Portrait of Pier Luigi Farnese is a heavily-damaged 1546 oil on canvas painting of Pier Luigi Farnese, Duke of Parma by Titian, now in Room 2 of the National Museum of Capodimonte. [1]
It was produced on the artist's return to Venice from Rome in 1546. Its subject was a son of Pope Paul III, dressed in the armour and accoutrements of a papal gonfaloniere. He was stabbed to death in 1547 in a plot instigated by the Landi and Anguissola families on the advice of the duke of Milan Ferrante I Gonzaga. [2]
Pope Paul III, born Alessandro Farnese, was head of the Catholic Church and ruler of the Papal States from 13 October 1534 to his death in November 1549.
The Duchy of Parmaand Piacenza, was an Italian state created in 1545 and located in northern Italy, in the current region of Emilia-Romagna.
Pier Luigi Farnese was the first Duke of Castro from 1537 to 1545 and the first Duke of Parma and Piacenza from 1545 to 1547.
Ranuccio Farnese was an Italian prelate of the Farnese family, who was Cardinal of Santa Lucia in Selci from 1545 to his death in 1565. Son of Pier Luigi Farnese, the illegitimate son of Pope Paul III, Farnese was created Cardinal at the age of 15 by his grandfather the pope: he was nicknamed the cardinalino for his young age.
The House of Farnese was an influential family in Renaissance Italy. The titles of Duke of Parma and Piacenza and Duke of Castro were held by various members of the family.
Museo di Capodimonte is an art museum located in the Palace of Capodimonte, a grand Bourbon palazzo in Naples, Italy. The museum is the prime repository of Neapolitan painting and decorative art, with several important works from other Italian schools of painting, and some important ancient Roman sculptures. It is one of the largest museums in Italy. The museum was inaugurated in 1957.
Pope Paul III and His Grandsons is a painting in oil on canvas by Titian, housed in the Museo di Capodimonte, Naples. It was commissioned by the Farnese family and painted during Titian's visit to Rome between autumn 1545 and June 1546. It depicts the scabrous relationship between Pope Paul III and his grandsons, Ottavio and Alessandro Farnese. Ottavio is shown in the act of kneeling, to his left; Alessandro, wearing a cardinal's dress, stands behind him to his right. The painting explores the effects of ageing and the manoeuvring behind succession; Paul was at the time in his late seventies and ruling in an uncertain political climate as Charles V, Holy Roman Emperor came into ascendancy.
Guidobaldo II della Rovere was an Italian condottiero, who succeeded his father Francesco Maria I della Rovere as Duke of Urbino from 1538 until his death in 1574. He was a member of the House of La Rovere. Guidobaldo was an important patron of the arts in general, and of Titian in particular, commissioning his own portrait, and buying Titian's Venus of Urbino.
The Duchy of Castro was a fiefdom in central Italy formed in 1537 from a small strip of land on what is now Lazio's border with Tuscany, centred on Castro, a fortified city on a tufa cliff overlooking the Fiora River which was its capital and ducal residence. While technically a vassal state of the Papal States, it enjoyed de facto independence under the rule of the House of Farnese until 1649, when it was subsumed back into the Papal States and administered by the House of Stampa di Ferentino.
Eleonora Gonzaga, Duchess of Urbino was Duchess and sometime regent of Urbino by marriage to Francesco Maria I della Rovere, duke of Urbino. She served as regent during the absence of her spouse in 1532.
Portrait of Pope Paul III is a 1543 oil-on-canvas portrait by Titian of Pope Paul III, produced during the pope's visit to Northern Italy. It is in the collection of the Capodimonte Museum, Naples, southern Italy.
Pietro Bertani (1501–1558) was an Italian Roman Catholic bishop and cardinal.
The Santissima Annunziata, also called the Basilica del Paradiso, is a Renaissance style, Roman Catholic church and convent located on Via Massimo D'Azeglio in Parma, Italy.
Assumption of the Virgin with Saint John the Baptist and Saint Catherine of Alexandria is an oil on panel painting by Fra Bartolomeo, created c. 1516, commissioned by the church of Santa Maria in Castello in Prato. To the left of the Virgin's tomb is John the Baptist, whilst to the right is Catherine of Alexandria. It is now in the National Museum of Capodimonte in Naples.
Portrait of Philip II is an oil on canvas portrait by Titian of Philip II of Spain wearing the chain of the Order of the Golden Fleece. It is in the collection of the Museo di Capodimonte, in Naples.
Penitent Magdalene is a c. 1550 oil on canvas painting by Titian, now in the Museo di Capodimonte in Naples.
Portrait of Cardinal Alessandro Farnese is a c. 1545 – 46 oil on canvas three-quarter-length portrait of Alessandro Farnese the Younger (1520-1589) by Titian, now in the Museo nazionale di Capodimonte in Naples.
Portrait of Ranuccio Farnese is a c.1542 oil on canvas painting of Ranuccio Farnese by Titian, now in the National Gallery of Art in Washington. One of the first portraits of a Farnese by the artist, it is signed "Titianvs F.".
Portrait of Pope Paul III with Camauro is a 1545 – 1546 oil on canvas painting by Titian, now in the Museo nazionale di Capodimonte in Naples.
Portrait of Charles V or Portrait of a Man Wearing the Order of the Golden Fleece is a c. 1533-1535 oil on canvas painting by Titian, now in the Museo di Capodimonte in Naples.