Isabella d'Este was the Marchioness of Mantua and one of the leading women of the Italian Renaissance as a major cultural and political figure.
Leon Battista Alberti was an Italian Renaissance humanist author, artist, architect, poet, priest, linguist, philosopher, and cryptographer; he epitomised the nature of those identified now as polymaths. He is considered the founder of Western cryptography, a claim he shares with Johannes Trithemius.
Antonio Allegri da Correggio, usually known as just Correggio was an Italian Renaissance painter who was the foremost painter of the Parma school of the High Italian Renaissance, who was responsible for some of the most vigorous and sensuous works of the sixteenth century. In his use of dynamic composition, illusionistic perspective and dramatic foreshortening, Correggio prefigured the Baroque art of the seventeenth century and the Rococo art of the eighteenth century. He is considered a master of chiaroscuro.
Tiziano Vecelli or Vecellio, Latinized as Titianus, hence known in English as Titian, was an Italian (Venetian) Renaissance painter of Lombard origin, considered the most important member of the 16th-century Venetian school. He was born in Pieve di Cadore, near Belluno. During his lifetime he was often called da Cadore, 'from Cadore', taken from his native region.
Andrea Mantegna was an Italian painter, a student of Roman archeology, and son-in-law of Jacopo Bellini.
Girolamo Muziano or Mutiani, was an Italian painter, one of the most prominent artists active in Rome in the mid-to-late sixteenth century.
Lorenzo Leonbruno, also known as Lorenzo de Leombeni, was an Italian painter during the early Renaissance period. He was born in Mantua (Mantova), an Italian commune in Lombardy, Italy. Leonbruno is most well known for being commissioned by the court of Francesco Gonzaga, Marquis of Mantua, and his wife Isabella d'Este. The patronage continued with their eldest son Federico II Gonzaga, who was the fifth Marquis of Mantua. Leonbruno was the court painter for the Gonzaga family from 1506–24.
Andrea Seghizzi or Sghizzi was an Italian painter of the Baroque period, active mainly in Bologna.
Mario Equicola was an Italian Renaissance humanist: a Neo-Latin author, a bibliophile, and a courtier of Isabella d'Este and Federico II Gonzaga. The National Gallery of Art describes him as "one of the Renaissance's most admired classical scholars".
Benedetto Pamphili was an Italian cardinal, patron of the arts and librettist for many composers.
Battista del Moro was an Italian painter of the Renaissance period active in his native Verona, as well as in Mantua and Venice.
The Gonzaga Family in Adoration of the Holy Trinity is a painting by the Flemish artist Peter Paul Rubens, housed in the Ducal Palace in Mantua, Italy. The work was commissioned by Duke Vincenzo I Gonzaga for the Jesuit church in Mantua, while Rubens was his court painter.
The Averoldi Polyptych, also known as the Averoldi Altarpiece, is a painting by the Italian Renaissance painter Titian, dating to 1520–1522, in the basilica church of Santi Nazaro e Celso in Brescia, northern Italy.
The Madonna of the Rabbit is an oil painting by Titian, dated to 1530 and now held in the Louvre in Paris. It is signed "Ticianus f." and is named after the white rabbit held in Mary's left hand. The rabbit is a symbol of fertility and – due to its whiteness – of Mary's purity and the mystery of the Incarnation, and is also a symbol of her virginity; female rabbits and hares can conceive a second litter of offspring while still pregnant with the first, resulting in them being able to give birth seemingly without having been impregnated.
Francesco Gonzaga was an Italian bishop and a Cardinal of the Roman Catholic Church during the reigns of Popes Pius II, Paul II and Sixtus IV.
Frans Geffels, known in Italy as Francesco Geffels, was a Flemish painter, printmaker, architect, stage designer and designer of ephemeral structures for solemn and festive occasions. After training in his native Antwerp, he was mainly active in Mantua, where he was prefetto delle fabbriche to the Duke, a role that gave him the direction of the artistic and construction activities undertaken by the Ducal court. He worked also on projects for the local aristocratic class of Mantua. In addition, he completed projects for the Liechtenstein princes and for the imperial court in Vienna.
The Castello Roganzuolo Altarpiece, Castello Roganzuolo Polyptych or Madonna and Child with Saint Peter and Saint Paul is a painting by Titian, commissioned in 1543 by the leading citizens of Castello Roganzuolo, Province of Treviso, Veneto, Italy. It is now in the Albino Luciani Diocesan Museum in Vittorio Veneto.
Carlo Giuseppe Plura was a Swiss-Italian stucco artist and sculptor. He was born in Lugano and died in Borgo San Dalmazzo. Like him, his son Giuseppe Antonio Plura the Elder and Giuseppe Plura the Younger were both sculptors and both active in the United Kingdom.
The Resurrected Christ is a 1511–1512 oil on panel painting by Titian, now in the Uffizi in Florence with catalogue number 10093. It was acquired by that collection on 18 October 2001 and restored in 2001–2002.
Ferrante or Ferdinando Gonzaga, first marquess of Castiglione was an Italian nobleman and condottiero.
