Portrait of Lavinia Vecellio

Last updated
Portrait of Lavinia Vecellio
Tizian 117.jpg
Artist Titian
Yearc.1545
Location Museo di Capodimonte, Naples
A 1560-1565 portrait by Titian, sometimes also identified as Lavinia (Gemaldegalerie Alte Meister, Dresden). Tizian 116.jpg
A 1560-1565 portrait by Titian, sometimes also identified as Lavinia (Gemäldegalerie Alte Meister, Dresden).

Portrait of Lavinia Vecellio is a c.1545 portrait by Tiziano Vecellio (Titian) of his daughter Lavinia. This oil on wood painting is held in the Museo di Capodimonte in Naples.

See also


Related Research Articles

<span class="mw-page-title-main">Titian</span> Italian painter (1488/90–1576)

Tiziano Vecelli or Vecellio ,, Latinized as Titianus, hence known in English as Titian, was an Italian (Venetian) Renaissance painter of Lombard origin, considered the most important member of the 16th-century Venetian school. He was born in Pieve di Cadore, near Belluno. During his lifetime he was often called da Cadore, 'from Cadore', taken from his native region.

<span class="mw-page-title-main">Francesco Vecellio</span> Italian painter

Francesco Vecellio was a Venetian painter of the Italian Renaissance. He was the elder brother and close collaborator of the painter Tiziano Vecellio ("Titian").

<i>Allegory of Prudence</i> Painting by Titian

The Allegory of Prudence is an oil-on-canvas painting attributed to the Italian artist Titian and his assistants. The painting portrays three human heads, each facing in a different direction, above three animal heads. It is in the National Gallery, London.

<span class="mw-page-title-main">Orazio Vecellio</span> Son of Titian (1528-1576)

Orazio Vecellio was an Italian painter of the Renaissance period, born in Venice around 1528. The son and pupil of Titian, he distinguished himself as a painter of portraits, some of which were thought little inferior to those of his father. He occasionally painted historical subjects; one of the most important was destroyed in the conflagration in the ducal palace at Venice. He neglected painting to devote himself to alchemy. He died of the plague in Venice, in 1576, the same year as his father.

<span class="mw-page-title-main">Cesare Vecellio</span> Italian engraver and painter

Cesare Vecellio was an Italian engraver and painter of the Renaissance, active in Venice.

Events from the year 1545 in art.

<i>Eleven Caesars</i> Painting series by Titian

The Eleven Caesars was a series of eleven painted half-length portraits of Roman emperors made by Titian in 1536-1540 for Federico II, Duke of Mantua. They were among his best-known works, inspired by the Lives of the Caesars by Suetonius. Titian's paintings were originally housed in a new room inside the Palazzo Ducale di Mantova. Bernardino Campi added a twelfth portrait in 1562.

<i>La Schiavona</i> Painting by Titian

La Schiavona, also known as Portrait of a Lady, is a 1510–1512 portrait by Titian of an unknown woman.

<i>The Crowning with Thorns</i> (Titian, Paris) 1542-43 painting by Titian

The Crowning with Thorns is a painting by the Italian Renaissance master Titian done during 1542 and 1543. It is housed in the Musée du Louvre in Paris, France.

Portrait of a Young Woman may refer to:

<i>Portrait of Isabella of Portugal</i> 1548 painting by Titian

The Portrait of Isabella of Portugal is an oil-on-canvas portrait of Isabella of Portugal, Holy Roman Empress by Titian dating to 1548. It was part of the Spanish royal collection and is now in the Museo del Prado in Madrid.

<i>Portrait of Jacopo Strada</i> Painting by Titian

The Portrait of Jacopo Strada is a 1567-68 portrait of the court librarian Jacopo Strada by Titian, now held in the Kunsthistorisches Museum in Vienna.

<i>St Margaret and the Dragon</i> (Titian) C. 1559 painting by Titian

St Margaret and the Dragon is a c.1559 painting by Titian of saint Margaret the Virgin; it is now in the Museo del Prado in Madrid.

<i>Self-Portrait</i> (Titian, Berlin) Painting by Titian

Self-Portrait is an oil on canvas self-portrait by the Venetian painter Titian, dated c. 1546–47. While he painted a number of independent self-portraits in various formats, this is one of only two painted examples to survive. The other is in Madrid, dated c. 1560. Both share a somber and reserved palette, although this example is richer in tonal variation and colour harmonisation.

<i>Madonna of the Cherries</i> 1515 painting by Titian

The Madonna of the Cherries is a 1515 painting by Titian, heavily influenced by the work of Giovanni Bellini. Originally oil on wood, it was later transferred to canvas. During the 17th century it formed part of the collection of Archduke Leopold Wilhelm, where it was copied by David Teniers. It is now in the Kunsthistorisches Museum in Vienna.

<i>Portrait of a Lady in White</i> Painting by Titian

Portrait of a Lady in White is a painting by Titian, made about 1561, of an unknown gentlewoman dressed in white; it is now in the Gemäldegalerie Alte Meister in Dresden.

<i>Salome</i> (Titian, Madrid) Painting by Titian in Madrid

Salome, also known as Salome with the Head of John the Baptist, is an oil painting by the Venetian painter Titian, made in about 1550, and currently in the collection of the Museo del Prado in Madrid. It is not to be confused with other compositions of Salome and Judith by Titian.

<i>Girl with a Platter of Fruit</i> Painting by Titian

Girl with a Platter of Fruit, also known as Lavinia Holding a Charger Filled with Fruit, Lavinia as Flora, and Pomona, is an oil painting by the Venetian painter Titian, made in about 1555–1558, and currently in the collection of the Gemäldegalerie, Berlin.

<i>Portrait of a Man in a Red Cap</i> Painting by Titian

Portrait of a Man in a Red Cap, also known as Man with a Red Cap, is an oil painting by the Venetian painter Titian, made in about 1516. It is part of the Frick Collection in New York City.

<i>Portrait of Cardinal Alessandro Farnese</i> (Titian) Painting by Titian

Portrait of Cardinal Alessandro Farnese is a c. 1545 – 46 oil on canvas three-quarter-length portrait of Alessandro Farnese the Younger (1520–1589) by Titian, now in the Museo nazionale di Capodimonte in Naples.