La Schiavona, also known as Portrait of a Lady, is a 1510–1512 portrait by Titian of an unknown woman.
Saint Mark Enthroned is an oil on panel painting by the Italian Renaissance artist Titian, created in 1510-1511. It is still in the church of Santa Maria della Salute, in Venice.
The Gozzi Altarpiece is an oil painting by the Italian Renaissance master Titian, dating from 1520. It is located in the Pinacoteca civica Francesco Podesti in Ancona, central Italy.
The Averoldi Polyptych, also known as the Averoldi Altarpiece, is a painting by the Italian Renaissance painter Titian, dating to 1520–1522, in the basilica church of Santi Nazaro e Celso in Brescia, northern Italy.
The Madonna of the Rabbit is an oil painting by Titian, dated to 1530 and now held in the Louvre in Paris. It is signed "Ticianus f." and is named after the white rabbit held in Mary's left hand. The rabbit is a symbol of fertility and – due to its whiteness – of Mary's purity and the mystery of the Incarnation, and is also a symbol of her virginity; female rabbits and hares can conceive a second litter of offspring while still pregnant with the first, resulting in their being able to give birth seemingly without having been impregnated.
Violante is an oil on panel painting attributed to Titian, dated to c. 1515. It is held at the Kunsthistorisches Museum, in Vienna.
Flora is an oil painting by Italian late Renaissance painter Titian, dated to around 1515 and now held at the Uffizi Gallery in Florence.
Vanity is an oil painting by the Italian late Renaissance painter Titian, dated to around 1515 and now held at the Alte Pinakothek in Munich, Germany.
Balbi Holy Conversation is an oil painting by the Italian late Renaissance painter Titian, dated to c. 1513. It is now held at the Fondazione Magnani-Rocca, in Traversetolo, near Parma.
Portrait of Federico II Gonzaga is a painting by Titian, who signed it Ticianus f.. Today in the Museo del Prado, Madrid, it portrays Federico II, Duke of Mantua who married in 1529; the portrait may have been commissioned for the occasion. The dog, a Maltese, is a symbol of faithfulness.
Portrait of a Man is an oil on canvas painting by Titian, dating to c. 1512. Wilhelm von Bode attributed it to Giorgione and Richter to Palma il Vecchio, but Longhi, Suida, Phillips, Morassi, Pallucchini and Pignatti all attributed it to Titian.
The Aldobrandini Madonna is an oil painting on canvas by Titian, dating to around 1530 and now in the National Gallery, London. There are studio copies in the Galleria Palatina in Florence and in the Kunsthistorisches Museum in Vienna.
The Presentation of the Virgin at the Temple is a 1534–1538 painting by Titian. It depicts the three year-old Virgin Mary entering the Temple of Jerusalem. It was commissioned by the fraternity based in the Scuola Grande di Santa Maria della Carita, a building later incorporated into the Galleria dell'Accademia, where the work now hangs.
The Bravo is an oil painting usually attributed to Titian, dated to around 1516-17 and now in the Kunsthistorisches Museum in Vienna. The painting can be seen as one of a number of Venetian paintings of the 1510s showing two or three half-length figures with heads close together, often with their expressions and interactions enigmatic. Most of these are "Giorgionesque" genre or tronie subjects where the subjects are anonymous, though the group includes Titian's The Tribute Money, with Christ as the main figure, which in terms of style is similar to this painting, and his Lucretia and her Husband, also in Vienna, where at least the woman's identity is clear, if not that of the man.
Adoration of the Shepherds is the title of a lost drawing by Raphael, described in a letter of 8 September 1508, from Raphael to his friend Francesco Raibolini alias Francesco Francia. This letter's contents were first published in 1678, in Carlo Cesare Malvasia's book Felsina Pittrice. Malvasia gave a full account of the letter, which he claimed to have found among the papers of Count Antonio Lambertini in Bologna. While the existence and contents of the letter are disputed, according to Malvasia it described the delivery of a drawing of the Adoration of the Shepherds to Francesco Francia. This drawing has been considered lost or never to have existed.
Portrait of a Knight of Malta is an oil on canvas painting by Titian, from c. 1515. It depicts a knight belonging to the Order of Malta. It is now in the Uffizi, in Florence.
The Birth of Adonis is an oil on panel painting attributed to Titian, from c. 1506-1508. It is held in the Musei civici, in Padua. It shows the birth of Adonis as depicted in Ovid's Metamorphoses, forming a pair with The Legend of Polydoros.
The Virgin and Child Between Saints Anthony of Padua and Roch is an oil on canvas painting by Titian, from c. 1510. It was originally given to Philip IV of Spain by his Viceroy of Naples, Ramiro Núñez de Guzmán, and is now held in the Museo del Prado, in Madrid.
Detroit Trio, also titled The Appeal, is an oil on canvas painting attributed to Giorgione, Titian and Sebastiano del Piombo, executed c. 1500. It is held now in the Detroit Institute of Arts.
The Concert or The Interrupted Concert is a c. 1510–1511 oil on canvas painting by Titian, now in the Galleria Palatina, in Florence. A copy in the Galleria Borghese, in Rome, includes an additional fourth figure.
