Giorgio Barbarelli da Castelfranco, known as Giorgione, was an Italian painter of the Venetian school during the High Renaissance, who died in his thirties. He is known for the elusive poetic quality of his work, though only about six surviving paintings are firmly attributed to him. The uncertainty surrounding the identity and meaning of his work has made Giorgione one of the most mysterious figures in European art.
Alessandro Bonvicino, more commonly known as Moretto, or in Italian Il Moretto da Brescia, was an Italian Renaissance painter from Brescia, where he also mostly worked. His dated works span the period from 1524 to 1554, but he was already described as a master in 1516. He was mainly a painter of altarpieces that tend towards sedateness, mostly for churches in and around Brescia, but also in Bergamo, Milan, Verona, and Asola; many remain in the churches they were painted for. The majority of these are on canvas, but a considerable number, including some large pieces, are created on wood panels. There are only a few surviving drawings from the artist.
The Gallerie dell'Accademia is a museum gallery of pre-19th-century art in Venice, northern Italy. It is housed in the Scuola della Carità on the south bank of the Grand Canal, within the sestiere of Dorsoduro. It was originally the gallery of the Accademia di Belle Arti di Venezia, the art academy of Venice, from which it became independent in 1879, and for which the Ponte dell'Accademia and the Accademia boat landing station for the vaporetto water bus are named. The two institutions remained in the same building until 2004, when the art school moved to the Ospedale degli Incurabili.
Paris Bordone was an Italian painter of the Venetian Renaissance who, despite training with Titian, maintained a strand of Mannerist complexity and provincial vigor.
Francesco Beccaruzzi was an Italian painter of the Renaissance era, active near his hometown of Conegliano and in the neighborhood of Treviso. He was influenced by both Il Pordenone and later Titian. He painted Saint Francis receiving stigmata (1545) from Conegliano, but now in the Gallerie dell'Accademia in Venice.
San Silvestro is a church building in the sestiere of San Polo of Venice, northern Italy.
Palma Vecchio, born Jacopo Palma, also known as Jacopo Negretti, was a Venetian painter of the Italian High Renaissance. He is called Palma Vecchio in English and Palma il Vecchio in Italian to distinguish him from Palma il Giovane, his great-nephew, who was also a painter.
The Crucifixion is a life sized painting by the Venetian artist Titian, completed in 1558 and presently hanging in the sanctuary of the church of San Domenico, Ancona. Jesus Christ is shown crucified, with Saint Mary and Saint John standing either side of the cross in the Stabat Mater tradition. The kneeling figure is of Saint Dominic. The canvas was completed during Titian's fifth decade of painting, and is one of the works marking a shift toward his extensive exploration of tragedy and human suffering.
Santa Maria di Nazareth is a Roman Catholic Carmelite church in Venice, northern Italy. It is also called Church of the Scalzi being the seat in the city of the Discalced Carmelites religious order. Located in the sestiere of Cannaregio, near Venezia Santa Lucia railway station, it was built in the mid-17th century to the designs of Baldassarre Longhena and completed in the last decades of that century.
The Averoldi Polyptych, also known as the Averoldi Altarpiece, is a painting by the Italian Renaissance painter Titian, dating to 1520–1522, in the basilica church of Santi Nazaro e Celso in Brescia, northern Italy.
The Aldobrandini Madonna is an oil painting on canvas by Titian, dating to c. 1530. It is held in the National Gallery, in London. There are studio copies in the Galleria Palatina, in Florence, and in the Kunsthistorisches Museum, in Vienna.
The Presentation of the Virgin at the Temple is a 1534–1538 painting by Titian. It depicts the three year-old Virgin Mary entering the Temple of Jerusalem. It was commissioned by the fraternity based in the Scuola Grande di Santa Maria della Carita, a building later incorporated into the Gallerie dell'Accademia, in Venice, where the work now hangs.
Detroit Trio, also titled The Appeal, is an oil on canvas painting attributed to Giorgione, Titian and Sebastiano del Piombo, executed c. 1500. It is held now in the Detroit Institute of Arts.
The Assassination of Saint Peter Martyr was a 1528-1529 altarpiece in oils by Titian, originally painted on panel and later transferred to canvas. It was "destroyed by an Austrian shell", or the resulting fire at Santi Giovanni e Paolo, Venice in 1867, though a 1691 copy by Johann Carl Loth hangs in its place. It was reproduced as a print under Titian's supervision, and was highly influential. It was 500 x 306 cm, one of Titian's pioneering large vertical altarpieces.
Madonna and Child with Four Saints or Madonna and Child with Saints John the Baptist, Paul, Mary Magdalene and Jerome is a c. 1516-1520 oil on panel painting by Titian, now in the Gemäldegalerie in Dresden. It belongs to the sacra conversazione genre and features saints John the Baptist, Paul, Mary Magdalene and Jerome.
Virgin and Child with Saints Anthony Abbot, Jerome and Francis, also known as Madonna and Child with Three Saints or Adoration of the Christ Child with Saints, is an oil on canvas painting by Titian, from c. 1519. It is held in the Alte Pinakothek, in Munich.
Storm at Sea or Saints Mark, George and Nicholas Freeing Venice from Demons is a c. 1528 oil on canvas painting by Palma Vecchio, now in the Gallerie dell'Accademia in Venice. It was partly completed in 1535 by Paris Bordon after Palma's death.
The Archangel Raphael and Tobias is an oil painting by Titian of Tobias and the Angel, dated to about 1512 to 1514, which is now in the Gallerie dell'Accademia in Venice. Another painting by Titian of the same subject, entitled Tobias and the Angel, dated to about 1540 to 1545, remains in the church of the Madonna dell'Orto in Venice.
The Virgin and Child with Saint John the Baptist and an Unidentified Saint, also called the Virgin with Saint John the Baptist, Adored by a Donor, is a religious painting by Titian, dated to c. 1515-1520. It is currently on loan to the Scottish National Gallery, in Edinburgh.
