| Judith with the Head of Holofernes | |
|---|---|
 | |
| Artist | Titian |
| Year | c. 1570 |
| Medium | Oil on canvas |
| Dimensions | 113 cm× 95.3 cm(44 in× 37.5 in) |
| Location | Detroit Institute of Arts |
Judith with the Head of Holofernes is an oil painting by Titian, made in about 1570, which hangs in the Detroit Institute of Arts.
Judith, a beautiful and pious widow of the Tribe of Simeon, executes a plan to deliver Bethulia from the Assyrian general Holofernes. Wearing her rich attire, and accompanied by her maid, who carries a bag of provisions, she goes to the hostile camp, where she is at once conducted to the general, whose suspicions are disarmed by the tales she invents. After four days Holofernes, smitten with her charms, at the close of a sumptuous entertainment invites her to remain within his tent over night. No sooner is he overcome with sleep than Judith, seizing his sword, strikes off his head and gives it to her maid; both now leave the camp (as they had previously been accustomed to do, ostensibly for prayer) and return to Bethulia, where the trophy is displayed amid rejoicings and thanksgivings. [1] [2]
This is the only known depiction of Judith beheading Holofernes by Titian. It has been universally accepted as autograph (that is, painted entirely by Titian) since its rediscovery by Tancred Borenius in 1922. [3]
The picture was probably first recorded in the collection of the Florentine aristocrat and art collector Marchese Gerini by Francesco Bocchi and Giovanni Cinelli in 1677. It was purchased by Esdel B. Ford from a private collection in New York City in 1935, and gifted to the Detroit Institute of Arts later that year. [3]
The Book of Judith is a deuterocanonical book included in the Septuagint and the Catholic and Eastern Orthodox Christian Old Testament of the Bible but excluded from the Hebrew canon and assigned by Protestants to the apocrypha. It tells of a Jewish widow, Judith, who uses her beauty and charm to trick and kill an Assyrian general who has besieged her city, Bethulia. With this act, she saves nearby Jerusalem from total destruction. The name Judith, meaning "praised" or "Jewess", is the feminine form of Judah.
In the deuterocanonical Book of Judith, Holofernes was an invading Assyrian general known for having been beheaded by Judith, a Hebrew widow who entered his camp and beheaded him while he was drunk.
The Old English poem Judith describes the beheading of Assyrian general Holofernes by Israelite Judith of Bethulia. It is found in the same manuscript as the heroic poem Beowulf, the Nowell Codex, dated ca. 975–1025. The Old English poem is one of many retellings of the Holofernes–Judith tale as it was found in the Book of Judith, still present in the Catholic and Orthodox Christian Bibles. The other extant version is by Ælfric of Eynsham, late 10th-century Anglo-Saxon abbot and writer; his version is a homily of the tale.
Judith Beheading Holofernes is a painting of the biblical episode by Caravaggio, painted in c. 1598–1599 or 1602, in which the widow Judith stayed with the Assyrian general Holofernes in his tent after a banquet then decapitated him after he passed out drunk. The painting was rediscovered in 1950 and is part of the collection of the Galleria Nazionale d'Arte Antica in Rome. The exhibition 'Dentro Caravaggio' Palazzo Reale, Milan, suggests a date of 1602 on account of the use of light underlying sketches not seen in Caravaggio's early work but characteristic of his later works. The exhibition catalogue also cites biographer artist Giovanni Baglione's account that the work was commissioned by Genoa banker Ottavio Costa.
Judith is an opera in five acts, composed by Alexander Serov during 1861–1863. Derived from renditions of the story of Judith from the Old Testament Apocrypha, the Russian libretto, though credited to the composer, has a complicated history. The premiere took place in 1863 in Saint Petersburg. This stage debut, supplemented with his next opera Rogneda, made Serov the most important Russian opera composer of the 1860s.
Judith of Bethulia (1914) is an American film starring Blanche Sweet and Henry B. Walthall, and produced and directed by D. W. Griffith, based on the play "Judith and the Holofernes" (1896) by Thomas Bailey Aldrich, which itself was an adaptation of the Book of Judith. The film was the first feature-length film made by pioneering film company Biograph, although the second that Biograph released.
Judith is a homily written by abbot Ælfric of Eynsham around the year 1000. It is extant in two manuscripts, a fairly complete version being found in Corpus Christi College Cambridge MS 303, and fragments in British Library MS Cotton Otho B.x, which came from the Cotton Library.
The account of the beheading of Holofernes by Judith is given in the deuterocanonical Book of Judith, and is the subject of many paintings and sculptures from the Renaissance and Baroque periods. In the story, Judith, a beautiful widow, is able to enter the tent of Holofernes because of his desire for her. Holofernes was an Assyrian general who was about to destroy Judith's home, the city of Bethulia. Overcome with drink, he passes out and is decapitated by Judith; his head is taken away in a basket.
Judith Slaying Holofernes is a painting by the Italian early Baroque artist Artemisia Gentileschi, completed in 1612-13 and now at the Museo Capodimonte, Naples, Italy. The picture is considered one of her iconic works. The canvas shows Judith beheading Holofernes. The subject takes an episode from the apocryphal Book of Judith in the Old Testament, which recounts the assassination of the Assyrian general Holofernes by the Israelite heroine Judith. The painting shows the moment when Judith, helped by her maidservant Abra, beheads the general after he has fallen asleep in a drunken stupor. She painted a second version now in the Uffizi, Florence, somewhere between 1613 and 1621.
Judith with the Head of Holofernes is an Italian Renaissance painting attributed to Andrea Mantegna or to a follower of his, possibly Giulio Campagnola. Painted in tempera in around 1495 or 1500, it depicts the common artistic subject of Judith beheading Holofernes.
Judith is an oratorio composed by Thomas Arne with words by the librettist, Isaac Bickerstaffe. It was first performed on 27 February 1761 at Drury Lane Theatre. It depicts the story of Judith, taken from the Book of Judith of the Old Testament. It was first published in 1761 and republished with edits in 1764. The piece is divided into three acts, with a total of 28 movements including nine choruses, two duets, an overture, and 16 arias.
Salome, or possibly Judith with the Head of Holofernes, is an oil painting which is an early work by the Venetian painter of the late Renaissance, Titian. It is usually thought to represent Salome with the head of John the Baptist. It is usually dated to around 1515 and is now in the Doria Pamphilj Gallery in Rome. Like other paintings of this subject, it has sometimes been considered to represent Judith with the head of Holofernes, the other biblical incident found in art showing a female and a severed male head. Historically, the main figure has also been called Herodias, the mother of Salome.
Judith and the Head of Holofernes is an oil painting by Gustav Klimt, painted in 1901. It depicts the biblical figure Judith holding the head of Holofernes after beheading him. The beheading and its aftermath have been commonly portrayed in art since the Renaissance, and Klimt himself would paint a second work depicting the subject in 1909.
Judith is a solo work created by dancer/choreographer Martha Graham. William Schuman composed the music. Charles Hyman designed the original set, which was replaced almost immediately by one conceived by Isamu Noguchi. He also added jewelry and a headdress. Jean Rosenthal provided the lighting. The piece premiered on January 4, 1950, at the Columbia Auditorium in Louisville, Kentucky.
Judith and her Maidservant is a c. 1615 painting by the Italian baroque artist Artemisia Gentileschi. The painting depicts Judith and her maidservant leaving the scene where they have just beheaded general Holofernes, whose head is in the basket carried by the maidservant. It hangs in the Pitti Palace, Florence.
Judith and Her Maidservant is one of four paintings by the Italian baroque artist Artemisia Gentileschi that depicts the biblical story of Judith and Holofernes. This particular work, executed in about 1623 to 1625, now hangs in the Detroit Institute of Arts. The narrative is taken from the deuterocanonical Book of Judith, in which Judith seduces and then murders the general Holofernes. This precise moment illustrates the maidservant Abra wrapping the severed head in a bag, moments after the murder, while Judith keeps watch. The other three paintings are now shown in the Museo di Capodimonte in Naples, the Palazzo Pitti in Florence, and the Musée de la Castre in Cannes.
Judith Slaying Holofernes c. 1620, now at the Uffizi Gallery in Florence, is the renowned painting by Baroque artist Artemisia Gentileschi depicting the assassination of Holofernes from the apocryphal Book of Judith. When compared to her earlier interpretation from Naples c. 1612, there are subtle but marked improvements to the composition and detailed elements of the work. These differences display the skill of a cultivated Baroque painter, with the adept use of chiaroscuro and realism to express the violent tension between Judith, Abra, and the dying Holofernes.
Salome, also known as Salome with the Head of John the Baptist, is an oil painting by the Venetian painter Titian, made in about 1550, and currently in the collection of the Museo del Prado in Madrid. It is not to be confused with other compositions of Salome and Judith by Titian.
Judith and her Maidservant with the Head of Holofernes is a painting by the Italian artist Artemisia Gentileschi, created in 1639-1640. It was one of many paintings by Gentileschi that treats the theme of Judith, who beheads the Assyrian general Holofernes, who was planning to destroy Judith's home city of Bethulia.
Salome, also called Salome with the Head of John the Baptist, is an oil painting by Titian, made in around 1570, and currently in a private collection. It is not to be confused with other compositions of Salome and Judith by Titian.
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