Sonny Meets Hawk! | ||||
---|---|---|---|---|
Studio album by | ||||
Released | October 1963 [1] | |||
Recorded | July 15 (#1–2, 5) and 18 (#3–4, 6), 1963 | |||
Studio | RCA Victor, New York City | |||
Genre | Jazz | |||
Length | 41:21 | |||
Label | RCA Victor LPM-2712 | |||
Producer | George Avakian | |||
Sonny Rollins chronology | ||||
| ||||
Coleman Hawkins chronology | ||||
|
Review scores | |
---|---|
Source | Rating |
Down Beat | [2] |
Allmusic | [3] |
The Penguin Guide to Jazz Recordings | [4] |
Sonny Meets Hawk! is a 1963 album by jazz saxophonist Sonny Rollins, with Coleman Hawkins appearing as guest artist. [5] It was recorded at RCA Victor Studio B in New York City on July 15 and 18, 1963. The album features some of Rollins's most avant-garde playing. [6]
The album marks the first time the two saxophonists had entered a recording studio together, although they had appeared on stage together briefly that same year at the Newport Jazz Festival. [7]
Coleman Randolph Hawkins, nicknamed "Hawk" and sometimes "Bean", was an American jazz tenor saxophonist. One of the first prominent jazz musicians on his instrument, as Joachim E. Berendt explained: "there were some tenor players before him, but the instrument was not an acknowledged jazz horn". Hawkins biographer John Chilton described the prevalent styles of tenor saxophone solos prior to Hawkins as "mooing" and "rubbery belches". Hawkins denied being first and noted his contemporaries Happy Caldwell, Stump Evans, and Prince Robinson, although he was the first to tailor his method of improvisation to the saxophone rather than imitate the techniques of the clarinet. Hawkins' virtuosic, arpeggiated approach to improvisation, with his characteristic rich, emotional, and vibrato-laden tonal style, was the main influence on a generation of tenor players that included Chu Berry, Charlie Barnet, Tex Beneke, Ben Webster, Vido Musso, Herschel Evans, Buddy Tate, and Don Byas, and through them the later tenormen, Arnett Cobb, Illinois Jacquet, Flip Phillips, Ike Quebec, Al Sears, Paul Gonsalves, and Lucky Thompson. While Hawkins became known with swing music during the big band era, he had a role in the development of bebop in the 1940s.
The Bridge is a studio album by jazz saxophonist Sonny Rollins, recorded in 1962. It was Rollins' first release following a three-year sabbatical and was his first album for RCA Victor. The saxophonist was joined by the musicians with whom he recorded for the next segment of his career: Jim Hall on guitar, Bob Cranshaw on double bass and Ben Riley on drums.
The Genius of Coleman Hawkins is a 1957 album by tenor saxophonist Coleman Hawkins, featuring the Oscar Peterson quartet.
This Is What I Do is an album by jazz saxophonist Sonny Rollins, released on the Milestone label in 2000, featuring performances by Rollins with Clifton Anderson, Stephen Scott, Bob Cranshaw, Jack DeJohnette and Perry Wilson.
Here's to the People is an album by jazz saxophonist Sonny Rollins, released on the Milestone label in 1991, featuring performances by Rollins with Clifton Anderson, Mark Soskin, Jerome Harris, Bob Cranshaw, Roy Hargrove, Jack DeJohnette, Steve Jordan, and Al Foster.
Easy Living is an album by jazz saxophonist Sonny Rollins, released on the Milestone label in 1977, featuring performances by Rollins with George Duke, Paul Jackson and Tony Williams with Byron Miller and Bill Summers added on one track and Charles Icarus Johnson on two.
The Way I Feel is an album by jazz saxophonist Sonny Rollins, released on the Milestone label in 1976, featuring performances by Rollins with Patrice Rushen, Lee Ritenour, Billy Cobham, and Bill Summers with a brass section added on five tracks.
Nucleus is an album by jazz saxophonist Sonny Rollins, released on the Milestone label in 1975, featuring performances by Rollins with George Duke, Raul de Souza, Bennie Maupin, Chuck Rainey, Eddie Moore, Mtume, Bob Cranshaw and Roy McCurdy. It was recorded at Fantasy Studios, Berkeley, CA, on September 2–5, 1975.
Alfie is a 1966 album by jazz saxophonist Sonny Rollins of music composed for the 1966 British film of the same name.
Without a Song: The 9/11 Concert is a 2005 live album by jazz saxophonist Sonny Rollins, recorded in Boston on September 15, 2001.
Next Album is an album by jazz saxophonist Sonny Rollins, his first to be released on the Milestone label, featuring performances by Rollins with George Cables, Jack DeJohnette, Bob Cranshaw and Arthur Jenkins. The cover photography was credited to Chuck Stewart.
Sonny Rollins and the Big Brass is an album by jazz saxophonist Sonny Rollins, recorded for the MetroJazz label, later reissued on Verve Records as Sonny Rollins/Brass - Sonny Rollins/Trio.
The Standard Sonny Rollins is an album by jazz saxophonist Sonny Rollins, his last release for RCA Victor, featuring performances by Rollins with Herbie Hancock, Jim Hall, David Izenzon, Teddy Smith, Stu Martin, Bob Cranshaw and Mickey Roker.
Our Man in Jazz is an album by jazz saxophonist Sonny Rollins, released by RCA Victor featuring July 1962 performances by Rollins with Don Cherry, Bob Cranshaw, and Billy Higgins. These performances have been described as contrasting from Rollins' previous style by moving to "very long free-form fancies, swaggering and impetuous".
Sonny Rollins and the Contemporary Leaders is a 1959 album by jazz saxophonist Sonny Rollins, recorded for the Contemporary label, featuring performances by Rollins with Hampton Hawes, Barney Kessel, Leroy Vinnegar, and Shelly Manne with Victor Feldman added on one track. It was the last studio record Rollins made in the 1950s. Following the recording of "Sonny Rollins and the Contemporary Leaders", Rollins toured Europe in the spring of 1959, then took a hiatus from recording and performing in public that ended in 1962 with his LP The Bridge.
The Sound of Sonny is an album by jazz saxophonist Sonny Rollins, his first recorded for the Riverside label, featuring performances by Rollins with Sonny Clark, Roy Haynes and Percy Heath or Paul Chambers.
Tour de Force is an album by jazz saxophonist Sonny Rollins containing his final recordings for the Prestige label. Rollins performed with Kenny Drew, George Morrow, and Max Roach, with vocals by Earl Coleman on two tracks.
Sittin' In is a 1957 studio album by Dizzy Gillespie, featuring the saxophonists Stan Getz, Paul Gonsalves and Coleman Hawkins.
Very Saxy is an album by saxophonist Eddie "Lockjaw" Davis with Buddy Tate, Coleman Hawkins and Arnett Cobb recorded in 1959 for the Prestige label.
Rainbow Mist is an album by the American jazz saxophonist Coleman Hawkins compiling recordings from 1944 originally released by Apollo Records that was released by the Delmark label in 1992.