The Crowning with Thorns (Titian, Munich)

Last updated
The Crowning with Thorns (1576) by Titian The Crowning with Thorns by Titian - Alte Pinakothek - Munich - Germany 2017.jpg
The Crowning with Thorns (1576) by Titian

The Crowning with Thorns or Christ Crowned with Thorns is an oil on canvas painting by Titian, executed in 1576, now in the Alte Pinakothek in Munich. It is a typical composition from his final period. [1] and can be compared with an earlier 1542 work of his on the same subject.

Contents

See also

Related Research Articles

A number of alleged relics associated with Jesus have been displayed throughout the history of Christianity. While some individuals believe in the authenticity of Jesus relics, others doubt their validity. For instance, the sixteenth-century philosopher Erasmus wrote about the proliferation of relics, and the number of buildings that could be constructed from wooden relics claimed to be from the crucifixion cross of Jesus. Similarly, at least thirty Holy Nails were venerated as relics across Europe in the early 20th century. Part of the relics are included in the so-called Arma Christi, or the Instruments of the Passion.

<span class="mw-page-title-main">Crown of thorns</span> Christian relic

According to the New Testament, a woven crown of thorns was placed on the head of Jesus during the events leading up to his crucifixion. It was one of the instruments of the Passion, employed by Jesus' captors both to cause him pain and to mock his claim of authority. It is mentioned in the gospels of Matthew, Mark and John, and is often alluded to by the early Church Fathers, such as Clement of Alexandria, Origen and others, along with being referenced in the apocryphal Gospel of Peter.

<span class="mw-page-title-main">Alte Pinakothek</span> Art museum in Munich, Germany

The Alte Pinakothek is an art museum located in the Kunstareal area in Munich, Germany. It is one of the oldest galleries in the world and houses a significant collection of Old Master paintings. The name Alte (Old) Pinakothek refers to the time period covered by the collection—from the fourteenth to the eighteenth century. The Neue Pinakothek, re-built in 1981, covers nineteenth-century art, and Pinakothek der Moderne, opened in 2002, exhibits modern art. All three galleries are part of the Bavarian State Painting Collections, an organization of the Free state of Bavaria.

<i>The Crowning with Thorns</i> (Caravaggio, Prato) Painting by Caravaggio

The Crowning with Thorns was the subject of two paintings by the Italian master Caravaggio. The first version, dated to around 1604–1605, is now in the Cassa di Risparmi e Depositi of Palazzo degli Alberti, Prato (Tuscany). The attribution to Caravaggio is disputed.

The Crowning with Thorns refers to the Crown of Thorns being placed on the head of Jesus, and is a common subject in art, examples including:

<i>Lamentation over the Dead Christ</i> (Botticelli, Milan) Painting by Sandro Botticelli

The Lamentation over the Dead Christ with Saints is a painting of the Lamentation of Christ by the Italian Renaissance artist Sandro Botticelli, dated between 1490 and 1495. The painting was originally kept in Santa Maria Maggiore, Florence. It is now in the Museo Poldi Pezzoli of Milan. The painting is one of two versions of The Lamentation by Botticelli. The other, circa 1492, is now in the Alte Pinakothek in Munich.

<i>Madonna del Cardellino</i> Painting by Raphael

The Madonna del cardellino or Madonna of the Goldfinch is an oil on wood painting by the Italian Renaissance artist Raphael, from c. 1505–1506. A 10-year restoration process was completed in 2008, after which the painting was returned to its home at the Uffizi in Florence. During the restoration, an antique copy replaced the painting in the gallery.

<i>Christ Crowned with Thorns</i> (Bosch, London) Painting by Hieronymus Bosch

Christ Crowned with Thorns, sometimes known as Christ Mocked, is an oil on panel painting by Hieronymus Bosch. It is held in the National Gallery in London, which dates it to around 1510, though some art historians prefer earlier dates.

<i>Pietà</i> (Titian) 1576 painting by Titian

The Pietà now in the Gallerie dell'Accademia in Venice is one of the last paintings by the Italian master Titian, and in its final, extended state was left incomplete at his death in 1576, to be completed by Palma Giovane. Titian had intended it to hang over his grave, and the two stages of painting were to make it fit in two different churches.

<i>The Crowning with Thorns</i> (Titian, Paris) 1542-43 painting by Titian

The Crowning with Thorns is a painting by the Italian Renaissance master Titian done during 1542 and 1543. It is housed in the Musée du Louvre in Paris, France.

<i>Scenes from the Passion of Christ</i>

Scenes from the Passion of Christ is an oil painting on a panel of Baltic oak, painted c.1470 by German-born Early Netherlandish painter Hans Memling. The painting shows 23 vignettes of the Life of Christ combined in one narrative composition without a central dominating scene: 19 episodes from the Passion of Christ, the Resurrection, and three later appearances of the risen Christ. The painting was commissioned by Tommaso Portinari, an Italian banker based in Bruges, who is depicted in a donor portrait kneeling and praying in the lower left corner, with his wife, Maria Baroncelli, in a similar attitude in the lower right corner.

<i>Portrait of Charles V</i> (Titian, Munich) Painting by Titian

The Portrait of Charles V is an oil on canvas portrait of Charles V, Holy Roman Emperor by Titian, painted in 1548. As with the Equestrian Portrait of Charles V, it was commissioned by Charles during Titian's stay at the imperial court at Augsburg. It is now in the Alte Pinakothek in Munich, Germany.

<i>The Entombment</i> (Titian, 1559) 1559 painting by Titian

The Entombment is a 1559 oil-on-canvas painting by the Venetian painter Titian, commissioned by Philip II of Spain. It depicts the burial of Jesus in a stone sarcophagus, which is decorated with depictions of Cain and Abel and the binding of Isaac. The painting measures 137 cm × 175 cm and is now in the Museo del Prado in Madrid. Titian made several other paintings depicting the same subject, including a similar version of 1572 given as a gift to Antonio Pérez and now also in the Prado, and an earlier version of c.1520 made for the Duke of Mantua and now in the Louvre.

<i>Vanity</i> (Titian) 1515 painting by Titian

Vanity is an oil painting by the Italian late Renaissance painter Titian, dated to around 1515 and now held at the Alte Pinakothek in Munich, Germany.

<i>Christ and the Penitent Sinners</i> Painting by Peter Paul Rubens

Christ and the Penitent Sinners or Christ with the four great penitents is an oil on canvas painting by Peter Paul Rubens, executed in 1617. It is now in the Alte Pinakothek in Munich.

<i>Helena Fourment with Her Son Frans</i>

Helena Fourment with her son Frans is a c.1635 painting by Peter Paul Rubens, showing his second wife Helena Fourment holding their second son Frans. As of 2014, it is in the Alte Pinakothek in Munich.

<i>Jesus Insulted by the Soldiers</i>

Jesus Insulted by the Soldiers is an 1865 oil on canvas painting by Édouard Manet, his last religious work. It is now in the Art Institute of Chicago, to which it was left in 1925 by James Deering, heir to the Deering Harvester Company.

<i>Christ Crowned with Thorns</i> (Annibale Carracci) Painting by Annibale Carracci

Christ Crowned with Thorns or Christ Mocked is a 1598-1600 oil on canvas painting by Annibale Carracci, now at the Pinacoteca Nazionale di Bologna.

<i>Ecce Homo</i> (Rubens) Painting by Peter Paul Rubens

Ecce Homo or Christ Wearing the Crown of Thorns is an oil on oak panel painting of the Ecce Homo subject by Peter Paul Rubens, executed c. 1612, now in the Hermitage Museum, in Saint Petersburg. The Hermitage also houses an oil study for its figure of Pilate.

<i>Christ Crowned with Thorns</i> (Guercino) Painting by Guercino

Christ Crowned with Thorns or Ecce Homo is a 1647 oil on canvas painting by Guercino, commissioned by Marchese Tanari and for which a preparatory drawing survives in the Morgan Library. The painting was bought by Maximilian I Joseph of Bavaria in 1819 or 1820 and is now in the Alte Pinakothek in Munich.

References

  1. Los maestros de la pintura occidental, Taschen, 2005, pág. 176, ISBN   3-8228-4744-5