"Salvation" | ||||
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Single by the Cranberries | ||||
from the album To the Faithful Departed | ||||
B-side |
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Released | 8 April 1996 | |||
Studio | Windmill Lane (Dublin, Ireland) | |||
Genre | Pop punk [1] | |||
Length | 2:24 | |||
Label | Island | |||
Songwriter(s) | ||||
Producer(s) |
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The Cranberries singles chronology | ||||
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Audio sample | ||||
Cranberries - "Salvation" |
"Salvation" is the lead single from Irish rock band the Cranberries' third studio album, To the Faithful Departed (1996). Released on 8 April 1996 by Island Records, the single reached number one on the US Billboard Modern Rock Tracks chart for four weeks and was a chart hit in Europe and Australia, peaking at number four in Iceland, number six in Italy, number seven in New Zealand, and number eight in Australia and Ireland. The music video for the song was directed by Olivier Dahan and filmed in France.
"Salvation" talks about drug abuse, and how one should refrain from falling into it. [1] The directness of the song was regarded as bland and too preachy by the media and critics, but Dolores O'Riordan said that it wasn't supposed to be an anti-drug song per se, but "kind of anti the idea of becoming totally controlled by anything, any substance at all", O'Riordan stated to Kurt Loder—adding that she knew what it was like and that "it wasn't a nice experience and it didn't get me anywhere. It just confused me more". [2] She explained that the meaning behind the song was "reality [being] reality, and unfortunately, no how much you go away, you come back, and it's always here". [3]
Daina Darzin from Cash Box named "Salvation" Pick of the Week, viewing it as "a really big edgy, completely memorable sound that just begs to be on the radio." She added, "A clever, ironic look at drug culture from both a kid's and parents' viewpoint, the track is propelled by Dolores O'Riordan's strong, evocative voice, a wailing horn section, and monster drums. Dark and driving with a nearly perfect pop sensibility, "Salvation" should find a happy home at both alternative and heavy music stations." [4] Dan Caffrey of Consequence of Sound noted that the song "features an abrasive horn section and punk rock aesthetic that fit in quite nicely with the remainder of the video, which makes you forget about front-woman Dolores O'Riordan's overreaching words pretty quickly". [1]
Roisin O'Connor of The Independent described it as a "fast-tempo track that served as a scathing condemnation of growing drug abuse in Ireland was taken from the band's 1996 album To the Faithful Departed, around the same time as ecstasy use reached alarming new heights. [5] Kevin Courtney from Irish Times felt it's "less irritating" than "Zombie", "but also less substantial, sounding like secondhand Siouxie & The Banshees or The Breeders, but it still manages to leave a bit of a sting before abruptly vaporising in an explosion of drums. - Stephen Street's lush, layered production is replaced by a hard, edgy directness, suggesting that Dolores and the boys, have finally found - the confidence to leap fearlessly into the healing flames." [6] A reviewer from Music Week gave the song three out of five, adding that "this is more upbeat than previous offerings. The fans will lap it up." [7]
The accompanying music video for "Salvation" was directed in March 1996 by Olivier Dahan in France, [1] for the company Bandits Productions. [8]
The video was the last video for the band to gain heavy rotation on MTV, as later singles failed to gain traction on the network. [2] The video featured a crazed clown (a hybrid of horror monsters Freddy Krueger, Pennywise, and Pinhead) floating around a castle and its surroundings and driving around in a car a group of young girls, implied to be in the thralls of drug addiction. [1] The video cuts between images of Dolores O'Riordan singing the song and a pair of adults, who alternate between trying to wake a comatose daughter from her slumber, and the evil clown tying up and terrorizing the couple (who are now in latex catsuits) with the now awake daughter kissing the clown. [1]
"Salvation" was nominated for the MTV Video Music Award for Best Art Direction, held at Radio City Music Hall in New York City, NY, 4 September 1996. [9] [10]
Note: "I Just Shot John Lennon" was recorded live at The Point, Dublin, on 2 June 1995 for Radio Telefis Eireann. A limited-edition version of this format packaged in a box was also released. [13]
Weekly charts
| Year-end charts
|
Region | Certification | Certified units/sales |
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New Zealand (RMNZ) [45] | Gold | 5,000* |
* Sales figures based on certification alone. |
Region | Date | Format(s) | Label(s) | Ref. |
---|---|---|---|---|
United Kingdom | 8 April 1996 |
| Island | [46] |
United States | 16 April 1996 | Contemporary hit radio | [47] | |
Japan | 19 April 1996 | CD | [48] |
Earthsuit, a Christian rock group, performed a live cover of this song during their last few tours. [49] [50] Prayer for Cleansing, a vegan straight edge metalcore group, covered the song on their EP The Tragedy released in 2004. [51] Senses Fail, an emo post-hardcore group, covered this song as a bonus track on their 2006 album Still Searching . [52] Ursula, a hardcore crust punk group from California, covered the song on their 2019 second 4-track EP Regurgitate. [53]
The Cranberries were an Irish rock band formed in Limerick, Ireland, in 1989. The band was originally named The Cranberry Saw Us and featured singer Niall Quinn, guitarist Noel Hogan, bassist Mike Hogan, and drummer Fergal Lawler; Quinn was replaced as lead singer by Dolores O'Riordan in 1990, and the group changed their name to the Cranberries. The band classified themselves as an alternative rock group, but incorporated aspects of indie rock, jangle pop, dream pop, folk rock, post-punk, and pop rock into their sound.
No Need to Argue is the second studio album by Irish alternative rock band the Cranberries, released on 3 October 1994 through Island Records. It is the band's best-selling album, and has sold 17 million copies worldwide as of 2014. It contains one of the band's most well-known songs, "Zombie". The album's mood is considered to be darker and harsher than that on the band's debut album Everybody Else Is Doing It, So Why Can't We?, released a year prior.
To the Faithful Departed is the third studio album by Irish alternative rock band the Cranberries, released on 22 April 1996. The album was made in memory of Denny Cordell who signed the band to Island Records and Joe O'Riordan, who had both died that year. The album reached number one in four countries and became the band's highest-charting album on the US Billboard 200, where it peaked at number four.
Everybody Else Is Doing It, So Why Can't We? is the debut studio album by Irish alternative rock band the Cranberries. Released on 1 March 1993 through Island Records after four EPs, it is both the band's first full-length album and major label release. The album was written entirely by the band's lead singer Dolores O'Riordan and guitarist Noel Hogan and contains the band's highest charting US single, "Linger". The album reached number one on the UK and the Irish albums charts. It spent a total of 86 weeks on the UK chart. On 24 June 1994, it became the fifth album in rock history to reach number one more than a year after release. At the end of 1995, it ranked as the 50th best selling album in Australia. It reached number 18 on the US Billboard 200 albums chart and stayed on this chart for 130 weeks; the album sold six million copies worldwide.
"Linger" is a song by Irish alternative rock band the Cranberries from their debut studio album, Everybody Else Is Doing It, So Why Can't We? (1993). Composed by band members Dolores O'Riordan and Noel Hogan, and produced by Stephen Street, "Linger" was first released as the second and final single from the album on 15 February 1993 by Island Records. It was later re-released on 31 January 1994.
"Zombie" is a protest song by Irish alternative rock band the Cranberries. It was written by the lead singer, Dolores O'Riordan, about the young victims of a bombing in Warrington, England, during the Troubles in Northern Ireland. The song was released on 19 September 1994 by Island Records as the lead single from the Cranberries' second studio album, No Need to Argue (1994). Critics have described "Zombie" as "a masterpiece of alternative rock", with grunge-style distorted guitar and shouted vocals uncharacteristic of the band's other work.
"Hold on My Heart" is a song by English rock band Genesis from their 14th studio album, We Can't Dance (1991). The ballad was released as the album's third single on 6 April 1992. The song reached number one on the Canadian RPM 100 Hit Tracks chart, the RPM Adult Contemporary chart, and the US Billboard Adult Contemporary chart, as well as number 12 on the Billboard Hot 100. In the band's home country, the song peaked at number 16 on the UK Singles Chart.
"3AM" is the third single and the third track from American rock band Matchbox 20's debut album, Yourself or Someone Like You (1996). Written by Rob Thomas, Jay Stanley, John Leslie Goff, and Brian Yale, the song was inspired by Thomas dealing with his mother's cancer as a teenager. The song was officially serviced to US modern rock radio in October 1997 and was given a commercial release outside North America the following month.
"Breakfast at Tiffany's" is a song by American alternative rock band Deep Blue Something. Originally appearing on their 1993 album 11th Song, it was later re-recorded and released on their 1995 album Home. Released as a single in July 1995 by Interscope and Rainmaker, the song was the band's only hit in the United States, peaking at number five on the US Billboard Hot 100 in January 1996. Outside the United States, "Breakfast at Tiffany's" topped the UK Singles Chart and peaked within the top ten on the charts of Australia, Flanders, Canada, Denmark, Germany, Iceland, Ireland, and Sweden.
"I'm the Only One" is a song by American singer-songwriter Melissa Etheridge from her fourth studio album, Yes I Am (1993). It was released as the first single in September 1993, reaching number 12 in Canada and number 26 in the Netherlands. In the United States, it was slow to gain momentum, but after the success of "Come to My Window", it was re-released, peaking at number eight on the Billboard Hot 100 and number one on the Billboard Adult Contemporary chart in January 1995. It remains Etheridge's biggest hit on either chart.
"Cryin'" is a song by American hard rock band Aerosmith. It was written by Steven Tyler, Joe Perry, and Taylor Rhodes, and released by Geffen Records on June 29, 1993, as the second US single from their 11th studio album, Get a Grip (1993). The single reached numbers 12 and 11 on the US Billboard Hot 100 and Cash Box Top 100, ending the year at number 60 overall. It is one of their most successful hits in Europe, reaching number one in Norway, number three in Iceland, Portugal, and Sweden, and number 17 on the UK Singles Chart. The song went gold in the United States for selling over 500,000 copies. Its music video, directed by Marty Callner, features Alicia Silverstone, Stephen Dorff and Josh Holloway.
"On Silent Wings" is a song by American singer-songwriter Tina Turner with guest vocals from English musician Sting. Released in May 1996 in support of Turner's ninth album, Wildest Dreams (1996), the single performed well on the US and Canadian adult contemporary charts, peaking at numbers 24 and 13 respectively. The dance version of "On Silent Wings", remixed by Soul Solution, charted at number 47 on the US Billboard Dance Club Play chart. Like much of Turner's later work, "On Silent Wings" enjoyed greater success in the United Kingdom, peaking at number 13 on the UK Singles Chart.
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