Tiziano Vecellio, Latinized as Titianus, hence known in English as Titian, was an Italian Renaissance painter, the most important artist of Renaissance Venetian painting. He was born in Pieve di Cadore, near Belluno. During his lifetime he was often called da Cadore, 'from Cadore', taken from his native region.
Anton Raphael Mengs was a German painter, active in Dresden, Rome, and Madrid, who while painting in the Rococo period of the mid-18th century became one of the precursors to Neoclassical painting, which replaced Rococo as the dominant painting style in Europe.
Noli Me Tángere is a novel by Filipino writer and activist José Rizal and was published during the Spanish colonial period of the Philippines. It explores inequities in law and practice in terms of the treatment by the ruling government and the Spanish Catholic friars of the resident peoples in the late 19th century.
Noli me tangere is the Latin version of a phrase spoken, according to John 20:17, by Jesus to Mary Magdalene when she recognized him after His resurrection. The original Koine Greek phrase is Μή μου ἅπτου. The biblical scene has been portrayed in numerous works of Christian art from Late Antiquity to the present. The phrase has also been used in literature, and later in a variation by military units since the late 18th century.
Carlos Modesto "Botong" Villaluz Francisco was a Filipino muralist from Angono, Rizal.
The Sleeping Venus, also known as the Dresden Venus, is a painting traditionally attributed to the Italian Renaissance painter Giorgione, although it has long been widely thought that Titian completed it after Giorgione's death in 1510. The landscape and sky are generally accepted to be mainly by Titian. In the 21st century, much scholarly opinion has shifted further, to see the nude figure of Venus as also painted by Titian, leaving Giorgione's contribution uncertain. It is in the Gemäldegalerie, Dresden. After World War II, the painting was briefly in possession of the Soviet Union.
Sacred and Profane Love is an oil painting by Titian, probably painted in 1514, early in his career. The painting is presumed to have been commissioned by Niccolò Aurelio, a secretary to the Venetian Council of Ten, whose coat of arms appears on the sarcophagus or fountain, to celebrate his marriage to a young widow, Laura Bagarotto. It perhaps depicts a figure representing the bride dressed in white, sitting beside Cupid and accompanied by the goddess Venus.
Lambert Sustris was a Dutch painter active mainly in Venice. The works Sustris completed in Italy exhibit either a Mannerist style or qualities that may be deemed proto-Baroque. He is also referred to as Alberto de Olanda. He was born in Amsterdam, and only came to Venice when over 40 years old. His training is unknown, but he was utilized by the studio of Titian for the depiction of landscapes. He accompanied Titian on his trips to Augsburg in 1548 and 1550–1551, and there executed portraits. Returning to Venice, he was influenced by Parmigianino and Andrea Meldolla.
Adriaen van der Werff was a Dutch painter of portraits and erotic, devotional and mythological scenes. He painted several works for the Medicis. His brother, Pieter van der Werff (1661–1722), was his principal pupil and assistant.
Bernardino Cesari was an Italian painter of the late-Mannerist and early Baroque period, active mainly in Rome and Naples, where he assisted his brother Giuseppe Cesari.
La Vie is a 1903 oil painting by Pablo Picasso. It is widely regarded as the pinnacle of Picasso's Blue Period.
Noli Me Tangere is a large sculptural arrangement that forms part of the Alaleona Chapel in the church of Santi Domenico e Sisto, in Rome.
Noli me tangere is the Latin version of words spoken by Jesus to Mary Magdalene.
Noli me tangere or Christ Appearing As A Gardener To Mary Magdalene is a 1548-1560 painting by the Flemish painter Lambert Sustris. It is now in the Palais des beaux-arts de Lille.
The Pinacotecta Nazionale is an art gallery in Ferrara, Emilia-Romagna, Italy. It is located on the piano nobile of the Palazzo dei Diamanti, a work of Renaissance architecture by Biagio Rossetti, commissioned by Leonello d’Este in 1447. Not to be confused with the Civic Museum on the lower floor, which has hosted temporary exhibitions of contemporary art since 1992, the Pinacoteca houses a collection of paintings by the Ferrarese School dating from the thirteenth to the eighteenth centuries. It was founded in 1836 by the Municipality of Ferrara after Napoleon's widespread dissolution of churches threatened the protection of important public artworks. The gallery is formed as much around notable northern Italian painters as it is around the exquisite interior decoration of the palace itself, together with remnants of frescoes from local churches and later acquisitions from the Sacrati Strozzi collection.
Noli me tangere is a fragment of a fresco of c. 1498–1500 by the Italian Renaissance painter and architect Bramantino depicting Jesus and Mary Magdalene soon after the resurrection. It was originally in the church of Santa Maria del Giardino in Milan and since 1867 in the Pinacoteca del Castello Sforzesco in the same city, to which it was given by Prospero Moisè Loria.
Noli me tangere is an oil-on-canvas painting by Andrea del Sarto, executed c. 1510, depicting Jesus and Mary Magdalene soon after the resurrection. It was the first painting he produced for the Augustinian San Gallo church in Florence, as recorded by Anonimo Magliabechiano and in Vasari's Lives of the Artists, and he later produced the San Gallo Annunciation and The Disputation on the Trinity for the same church. It is now in the Uffizi.
The San Gallo Annunciation is an oil-on-panel painting by Andrea del Sarto, executed c. 1513–1514, now in the Palatine Gallery in Florence.
The Muselli collection was one of the most notable art collections in 18th century Italy and - with the Gusti and Curtoni collections - a highlight of modern collecting in Verona.
Noli Me Tángere is a 1961 Philippine period drama film co-written and directed by Gerardo de León. Based on the 1887 novel of the same name by José Rizal, it stars Eduardo del Mar, Edita Vital, Johnny Monteiro, Oscar Keesee, Teody Belarmino, and Leopoldo Salcedo. The film was released on June 16, 1961, timed with the centenary of Rizal's birth.
