The Rubettes are an English pop/glam rock band put together in 1974 after the release of "Sugar Baby Love", a recording assembled of studio session musicians in 1973 by the songwriting team of Wayne Bickerton, the then head of A&R at Polydor Records, and his co-songwriter, Tony Waddington after their doo-wop and 1950s American pop-influenced songs had been rejected by a number of existing acts. Waddington paired the group with manager John Morris, the husband of singer Clodagh Rodgers and under his guidance, the band duly emerged at the tail end of the glam rock movement, wearing trademark white suits and cloth caps on stage. Their first release, "Sugar Baby Love" was an instant hit remaining at number one in the United Kingdom for four weeks in May 1974, while reaching number 37 on the US chart that August, and remains their best-known record. Subsequent releases were to be less successful, but the band continued to tour well into the 2000s with two line-ups in existence.
Penny Farthing Records was a British independent record label, established in 1969 by the British record producer Larry Page as a progression from his mildly successful 1960s record label, Page One Records. The label signed some artists of note. It released a number of hit songs, including "Venus" by Shocking Blue, "Beautiful Sunday" by Daniel Boone, "Blue Is the Colour" by the Chelsea football team, and "Sleepy Shores" by the Johnny Pearson and His Orchestra.
"I Can't Help Myself" is a 1965 song recorded by the Four Tops for the Motown label.
Will to Power is an American dance-pop group that originated in South Florida in the mid-1980s founded by Miami producer Bob Rosenberg. The group recorded a number of hit singles on the Billboard dance and pop charts in the late 1980s and early 1990s, most notably "Baby, I Love Your Way/Freebird Medley", a medley of 1970s hits by Peter Frampton and Lynyrd Skynyrd that reached the top of the Billboard Hot 100 chart in December 1988. A second band hit was "I'm Not in Love", a cover of 10cc's 1975 hit, number 7 on Billboard Hot 100 in 1990.
Wink was a Japanese idol duo in the late 1980s and early-to-mid-1990s composed of Sachiko Suzuki and Shoko Aida. They released their first single on April 27, 1988, and their final release was on March 31, 1996. Many of their singles topped the Oricon charts in Japan, including their biggest hit, "Samishii Nettaigyo".
"This Town Ain't Big Enough for Both of Us" is a song by American pop band Sparks. Written by Ron Mael, it is the opening track on their third studio album Kimono My House (1974), and was the lead single from the album. Although it did not chart on the Billboard Hot 100, "This Town Ain't Big Enough for Both of Us" achieved major success in Europe, peaking within the top ten of the charts in the Netherlands, Switzerland and the United Kingdom. In the latter country, the song peaked at number two on the UK Singles Chart, where it remained for two consecutive weeks. The song has become the highest-charting for Sparks on the UK Singles Chart, held off from the top spot by The Rubettes' bubblegum pop song "Sugar Baby Love".
"It's in His Kiss" is a song written and composed by Rudy Clark. It was first released as a single in 1963 by Merry Clayton that did not chart. The song was made a hit a year later when recorded by Betty Everett, who hit No. 1 on the Cashbox magazine R&B charts with it in 1964. Recorded by dozens of artists and groups around the world in the decades since, the song became an international hit once again when remade by Cher in 1990.
Moonlight Serenade is the debut studio album by Japanese idol duo Wink, released by Polystar on June 1, 1988. It features the duo's debut single, a Japanese-language cover of The Rubettes' "Sugar Baby Love". Also included in the album are covers of Diane Renay's "Navy Blue", The Four Seasons' "Bye, Bye, Baby ", Orleans' "Dance with Me", and Paul Anka's "Put Your Head on My Shoulder".
Paul Da Vinci is a British singer and musician. He is best known as the lead singer on the 1974 hit recording by the Rubettes, "Sugar Baby Love", although he did not perform with the group at the time. He worked as a demo and session singer before and after his own successful solo career, that included "Your Baby Ain't Your Baby Anymore", which peaked at number 20 in the UK Singles Chart in August 1974 and number 54 in Australia. In the 1980s, Da Vinci sang most of the voices backing and lead on the Tight Fit hit "Back to the Sixties, Part 2", and performed on Top of the Pops with the group.
Wayne Bickerton was a British record producer, songwriter and music business executive. He became well known, with Tony Waddington, as writer and producer of a series of UK chart hits in the 1970s for The Rubettes, and as a leading figure in SESAC – one of the three major American performing rights organisations.
State Records is a British independent record label, established by Wayne Bickerton, Tony Waddington and John Fruin in 1975. The label released hits by many successful artists including the Rubettes, Mac & Katie Kissoon and Delegation.
Anthony Brandon Joseph Waddington is an English singer-songwriter, record producer, film producer, screenplay writer, and creative media executive. He became well known with Wayne Bickerton, as writer and producer of a series of UK chart hits in the 1970s for The Rubettes. He also received an Ivor Novello Award as "Songwriter of the Year".
Alan David Blakley was a British musician and record producer. A member of the Tremeloes from 1958 to 1996. He was the father of actress Claudie Blakley. As a producer, he worked on the hit song She's Gonna Win for Bilbo, and nearly all the studio albums for glam rock sensations The Rubettes,
We Can Do It is the second studio album by the English pop band The Rubettes, released on the State Records label in March 1975. The album reached no 41 in the UK charts and contained two UK top 10 hits – "I Can Do It" and "Juke Box Jive".
Wear It's 'At is the debut album by English pop band the Rubettes assembled in 1973 by the songwriting team of Wayne Bickerton, then the head of A&R at Polydor Records, and his co-songwriter, Tony Waddington, after their doo-wop and 1950s American pop-influenced songs had been rejected by a number of existing acts. Tracks from this album also exhibited the doo-wop style. The album title was a reference to the group's wearing trademark white suits and white cloth caps on stage, a white cap being shown on the album front cover.
Rubettes is the third studio album by the English pop band The Rubettes, released on the State Records label in November 1975, their third studio album release within 12 months. It was the last Rubettes album produced by Wayne Bickerton and Tony Waddington.The album contained two UK top 40 hits - Foe Dee O Dee and Little Darling.
In 1992, Dice Records (France) released the Rubettes' third and fourth albums as a double CD set. In 2015, Caroline Records released the album Rubettes, with three bonus tracks, as part of a box CD set of the Rubettes' first five studio albums.
"Tonight" was the second single released by The Rubettes from their debut album Wear It's 'At. Written by Wayne Bickerton and Tony Waddington and produced by Bickerton, the single reached number 12 in the UK charts.
"Juke Box Jive", by English band The Rubettes, was the lead single from their second album We Can Do It. As with their two previous singles, it was written by the songwriting team of Wayne Bickerton and Tony Waddington and produced by Bickerton. The single reached number 3 in the UK charts.
"I Can Do It" was the fourth single released by the English band The Rubettes and the second single from their album We can do it. The song was written and produced by Wayne Bickerton and Tony Waddington. It reached number 7 in the UK charts, making it the band's third top 10 UK hit from four single releases.
The single was significant in that it was the first release on the State Records, a label set up by Bickerton, Waddington and John Fruin in 1975, bearing the catalogue number STAT 1.
Sign of the Times is the fourth studio album by the English band The Rubettes. It was released on the State Records label in June 1976. The album represented a significant change in direction for the band, as it was the first not produced by Wayne Bickerton and Tony Waddington – instead the Rubettes took on production responsibilities themselves, with Alan Blakley as co-producer. The band made the decision due to the disappointing sales of their previous two Bickerton/Waddington singles and the desire to forge new musical directions.
