Count Antonio Porcia and Brugnera | |
---|---|
Artist | Titian |
Year | c. 1535–1540 |
Medium | Oil on canvas |
Dimensions | 115 cm× 93 cm(45 in× 37 in) |
Location | Pinacoteca di Brera, Milan |
Accession | 5958 |
Portrait of Count Antonio Porcia and Brugnera (Italian: Ritratto del conte Antonio di Porcia e Brugnera) is an oil painting by Titian, dated to c. 1535-1540. It hangs in the Pinacoteca di Brera, in Milan. [1]
The portrait depicts an half-length figure in black, with his face turned forwards, and an energetic head in repose; across the breast is a broad gold chain with an ornament hanging from it; in the somewhat sombre lower portion of the picture there is the shining knob of the sword and the spot of white in the cuff. [2] His aristocratic left-hand rests idly on the balustrade. [3] In the far distance, a last gleam of light still illumines for a moment a broad fall of water. [4] The work is signed "Titianus" on the window ledge. [5]
According to Georg Gronau , the style of the painting has so much similarlity with works of c. 1540-1543, that it must be assigned to that date. [6] The Brera however dates it slightly earlier, between 1535 and 1540. [7]
The Pinacoteca di Brera is the main public gallery for paintings in Milan, Italy. It contains one of the foremost collections of Italian paintings from the 13th to the 20th century, an outgrowth of the cultural program of the Brera Academy, which shares the site in the Palazzo Brera.
Abraham and Isaac, also known as the Sacrifice of Isaac, is an oil painting by the Venetian painter Titian. It was made in about 1543–1544 for the church of Santo Spirito, but is now in the basilica of Santa Maria della Salute.
Salome, also known as Salome with the Head of John the Baptist, is an oil painting by the Venetian painter Titian, made in about 1550, and currently in the collection of the Museo del Prado in Madrid. It is not to be confused with other compositions of Salome and Judith by Titian.
Girl with a Platter of Fruit, also known as Lavinia Holding a Charger Filled with Fruit, Lavinia as Flora, and Pomona, is an oil painting by the Venetian painter Titian, made in about 1555–1558, and currently in the collection of the Gemäldegalerie, Berlin.
Sisyphus is an oil painting by the Venetian master Titian, made in 1548 or 1549. It is in the collection of the Museo del Prado in Madrid.
Portrait of Jacopo Sannazaro, also known as Portrait of a Man, is an oil painting by the Venetian master Titian, dated to about 1513. It is part of the Royal Collection, and hangs in Buckingham Palace.
Portrait of the Physician Gian Giacomo Bartolotti da Parma, also known as Portrait of a Man, is an oil painting by the Venetian master Titian, made c. 1515-1518. The painting is in the collection of the Kunsthistorisches Museum, in Vienna.
Portrait of John Frederick I, Elector of Saxony is an oil painting by the Venetian painter Titian, made in late 1550 or early 1551. The painting is in the collection of the Kunsthistorisches Museum in Vienna.
The Archangel Raphael and Tobias is an oil painting by Titian of Tobias and the Angel, dated to about 1512 to 1514, which is now in the Gallerie dell'Accademia in Venice. Another painting by Titian of the same subject, entitled Tobias and the Angel, dated to about 1540 to 1545, remains in the church of the Madonna dell'Orto in Venice.
The Pilgrims at Emmaus, also called the Supper at Emmaus, is a painting by Titian, made about 1533 or 1534, which hangs in the Louvre in Paris.
The Ecce Homo is a large oil painting by Titian, signed and dated 1543, which hangs in the Kunsthistorisches Museum in Vienna. It is not to be confused with several smaller compositions by Titian.
The Allegory of Marriage, also titled the Allegory of Separation, and formerly known as the Allegory of Alfonso d'Avalos, is an oil painting by Titian, made about 1530 to 1535, in the collection of the Louvre. There are several fairly early copies, done after Titian, including two in the Royal Collection.
Portrait of a Man with a Falcon, also called Portrait of a Man of the Cornaro Family with a Falcon or Giorgio Cornaro with a Falcon, is an oil on canvas painting by the Italian painter Titian. It is variously dated from the late 1520s to the 1540s. The painting is in the collection of the Joslyn Art Museum in Omaha.
Portrait of Benedetto Varchi, also called Portrait of a Man, is an oil on canvas painting by Titian. It was painted c. 1536-1540, and hangs today in the Kunsthistorisches Museum, in Vienna.
Portrait of Fabrizio Salvaresio is an oil painting by Titian. It is signed and dated 1558, and hangs today in the Kunsthistorisches Museum in Vienna.
Portrait of Cardinal Cristoforo Madruzzo is an oil painting by Titian, signed and dated 1552, which hangs in the São Paulo Museum of Art.
The Virgin and Child with Saints Stephen, Jerome and Maurice, also called the Virgin with Three Saints, is a religious painting by Titian which hangs in the Kunsthistorisches Museum in Vienna.
The Virgin and Child with Saint John the Baptist and an Unidentified Saint, also called the Virgin with Saint John the Baptist, adored by a Donor, is a religious painting by Titian, dated to between 1515 and 1520, which is currently on loan to the Scottish National Gallery.
The Baptism of Christ is a religious painting by Titian, dated to about 1512, in the collection of the Capitoline Museums, Rome.
Portrait of Doge Andrea Gritti is an oil painting by the Venetian master Titian, painted in the late 1540s, which is part of the collection of the National Gallery of Art in Washington, D.C. It is a portrait of Andrea Gritti, who was doge of Venice from 1523 to his death in 1538. A posthumous portrait, it is likely based on earlier depictions of the Doge, including one executed by Titian between 1537 and 1540 for Sala del Maggior Consiglio and destroyed during a fire in 1577.