Strange Angels is the fifth album overall and fourth studio album by performance artist and singer Laurie Anderson, released by Warner Bros. Records in 1989.
My Life in the Bush of Ghosts is a studio album by Brian Eno and David Byrne, released in February 1981. It was Byrne's first album without his band Talking Heads. The album integrates sampled vocals and found sounds, African and Middle Eastern rhythms, and electronic music techniques. It was recorded before Eno and Byrne's work on Talking Heads' 1980 album Remain in Light, but problems clearing samples delayed its release by several months.
A Rainbow in Curved Air is the third album by American composer Terry Riley, released in 1969 on CBS Records. The title track consists of Riley's overdubbed improvisations on several keyboard and percussion instruments, including electric organ, electric harpsichord, dumbec, and tambourine. The B-side "Poppy Nogood and the Phantom Band" is a saxophone-based drone piece featuring tape loops and edits, drawing on Riley's all-night improvisatory performances in the 1960s.
Peter Gordon is an American saxophonist, clarinetist, pianist and experimental composer, whose influences include jazz, disco, funk, rock, opera, classical and world music. He has released several albums and composed scores for film and theater, and he has also toured and re-interpreted the music of Arthur Russell, on whose compositions he played, as well as that of Robert Ashley.
Love of Life Orchestra (LOLO) is an experimental music group formed by Peter Gordon in New York in April 1977. The band is associated with the 1970s New York downtown music scene.
"Larks' Tongues in Aspic" is a suite of music by the English progressive rock band King Crimson. Spanning thirty years and four albums, the series comprises five parts, all of which carry unifying musical motifs. Parts I and II were released as the introductory and final tracks on King Crimson's 1973 album of the same name, part III was featured on their 1984 album Three of a Perfect Pair, part IV appeared on 2000's The Construkction of Light, and the final part, "Level Five", was included on the 2003 album The Power to Believe. Despite breaking the naming convention, Robert Fripp, King Crimson founder and only constant contributor to the suite, insists that "Level Five" is part of the pentalogy.
Volume 6: Black Anvil Ego is the sixth extended play (EP) by American desert rock collective The Desert Sessions. Recorded in March 1999 at Rancho De La Luna, it was released by Man's Ruin Records on August 16, 1999. The album features eleven credited musicians, including Josh Homme, Dave Catching and Gene Trautmann. It was later re-released with Volume 5: Poetry for the Masses (SeaShedShitheadByTheSheSore) as Volumes 5 & 6.
David Van Tieghem is an American composer, percussionist and sound designer, best known for his philosophy of utilizing any available object as a percussion instrument and for his collaborations with the experimental artists Laurie Anderson, Brian Eno, Steve Reich, Robert Ashley and David Byrne.
These Things Happen is the debut studio album by American progressive electronic composer and percussionist David Van Tieghem, released in 1984 by Warner Bros. Records. Van Tieghem produced the album himself, and it was recorded at four separate recording studios in New York City, which were Battery Sound, Right Track Recording, Public Access Synthesizer Studio and Rosewood Sound.
Strange Cargo is the third studio album by American progressive electronic composer and percussionist David Van Tieghem, released in 1989 by Private Music.
Tomorrow, in a Year is the studio version of the music commissioned by the Danish performance group Hotel Pro Forma for its opera based on Charles Darwin's On the Origin of Species. It is a collaboration between The Knife, Mt. Sims and Planningtorock. It was released digitally on 1 February 2010 through The Knife's own label Rabid Records prior to the physical release.
Crystal Castles II is the second studio album by Canadian electronic music duo Crystal Castles, released on May 24, 2010 by Fiction Records and Last Gang Records. The album was initially scheduled for release on June 7, 2010; however, the release dates were moved forward after the album leaked online, thus a digital version of the album was released on April 23, 2010.
Vane is the only studio album by Bleak, an offshoot of the band Lycia, released in 1995 by Projekt Records.
Soup is a collaborative album by Bill Laswell, Yasuhiro Yoshigaki and Otomo Yoshihide. It was released on December 10, 2003 by P-Vine Records.
A Navel City/No One Is There is a collaborative album by Hoppy Kamiyama and Bill Laswell, released in May 2004 by Creage.
Enemy Within is the seventh solo studio album by English singer-songwriter and guitarist Chris Spedding. The album was originally released in October 1986, on the label New Rose Records in France, and in Germany on Date Records. The album was recorded over a period of three years starting in 1982, at three different recording studios. It was the six-year follow-up to his 1980 album I'm Not Like Everybody Else. The album features contributions from Tom Finn, Anton Fig, Jimmy Zoppi, David Van Tieghem, and Keith Lentin. The album was his last recording of original material for four years, until he released Cafe Days, in 1990.
On the Other Ocean is the debut studio album by American composer David Behrman, released in 1978 by Lovely Music, Ltd. Considered a pioneering work in the genre of computer music, the album pairs computers with live players.
Sooner or Later is the debut studio album of Bob Ostertag, released in 1991 by RecRec Music.
Architecture is the third studio album by Spahn Ranch, released on April 8, 1997 by Cleopatra Records. After original member Rob Marton departed from the band, Christian Death drummer David Glass and drummer Harry Lewis joined the Spahn Ranch to further experiment with the band's fusion dark wave and industrial music. Critics have called it one of Spahn Ranch's most influential and experimental albums for its incorporation of drum and bass, dub and live guitar.
*69 is the second studio album by Chicago-based singer Emily Blue. It was released independently by Blue in collaboration with Audiotree, originally on 8 August 2018 as an extended play, then re-issued on 27 March 2019 with four additional tracks as a full studio album. The album was produced by Max Perenchio.
