Lucretia is an oil-on-canvas painting by Paolo Veronese from c.1580-1583. This Venetian painting depicts Lucretia in the act of piercing her chest with a dagger after having been raped by the king’s son of Sextus Tarquinius. It is held in the collection of Kunsthistorisches Museum, Vienna, Austria.
The Venetian painter Titian and his workshop made at least six versions of the same composition showing Danaë, painted between about 1544 and the 1560s. The scene is based on the mythological princess Danaë, as – very briefly – recounted by the Roman poet Ovid, and at greater length by Boccaccio. She was isolated in a bronze tower following a prophecy that her firstborn would eventually kill her father. Although aware of the consequences, Danaë was seduced and became pregnant by Zeus, who, inflamed by lust, descended from Mount Olympus to seduce her in the form of a shower of gold.
Portrait of Isabella d'Este is a an oil on canvas painting of a young woman by Titian. It can be dated to the 1530s and is held in the Kunsthistorisches Museum, in Vienna. The artist and the date are undisputed. Beyond the museum documentation, there are several doubts about the person depicted.
Lucretia and her Husband Lucius Tarquinius Collatinus or Tarquin and Lucretia is an oil painting attributed to Titian, dated to around 1515 and now in the Kunsthistorisches Museum in Vienna. The attribution to this artist is traditional but uncertain - the brightened palette suggests it could instead be by Palma Vecchio. However, others identify the painting as part of Titian's series of half-length female figures from 1514 to 1515, which also includes the Flora at the Uffizi, the Woman with a Mirror at the Louvre, the Violante and the Young woman in a black dress in Vienna, Vanity in Munich and the Salome at the Galleria Doria Pamphilj. There is an early copy in the Royal Collection.
Violante is an oil painting attributed to Titian, dated to around 1515 and now held at the Kunsthistorisches Museum in Vienna.
Flora is an oil painting by Italian late Renaissance painter Titian, dated to around 1515 and now held at the Uffizi Gallery in Florence.
Woman with a Mirror is a painting by Titian, dated to c. 1515 and now in the Musée du Louvre, in Paris.
The Gypsy Madonna is a panel painting of the Madonna and Child in oils of about 1510–11, by Titian, now in the Kunsthistorisches Museum in Vienna. It is a painting made for display in a home rather than a church.
La Bella is a portrait of a woman by Titian in the Palazzo Pitti in Florence. The painting shows the subject with the ideal proportions for Renaissance women. In parallel the stringent composition corresponds to Titian's real portraits. The work can be dated by a letter about "that portrait of that woman in a blue dress" in May 1536.
The Fur or The Pelt, also called The Little Fur, or Helena Fourment in a Fur Robe, is a c. 1636–1638 portrait by Peter Paul Rubens of his second wife Helena Fourment getting out of her bath and wrapping her voluptuous body in a fur. It is now in the Kunsthistorisches Museum in Vienna.
Girl in a Fur is an oil on canvas painting by Titian, from 1536-1538. It is held in the Kunsthistorisches Museum, in Vienna. It depicts the same female model that he used in La Bella and Venus of Urbino.
The Bravo is an oil painting usually attributed to Titian, dated to around 1516-17 and now in the Kunsthistorisches Museum in Vienna. The painting can be seen as one of a number of Venetian paintings of the 1510s showing two or three half-length figures with heads close together, often with their expressions and interactions enigmatic. Most of these are "Giorgionesque" genre or tronie subjects where the subjects are anonymous, though the group includes Titian's The Tribute Money, with Christ as the main figure, which in terms of style is similar to this painting, and his Lucretia and her Husband, also in Vienna, where at least the woman's identity is clear, if not that of the man.
Portrait of Cecilia Gozzadini is an oil painting attributed to Parmigianino, dated to around 1530 and now held at the Kunsthistorisches Museum in Vienna.
Isabella in Red is a portrait of a woman by Peter Paul Rubens in the Kunsthistorisches Museum in Vienna. It is considered a close copy of a lost Titian original.
Portrait of the Physician Gian Giacomo Bartolotti da Parma, also known as Portrait of a Man, is an oil painting by the Venetian master Titian, made c. 1515-1518. The painting is in the collection of the Kunsthistorisches Museum, in Vienna.
Nymph and Shepherd, also called Shepherd and Nymph, is an oil painting by the Venetian master Titian, made about 1570. The painting is in the collection of the Kunsthistorisches Museum in Vienna.
Portrait of John Frederick I, Elector of Saxony is an oil painting by the Venetian painter Titian, made in late 1550 or early 1551. The painting is in the collection of the Kunsthistorisches Museum in Vienna.
The Ecce Homo is a large oil painting by Titian, signed and dated 1543, which hangs in the Kunsthistorisches Museum in Vienna. It is not to be confused with several smaller compositions by Titian.
Portrait of Benedetto Varchi, also called Portrait of a Man, is an oil painting by Titian. It was painted in around 1540, and hangs today in the Kunsthistorisches Museum in Vienna.
Portrait of Fabrizio Salvaresio is an oil painting by Titian. It is signed and dated 1558, and hangs today in the Kunsthistorisches Museum in Vienna.
