a wider audience, the quartet was recently presented with the ASCAP/CMA Award For Adventurous Programming.

John Aler was an American lyric tenor who performed in concerts, recitals, and operas. He was particularly known for his interpretations of the works of Mozart, Rossini, Donizetti, Bellini, and Handel.

Matthew Odell is an American pianist. He has performed as both a solo and collaborative pianist, performing at a variety of locations throughout the United States including New York's Carnegie Hall and the Kennedy Center in Washington, DC, Paris, Nice, Moscow, St. Petersburg, Helsinki, Taipei, and Kyoto.

The RTÉ Concert Orchestra is one of the two full-time professional radio orchestras in Ireland that are part of RTÉ, the national broadcasting station. Since its formation as the Radio Éireann Light Orchestra in 1948, the RTÉ Concert Orchestra, has grown from a small studio-based recording group to become an active 45-strong orchestra performing over eighty concerts annually. It is part of RTÉ Performing Groups. The orchestra performs classical, popular and big band evening and lunchtime concerts, covering a range of music from baroque to contemporary.

<span class="mw-page-title-main">Beverly Wolff</span> American mezzo-soprano

Beverly Wolff was an American mezzo-soprano who had an active career in concerts and operas from the early 1950s to the early 1980s. She performed a broad repertoire which encompassed operatic and concert works in many languages and from a variety of musical periods. She was a champion of new works, notably premiering compositions by Leonard Bernstein, Gian Carlo Menotti, Douglas Moore, and Ned Rorem among other American composers. She also performed in a number of rarely heard baroque operas by George Frideric Handel with the New York City Opera (NYCO), the Handel Society of New York, and at the Kennedy Center Handel Festivals.

Jefferson Friedman is an American composer. He lives in Los Angeles. He received an M.M. degree in music composition from The Juilliard School, where he studied with John Corigliano, and a B.A. from Columbia University, where he studied with David Rakowski and Jonathan Kramer. He also studied with George Tsontakis and Christopher Rouse.

Philip Edward Fisher is an English classical pianist.

<span class="mw-page-title-main">Shirlee Emmons</span> American opera singer

Shirlee Emmons was an American classical soprano, voice teacher, and author on vocal pedagogy. She began her career in the early 1940s as a concert soprano, eventually becoming one of the original singers in the Robert Shaw Chorale in 1948. She branched out into opera in the 1950s; performing mainly with regional companies in the United States. She achieved several honours as a performer, including winning the Marian Anderson Award in 1953 and an Obie Award in 1956.

Joseph Kalichstein was an American classical pianist who performed in the concerto, solo recital and chamber music repertoire, the latter mainly with Jaime Laredo and Sharon Robinson in the Kalichstein-Laredo-Robinson Trio. He was also a professor at the Juilliard School in New York.

Arnold Eidus was a concert violinist and recording artist.

David Chan is an American violinist, conductor, and a concertmaster of the Metropolitan Opera Orchestra. He is one of the most sought-after violinists of his generation. He is a prizewinner at the International Tchaikovsky Competition, the International Violin Competition of Indianapolis, among many others. As a conductor, Chan is praised for his deep understanding of the music and interpretive depth.

<span class="mw-page-title-main">Kevin Kwan Loucks</span> American musician

Kevin Kwan Loucks is a Korean–American classical pianist, arts entrepreneur, and nonprofit executive. In September 2021, he was appointed Chief Executive Officer of Chamber Music America in New York City. He previously served as Director of Business Development and Strategic Partnerships at the Philharmonic Society of Orange County, a presenting organization in residence at the Segerstrom Center for the Arts in Costa Mesa, CA, and also served as Director of Innovation and Program Development at Music Academy of the West in Santa Barbara, California. He co-founded Chamber Music | OC, an arts organization headquartered in Lake Forest, California, and is a founding member and current pianist of the award-winning piano trio, Trio Céleste.

Mark Peskanov is an American virtuoso violinist, known as a soloist, chamber musician, composer, conductor, and concert presenter.

Ilana Davidson is an American operatic soprano who has had an active international singing career in operas and concerts. She has sung on several recordings, including as a soloist on a recording of William Bolcom's Songs of Innocence and of Experience with Leonard Slatkin and the University of Michigan chorus and orchestra which won four Grammy Awards including Best Classical Album in 2006. She is the co-artistic director of the Chamber music series ClassicalCafe.

Seth Carlin was an American pianist and fortepianist. A student of Morton Estrin, Jules Gentil, Wilhelm Kempff, and Rosina Lhévinne, Carlin was especially noted for his performances of the music of Schubert. He appeared on French, Swedish, Chinese and German national television and radio and performed as soloist with orchestras including the Boston Pops and St. Louis Symphony under such conductors as Leonard Slatkin and Nicholas McGegan. He was a prizewinner in the Ferruccio Busoni International Piano Competition and the International Tchaikovsky Competition, and performed a complete cycle of Schubert piano sonatas in New York broadcast by National Public Radio.

Joyce Mathis was an American soprano who was a concert artist, recitalist, and opera singer from the 1960s into the early 1990s. She is considered a part of the first generation of black classical singers to achieve success in the United States; breaking down racial barriers within the field of classical music. She won several notable singing competitions, including the Marian Anderson Award in 1967 and the Young Concert Artists in 1968. In 1970 she recorded the role of the High Priestess in Verdi's Aida alongside Leontyne Price and Luciano Pavarotti. Pulitzer Prize-winning composer Ned Rorem wrote his song cycle Women's Voices for her in 1975. In 1976 she created the role of Celestina in Roger Ames's opera Amistad at the Kennedy Center for the Performing Arts. She appeared frequently in performances with Opera Ebony and the Boys Choir of Harlem in addition to touring widely as a recitalist and concert soprano.

Thomas Paul is an American bass and voice teacher who had an active performance career during the second half of the 20th century. While more frequently heard in oratorios and other concert literature, Paul also appeared in operas during his career with companies like the New York City Opera, the San Francisco Opera, and Washington National Opera. In 1964 he created the role of Jack Spaniard in the world premiere of Robert Ward's The Lady From Colorado at the Central City Opera. In 1976 he portrayed Jared Bilby in the world premiere of Carlisle Floyd's Bilby's Doll at the Houston Grand Opera. He was a full time professor of voice at the Eastman School of Music at the University of Rochester from 1973 through 1998, and also taught at the Aspen Music Festival and School.

References

  1. 1 2 3 4 5 6 Joseph Stevenson. "Robert White". AllMusic . Retrieved 23 November 2015.
  2. 1 2 "Mrs. Joseph White, Widow Of Silver-Masked Tenor" (PDF). The New York Times . 18 December 1967. p. 47.
  3. 1 2 3 Leslie Kandel (19 April 1998). "Music; A Tenor With a Talent for Friendship, Too". The New York Times .
  4. 1 2 3 4 5 6 7 8 9 Allan Kozinn (10 August 1980). "The 'Irish Tenor' From the Bronx". The New York Times . pp. 118, 123.
  5. ↑ James Barron (5 August 1998). "Public Lives". The New York Times .
  6. ↑ James Barron (28 December 2010). "Remembering the 'Blizzardopolis' of '47". The New York Times .
  7. 1 2 Ross Parmenter (27 March 1959). "Philharmonic Handel Festival: Bernstein Conducts at Carnegie Hall" (PDF). The New York Times .
  8. 1 2 Bernard Holland (21 June 1988). "Review/Music; 20th-Century Romantic Songs". The New York Times .
  9. ↑ Peter Dickinson (2010). Samuel Barber Remembered: A Centenary Tribute. University of Rochester Press. ISBN   9781580463508.
  10. ↑ Anthony Tommasini (22 January 2001). "Beverley Peck Johnson, 96, Voice Teacher". The New York Times .
  11. ↑ Dan Dietz (2010). Off Broadway Musicals, 1910–2007: Casts, Credits, Songs, Critical Reception and Performance Data of More Than 1,800 Shows. McFarland & Company. p. 264. ISBN   9780786457311.
  12. ↑ Eric Salzman (30 May 1959). "Purcell's Music to 'Fairy Queen' Presented by Morristown Group". The New York Times . p. 9.
  13. ↑ Eric Salzman (8 December 1960). "Music: Flemish Works". The New York Times . p. 44.
  14. ↑ Allen Hughes (20 November 1968). "Clarion Concert Brings Novelties". The New York Times .
  15. ↑ "Concert at Biltmore Nov. 11 for WBAI". The New York Times . 25 October 1964.
  16. ↑ "4 Perform Music Of Renaissance: Lively Program at Hunter Marks Twelfth-night". The New York Times . 7 January 1966. p. 20.
  17. ↑ Ross Parmenter (14 January 1963). "Handel Oratorio Given" (PDF). The New York Times . p. 5.
  18. ↑ "Grand Duchess Has Elizabethan Evening: White House Dinner Given for Charlotte of Luxembourg" (PDF). The New York Times . Associated Press. 1 May 1963. p. 3.
  19. ↑ Harold C. Schonberg (4 March 1963). "Music: Menotti Opera; 'Labyrinth' on TV Is Not His Best The Cast". The New York Times .
  20. ↑ Howard Klein (20 April 1964). "Cheers and Jeers Greet Opera By Gottlieb at Forum Concert". The New York Times.
  21. ↑ Raymond Ericson (21 December 1965). "Music: Scherchen Conducts 'Messiah'". The New York Times . p. 49.
  22. ↑ Theodore Strongin (27 December 1965). "Hermann Scherchen Conducts Rich Feast of a B Minor Mass". The New York Times . p. 34.
  23. ↑ "Who Make's Music And Where?" (PDF). The New York Times . 6 February 1966.
  24. ↑ T.M.S. (11 February 1966). "New Music Offered At The Guggenheim" (PDF). The New York Times . p. 36.
  25. ↑ T.M.S. (9 January 1967). "Waldman Leads Handel Oratorio" (PDF). The New York Times . p. 33.
  26. ↑ Allen Hughes (26 August 1967). "Mozart Festival Offers Requiem: Torkanowsky Is Conductor at Philharmonic Hall". The New York Times . p. 29.
  27. ↑ Peter G. Davis (23 December 1968). "Chamber Soloists Do Handel Opera" (PDF). The New York Times . p. 43.
  28. ↑ Allen Hughes (19 February 1969). "Clarion Society Offers 1610 'Vespro'" (PDF). The New York Times . p. 41.
  29. ↑ Harold C. Schonberg (3 December 1969). "Music: Return of 'Medea in Corinto'" (PDF). The New York Times . p. 61.
  30. ↑ Allan Kozinn (27 April 1980). "The 'Unfashionably Romantic' Music of John Corigliano" (PDF). The New York Times .
  31. ↑ "Caldara* – A Moog Mass". www.discogs.com. Retrieved 22 November 2015.
  32. ↑ Clive Barnes (24 June 1972). "Dance: Balanchine and Robbins Take to the Stage". The New York Times . p. 17.
  33. ↑ Allen Hughes (4 February 1974). "Music: Sparkling Aeterna Bill Highlights Soprano" (PDF). The New York Times . p. 34.
  34. ↑ John Rockwell (19 December 1975). "Sammartini Music For Church Is Led By Newell Jenkins" (PDF). The New York Times . p. 52.
  35. ↑ John Rockwell (29 February 1976). "Music: National Chorale" (PDF). The New York Times . p. 45.
  36. ↑ Allen Hughes (21 July 1977). "Festive Washington Square Music Festival" (PDF). The New York Times .
  37. ↑ Allen Hughes (27 October 1977). "An Unconventional Musicthon" (PDF). The New York Times . p. 65.
  38. ↑ Andrew J. Glass (11 March 1979). "Culture in Carter's White House" (PDF). The New York Times . pp. 142, 173.
  39. ↑ Peter G. Davis (4 July 1976). "Recordings View: A Deluge of Musical Americana" (PDF). The New York Times . pp. 93, 105.
  40. ↑ Joseph Horowitz (19 November 1978). "A Mixed Bag of Songs Offered By Robert White at a Museum" (PDF). The New York Times . p. 87.
  41. ↑ Peter G. Davis (14 October 1979). "Chamber Ensembles Enjoy a Boom: Chamber Ensembles on Disks" (PDF). The New York Times .
  42. ↑ Raymond Ericson (2 November 1979). "Music: Baroque Opera". The New York Times .
  43. ↑ John Rockwell (4 April 1980). "The Pop Life" (PDF). The New York Times . p. 53.
  44. ↑ Edward Rothstein (7 June 1981). "Critics Choice; Classical Music". The New York Times .
  45. ↑ Edward Rothstein (20 September 1981). "Music: Tilson Thomas Leads Stravinsky Bill". The New York Times .
  46. ↑ Edward Rothstein (18 May 1982). "Music Noted In Brief; Choral Society Presents Bach's B Minor Mass". The New York Times .
  47. ↑ Nan C. Robertson (2 October 1985). "William Schuman Offers A Birthday Gift To Friends". The New York Times .
  48. ↑ Susan Heller Anderson (9 November 1985). "New York Day By Day; Honor For Beloved Dubliner". The New York Times .
  49. ↑ Will Crutchfield (25 March 1987). "Music: Songs by Beethoven". The New York Times .
  50. ↑ Tim Page (13 April 1987). "Skitch Henderson Leads New York Pops". The New York Times .
  51. ↑ John Rockwell (20 November 1988). "Recordings; Rock Label Bows on the Classical Scene". The New York Times .
  52. ↑ Will Crutchfield (13 October 1988). "Review/Concert; Robert White's Lyric Tenor". The New York Times .
  53. ↑ Robert Sherman (5 February 1989). "Music; Winograd to Return to the Hartford". The New York Times .
  54. ↑ John Rockwell (17 December 1989). "Review/Music; Chamber Quintet's Particular Program". The New York Times .
  55. ↑ Allan Kozinn (27 February 1991). "Reviews/Music; Oboist Alone And Aided". The New York Times .
  56. ↑ Edward Rothstein (16 September 1992). "Review/Music; The Tully Behind The Hall Turns 90". The New York Times .
  57. ↑ James Barron (25 July 1993). "The Great Outdoors; There Once Was a Tenor Who Swallowed a Bug". The New York Times .
  58. ↑ Alex Ross (23 October 1993). "Classical Music in Review". The New York Times .
  59. ↑ Allan Kozinn (2 March 1994). "Service Remembering Alice Tully The Way She Chose: With Music". The New York Times .
  60. ↑ "Europe '96: Festivals;A Listener's Choice". The New York Times . 17 March 1996.
  61. ↑ Nadine Brozan (5 April 1996). "Chronicle". The New York Times .
  62. ↑ Anthony Tommasini (20 December 1997). "Music Review; Renaissance Man, Though an Unlikely One". The New York Times .
  63. ↑ Leslie Kandell (5 July 1998). "A Classical Series Tailored to the Hamptons". The New York Times .
  64. ↑ Allan Kozinn (8 December 1998). "Music Review; Interesting Things Come in Twos". The New York Times .
  65. ↑ Allan Kozinn (12 July 1999). "Samuel Sanders Is Dead at 62; Accompanied Noted Performers". The New York Times .
  66. ↑ "Classical Music And Dance Guide". The New York Times . 2 April 1999.
  67. ↑ "Classical Music And Dance Guide". The New York Times . 26 May 2000.
  68. ↑ Robert Sherman (1 October 2000). "Pop and Classical, 'New' and 'Old' Music". The New York Times .
  69. ↑ Johanna Keller (11 November 2001). "Music; Retaking the Measure of American Song". The New York Times .
  70. ↑ Anne Midgette (22 November 2001). "Music Review; Of Flames Flickering And Flaring". The New York Times .
  71. ↑ "Classical Music And Dance Guide". The New York Times . 25 January 2002.
  72. ↑ "For the Faithful, a Final Quenelle". The New York Times . 26 May 2004.
  73. ↑ Daniel J. Wakin (23 June 2006). "The Morgan Library and Museum Shows Off Its New Concert Space". The New York Times .
  74. ↑ "Classical Music/Opera Listings". The New York Times. 18 March 2010.
  75. ↑ Zachary Woolfe (12 June 2011). "Wartime Songs Keep Luster From Long Ago and Far Away". The New York Times .
  76. ↑ "Juilliard Faculty Bio". April 2012. Retrieved 24 November 2015.
  77. ↑ Anthony Tommasini (31 October 2006). "A Performer Who's Early in a Singer's Lifespan". The New York Times .
  78. ↑ James Barron (3 December 2001). "Remembering Fred Allen: Radio Was Down His Alley". The New York Times .
  79. ↑ Joseph Horowitz (27 January 2002). "MUSIC; Quiet, Please. This Is a Library After All". The New York Times .
This page is based on this Wikipedia article
Text is available under the CC BY-SA 4.0 license; additional terms may apply.
Images, videos and audio are available under their respective licenses.