"Salvation" | ||||
---|---|---|---|---|
Single by the Cranberries | ||||
from the album To the Faithful Departed | ||||
B-side |
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Released | 8 April 1996 | |||
Studio | Windmill Lane (Dublin, Ireland) | |||
Genre | Punk rock [1] | |||
Length | 2:24 | |||
Label | Island | |||
Songwriter(s) | ||||
Producer(s) |
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The Cranberries singles chronology | ||||
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Audio sample | ||||
Cranberries - "Salvation" |
"Salvation" is the lead single from Irish rock band the Cranberries' third studio album, To the Faithful Departed (1996). Released on 8 April 1996 by Island Records, the single reached number one on the US Billboard Modern Rock Tracks chart for four weeks and was a chart hit in Europe and Australia, peaking at number four in Iceland, number six in Italy, number seven in New Zealand, and number eight in Australia and Ireland. The music video for the song was directed by Olivier Dahan and filmed in France.
"Salvation" talks about drug abuse, and how one should refrain from falling into it. [1] The directness of the song was regarded as bland and too preachy by the media and critics, but Dolores O'Riordan said that it wasn't supposed to be an anti-drug song per se, but "kind of anti the idea of becoming totally controlled by anything, any substance at all", O'Riordan stated to Kurt Loder—adding that she knew what it was like and that "it wasn't a nice experience and it didn't get me anywhere. It just confused me more". [2] She explained that the meaning behind the song was "reality [being] reality, and unfortunately, no how much you go away, you come back, and it's always here". [3]
Daina Darzin from Cash Box named "Salvation" Pick of the Week, viewing it as "a really big edgy, completely memorable sound that just begs to be on the radio." She added, "A clever, ironic look at drug culture from both a kid's and parents' viewpoint, the track is propelled by Dolores O'Riordan's strong, evocative voice, a wailing horn section, and monster drums. Dark and driving with a nearly perfect pop sensibility, "Salvation" should find a happy home at both alternative and heavy music stations." [4] Dan Caffrey of Consequence of Sound noted that the song "features an abrasive horn section and punk rock aesthetic that fit in quite nicely with the remainder of the video, which makes you forget about front-woman Dolores O'Riordan's overreaching words pretty quickly". [1]
Roisin O'Connor of The Independent described it as a "fast-tempo track that served as a scathing condemnation of growing drug abuse in Ireland was taken from the band's 1996 album To the Faithful Departed, around the same time as ecstasy use reached alarming new heights. [5] Kevin Courtney from Irish Times felt it's "less irritating" than "Zombie", "but also less substantial, sounding like secondhand Siouxie & The Banshees or The Breeders, but it still manages to leave a bit of a sting before abruptly vaporising in an explosion of drums. - Stephen Street's lush, layered production is replaced by a hard, edgy directness, suggesting that Dolores and the boys, have finally found - the confidence to leap fearlessly into the healing flames." [6] A reviewer from Music Week gave the song three out of five, adding that "this is more upbeat than previous offerings. The fans will lap it up." [7]
The accompanying music video for "Salvation" was directed in March 1996 by Olivier Dahan in France, [1] for the company Bandits Productions. [8]
The video was the last video for the band to gain heavy rotation on MTV, as later singles failed to gain traction on the network. [2] The video featured a crazed clown (a hybrid of horror monsters Freddy Krueger, Pennywise, and Pinhead) floating around a castle and its surroundings and driving a group of young girls around in a car, implied to be in the thralls of drug addiction. [1] The video cuts between images of Dolores O'Riordan singing the song and a pair of adults, who alternate between trying to wake a comatose daughter from her slumber, and the evil clown tying up and terrorizing the couple (who are now in latex catsuits) with the now awake daughter kissing the clown. [1]
"Salvation" was nominated for the MTV Video Music Award for Best Art Direction, held at Radio City Music Hall in New York City, NY, 4 September 1996. [9] [10]
Note: "I Just Shot John Lennon" was recorded live at The Point, Dublin, on 2 June 1995 for Radio Telefis Eireann. A limited-edition version of this format packaged in a box was also released. [13]
Weekly charts
| Year-end charts
|
Region | Certification | Certified units/sales |
---|---|---|
New Zealand (RMNZ) [45] | Gold | 5,000* |
* Sales figures based on certification alone. |
Region | Date | Format(s) | Label(s) | Ref. |
---|---|---|---|---|
United Kingdom | 8 April 1996 |
| Island | [46] |
United States | 16 April 1996 | Contemporary hit radio | [47] | |
Japan | 19 April 1996 | CD | [48] |
Earthsuit, a Christian rock group, performed a live cover of this song during their last few tours. [49] [50] Prayer for Cleansing, a vegan straight edge metalcore group, covered the song on their EP The Tragedy released in 2004. [51] Senses Fail, an emo post-hardcore group, covered this song as a bonus track on their 2006 album Still Searching . [52] Ursula, a hardcore crust punk group from California, covered the song on their 2019 second 4-track EP Regurgitate. [53]
The Cranberries were an Irish rock band formed in Limerick, Ireland, in 1989. The band was originally named The Cranberry Saw Us and featured singer Niall Quinn, guitarist Noel Hogan, bassist Mike Hogan, and drummer Fergal Lawler; Quinn was replaced as lead singer by Dolores O'Riordan in 1990, and the group changed their name to the Cranberries. The band classified themselves as an alternative rock group, but incorporated aspects of indie rock, jangle pop, dream pop, folk rock, post-punk, and pop rock into their sound.
No Need to Argue is the second studio album by Irish alternative rock band the Cranberries, released on 3 October 1994 through Island Records. It is the band's best-selling album, and has sold 17 million copies worldwide as of 2014. It contains one of the band's most well-known songs, "Zombie". The album's mood is considered to be darker and harsher than that on the band's debut album Everybody Else Is Doing It, So Why Can't We?, released a year prior.
To the Faithful Departed is the third studio album by Irish alternative rock band the Cranberries, released on 22 April 1996. The album was made in memory of Denny Cordell who signed the band to Island Records and Joe O'Riordan, who had both died that year. The album reached number one in four countries and became the band's highest-charting album on the US Billboard 200, where it peaked at number four.
Dolores Mary Eileen O'Riordan was an Irish musician who was the lead vocalist and lyricist of the alternative rock band the Cranberries. One of the most recognisable voices in rock in the 1990s, she was known for her lilting mezzo-soprano voice, signature yodel, emphasized use of keening, and strong Limerick accent.
Everybody Else Is Doing It, So Why Can't We? is the debut studio album by Irish alternative rock band the Cranberries. Released on 1 March 1993 through Island Records after four EPs, it is both the band's first full-length album and major label release. The album was written entirely by the band's lead singer Dolores O'Riordan and guitarist Noel Hogan and contains the band's highest charting US single, "Linger". The album reached number one on the UK and the Irish albums charts. It spent a total of 86 weeks on the UK chart. On 24 June 1994, it became the fifth album in rock history to reach number one more than a year after release. At the end of 1995, it ranked as the 50th best selling album in Australia. It reached number 18 on the US Billboard 200 albums chart and stayed on this chart for 136 weeks; the album sold six million copies worldwide.
"Linger" is a song by Irish alternative rock band the Cranberries from their debut studio album, Everybody Else Is Doing It, So Why Can't We? (1993). Composed by band members Dolores O'Riordan and Noel Hogan, and produced by Stephen Street, "Linger" was first released as the second and final single from the album on 15 February 1993 by Island Records. It was later re-released on 31 January 1994.
"Zombie" is a protest song by Irish alternative rock band the Cranberries. It was written by the lead singer, Dolores O'Riordan, about the young victims of a bombing in Warrington, England, during the Troubles in Northern Ireland. The song was released on 19 September 1994 by Island Records as the lead single from the Cranberries' second studio album, No Need to Argue (1994). Critics have described "Zombie" as "a masterpiece of alternative rock", with grunge-style distorted guitar and shouted vocals uncharacteristic of the band's other work.
"Until It Sleeps" is a song by American heavy metal band Metallica, released on May 20, 1996, as the lead single from their sixth studio album Load. "Until It Sleeps" reached number ten on the Billboard Hot 100 making it Metallica's highest charting single and only top ten hit in the United States. The song was also their first number-one on the Billboard Hot Mainstream Rock Tracks chart, peaked in the top five in the United Kingdom, and reached number-one in Australia, Denmark, Finland, Hungary, and Sweden. The song's music video, directed by Samuel Bayer and inspired by the paintings of Hieronymus Bosch, won the Best Hard Rock Video award at the 1996 MTV Video Music Awards.
"Hold on My Heart" is a song by English rock band Genesis from their 14th studio album, We Can't Dance (1991). The ballad was released as the album's third single on 6 April 1992. The song reached number one on the Canadian RPM 100 Hit Tracks chart, the RPM Adult Contemporary chart, and the US Billboard Adult Contemporary chart, as well as number 12 on the Billboard Hot 100. In the band's home country, the song peaked at number 16 on the UK Singles Chart.
"I'm the Only One" is a song by American singer-songwriter Melissa Etheridge from her fourth studio album, Yes I Am (1993). It was released as the first single in September 1993, reaching No. 12 in Canada and No. 26 in the Netherlands. In the United States, it was slow to gain momentum, but after the success of "Come to My Window", it was re-released, peaking at No. 8 on the Billboard Hot 100 and No. 1 on the Billboard Adult Contemporary chart in January 1995. It remains Etheridge's biggest hit on either chart.
"Mother Mother" is a song by American musician Tracy Bonham from her debut album, The Burdens of Being Upright (1996). Released on March 12, 1996, it became her most successful single, topping the US Billboard Modern Rock Tracks chart, entering the top five in Australia, and finding success in several other countries, including Canada and Norway.
"Dreams" is the debut single of Irish rock band the Cranberries. It was originally released in September 1992 by Island Records and later appeared on the band's debut album, Everybody Else Is Doing It, So Why Can't We? (1993). The song reached the top 50 of the US Hot 100 and the top 30 of the UK Singles Chart in early 1994. A 1990 demo version was released in Ireland only in the summer of that year under their initial band name, the Cranberry Saw Us. At the end of the song, the backing vocals are sung by Mike Mahoney, ex-boyfriend of Cranberries lead singer Dolores O'Riordan.
"Ode to My Family" is a song by Irish band the Cranberries, released on 21 November 1994 by Island Records as the second single from their second studio album, No Need to Argue (1994). The song was written by bandmembers Dolores O'Riordan and Noel Hogan. It was a hit in Oceania and several European countries, topping the charts in Iceland, and reaching number four in France, number five in Australia, and number eight in New Zealand. Its music video was directed by Samuel Bayer. In 2017, the song was released as an acoustic, stripped down version on the band's Something Else album.
"Free to Decide" is a song by Irish rock band the Cranberries, released as the second single from their third studio album, To the Faithful Departed (1996), on 1 July 1996. The song achieved minor chart success in Europe but became a top-10 hit in Canada, peaking at number two on the RPM 100 Hit Tracks chart. In the United States, it peaked at number 22 on the Billboard Hot 100 and number eight on the Modern Rock Tracks chart. In 2017, the song was released as an acoustic version on the band's Something Else album.
"If You Could Only See" is a song by American rock band Tonic from their debut studio album Lemon Parade (1996). It was released to radio as the third and final single from the album on March 18, 1997, by Polydor Records. Frontman Emerson Hart is the sole writer of the song, whilst production on the song was helmed by Jack Joseph Puig. According to Hart, the song was written as a result of his family disowning him due to their disapproval of Hart's relationship with an older woman. The song is Tonic's most successful, becoming a hit in several countries, and has been described as "rock radio's most played song of 1997."
"Promises" is a rock song by Irish rock band the Cranberries. It is the first single from the band's fourth album, Bury the Hatchet, released in 1999. The song was the only single from the album to chart in the US and the last single before their hiatus. The song, which has a heavy rock beat with strident lead guitar, deals with the subject of divorce. A music video involving a cowboy confronting a witch/scarecrow hybrid, directed by Olivier Dahan, was released to promote the single.
"If I Wanted To" is a song by American singer-songwriter Melissa Etheridge, released in 1994 as the final single from her fourth studio album, Yes I Am (1993). The song entered the top 50 in Australia, Canada, Iceland, and the United States.
"When You're Gone" is a song by Irish band the Cranberries. It is the third single from their third studio album, To the Faithful Departed (1996). The music video was directed by Karen Bellone and was released at the end of 1996. The song was first played during the North American leg of the No Need to Argue Tour in late 1994.
"Your Little Secret" is the first single and title track from American singer-songwriter Melissa Etheridge's fifth studio album of the same name (1995). The song was released to US radio stations on October 9, 1995.
"I Want to Come Over" is a song by American singer-songwriter Melissa Etheridge. It was released in late January 1996 as the second single from her fifth studio album, Your Little Secret (1995). The song was a commercial success, reaching number 22 on the US Billboard Hot 100 and number 29 in both Australia and New Zealand. It also reached number one on the Canadian RPM 100 Hit Tracks chart in March 1996. At the end of the year, the song appeared on the American and Canadian year-end charts at numbers 79 and 11, respectively.
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