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In books and documents, a section is a subdivision, especially of a chapter. [1] [2]
Sections are visually separated from each other with a section break, typically consisting of extra space between the sections, and sometimes also by a section heading for the latter section. They are a concern in the process of typography and pagination, where it may be desirable to have a page break follow a section break for the sake of aesthetics or readability.[ citation needed ]
In fiction, sections often represent scenes, and accordingly the space separating them is sometimes also called a scene break. [3] Scene breaks represent gaps in story time that do not correspond to discourse time, and thus reveal the story-discourse distinction. [4]
In written narrative such as fiction, sections are not usually numbered or named. Section breaks are used to signal various changes in a story, including changes in time, location, point-of-view character, mood, tone, emotion, and pace. As a fiction-writing mode, the section break can be considered a transition, similar to a chapter break.[ citation needed ]
Some documents, especially legal documents, may have numbered sections, such as Section Two of the Canadian Charter of Rights and Freedoms or Internal Revenue Code section 183 . [5] Section identifiers may have both uppercase and lowercase letters. [5] The section sign (§) may be used in referring to sections and subsections. Subsections are often written in lowercase Roman numerals, e.g. Section 51(xxvi) of the Australian Constitution.[ citation needed ]
The dotted-decimal section-numbering scheme commonly used in scientific and technical documents [6] is defined by International Standard ISO 2145.[ citation needed ]
A document may also be considered to be divided into sections by its headings and subheadings, which may be used for a table of contents. For example, the hierarchical sections used in Wikipedia can be compiled into a table of contents for an article. Many books, however, only have chapter headings in the table of contents.[ citation needed ]
While a chapter may be divided by section breaks, a group of chapters is conventionally called a "part", often identified with a Roman numeral, e.g. "Part II".[ citation needed ]
Reference material may be divided into sections. The section headers of a Chinese dictionary are one example.[ citation needed ]
Space between paragraphs in a section break is sometimes accompanied by a dinkus (* * *), an asterism (⁂), a horizontal rule, fleurons (❦), an ellipsis (. . .) or other ornamental symbols. An ornamental symbol used as section break does not have a generally accepted name. Such a typographic device can be referred to as a dinkus, a space break symbol, a paragraph separator, a paragraph divider, a horizontal divider, a thought break, or as an instance of filigree or flourish. Ornamental section breaks can be created using glyphs, rows of lozenges, dingbats, or other miscellaneous symbols. Fonts such as Webdings and Wingdings include many such glyphs.[ citation needed ]
In HTML, horizontal rules can be generated using the <hr>
tag, which generates a paragraph-level thematic break. For more ornate presentation, CSS can be used to replace the line with an image.[ citation needed ]
The <section>
tag may be used in semantic HTML to mark part of a webpage as a section. [7]
The ellipsis, rendered ..., alternatively described as suspension points/dots, points/periods of ellipsis, or ellipsis points, or colloquially, dot-dot-dot, is a punctuation mark consisting of a series of three dots. An ellipsis can be used in many ways, such as for intentional omission of text or numbers, to imply a concept without using words. Style guides differ on how to render an ellipsis in printed material.
In typography, a bullet or bullet point, •, is a typographical symbol or glyph used to introduce items in a list. For example:
• Item 1
• Item 2
• Item 3
In typography, the pilcrow (¶) is a glyph used to identify a paragraph. In editorial production the pilcrow typographic character may also be known as the paragraph mark, the paragraph sign, the paragraph symbol, the paraph, and the blind P.
A typeface is a design of letters, numbers and other symbols, to be used in printing or for electronic display. Most typefaces include variations in size, weight, slope, width, and so on. Each of these variations of the typeface is a font.
A paragraph is a self-contained unit of discourse in writing dealing with a particular point or idea. Though not required by the orthographic conventions of any language with a writing system, paragraphs are a conventional means of organizing extended segments of prose.
The section sign (§) is a typographical character for referencing individually numbered sections of a document; it is frequently used when citing sections of a legal code. It is also known as the section symbol, section mark, double-s, or silcrow. In other languages it may be called the "paragraph symbol".
In typography, a dingbat is an ornament, specifically, a glyph used in typesetting, often employed to create box frames, or as a dinkus. Some of the dingbat symbols have been used as signature marks or used in bookbinding to order sections.
The Dongba, Tomba or Tompa or Mo-so symbols are a system of pictographic glyphs used by the ²dto¹mba of the Naxi people in southern China. In the Naxi language it is called ²ss ³dgyu 'wood records' or ²lv ³dgyu 'stone records'. The first artifacts with this script on them originate from approximately 30 AD.
In writing and typography, a ligature occurs where two or more graphemes or letters are joined to form a single glyph. Examples are the characters ⟨æ⟩ and ⟨œ⟩ used in English and French, in which the letters ⟨a⟩ and ⟨e⟩ are joined for the first ligature and the letters ⟨o⟩ and ⟨e⟩ are joined for the second ligature. For stylistic and legibility reasons, ⟨f⟩ and ⟨i⟩ are often merged to create ⟨fi⟩ ; the same is true of ⟨s⟩ and ⟨t⟩ to create ⟨st⟩. The common ampersand, ⟨&⟩, developed from a ligature in which the handwritten Latin letters ⟨e⟩ and ⟨t⟩ were combined.
Letter case is the distinction between the letters that are in larger uppercase or capitals and smaller lowercase in the written representation of certain languages. The writing systems that distinguish between the upper- and lowercase have two parallel sets of letters: each in the majuscule set has a counterpart in the minuscule set. Some counterpart letters have the same shape, and differ only in size, but for others the shapes are different. The two case variants are alternative representations of the same letter: they have the same name and pronunciation and are typically treated identically when sorting in alphabetical order.
In typography, an asterism, ⁂, is a typographic symbol consisting of three asterisks placed in a triangle, which is used for a variety of purposes. The name originates from the astronomical term for a group of stars.
In orthography and typography, a homoglyph is one of two or more graphemes, characters, or glyphs with shapes that appear identical or very similar but may have differing meaning. The designation is also applied to sequences of characters sharing these properties.
Line breaking, also known as word wrapping, is breaking a section of text into lines so that it will fit into the available width of a page, window or other display area. In text display, line wrap is continuing on a new line when a line is full, so that each line fits into the viewable window, allowing text to be read from top to bottom without any horizontal scrolling. Word wrap is the additional feature of most text editors, word processors, and web browsers, of breaking lines between words rather than within words, where possible. Word wrap makes it unnecessary to hard-code newline delimiters within paragraphs, and allows the display of text to adapt flexibly and dynamically to displays of varying sizes.
A whitespace character is a character data element that represents white space when text is rendered for display by a computer.
The Unicode Consortium and the ISO/IEC JTC 1/SC 2/WG 2 jointly collaborate on the list of the characters in the Universal Coded Character Set. The Universal Coded Character Set, most commonly called the Universal Character Set, is an international standard to map characters, discrete symbols used in natural language, mathematics, music, and other domains, to unique machine-readable data values. By creating this mapping, the UCS enables computer software vendors to interoperate, and transmit—interchange—UCS-encoded text strings from one to another. Because it is a universal map, it can be used to represent multiple languages at the same time. This avoids the confusion of using multiple legacy character encodings, which can result in the same sequence of codes having multiple interpretations depending on the character encoding in use, resulting in mojibake if the wrong one is chosen.
A subscript or superscript is a character that is set slightly below or above the normal line of type, respectively. It is usually smaller than the rest of the text. Subscripts appear at or below the baseline, while superscripts are above. Subscripts and superscripts are perhaps most often used in formulas, mathematical expressions, and specifications of chemical compounds and isotopes, but have many other uses as well.
Three dots can refer to:
A fleuron, also known as printers' flower, is a typographic element, or glyph, used either as a punctuation mark or as an ornament for typographic compositions. Fleurons are stylized forms of flowers or leaves; the term derives from the Old French: floron ("flower"). Robert Bringhurst in The Elements of Typographic Style calls the forms "horticultural dingbats". A commonly encountered fleuron is the ❦, the floral heart or hedera. It is also known as an aldus leaf.
In typography, a dinkus is a typographic symbol which often consists of three spaced asterisks or bullets in a horizontal row, i.e. ∗ ∗ ∗ or • • • . The symbol has a variety of uses, and it usually denotes an intentional omission or a logical "break" of varying degree in a written work. This latter use is similar to a subsection, and it indicates to the reader that the subsequent text should be re-contextualized. When used this way, the dinkus typically appears centrally aligned on a line of its own with vertical spacing before and after the symbol. The dinkus has been in use in various forms since c. 1850. Historically, the dinkus was often represented as an asterism, ⁂, though this use has fallen out of favor and is now nearly obsolete.