"Sinkin' Soon" | ||||
---|---|---|---|---|
Single by Norah Jones | ||||
from the album Not Too Late | ||||
B-side | "Rosie's Lullaby" | |||
Released | March 26, 2007 | |||
Genre | ||||
Length | 4:38 | |||
Label | Blue Note | |||
Songwriter(s) |
| |||
Producer(s) | Lee Alexander | |||
Norah Jones singles chronology | ||||
| ||||
Music video | ||||
"Sinkin' Soon" on YouTube |
"Sinkin' Soon" is a song recorded by American singer-songwriter Norah Jones for her third studio album Not Too Late (2007). It was written and produced by Lee Alexander, and co-written by Jones. A cabaret-influenced lounge-jazz track, it is driven by a piano interspersed with a muted trombone. Lyrically sociopolitical, it describes the state of the US at the time of the song's writing through the metaphor of a sinking ship. The song was released as the second single from Not Too Late outside the US on March 26, 2007, by Blue Note Records.
Upon release, "Sinkin' Soon" received widespread acclaim from music critics, predominantly directed towards Jones' progressed songwriting. However, it was a commercial failure, solely reaching the top 40 in Italy. Its accompanying music video, directed by Ace Norton, incorporates stop motion and shows Jones in various miniature settings. Since the song's release, Jones has included it on set lists for all her concert tours.
Lee Alexander wrote most of "Sinkin' Soon", with Jones composing the bridge. According to Jones, they were unable to play the whole song before they recorded it, so they went out for dinner and drank beer. "I guess we needed a little bit of that drunken sailor vibe because we came back and recorded this on the first take", she elaborated. [1] Jones' old friend J. Walter Hawkes contributed a trombone solo, while M. Ward performed backing vocals. Furthermore, Andrew Borger used pots and pans, including Jones' own teapot, as percussion instruments. [1] [2]
"Sinkin' Soon" is composed in the key of E minor, according to the sheet music published by Faber Music. [3] Critical commentaries identified the song as a cabaret-influenced lounge and jazz track. [a] Its musical style received frequent comparisons to works of composer Kurt Weill and singer-songwriter Tom Waits, [b] while Dan Aquilante of the New York Post compared it to Louis Armstrong's early recordings. [15] The track's instrumentation incorporates a piano interspersed with a muted trombone, banjo guitar, and pot-and-pan percussion. [c] The song's tempo is a moderate 100 beats per minute in common time, while Jones' vocal range spans one octave and three semitones, from the low note of E3 to the high note of G4. [3]
Sociopolitically-themed, "Sinkin' Soon" lyrically compares the United States and its government to a sinking ship. [6] [15] Nick Cowen of Drowned in Sound further insinuated that the song was directed to George W. Bush, then-President of the United States, [5] while Robert Christgau, writing for Rolling Stone , speculated that the lyrical content referred to Hurricane Katrina. [19]
Upon the release of Not Too Late, "Sinkin' Soon" received widespread acclaim from music critics. Nick Cowen of Drowned in Sound, [5] John Fordham for The Guardian , [10] and the website Sputnikmusic [20] all highlighted it as a standout track from the album. Staff of Los Angeles Times emphasized the song as a testament to Jones becoming "an entirely different singer, with an edgy tone and an animated personality". [12] Sarah Liss of Now listed the track among examples of Jones' evolution as a songwriter and a musician, [14] as did Slant Magazine 's Jonathan Keefe, who further called it "as feisty as anything in Jones' solo catalogue". [17] Writing for Entertainment Weekly, Sia Michel also praised the song, labeling it as a "catchy hobo-cabaret jam", [6] while Elizabeth Newton from PopMatters complimented its "sassy, mourning" trombone instrumentation. [18]
The accompanying music video for "Sinkin' Soon" was directed by Ace Norton, who also directed the music video for Jones' previous single "Thinking About You". [21] It was shot in one day in November 2006, at an industrial strip south of downtown Los Angeles, and incorporates special effects and stop motion. [22] The video premiered via YouTube on March 1, 2007. [21]
The music video for "Sinkin' Soon" begins with various household items in a darkly lit utility room assembling themselves into Jones's backing band. Jones performs the song with the band, as a doll in a doll's house and on a miniature stage, and she dances with an empty tuxedo before performing the song in a mouse hole, dressed in a mouse costume. The video ends with the items assuming their original positions in the room.
In 2007, Jones performed "Sinkin' Soon" in concerts promoting Not Too Late, and included it on the set list for the Not Too Late Tour; a live rendition was included on Jones' live album Live from Austin, TX (2008). [13] [23] [24] In October 2010, she performed it at Farm Aid 25. [25] The song was further included on the set lists for The Fall Tour (2010), [d] Little Broken Hearts Tour (2012–2013), [29] Day Breaks World Tour (2016–2017), [30] and Visions Tour (2024–2025). [31] Jones also performed the song with Sasha Dobson during one of Jones' "Live from Home" concerts, in July 2020; [32] the performance was included on the deluxe edition of Jones' seventh studio album Pick Me Up Off the Floor (2020). [33]
2-track digital single and European CD single [34] [35]
3-track digital single and European maxi CD single [36] [37]
Japanese promotional CD single [38]
Credits are adapted from the liner notes of Not Too Late . [2]
Chart | Peak position |
---|---|
Italy (FIMI) [39] | 36 |
Region | Date | Format(s) | Label(s) | Ref. |
---|---|---|---|---|
Various [e] | March 26, 2007 | Digital download [f] | EMI | |
Germany | April 27, 2007 | Maxi CD |
Dexys are an English pop rock band from Birmingham, with soul influences, who achieved major commercial success in the early to mid- 1980s. They are best known in the UK for their songs "Geno" and "Come On Eileen", both of which reached No. 1 on the UK Singles Chart, and achieved six other top-20 singles. "Come On Eileen" also topped the US Billboard Hot 100, and, with extensive airplay on MTV, they are associated with the Second British Invasion.
Norah Jones is an American singer-songwriter and musician. She has won several awards for her music and, as of 2023, had sold more than 53 million records worldwide. Billboard named her the top jazz artist of the 2000s decade. She has won nine Grammy Awards and was ranked 60th on Billboard magazine's artists of the '00s decade chart.
Kajagoogoo were an English pop band. They are best known for their 1983 hit single "Too Shy", which reached No. 1 on the UK Singles Chart, and the top 10 in numerous other countries.
"The World Is Not Enough" is the theme song for the 1999 James Bond film The World Is Not Enough, performed by American rock band Garbage. The song was written by composer David Arnold and lyricist Don Black, previously responsible for four other Bond songs, and was produced by Garbage and Arnold. "The World Is Not Enough" was composed in the style of the series' title songs, in contrast with the post-modern production and genre-hopping of Garbage's first two albums. The group recorded most of "The World Is Not Enough" while touring Europe in support of their album Version 2.0, telephoning Arnold as he recorded the orchestral backing in London before travelling to England. Garbage later finished recording and mixing the song at Armoury Studios in Canada. The lyrics reflect the film's plot, with themes of world domination and seduction.
"King of the Mountain" is a song by British singer-songwriter Kate Bush. Taken from her eighth album, Aerial (2005), it was released on 24 October 2005 as the album's only single. The single peaked at No. 4 in the UK Singles Chart.
Jesse Harris is an American singer-songwriter, producer, and guitarist. He has worked with Norah Jones, Melody Gardot, Madeleine Peyroux, and Lizz Wright.
"Don't Know Why" is a song written and composed by Jesse Harris that originally appeared on his 1999 album, Jesse Harris & the Ferdinandos. A cover of the song was the debut single of American singer Norah Jones from her debut studio album, Come Away with Me (2002).
"You Had Me" is a song by English singer and songwriter Joss Stone from her second studio album, Mind Body & Soul (2004). It was released on 13 September 2004 as the album's lead single. The song was written by Stone, Francis "Eg" White, Wendy Stoker, and Betty Wright. "You Had Me" peaked at number nine on the UK Singles Chart, earning Stone her highest-peaking single on the chart to date. Additionally, the song received a nomination for Best Female Pop Vocal Performance at the 47th Grammy Awards in 2005 but lost out to "Sunrise" by Norah Jones.
Not Too Late is the third studio album by American singer-songwriter Norah Jones, released on January 30, 2007, through Blue Note Records. It was produced by Lee Alexander, the songwriter and bassist featured on Jones's previous albums, Come Away with Me (2002) and Feels Like Home (2004). The album debuted at number one on the Billboard 200, making it Jones' third consecutive number one album.
Graham Matthew Jay was an English singer-songwriter.
"Thinking About You" is a song recorded by American singer-songwriter Norah Jones for her third studio album Not Too Late (2007). It was written by Jones and Ilhan Ersahin, and produced by Lee Alexander. The song was released as the lead single from Not Too Late on December 5, 2006, by Blue Note Records.
"Come Away with Me" is a song written, produced, and performed by American recording artist Norah Jones. The ballad was released on September 30, 2002, as the third single from her debut studio album, Come Away with Me (2002).
"Not Too Late" is a song recorded by American singer-songwriter Norah Jones for her third studio album of the same title (2007). It was written by Jones and Lee Alexander, and produced by Alexander. A piano-driven pop track, "Not Too Late" lyrically displays an optimistic and hopeful view on love. Critically acclaimed, the song was released as the fourth single from Not Too Late on July 17, 2007, by Blue Note Records, peaking at number 26 on the US Smooth Jazz Songs.
"Flux" is a song by English rock band Bloc Party. It was released as a single on 12 November 2007 and produced by Jacknife Lee, along with several other new songs, during the band's week in the studio after their performances at the Carling Weekend: Reading and Leeds Festivals. The song uses mostly electronic instruments and features vocalist Kele Okereke's voice manipulated through Auto-Tune. It was first performed live on 26 September 2007 at Covington's Madison Theater.
"What Am I to You?" is a song written and recorded by American singer-songwriter Norah Jones for her second studio album Feels like Home (2004). It was produced by Jones and Lee Alexander. A soul song, it is written from the perspective of someone questioning whether or not their love for their partner is fully reciprocated. The song was released as the second single from Feels Like Home on May 10, 2004, by Blue Note Records.
The Fall is the fourth studio album by American singer-songwriter Norah Jones, released on November 11, 2009, by Blue Note Records. The album debuted at number three on the Billboard 200, selling 180,000 copies in its first week. As of August 2012, the album had sold over three million copies worldwide.
Lee Alexander is an American bassist, songwriter, and music producer best known for his work on Norah Jones' albums Come Away with Me, Feels Like Home, and Not Too Late.
Little Broken Hearts is the fifth studio album by American singer and songwriter Norah Jones, released on April 25, 2012, by Blue Note Records. The album was produced by Brian Burton, better known as Danger Mouse, who is notable for his production work with the Black Keys, Gnarls Barkley, and Beck among others.
"Happy Pills" is a song by the American singer-songwriter Norah Jones. It is the lead single from her fifth studio album, Little Broken Hearts, and was released digitally on March 6, 2012. Written by Jones and co-written and produced by Brian Burton, it tells the story of Jones emancipating herself from a relationship and finding that she is better off alone. Musically, it is a gritty, bluesy song with a playful pop sound. It received mostly positive reviews, with many critics complimenting its style and the chemistry between Jones and Burton.