Saturday Night | |
---|---|
Directed by | Cecil B. DeMille |
Written by | Jeanie MacPherson |
Screenplay by | Jeanie MacPherson |
Story by | Jeanie MacPherson |
Produced by | Cecil B. DeMille |
Starring | Leatrice Joy Conrad Nagel Edith Roberts |
Cinematography | Karl Struss Alvin Wyckoff |
Edited by | Anne Bauchens |
Production company | |
Distributed by | Paramount Pictures |
Release date |
|
Running time | 9 reels |
Country | United States |
Language | Silent (English intertitles) |
Budget | $224,635 [1] |
Box office | $753,807.83 [2] |
Saturday Night is a 1922 American silent romantic comedy film directed by Cecil B. DeMille and starring Leatrice Joy, Conrad Nagel, and Edith Roberts. [3] [4] It was Leatrice Joy's first film with DeMille. [1]
Shamrock O'Day, a poor laundress dreams of a marrying a rich man. Her neighbour Tom McGuire, the chauffeur of socialite Iris van Suydam, is secretly in love with his mistress. On the other side of the city, Iris is not happy with her pampered life and she dreams of living in a vine-covered cottage. Her rich young fiancé Richard Prentiss is just as tired of women of her class as she is bored with men of his.
When Shamrock comes to deliver laundry at Richard's house, she meets him by chance and he falls in love with her. He proposes to drive her home and tells Iris to wait for him. She decides to go for a picnic with her chauffeur Tom and, after letting her car being crushed by a train, falls into Tom's arms. In the evening, Richard provocatively dances at a formal party with Shamrock, which causes his sister Elsie to announce her brother's engagement to Iris. Tom, having read the announcement in the press wants to leave Iris's service but she tells him she wants to marry him. The fact that her rich uncle clear all her allowances and she is left without a penny does not deter her. As soon as he hears the news, Richard decides to marry Shamrock.
Soon, Shamrock, who feels she is despised by Richard's family and friends is almost as desperate as Iris who must live in a tiny apartment next to a railway and spend her time cooking and cleaning. She decides to hire Tom as her chauffeur despite Richard and Iris's opposition. One evening, they go together to Coney Island. When they come back, they find Richard and Iris waiting for them. Iris tells Richard they are too different to live together. While Richard and Iris try to persuade their spouses that they love them, a fire breaks out. Richard saves Iris's life.
Seven years later, Shamrock and Tom are happily married and have several children, while Richard and Iris are still pondering whether it is time to mend their broken engagement. [5]
Complete prints of Saturday Night are held by:
In 2014, it was released on DVD by Alpha Home Entertainment. [7]
Male and Female is a 1919 American silent adventure/drama film directed by Cecil B. DeMille and starring Gloria Swanson and Thomas Meighan. Its main themes are gender relations and social class. The film is based on the 1902 J. M. Barrie play The Admirable Crichton.
Leatrice Joy was an American actress most prolific during the silent film era.
The Ten Commandments is a 1923 American silent religious epic film produced and directed by Cecil B. DeMille. Written by Jeanie MacPherson, the film is divided into two parts: a prologue recreating the biblical story of the Exodus and a modern story concerning two brothers and their respective views of the Ten Commandments.
Julia Faye Maloney, known professionally as Julia Faye, was an American actress of silent and sound films. She was known for her appearances in more than 30 Cecil B. DeMille productions. Her various roles ranged from maids and ingénues to vamps and queens.
The Devil-Stone is a 1917 American silent romance film directed by Cecil B. DeMille, co-written by his mother Beatrice deMille and Jeanie MacPherson, and starring Geraldine Farrar.
We Can't Have Everything was a 1918 American silent drama film produced and directed by Cecil B. DeMille and adapted for the screen by his brother, William C. De Mille. The film was based upon a 1917 novel of the same name by Rupert Hughes. Art direction for the film was done by Wilfred Buckland.
For Better, for Worse is a 1919 American silent drama film directed by Cecil B. DeMille and starring Gloria Swanson. The film was the second of four "marriage films" directed by DeMille and the second DeMille film starring Gloria Swanson. For Better, for Worse was adapted for the screen by William C. DeMille. Jeanie MacPherson wrote the film's scenario.
Forbidden Fruit is a 1921 American silent drama film directed by Cecil B. DeMille, and starring Agnes Ayres, Forrest Stanley, Clarence Burton, and Kathlyn Williams. It is a remake of the 1915 film The Golden Chance, which was also directed by DeMille.
Manslaughter is a 1922 American silent drama film directed by Cecil B. DeMille and starring Thomas Meighan, Leatrice Joy, and Lois Wilson. It was scripted by Jeanie MacPherson adapted from the novel of the same name by Alice Duer Miller. Art direction and costumes for the film were done by Paul Iribe.
Triumph is a 1924 American silent drama film directed by Cecil B. DeMille and starring Leatrice Joy and Rod La Rocque. It was based on a 1924 novel of the same name by May Edginton. The novel had previously been serialized in 1923 by The Saturday Evening Post.
Voices of the City is a 1921 American silent crime drama film starring Leatrice Joy and Lon Chaney that was directed by Wallace Worsley, based on the Leroy Scott novel The Night Rose. The film took more than 9 months to be released due to a controversy over the proposed title and the film's abundance of gunplay. The film was retitled Voices of the City and was only released in December 1921, although it had been completed in early March. The film is still listed under The Night Rose in some reference sources.
A Trip to Paramountown is a 1922 American short silent documentary film produced by Famous Players–Lasky and released through Paramount Pictures, to celebrate 10 years of Paramount's founding. The film runs about 20 minutes and features many personalities then under contract to Famous Players–Lasky and Paramount.
The Dressmaker from Paris is a 1925 American silent romantic comedy drama film directed by Paul Bern. The story was written by Howard Hawks and Adelaide Heilbron. Heilbron also wrote the screenplay. The film starred Leatrice Joy and was her last film for Paramount Pictures. The film was costume designer Travis Banton's first assignment.
Down Home is a 1920 American silent drama film written, directed, and produced by Irvin Willat and starring Leatrice Joy and James Barrows. It was distributed by the independent film distributor W. W. Hodkinson. A copy survives at the Library of Congress.
Vanity is a 1927, American silent drama film directed by Donald Crisp and starring Leatrice Joy. The film was written by Douglas Doty, produced by DeMille Pictures Corporation and distributed by Producers Distributing Corporation.
The Clinging Vine is a 1926 American silent comedy film produced by Cecil B. DeMille and Paul Slone and directed by Sloane. It was distributed by DeMille's Producers Distributing Corporation. The film is based on a 1922 Broadway play of the same name by Zelda Sears. The film was a starring vehicle for Leatrice Joy who left Paramount Pictures along with DeMille when he formed his own distributing company PDC.
Eve's Leaves is a 1926 American silent romantic comedy film starring Leatrice Joy and William Boyd. The film was produced and distributed by Cecil B. DeMille and directed by Paul Sloane It is based upon the 1925 play of the same name by Harry Chapman Ford.
The Angel of Broadway is a 1927 American silent drama film produced by Cecil B. DeMille and distributed by Pathé Exchange. It was directed by Lois Weber and starred Leatrice Joy.
Made for Love is a 1926 American silent drama film directed by Paul Sloane, produced by Cecil B. DeMille, and starring Leatrice Joy.
For Alimony Only is a 1926 American silent drama film directed by William C. deMille and starring Leatrice Joy, Clive Brook, and Lilyan Tashman.