Marginalia (or apostils) are marks made in the margins of a book or other document. They may be scribbles, comments, glosses (annotations), critiques, doodles, drolleries, or illuminations.
Marginalia (or apostils) are marks made in the margins of a book or other document. They may be scribbles, comments, glosses (annotations), critiques, doodles, drolleries, or illuminations.
Biblical manuscripts have notes in the margin, for liturgical use. Numbers of texts' divisions are given at the margin (κεφάλαια, Ammonian Sections, Eusebian Canons). There are some scholia, corrections and other notes usually made later by hand in the margin. Marginalia may also be of relevance because many ancient or medieval writers of marginalia may have had access to other relevant texts that, although they may have been widely copied at the time, have since then been lost due to wars, prosecution, or censorship. As such, they might give clues to an earlier, more widely known context of the extant form of the underlying text than is currently appreciated. For this reason, scholars of ancient texts usually try to find as many still existing manuscripts of the texts they are researching, because the notes scribbled in the margin might contain additional clues to the interpretation of these texts.
The scholia on classical manuscripts are the earliest known form of marginalia.
In Europe, before the invention of the printing press, books were copied by hand, originally onto vellum and later onto paper. Paper was expensive and vellum was much more expensive. A single book cost as much as a house. Books, therefore, were long-term investments expected to be handed down to succeeding generations. Readers commonly wrote notes in the margins of books in order to enhance the understanding of later readers. Of the 52 extant manuscript copies of Lucretius' "De rerum natura" (On the Nature of Things) available to scholars, all but three contain marginal notes. [1]
The practice of writing in the margins of books gradually declined over several centuries after the invention of the printing press. Printed books gradually became much less expensive, so they were no longer regarded as long-term assets to be improved for succeeding generations. The first Gutenberg Bible was printed in the 1450s. Hand annotations occur in most surviving books through the end of the 1500s. [1] Marginalia did not become unusual until sometime in the 1800s.
Fermat's claim, written around 1637, of a proof of Fermat's last theorem too big to fit in the margin is the most famous mathematical marginal note. [2] Voltaire, in the 1700s, annotated books in his library so extensively that his annotations have been collected and published. [3] The first recorded use of the word marginalia is in 1819 in Blackwood's Magazine . [4] From 1845 to 1849 Edgar Allan Poe titled some of his reflections and fragmentary material "Marginalia". [5] [6] Five volumes of Samuel T. Coleridge's marginalia have been published. Beginning in the 1990s, attempts have been made to design and market e-book devices permitting a limited form of marginalia.
Some famous marginalia were serious works, or drafts thereof, written in margins due to scarcity of paper. Voltaire composed in book margins while in prison, and Sir Walter Raleigh wrote a personal statement in margins just before his execution.
Marginalia can add to or detract from the value of an association copy of a book, depending on the author of the marginalia and on the book.
Catherine C. Marshall, doing research on the future of user interface design, has studied the phenomenon of user annotation of texts. She discovered that in several university departments, students would scour the piles of textbooks at used book dealers for consistently annotated copies. The students had a good appreciation for their predecessors' distillation of knowledge. [7] [8] [9] In recent years, the marginalia left behind by university students as they engage with library textbooks has also been a topic of interest to sociologists looking to understand the experience of being a university student. [10] [11]
The former Moscow correspondent of The Financial Times, John Lloyd, has stated that he was shown Stalin's copy of Machiavelli's The Prince , with marginal comments. [12]
American poet Billy Collins has explored the phenomenon of annotation within his poem titled "Marginalia". [13]
A study on medieval and Renaissance manuscripts where snails are depicted on marginalia shows that these illustrations are a comic relief due to the similarity between the armor of knights and the shell of snails. [14] [15] [16]
The Masoretic Text is the authoritative Hebrew and Aramaic text of the 24 books of the Hebrew Bible (Tanakh) in Rabbinic Judaism. The Masoretic Text defines the Jewish canon and its precise letter-text, with its vocalization and accentuation known as the mas'sora. Referring to the Masoretic Text, masorah specifically means the diacritic markings of the text of the Jewish scriptures and the concise marginal notes in manuscripts of the Tanakh which note textual details, usually about the precise spelling of words. It was primarily copied, edited, and distributed by a group of Jews known as the Masoretes between the 7th and 10th centuries of the Common Era (CE). The oldest known complete copy, the Leningrad Codex, dates from the early 11th century CE.
An illuminated manuscript is a formally prepared document where the text is decorated with flourishes such as borders and miniature illustrations. Often used in the Roman Catholic Church for prayers and liturgical books such as psalters and courtly literature, the practice continued into secular texts from the 13th century onward and typically include proclamations, enrolled bills, laws, charters, inventories, and deeds.
De rerum natura is a first-century BC didactic poem by the Roman poet and philosopher Lucretius with the goal of explaining Epicurean philosophy to a Roman audience. The poem, written in some 7,400 dactylic hexameters, is divided into six untitled books, and explores Epicurean physics through poetic language and metaphors. Namely, Lucretius explores the principles of atomism; the nature of the mind and soul; explanations of sensation and thought; the development of the world and its phenomena; and explains a variety of celestial and terrestrial phenomena. The universe described in the poem operates according to these physical principles, guided by fortuna ("chance"), and not the divine intervention of the traditional Roman deities.
The Lichfield Gospels is an 8th-century Insular Gospel Book housed in Lichfield Cathedral. There are 236 surviving pages, eight of which are illuminated. Another four contain framed text. The pages measure 30.8 cm by 23.5 cm. The manuscript is also important because it includes, as marginalia, some of the earliest known examples of written Old Welsh, dating to the early part of the 8th century. The art historian Peter Lord dates the book at 730, placing it chronologically before the Book of Kells but after the Lindisfarne Gospels.
Commonplace books are a way to compile knowledge, usually by writing information into books. They have been kept from antiquity, and were kept particularly during the Renaissance and in the nineteenth century. Such books are similar to scrapbooks filled with items of many kinds: notes, proverbs, adages, aphorisms, maxims, quotes, letters, poems, tables of weights and measures, prayers, legal formulas, and recipes.
An annotation is extra information associated with a particular point in a document or other piece of information. It can be a note that includes a comment or explanation. Annotations are sometimes presented in the margin of book pages. For annotations of different digital media, see web annotation and text annotation.
"The City in the Sea" is a poem by Edgar Allan Poe. The final version was published in 1845, but an earlier version was published as "The Doomed City" in 1831 and, later, as "The City of Sin". The poem tells the story of a city ruled by a personification of Death using common elements from Gothic fiction. The poem appeared in the Southern Literary Messenger, The American Review, the Broadway Journal, as well as in the 1850 collection The Poets and Poetry of America.
Books of hours are Christian prayer books, which were used to pray the canonical hours. The use of a book of hours was especially popular in the Middle Ages, and as a result, they are the most common type of surviving medieval illuminated manuscript. Like every manuscript, each manuscript book of hours is unique in one way or another, but most contain a similar collection of texts, prayers and psalms, often with appropriate decorations, for Christian devotion. Illumination or decoration is minimal in many examples, often restricted to decorated capital letters at the start of psalms and other prayers, but books made for wealthy patrons may be extremely lavish, with full-page miniatures. These illustrations would combine picturesque scenes of country life with sacred images.
Codicology is the study of codices or manuscript books. It is often referred to as "the archaeology of the book," a term coined by François Masai. It concerns itself with the materials, tools and techniques used to make codices, along with their features.
The Book of Margery Kempe is a medieval text attributed to Margery Kempe, an English Christian mystic and pilgrim who lived at the turn of the fifteenth century. It details Kempe's life, her travels, her accounts of divine revelation including her visions of interacting with the Trinity, particularly Jesus, as well as other biblical figures. These interactions take place through a strong, mental connection forged between Kempe and said biblical figures. The book is also notable for her claiming to be present at key biblical events such as the Nativity, shown in chapter six of Book I, and the Crucifixion.
Tamerlane and Other Poems is the first published work by American writer Edgar Allan Poe. The short collection of poems was first published in 1827. Today, it is believed only 12 copies of the collection still exist.
A manuscript culture is a culture that depends on hand-written manuscripts to store and disseminate information. It is a stage that most developed cultures went through in between oral culture and print culture. Europe entered the stage in classical antiquity. In early medieval manuscript culture, monks copied manuscripts by hand. They copied not just religious works, but a variety of texts including some on astronomy, herbals, and bestiaries. Medieval manuscript culture deals with the transition of the manuscript from the monasteries to the market in the cities, and the rise of universities. Manuscript culture in the cities created jobs built around the making and trade of manuscripts, and typically was regulated by universities. Late manuscript culture was characterized by a desire for uniformity, well-ordered and convenient access to the text contained in the manuscript, and ease of reading aloud. This culture grew out of the Fourth Lateran Council (1215) and the rise of the Devotio Moderna. It included a change in materials, and was subject to remediation by the printed book, while also influencing it.
In typography, a margin is the area between the main content of a page and the page edges. The margin helps to define where a line of text begins and ends. When a page is justified the text is spread out to be flush with the left and right margins. When two pages of content are combined next to each other, the space between the two pages is known as the gutter. The top and bottom margins of a page are also called "head" and "foot", respectively. The term "margin" can also be used to describe the edge of internal content, such as the right or left edge of a column of text.
In Biblical studies, a gloss or glossa is an annotation written on margins or within the text of biblical manuscripts or printed editions of the scriptures. With regard to the Hebrew texts, the glosses chiefly contained explanations of purely verbal difficulties of the text; some of these glosses are of importance for the correct reading or understanding of the original Hebrew, while nearly all have contributed to its uniform transmission since the 11th century. Later on, Christian glosses also contained scriptural commentaries; St. Jerome extensively used glosses in the process of translation of the Latin Vulgate Bible.
Minuscule 495, ε 243, is a Greek minuscule manuscript of the New Testament, on parchment. Palaeographically it has been assigned to the 12th-century. Scrivener labelled it by number 581. The manuscript is lacunose, marginalia are full. It was adapted for liturgical use.
Text annotation is the practice and the result of adding a note or gloss to a text, which may include highlights or underlining, comments, footnotes, tags, and links. Text annotations can include notes written for a reader's private purposes, as well as shared annotations written for the purposes of collaborative writing and editing, commentary, or social reading and sharing. In some fields, text annotation is comparable to metadata insofar as it is added post hoc and provides information about a text without fundamentally altering that original text. Text annotations are sometimes referred to as marginalia, though some reserve this term specifically for hand-written notes made in the margins of books or manuscripts. Annotations have been found to be useful and help to develop knowledge of English literature.
Codex Marchalianus, designated by siglum Q, is a 6th-century Greek manuscript copy of the Greek version of the Hebrew Bible known as the Septuagint. It is now in the Vatican Library. The text was written on vellum in uncial letters. Palaeographically it has been assigned to the 6th century. Marginal annotations were later added to the copy of the Scripture text, the early ones being of importance for a study of the history of the Septuagint.
George Arthur Plimpton was an American publisher and philanthropist.
The Swerve: How the World Became Modern is a 2011 book by Stephen Greenblatt and winner of the 2012 Pulitzer Prize for General Non-Fiction and 2011 National Book Award for Nonfiction.
Vienna ÖNB 5203 is a fifteenth-century astronomical multiple-text, miscellany manuscript conserved at the Austrian National Library. One of the main features of this codex is that it has been largely copied by the hand of Regiomontanus, a famous German mathematician, astrologer and astronomer of the fifteenth century. Apart from Regiomontanus’ autograph, Vienna ÖNB 5203 contains examples of two other scribal hands, one of which belongs to Georg von Peurbach, who was as well an astronomer, mathematician and instrument maker of Austrian origin. The manuscript also contains a number of Peurbach’s works, including his most famous one – Theoricae Novae Planetarum, a re-elaboration of Ptolemaic astronomy theories in a more comprehensive way. Other treatises in Vienna ÖNB 5203 touch upon a great variety of subjects, including astronomy, astrology, music, mathematics and physics.
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