Tiziano Vecelli or Vecellio, Latinized as Titianus, hence known in English as Titian, was an Italian (Venetian) Renaissance painter of Lombard origin, considered the most important member of the 16th-century Venetian school. He was born in Pieve di Cadore, near Belluno. During his lifetime he was often called da Cadore, 'from Cadore', taken from his native region.
The Alte Pinakothek is an art museum located in the Kunstareal area in Munich, Germany. It is one of the oldest galleries in the world and houses a significant collection of Old Master paintings. The name Alte (Old) Pinakothek refers to the time period covered by the collection—from the fourteenth to the eighteenth century. The Neue Pinakothek, re-built in 1981, covers nineteenth-century art, and Pinakothek der Moderne, opened in 2002, exhibits modern art. All three galleries are part of the Bavarian State Painting Collections, an organization of the Free state of Bavaria.
Bernhard Strigel was a German portrait and historical painter of the Swabian school, the most important of a family of artists established at Memmingen. He was born at Memmingen and was probably a pupil of Zeitblom at Ulm. He stood in high favor with the Emperor Maximilian I, in whose service he repeatedly journeyed to Augsburg, Innsbruck, and Vienna.
Johann Rottenhammer, or Hans Rottenhammer, was a German painter. He specialized in highly finished paintings on a small scale.
Lambert Sustris was a Dutch painter active mainly in Venice. The works Sustris completed in Italy exhibit either a Mannerist style or qualities that may be deemed proto-Baroque. He is also referred to as Alberto de Olanda. He was born in Amsterdam, and only came to Venice when over 40 years old. His training is unknown, but he was utilized by the studio of Titian for the depiction of landscapes. He accompanied Titian on his trips to Augsburg in 1548 and 1550–1551, and there executed portraits. Returning to Venice, he was influenced by Parmigianino and Andrea Meldolla. He was a teacher to Girolamo Muziano. As the Muziano scholar Patrizia Tosini has noted, Sustris's works, via his pupil Muziano, are a significant means by which a mid-sixteenth century Venetian interest in landscape and its role as a backdrop for historical subjects spread to Rome in the mid-to-late sixteenth century. His son was Friedrich Sustris.
Antonio Bellucci was an Italian soldier who became a painter of the Rococo period and was best known for his work in England, Germany, and Austria. He was one of the many Venetian-trained artists of his time, including Ricci, Tiepolo, Amigoni, and others, who sought commissions north of Italy, providing patrons with the then-popular Italianate grand-manner frescoes for private palaces.
The decade of the 1480s in art involved some significant events.
Events from the year 1548 in art.
Clemens von Zimmermann was a German historical painter. He is associated with the Düsseldorf school of painting.
Equestrian Portrait of Charles V is an oil-on-canvas painting by the Italian Renaissance artist Titian. Created between April and September 1548 while Titian was at the imperial court of Augsburg, it is a tribute to Charles V, Holy Roman Emperor, following his victory in the April 1547 Battle of Mühlberg against the Protestant armies.
The Equestrian Portrait of Charles I is a large oil painting on canvas by Anthony van Dyck, showing Charles I on horseback. Charles I had become King of England, Scotland and Ireland in 1625 on the death of his father James I, and Van Dyck became Charles's Principal Painter in Ordinary in 1632.
Vanity is an oil painting by the Italian late Renaissance painter Titian, dated to around 1515 and now held at the Alte Pinakothek in Munich, Germany.
The Portrait of Isabella of Portugal is an oil-on-canvas portrait of Isabella of Portugal, Holy Roman Empress by Titian dating to 1548. It was part of the Spanish royal collection and is now in the Museo del Prado in Madrid.
Hubert Gerhards was a Dutch sculptor. Like many of his contemporaries, he may have left the Netherlands in order to escape the religious conflicts and iconoclasm of the 1566–1567 era. He trained in Florence in the circle of Giambologna, who heavily influenced his style. Gerhard's dominant subject-matter, characteristic of many Northern Mannerist artists, was the mythological gods of antiquity.
An equestrian portrait is a portrait that shows the subject on horseback. Equestrian portraits suggest a high-status sitter, who in many cases was a monarch or other member of the nobility, and the portraits can also carry a suggestion of chivalry.
Noli me tangere or Christ Appearing As A Gardener To Mary Magdalene is a 1548-1560 painting by the Flemish painter Lambert Sustris. It is now in the Palais des beaux-arts de Lille.
Self-Portrait with Death Playing the Fiddle is a painted self-portrait executed in 1872 by the Swiss symbolist artist Arnold Böcklin. He first exhibited at the Kunstverein München in the same year, establishing his reputation in Munich's artistic community. It is now in the Alte Nationalgalerie, in Berlin.
Venus and Cupid or Venus, Mars and Cupid is a c.1554 oil on canvas painting by Lambert Sustris, entering the French royal collection of Louis XIV in 1671 and now INV 1978 in the Louvre Museum, where it displayed in the Salle de la Joconde.
Portrait of John Frederick I, Elector of Saxony is an oil painting by the Venetian painter Titian, made in late 1550 or early 1551. The painting is in the collection of the Kunsthistorisches Museum in Vienna.
Portrait of Charles V may refer to one of several works by Titian:
