| Christ and the Adulteress | |
|---|---|
 | |
| Year | c. 1520 |
| Medium | Oil on canvas |
| Dimensions | 82.5 cm× 136.5 cm(32.5 in× 53.7 in) |
| Location | Museum of Fine Arts, Vienna |
| Accession | GG_114 |
Christ and the Adulteress (German: Christus und die Ehebrecherin), also titled Christ and the Woman Taken in Adultery, or The Adulteress before Christ, is an oil painting by Titian, made about 1520, in the Kunsthistorisches Museum, Vienna. [1] [2]
Carlo Ridolfi mentions having seen this picture in the Venetian studio of Bartolomeo della Nave. [1] It formed part of the art collection of the Duke of Hamilton from 1638 to 1649. [1] It then entered the collection Archduke Leopold Wilhelm of Austria. [1]
David Teniers the Younger or David Teniers II was a Flemish Baroque painter, printmaker, draughtsman, miniaturist painter, staffage painter, copyist and art curator. He was an extremely versatile artist known for his prolific output. He was an innovator in a wide range of genres such as history painting, genre painting, landscape painting, portrait and still life. He is now best remembered as the leading Flemish genre painter of his day. Teniers is particularly known for developing the peasant genre, the tavern scene, pictures of collections and scenes with alchemists and physicians.
Archduke Leopold Wilhelm of Austria, younger brother of Emperor Ferdinand III, was an Austrian soldier, administrator and patron of the arts.
The Three Philosophers is an oil painting on canvas attributed to the Italian High Renaissance artist Giorgione. It shows three philosophers – one young, one middle-aged, and one old. The work was commissioned by the Venetian noble Taddeo Contarini, a Venetian merchant with an interest in the occult and alchemy. The Three Philosophers was finished one year before the painter died. One of Giorgione’s last paintings, it is now displayed at the Kunsthistorisches Museum in Vienna. The painting was finished by Sebastiano del Piombo.
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Violante is an oil painting attributed to Titian, dated to around 1515 and now held at the Kunsthistorisches Museum in Vienna.
The Portrait of Jacopo Strada is a 1567-68 portrait of the court librarian Jacopo Strada by Titian, now held in the Kunsthistorisches Museum in Vienna.
Jan Anton van der Baren was a Flemish painter, draughtsman, priest and museum curator active in Brussels and Vienna. He specialised in still lifes of flowers and vegetables, some of which include an architectural background. He held the offices of court chaplain and director of the picture gallery of Archduke Leopold Wilhelm and Emperor Leopold I.
The Madonna of the Cherries is a 1515 painting by Titian, heavily influenced by the work of Giovanni Bellini. Originally oil on wood, it was later transferred to canvas. During the 17th century it formed part of the collection of Archduke Leopold Wilhelm, where it was copied by David Teniers. It is now in the Kunsthistorisches Museum in Vienna.
The Bravo is an oil painting usually attributed to Titian, dated to around 1516-17 and now in the Kunsthistorisches Museum in Vienna. The painting can be seen as one of a number of Venetian paintings of the 1510s showing two or three half-length figures with heads close together, often with their expressions and interactions enigmatic. Most of these are "Giorgionesque" genre or tronie subjects where the subjects are anonymous, though the group includes Titian's The Tribute Money, with Christ as the main figure, which in terms of style is similar to this painting, and his Lucretia and her Husband, also in Vienna, where at least the woman's identity is clear, if not that of the man.
Theatrum Pictorium, or Theatre of Painting, is a short-hand name of a book published in the 1660s by David Teniers the Younger for his employer, the Archduke Leopold Wilhelm of Austria. It catalogs 243 Italian paintings in the Archduke's collection of over 1300 paintings. The paintings are reproduced by engravings made by various engravers after reduced-size copies (modelli) created by Teniers. David Teniers' brother Abraham Teniers was involved in organizing the publication of the work. A second edition with page numbers was published in 1673.
Portrait of Cecilia Gozzadini is an oil painting attributed to Parmigianino, dated to around 1530 and now held at the Kunsthistorisches Museum in Vienna.
Judith with the head of Holofernes is a 1610–1615 painting by the painter Carlo Saraceni, now held in the Kunsthistorisches Museum in Vienna.
Saint Margaret and the Dragon is the title shared by two paintings of Saint Margaret by the Renaissance painter Raphael, both executed in about 1518. One is held in the Kunsthistorisches Museum in Vienna, the other in the Louvre in Paris.
Gallery of Archduke Leopold Wilhelm in Brussels is a 1651 painting of Archduke Leopold Wilhelm's Italian art collection by the Flemish Baroque painter David Teniers the Younger, now held in Petworth House in England.
Archduke Leopold Wilhelm and the artist in the archducal picture gallery in Brussels is a 1651 painting of Archduke Leopold Wilhelm's Italian art collection by the Flemish Baroque painter David Teniers the Younger, now held in the Kunsthistorisches Museum in Vienna.
Bartolomeo della Nave was a Venetian merchant and art collector.
Nymph and Shepherd, also called Shepherd and Nymph, is an oil painting by the Venetian master Titian, made about 1570. The painting is in the collection of the Kunsthistorisches Museum in Vienna.
Portrait of Benedetto Varchi, also called Portrait of a Man, is an oil painting by Titian. It was painted in around 1540, and hangs today in the Kunsthistorisches Museum in Vienna.
Portrait of Fabrizio Salvaresio is an oil painting by Titian. It is signed and dated 1558, and hangs today in the Kunsthistorisches Museum in Vienna.
The Mary with Child and Saints Stephen, Jerome and Mauritius, also called the Virgin with Three Saints, is a religious painting by Titian which hangs in the Kunsthistorisches Museum in Vienna.