The Fall were an English post-punk group, formed in 1976 in Prestwich, Greater Manchester. They had many line-up changes, with vocalist and founder Mark E. Smith being the only constant member. The Fall's long-term musicians included drummers Paul Hanley, Simon Wolstencroft and Karl Burns; guitarists Craig Scanlon, Marc Riley, and Brix Smith; and bassist Steve Hanley, whose melodic, circular bass lines are widely credited with shaping the band's sound from early 1980s albums such as Hex Enduction Hour to the late 1990s.
This Nation's Saving Grace is the eighth studio album by the English post-punk band the Fall, released in 1985 by Beggars Banquet. In contrast to the band's earlier albums, This Nation's... is noted for its pop sensibilities and guitar hooks, and John Leckie's accessible production. This Nation's... was recorded in London between June and July 1985, and is the second of the three consecutive Fall albums produced by John Leckie. The album was accompanied by the singles "Couldn't Get Ahead" and "Cruiser's Creek", and tours of Europe and America.
Perverted by Language is the sixth studio album by English post-punk group The Fall, released in December 1983 on Rough Trade Records.
Brix Smith is an American singer and guitarist, best known as the lead guitarist and a major songwriter for the English post-punk band the Fall during two stints in the band.
The Wonderful and Frightening World Of... is the seventh studio album by English musical group the Fall, released in October 1984. It was the band's first album after signing to the Beggars Banquet label. Newcomer Brix Smith co-wrote three of the tracks, ushering in a relatively pop-oriented sound for the group. Paul Hanley left the band immediately after the accompanying UK tour, ending the group's distinctive "twin drummers" period.
Blue Orchids are an English post-punk band formed in Manchester in 1979, when Martin Bramah left the Fall, after playing on the band's debut album Live at the Witch Trials. Christened by Salford-based punk poet John Cooper Clarke the band recorded for Rough Trade and acted as backing band for the Velvet Underground's Nico before a 25-year period of intermittent activity and fluctuating line-ups.
Karl Burns is a British musician best known as the drummer for the Fall, featuring in many incarnations of the band between 1977 and 1998.
I Am Kurious Oranj is the eleventh studio album by English post-punk band the Fall. It was released on 24 October 1988 through record label Beggars Banquet.
Extricate is the 12th album by English post-punk band the Fall. It was made immediately after bandleader Mark E. Smith divorced guitarist Brix Smith. Brix's departure helped define the sound of this album: her background vocals and relatively pop-oriented guitar, which had become mainstays of The Fall, are noticeably absent in this release. In one of the more unusual events in the group's career, she was replaced by founding former member Martin Bramah, who had previously left the group in 1979 to form his own group Blue Orchids.
Shift-Work is the 13th album by English rock band the Fall, released through Phonogram Records in 1991. The Fall started working on the album in 1990 while touring in support of Extricate. Mark E. Smith sacked guitarist Martin Bramah and keyboardist Marcia Schofield immediately after the Australian leg of the tour, reducing the lineup to four for the first time in band's history. Only one song ("Rose") from the sessions with Bramah and Schofield eventually appeared on the album. Several tracks were released as the Dredger EP in August 1990, including "Life Just Bounces", which would later be re-recorded for Cerebral Caustic. The Fall's first release with a reduced lineup was the single "High Tension Line" in December 1990.
Levitate is the 19th album by The Fall, released in 1997 on Artful Records. Levitate became the last album to feature two long-time Fall members, drummer Karl Burns and bass player Steve Hanley.
Craig Antony Scanlon is an English guitarist, best known as a member of the Fall between 1979 and 1995. During his tenure he was a stalwart member for 17 albums and co-wrote over 120 of the group's songs; singer Mark E. Smith and bass player Steve Hanley excepted, this tally is unmatched by any other musician to have passed through the group.
Martin Beddington, better known by his stage name Martin Bramah, is an English singer-songwriter and guitarist, best known as a founding member of the Fall, Blue Orchids, Thirst, and Factory Star.
Brix & the Extricated are a British post-punk band, formed in 2014 in Manchester, by ex-Fall members Brix Smith Start (vocals/guitar) and Steve Hanley.
The Big Midweek: Life Inside the Fall is the 2014 autobiography by the Irish-born, English rock bassist Steve Hanley, co-written with Olivia Piekarski and published by Route Publishing. Hanley was the long-term bass player and a core music writer in The Fall from 1979 to 1998, and is widely regarded for shaping the band's sound. With Peter Hook, Andy Rourke and Gary Mounfield, he is considered one of the most important bassists of his generation.
Part 2 is the debut studio album by Brix & the Extricated, released on 22 September 2017 on Blang Records.
"I Am Damo Suzuki" is a song by the English post-punk band The Fall released on their 1985 album This Nation's Saving Grace. It was written in tribute to the Japanese expat vocalist Damo Suzuki of the Krautrock group Can, whom Fall vocalist Mark E. Smith consistently described as a major influence.
"Cruiser's Creek" is a 1985 single by the English Post-punk band The Fall. The music and lyrics were written by guitarist Brix Smith and lead vocalist Mark E. Smith during sessions in the lead up to recording their 8th album This Nation's Saving Grace, and it was released as single just after the album came out. The b-side of the single was album track "L.A." while the twelve-inch single version contains the song "Vixen", written and sung by Brix.
"Paint Work" is a 1985 song by the English Post-punk band The Fall that first appeared on their album This Nation's Saving Grace. Widely considered the high-point of the album, the track was described in 2019 as "absolutely sublime" by Vulture, and as "mildly psychedelic" in 2011 by critic Mick Middles.
