Tipped-in page

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In the book trade, a tipped-in page or tipped-in plate is a page that is printed separately from the main text of the book, but attached to the book. The page may be glued onto a regular page or even bound along with the other pages. There are various reasons for tipped-in-pages, including photographic prints and reviews.

Contents

Description

A tipped-in page or, if it is an illustration, tipped-in plate, is a page that is printed separately from the main text of the book, but attached to the book. [1] A tipped-in page may be glued onto a regular page, or even bound along with the other pages. It is often printed on a different kind of paper, using a different printing process, and of a different format than a regular page. Tipped-in pages that are glued to a bound page on its inner side may be called paste ins.

Some authors include loose pages inserted into a book as tipped-in, but in this case, it is usually called an insert instead.

Tissue guard

An example of a tissue guard Tissue guard.jpg
An example of a tissue guard

A tissue guard is a tipped-in page consisting of a sheet of thin, often semi-transparent paper that is inserted facing an illustration or plate image, primarily to prevent its ink from transferring onto the opposite page. [2] [3] [4] It is usually added after the book is bound.

Tissue guards were once important because early book illustrations were commonly printed separately from the text, often by a different process such as lithography that employed a greasy ink that could transfer onto a facing page over time. Illustrations made with modern inks seldom require tissue guards and so they are not commonly found in modern books.

Tissue guards were commonly used in conjunction with a book frontispiece, but were also sometimes used with illustrations elsewhere within the book if the bookbinder felt they were needed. Most were made of a semi-transparent tissue paper similar to glassine or onionskin, although some were merely made of a thinner paper that achieved a similar effect.

Use

Typical uses of tipped-in pages added by the publisher include:

Owners of books may also tip in such items as:

Examples

Coffee table art books featuring high quality tipped-in color plates were popular starting in the late 1940s and into the 1980s. [5] [6] [7] Examples include several large series of books on painting published by Editions d'Art Albert Skira, Geneva: e.g. Painting, Color, History (23 volumes 1949–1972); The Great Centuries of Painting (14 volumes 1950–1959); The Taste of Our Time (57 volumes 1953–1972) with "hand-tipped colorplates". [8]

Harry N. Abrams, Inc., New York also published many fine art books during this period with tipped-in plates, examples include the 56 volume series The Library of Great Painters published 1959–1985 with each book having ca. 48 "tipped-on colorplates" [9] or "hand-tipped plates in full color". [10]

Related Research Articles

<span class="mw-page-title-main">Lithography</span> Printing technique

Lithography is a planographic method of printing originally based on the immiscibility of oil and water. The printing is from a stone or a metal plate with a smooth surface. It was invented in 1796 by the German author and actor Alois Senefelder and was initially used mostly for musical scores and maps. Lithography can be used to print text or images onto paper or other suitable material. A lithograph is something printed by lithography, but this term is only used for fine art prints and some other, mostly older, types of printed matter, not for those made by modern commercial lithography.

<span class="mw-page-title-main">Mimeograph</span> Type of duplicating machine

A mimeograph machine was a low-cost duplicating machine that worked by forcing ink through a stencil onto paper. The process was called mimeography, and a copy made by the process was a mimeograph.

<span class="mw-page-title-main">Printmaking</span> Process of creating artworks by printing, normally on paper

Printmaking is the process of creating artworks by printing, normally on paper, but also on fabric, wood, metal, and other surfaces. "Traditional printmaking" normally covers only the process of creating prints using a hand processed technique, rather than a photographic reproduction of a visual artwork which would be printed using an electronic machine ; however, there is some cross-over between traditional and digital printmaking, including risograph.

<span class="mw-page-title-main">Printing</span> Process for reproducing text and images

Printing is a process for mass reproducing text and images using a master form or template. The earliest non-paper products involving printing include cylinder seals and objects such as the Cyrus Cylinder and the Cylinders of Nabonidus. The earliest known form of printing evolved from ink rubbings made on paper or cloth from texts on stone tablets, used during the sixth century. Printing by pressing an inked image onto paper appeared later that century. Later developments in printing technology include the movable type invented by Bi Sheng around 1040 AD and the printing press invented by Johannes Gutenberg in the 15th century. The technology of printing played a key role in the development of the Renaissance and the Scientific Revolution and laid the material basis for the modern knowledge-based economy and the spread of learning to the masses.

<i>Chine-collé</i> Printmaking method

Chine-collé or chine collé is a printmaking technique in which the image is transferred onto a surface that is bonded onto a heavier support in the printing process. One purpose is to allow the printmaker to print on a much more delicate surface, such as Japanese paper or linen, that pulls finer details off the plate. Another purpose is to provide a background colour behind the image that is different from the surrounding backing sheet.

<span class="mw-page-title-main">Drypoint</span> Intaglio printmaking technique

Drypoint is a printmaking technique of the intaglio family, in which an image is incised into a plate with a hard-pointed "needle" of sharp metal or diamond point. In principle, the method is practically identical to engraving. The difference is in the use of tools, and that the raised ridge along the furrow is not scraped or filed away as in engraving. Traditionally the plate was copper, but now acetate, zinc, or plexiglas are also commonly used. Like etching, drypoint is easier to master than engraving for an artist trained in drawing because the technique of using the needle is closer to using a pencil than the engraver's burin.

<span class="mw-page-title-main">Relief printing</span> Family of printing methods

Relief printing is a family of printing methods where a printing block, plate or matrix, which has had ink applied to its non-recessed surface, is brought into contact with paper. The non-recessed surface will leave ink on the paper, whereas the recessed areas will not. A printing press may not be needed, as the back of the paper can be rubbed or pressed by hand with a simple tool such as a brayer or roller. In contrast, in intaglio printing, the recessed areas are printed.

<span class="mw-page-title-main">Stationery</span> Writing materials

Stationery refers to commercially manufactured writing materials, including cut paper, envelopes, writing implements, continuous form paper, and other office supplies. Stationery includes materials to be written on by hand or by equipment such as computer printers.

<span class="mw-page-title-main">Digital printing</span> Method of printing

Digital printing is a method of printing from a digital-based image directly to a variety of media. It usually refers to professional printing where small-run jobs from desktop publishing and other digital sources are printed using large-format and/or high-volume laser or inkjet printers.

Prepress is the term used in the printing and publishing industries for the processes and procedures that occur between the creation of a print layout and the final printing. The prepress process includes the preparation of artwork for press, media selection, proofing, quality control checks and the production of printing plates if required. The artwork is often provided by the customer as a print-ready PDF file created in desktop publishing.

<span class="mw-page-title-main">Offset printing</span> Printing technique

Offset printing is a common printing technique in which the inked image is transferred from a plate to a rubber blanket and then to the printing surface. When used in combination with the lithographic process, which is based on the repulsion of oil and water, the offset technique employs a flat (planographic) image carrier. Ink rollers transfer ink to the image areas of the image carrier, while a water roller applies a water-based film to the non-image areas.

<span class="mw-page-title-main">Chromolithography</span> Method for making multi-colour prints

Chromolithography is a method for making multi-colour prints. This type of colour printing stemmed from the process of lithography, and includes all types of lithography that are printed in colour. When chromolithography is used to reproduce photographs, the term photochrome is frequently used. Lithography is a method of printing on flat surfaces using a flat printing plate instead of raised relief or recessed intaglio techniques.

Color printing or colour printing is the reproduction of an image or text in color.

<span class="mw-page-title-main">Coffee table book</span> Large illustrated hardback book

A coffee table book, also known as a cocktail table book, is an oversized, usually hard-covered book whose purpose is for display on a table intended for use in an area in which one entertains guests and from which it can serve to inspire conversation or pass the time. Subject matter is predominantly non-fiction and pictorial. Pages consist mainly of photographs and illustrations, accompanied by captions and small blocks of text, as opposed to long prose. Since they are aimed at anyone who might pick up the book for a light read, the analysis inside is often more basic and with less jargon than other books on the subject. Because of this, the term "coffee table book" can be used pejoratively to indicate a superficial approach to the subject..

Albert Skira (1904–1973) was a Swiss art dealer, publisher and the founder of the Skira publishing house.

<span class="mw-page-title-main">Transfer printing</span>

Transfer printing is a method of decorating pottery or other materials using an engraved copper or steel plate from which a monochrome print on paper is taken which is then transferred by pressing onto the ceramic piece. Pottery decorated using this technique is known as transferware or transfer ware.

<span class="mw-page-title-main">Carborundum printmaking</span> Printmaking technique

Carborundum mezzotint is a printmaking technique in which the image is created by adding light passages to a dark field. It is a relatively new process invented in the US during the 1930s by Hugh Mesibov, Michael J. Gallagher, and Dox Thrash, an artist working in Philadelphia with the Works Progress Administration (WPA)). "Carborundum Collagraph" collagraph is a different printmaking technique, invented in 1952 by Henri Goetz, an American abstract artist living in Paris. The carborundum mezzotint uses the grits to create pits below the surface of the metal that then hold ink, like traditional mezzotint. The carborundum collagraph creates the image above the surface of the matrix, which does not have to be metal. In one method, the grits are mixed into a paste using an acrylic base that is painted onto the matrix, creating the image much like painting. Once dried, this holds the ink; the wiping and printing are done the same as etching. The techniques described following and below are alternatives to the paste mixture technique, yet all are creating the image above the surface of the matrix. Carbordundum collagraph allows artists to work on a large scale. Normally, cardboard or wood plates are coated in a layer of carborundum or screen, and the lights are created by filling in the texture with screen filler or glue. Carborundum prints may be printed as intaglio plates.

<span class="mw-page-title-main">Book illustration</span> Illustration which appears in books

The illustration of manuscript books was well established in ancient times, and the tradition of the illuminated manuscript thrived in the West until the invention of printing. Other parts of the world had comparable traditions, such as the Persian miniature. Modern book illustration comes from the 15th-century woodcut illustrations that were fairly rapidly included in early printed books, and later block books. Other techniques such as engraving, etching, lithography and various kinds of colour printing were to expand the possibilities and were exploited by such masters as Daumier, Doré or Gavarni.

<span class="mw-page-title-main">Outline of books</span> Overview of and topical guide to books

The following outline is provided as an overview of and topical guide to books:

<span class="mw-page-title-main">Skira (publisher)</span> Swiss publishing firm

Skira Editore and Editions d'Art Albert Skira, also known as Skira, is a publishing firm founded by Albert Skira in Switzerland in 1928 and now based in Italy. The firm is known particularly for its art books of "vastly improved quality of colour reproduction".

References

  1. "Glossary of book terms". AbeBooks. June 3, 2021. Archived from the original on February 15, 2023. Retrieved February 15, 2023.
  2. "Turning the Page: Illustrated Frontmatter". What the Victorians Made of Romanticism. Princeton University Press. 2018. pp. 72–86. doi:10.1515/9781400887897-009. ISBN   9781400887897. S2CID   227626782.
  3. "Glossary T". www.peterharrington.co.uk. Retrieved 2024-02-19.
  4. "tomfolio / Glossary Page T". tomfolio.pbworks.com. Retrieved 2024-02-19.
  5. "Art: Perfectionist". Time. 1950-05-29. ISSN   0040-781X. Archived from the original on 2019-08-19. Retrieved 27 September 2019.
  6. Corisande Evesque. Albert Skira et ses livres d'art (1948-1973) Archived 2019-05-14 at the Wayback Machine . Histoire. 2015. ffdumas-01256888
  7. "Harry N. Abrams, Inc. | Encyclopedia.com". www.encyclopedia.com. Archived from the original on 27 September 2019. Retrieved 27 September 2019.
  8. Courthion, P. (1956) Montmartre, volume 16 of The Taste of Our Time. Editions d'Art Albert Skira, Geneva. 143 pp
  9. Courthion, P. (1968) Seurat, The Library of Great Painters. Harry N. Abrams, Inc., Publishers. New York, 160 pp.
  10. Valcanover, F.; Pignatti, T. (1985). Tintoretto, The Library of Great Painters . New York, N.Y., USA: Harry N. Abrams, Inc., Publishers. p. 168. ISBN   0-8109-1650-9.