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"Surfin' Safari" | ||||
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Single by the Beach Boys | ||||
from the album Surfin' Safari | ||||
B-side | "409" | |||
Released | June 4, 1962 | |||
Recorded | April 19, 1962 | |||
Studio | Western Studios, Los Angeles | |||
Genre | Surf rock | |||
Length | 2:05 | |||
Label | Capitol | |||
Songwriter(s) | ||||
Producer(s) | Murry Wilson | |||
The Beach Boys singles chronology | ||||
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"Surfin' Safari" is a song by American rock band the Beach Boys, [1] written by Brian Wilson and Mike Love. Released as a single with "409" in June 1962, it peaked at number 14 on the Billboard Hot 100. [2] The song also appeared on the 1962 album of the same name.
The song was inspired by Chuck Berry's method of combining simple chord progressions with lyrical references to place names (for example, in "Back in the U.S.A." and "Sweet Little Sixteen"). "Surfin' Safari" includes several references to Southern California surfing locations (Malibu, Rincon, the Channel Islands, Huntington, and Sunset Beach). The sites and surfing-related terms featured in the song were provided to Brian and Mike by surfer Jimmy Bowles, brother of Brian's then-new flame Judy Bowles, who he had met one afternoon while helping a buddy coach little league. [3]
Wilson referred to "Surfin' Safari" as "a silly song with a simple-but-cool C-F-G chord pattern that I came up with one day while trying to play the piano the way Chuck Berry played his guitar." [4]
"Surfin' Safari" was the first recording to display the distinctive counterpoint harmonies for which the group became famous. [5]
The Beach Boys first recorded the song at World Pacific Studios on February 8, 1962, in what was the band's second ever recording session. However, the recordings from that session, engineered by Hite Morgan, would ultimately remain unreleased until the late Sixties. The only difference instrumentally on this early version as opposed to the officially released version was the presence of Al Jardine on guitar instead of David Marks.
The instrumental track as well as the vocals for the officially released version were recorded at Western Recorders on April 19, 1962. The session, produced by Brian, featured David Marks and Carl Wilson on guitar; Brian Wilson on bass guitar and Dennis Wilson on drums. The song features Mike Love on lead vocals with backing vocals by Brian, Carl & Dennis Wilson and Mike Love. Also recorded during that session were "409", "Lonely Sea" and "Their Hearts Were Full Of Spring". This session was recorded and given to Capitol Records as a demo tape. The label was impressed and immediately signed the band to their first major label contract. "Surfin' Safari" and "409" would be the band's first single to be issued under Capitol Records.
"The beach scene gets a rolling, rocking treatment on this side by the boys. Tune swings along neatly on lead singer's talent and support of the rest of the group. "
★★★★ (strong sales potential)
—Review of "Surfin' Safari" for Billboard , June 9, 1962. [6]
The "Surfin' Safari" single backed with "409" was the band's second single and the first single to be released on the band's new label Capitol Records [1] in the United States in June 1962. [7] Originally Capitol Records felt "409" should be the 'A' Side, and first promoted the car song (according to Beach Boys biographers Badman, Gaines and Carlin) instead of "Surfin' Safari". However, as noted in the booklet to the 1993 CD box set Good Vibrations: Thirty Years of the Beach Boys , radio station airplay in Phoenix, Arizona jump-started the B-side into a major nationwide hit (to date no copy of the first Capitol single with "409" as the A side has been discovered). The Billboard issue of July 14, 1962 [8] cited Detroit as the major market of its national "break out".
The single peaked at the number 14 position on the Billboard Hot 100 chart, [9] with "409" also charting at number 76, [10] making it the band's first double-sided hit single. It placed at number 10 on the Cash Box sales chart, and number 5 on UPI's national weekly survey used by newspapers. According to English pop music statistician Joseph Murrells in The Book of Golden Discs, 1978 edition, it placed number 3 on one of the four major national charts then recognised, probably Variety. Certainly its regional sales backed up these higher placings (than Billboard). As well as its Capitol-record sales in New York, it was No. 1 in Los Angeles, San Diego, Dallas, Minneapolis, Buffalo and Hartford; and top five in Chicago, San Francisco, Phoenix, Tucson, Nashville, Cincinnati, Columbus, Dayton, Springfield MA.
Capitol A&R executive Nick (Nik) Venet, who signed the group and is listed as producer on their first two albums, is quoted in the Steven Gaines book as saying regarding the release that "The biggest order Capitol had from a single market all year [1962] was from New York City - where there was no surfing. It sold approximately nine hundred thousand records, but not enough for a gold."
In October 1962, the "Surfin' Safari" single was the first to be released by the band in the United Kingdom. However, given mediocre reviews at best, the single failed to make any impact on the charts. It did qualify as the Beach Boys' first international chart-topper, however. By the end of September it had peaked at number seven in Australia's Music Maker chart — only reaching the Billboard top 20 the following week — then in November spent three weeks at number one in Sweden (both charts cited by contemporary issues of Billboard). In Germany, the World Pacific Studios recording of the song was used as the single release instead of the more well-known version. The single failed to chart.
In January 1970, the World Pacific Studios sessions recording of the song was issued on Trip Records as the B-side of a "Surfin'" single re-issue. The single however failed to make any impact on the charts.
The song was first released on a single 45 RPM record and then later, it was released on the band's debut Surfin' Safari album, and on a number of later 'greatest hits' compilations. The song's appearance on the 1993 Good Vibrations box set is sourced from the original demo tape master, lacking the fade-out added before its release as a single.
Three takes of the early World Pacific Studios recordings of the song were eventually released on CD in 1991 on the archival release Lost & Found (1961-62) as well as subsequent re-issues of that album which featured alternate album titles. A live concert performance of the tune "Surfin' Safari" is featured in the short documentary "One Man's Challenge", written and directed by Dale Smallin. Filmed July 28, 1962 (with the same lineup as the official Capitol single) at the Azuza Teen Club, this particular visual version of the song is, according to author Jon Stebbins in The Lost Beach Boy, "The only known performance footage of the Pendleton-shirt era Beach Boys."
Jan & Dean, with uncredited instrumental and vocal support from the Beach Boys, recorded the song for their 1963 album Jan and Dean Take Linda Surfin'. The song was also recorded by the Hot Doggers (a studio-only group headed by future Beach Boy Bruce Johnston along with Terry Melcher) on their 1963 album Surfin' U.S.A., [11] by the Challengers on their 1963 album Surfbeat , and by the Lively Ones on their 1963 album The Great Surf Hits!. More recently it has been recorded by the Ramones on their 1993 album Acid Eaters and by Rockapella on their 2002 album Smilin' . Mike Love re-recorded the song for his 2019 album 12 Sides of Summer .
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The Beach Boys are an American rock band formed in Hawthorne, California, in 1961. The group's original lineup consisted of brothers Brian, Dennis and Carl Wilson, their cousin Mike Love, and friend Al Jardine. Distinguished by its vocal harmonies, adolescent-oriented lyrics, and musical ingenuity, the band is one of the most influential acts of the rock era. The group drew on the music of older pop vocal groups, 1950s rock and roll, and black R&B to create its unique sound. Under Brian's direction, it often incorporated classical or jazz elements and unconventional recording techniques in innovative ways.
Surf music is a genre of rock music associated with surf culture, particularly as found in Southern California. It was especially popular from 1958 to 1964 in two major forms. The first is instrumental surf, distinguished by reverb-heavy electric guitars played to evoke the sound of crashing waves, largely pioneered by Dick Dale and the Del-Tones. The second is vocal surf, which took elements of the original surf sound and added vocal harmonies, a movement led by the Beach Boys.
David Lee Marks is an American guitarist who was an early member of the Beach Boys. While growing up in Hawthorne, California, Marks was a neighborhood friend of the original band members and was a frequent participant at their family get-togethers. Following his departure from the group, Marks fronted the Marksmen and performed and recorded as a session musician.
Carl Dean Wilson was an American musician who co-founded the Beach Boys. He was their lead guitarist, the youngest sibling of bandmates Brian and Dennis, and the group's de facto leader in the early to mid-1970s. He was also the band's musical director on stage from 1965 until his death.
Surfin' Safari is the debut studio album by the American rock band the Beach Boys, released October 1, 1962 on Capitol Records. The official production credit went to Nick Venet, though it was Brian Wilson with his father Murry who contributed substantially to the album's production; Brian also wrote or co-wrote nine of its 12 tracks. The album reached number 32 in the US during a chart stay of 37 weeks.
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