| Count Antonio Porcia and Brugnera | |
|---|---|
 | |
| Artist | Titian |
| Year | c. 1535–1540 |
| Medium | Oil on canvas |
| Dimensions | 115 cm× 93 cm(45 in× 37 in) |
| Location | Pinacoteca di Brera, Milan |
| Accession | 5958 |
Portrait of Count Antonio Porcia and Brugnera (Italian: Ritratto del conte Antonio di Porcia e Brugnera) is an oil painting by Titian, dated to c. 1535-1540. It hangs in the Pinacoteca di Brera, in Milan. [1]
The portrait depicts a half-length figure in black, with his face turned forwards, and an energetic head in repose; across the breast is a broad gold chain with an ornament hanging from it; in the somewhat sombre lower portion of the picture there is the shining knob of the sword and the spot of white in the cuff. [2] His aristocratic left-hand rests idly on the balustrade. [3] In the far distance, a last gleam of light still illumines for a moment a broad fall of water. [4] The work is signed "Titianus" on the window ledge. [5]
According to Georg Gronau , the style of the painting has so much similarlity with works of c. 1540-1543, that it must be assigned to that date. [6] The Brera however dates it slightly earlier, between 1535 and 1540. [7]
The Pinacoteca di Brera is the main public gallery for paintings in Milan, Italy. It contains one of the foremost collections of Italian paintings from the 13th to the 20th century, an outgrowth of the cultural program of the Brera Academy, which shares the site in the Palazzo Brera.
Salome, also known as Salome with the Head of John the Baptist, is an oil on canvas painting by the Venetian painter Titian, made c. 1550. It is held in the collection of the Museo del Prado, in Madrid. It is not to be confused with other compositions of Salome and Judith by Titian.
Girl with a Platter of Fruit, also known as Lavinia Holding a Charger Filled with Fruit, Lavinia as Flora, and Pomona, is an oil painting by the Venetian painter Titian, made in about 1555–1558, and currently in the collection of the Gemäldegalerie, in Berlin.
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Portrait of the Physician Gian Giacomo Bartolotti da Parma, also known as Portrait of a Man, is an oil painting by the Venetian master Titian, made c. 1515-1518. The painting is in the collection of the Kunsthistorisches Museum, in Vienna.
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The Supper at Emmaus is the title shared by several similar works by Titian, two of which are discussed here. The first, made about 1534, is currently on long-term loan to the Walker Art Gallery, in Liverpool. The second, made about 1545 by Titian and his studio, is in the National Gallery of Ireland, in Dublin.
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Portrait of Benedetto Varchi, also called Portrait of a Man, is an oil on canvas painting by Titian. It was painted c. 1536-1540, and hangs today in the Kunsthistorisches Museum, in Vienna.
Portrait of Fabrizio Salvaresio is an oil painting by Titian. It is signed and dated 1558, and hangs today in the Kunsthistorisches Museum, in Vienna.
Portrait of Cardinal Cristoforo Madruzzo is an oil painting by Titian, signed and dated of 1552, which hangs in the São Paulo Museum of Art.
The Virgin and Child with Saints Stephen, Jerome and Maurice, also called the Virgin with Three Saints, is a religious painting by Titian which hangs in the Kunsthistorisches Museum in Vienna.
The Virgin and Child with Saint John the Baptist and an Unidentified Saint, also called the Virgin with Saint John the Baptist, Adored by a Donor, is a religious painting by Titian, dated to c. 1515-1520. It is currently on loan to the Scottish National Gallery, in Edinburgh.
The Baptism of Christ is an oil on panel religious painting by Titian, dated to c. 1512. It is held in the collection of the Capitoline Museums, in Rome.
Portrait of Doge Andrea Gritti is an oil painting by the Venetian master Titian, painted in the late 1540s, which is part of the collection of the National Gallery of Art in Washington, D.C. It is a portrait of Andrea Gritti, who was doge of Venice from 1523 to his death in 1538. A posthumous portrait, it is likely based on earlier depictions of the Doge, including one executed by Titian between 1537 and 1540 for Sala del Maggior Consiglio and destroyed during a fire in 1577.
