Symbols of Europe

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A number of symbols of Europe have emerged since antiquity, notably the mythological figure of Europa .

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Several symbols were introduced in the 1950s and 1960s by the European Council. The European Communities created additional symbols for itself in 1985, which was to become inherited by the European Union (EU) in 1993. Such symbols of the European Union now represent political positions in support of EU policies and European integration as advocated by Europeans.

Europa and the bull

Europa velificans, "her fluttering tunic... in the breeze" (mosaic, Zeugma Mosaic Museum) The Kidnapping of Europa Mosaic.jpg
Europa velificans , "her fluttering tunic… in the breeze" (mosaic, Zeugma Mosaic Museum)
Europa as a representation of Europe (Nova et accurata totius Europae descriptio by Fredericus de Wit, 1700) Map by Fredericus de Wit with Europa personification.jpg
Europa as a representation of Europe (Nova et accurata totius Europæ descriptio by Fredericus de Wit, 1700)
Symbol displayed on all EU and residence permits European Union residence permit emblem.svg
Symbol displayed on all EU and residence permits

Europa was used as a geographical term, for one of the great divisions of the known world, by Herodotus (in a reduced geographical scope, referring to parts of Thrace or Epirus, also in the Homeric hymn to Apollo). It became the geographical term for the landmass west of the Tanais in the Roman-era geography by Strabo and Ptolemy. Europa first began to be used in a cultural sense, denoting the territory of Latin Christendom, in the Carolingian period.

Europa is a feminine name, the name of a nymph in Hesiod, and in a legend first related by Herodotus, the name of a Phoenician noble-woman abducted by Greeks (in Herodotus' opinion, Cretans). The classical legend of Europa being abducted not by Greek pirates but by Zeus in the shape of a bull is told in Ovid's Metamorphoses . According to the account, Zeus took the guise of a tame white bull and mixed himself with the herds of Europa's father. While Europa and her female attendants were gathering flowers, she saw the bull, and got onto his back. Zeus took that opportunity and ran to the sea and swam, with her on his back, to the island of Crete. There he revealed his true identity, and Europa became the first queen of Crete. Zeus gave her a necklace made by Hephaestus and three additional gifts: Talos, Laelaps and a javelin that never missed. Zeus later re-created the shape of the white bull in the stars, which is now known as the constellation Taurus.

In addition to generally being a frequent motif in European art since Greco-Roman times, the founding myth of Europa and the bull has frequently been alluded to in relation to the continent and by the modern European Union, and can thus be considered not only a piece of toponymy, but also as a symbol, or national personification of Europe. For instance, statues of Europa and the bull are located outside several of the European Union's institutions, as well as on the Greek €2 coin. Europa's name appeared on postage stamps commemorating the Council of Europe, which were first issued in 1956.[ citation needed ] Furthermore, the dome of the European Parliament's Paul-Henri Spaak building contains a large mosaic by Aligi Sassu portraying the abduction of Europa with other elements of Greek mythology. The bull is also in the top-left corner of the new design of the residence permit card of all European Union countries. [1]

Europa regina

Europa regina in Sebastian Munster's "Cosmographia". Europe As A Queen Sebastian Munster 1570.jpg
Europa regina in Sebastian Münster's " Cosmographia ".

Europa regina (Latin for Queen Europe) is the cartographic depiction of the European continent as a queen. [2] [3] Introduced and made popular during the mannerist period, Europa Regina is the map-like depiction of the European continent as a queen. [2] [3] Made popular in the 16th century, the map shows Europe as a young and graceful woman wearing imperial regalia. The Iberian Peninsula (Hispania) is the head, wearing a crown shaped like the Carolingian hoop crown. The Pyrenees, forming the neck, separate the Iberian Peninsula from France (Gallia), which makes up the upper chest. The Holy Roman Empire (Germania and other territories) is the centre of the torso, with Bohemia (sometimes Austria in early depictions) being the heart of the woman (alternatively described as a medallion at her waist). Her long gown stretches to Hungary, Poland, Lithuania, Livonia, Bulgaria, Muscovy, Macedonia and Greece. In her arms, formed by Italy and Denmark, she holds a sceptre and an orb (Sicily). [4] In most depictions, Africa, Asia and the Scandinavian peninsula are partially shown, [4] as are the British Isles, in schematic form. [4]

The first map to depict Europe in this manner was made by Johannes Bucius Aenicola (1516–1542) in 1537. [5] [6] [7] Though much about the origination and initial perception of this map is uncertain, [7] it is known that Putsch maintained close relations with Holy Roman Emperor Ferdinand I of Habsburg, [7] [8] and that the map's popularity increased significantly during the second half of the 16th century. [7] Europa Regina was introduced in the 1530s by the Austrian cartographer Johannes Putsch, possibly with the intent of depicting Europe as the spouse of Charles V of Habsburg, who aspired to become the universal monarch of Christendom and reigned over numerous realms including the Holy Roman Empire, Austrian lands, Burgundian territories, and the kingdom of Spain. [4] [8] Arguments in favour of this hypothesis are the westward orientation of the map to have Hispania as the crowned head, said to resemble the face of Charles V's wife, Isabella of Portugal; the use of the Holy Roman Empire's insignia – its Carolingian crown, sceptre and orb – and the portrayal of Habsburg realms (Austria, Bohemia, Hungary, Germany) as the heart and centre of the body; the design of the gown, which resembles the contemporary dress code at the Habsburg court. [9] [8] [4] [10] As in contemporary portraits of couples, Europa regina has her head turned to her right and also holds the orb with her right hand, which has been interpreted as facing and offering power to her imaginary husband, the emperor. [10] More general, Europe is shown as the res publica christiana , [8] the united Christendom in medieval tradition, [4] and great [2] or even dominant power in the world. [10]

Another allegory is the attribution of Europe as the paradise by special placement of the water bodies. [8] As contemporary iconography depicted the paradise as a closed form, Europa regina is enclosed by seas and rivers. [8] The Danube river is depicted in a way that it resembles the course of the biblical river flowing through the paradise, with its estuary formed by four arms. [8] That Europa regina is surrounded by water is also an allusion to the mythological Europa, who was abducted by Zeus and carried over the water. [10] Europa regina belongs to the Early Modern allegory of Europa triumphans, as opposed to Europa deplorans. [11]

Pater Europae

Charlemagne (Latin : Carolus Magnus; King of the Franks from 768; Holy Roman Emperor c. 742 814), also known as Charles the Great, is considered the founder of the French and German monarchies. Known as Pater Europae («Father of Europe»), [12] [13] he established an empire that represented the most expansive European unification since the fall of the Western Roman Empire and brought about a renaissance that formed a pan-European identity whilst marking the end of Late Antiquity. [12] [14] There was also a contemporary intellectual and cultural revival which profoundly marked the history of Western Europe. This gave Charlemagne a legendary standing that transcended his military accomplishments. [12] [15] [16]

Reliquary, golden bust of Charlemagne wearing the Imperial Crown of the Holy Roman Empire in Aachen Cathedral, with the German reichsadler embossed on the metal and the French fleur-de-lis embroidered on the fabric Aachen Domschatz Bueste1.jpg
Reliquary, golden bust of Charlemagne wearing the Imperial Crown of the Holy Roman Empire in Aachen Cathedral, with the German reichsadler embossed on the metal and the French fleur-de-lis embroidered on the fabric

For many centuries, European royal houses sought to associate themselves with the Carolingian heritage. The crowns of the Holy Roman Empire and Napoleon Bonaparte were for instance both respectively named "The Crown of Charlemagne", and Charlemagne's personal sword, Joyeuse , served as a coronation sword for French kings from the 11th century onwards. [17] The cult of Charlemagne was further embellished by the French renaissance author Jean Lemaire de Belges, who postulated that the emperor was part of an illustrious translatio imperii originating with King Priam of Troy during the Trojan Wars, and thus by extension Zeus, the "Father of Gods and men" in Greek Mythology.

Today, much of the pan-European, symbolic value of Charlemagne is attributed to the fact that he is considered an embodiment of the Franco-German friendship which was absent during the long-lasting enmity which culminated in the two world wars, but has become indispensable in the process of European integration. Thus, in the 1952 design competition for the Council of Europe's flag, several of the unsuccessful proposals were redolent of the Oriflamme ; the banner given to Charlemagne by Pope Leo III at his coronation in the St. Peter's Basilica in the year 800. [18] [19] Similarities between Charlemagne's empire and the modern European integration were also suggested by professor Hans von Hentig the same year. [20] The European Commission is also alluding to Charlemagne by means of naming one of its central buildings in Brussels after him (The Charlemagne building). The German city of Aachen has since 1949 annually awarded the Charlemagne Prize to champions of European unity, including Alcide De Gasperi, Jean Monnet and the euro itself. Each edition of the international affairs newspaper The Economist features a column called «Charlemagne's notebook», focusing on European Union affairs. [21] In his speech at the award ceremony for the 2010 Charlemagne Youth Prize, European Parliament President Jerzy Buzek said the following: [22]

Imagine, if you will, the age of Charlemagne, twelve hundred years ago. Already then, he had a vision of a united Europe. Just think how many wars there have been since then and how much European blood has been spilled. We were devoured by hatred. We were in the grip of our emotions. We were unable to think in common. People had a vision of a united Europe then, but did not achieve it. We must remember, my dear young friends, always to keep this vision in mind.

Later monarchs who also have carried sobriquets as "relatives" of Europe include Queen Victoria of the United Kingdom ( grandmother of Europe ), Christian IX of Denmark and Nicholas I of Montenegro (both respectively father-in-law of Europe ). These late 19th and early 20th century sobriquets are however purely on account of the marriage of these monarchs' offspring to foreign princes and princesses, and involve no wider symbolism.

Patron saints

The Roman Catholic Church venerates six saints as "patrons of Europe". Benedict of Nursia had been declared "Patron saint of all Europe" by Pope Paul VI in 1964. [23] Pope John Paul II named between 1980 and 1999 Ss. Cyril and Methodius, Bridget of Sweden, Catherine of Siena and Teresa Benedicta of the Cross as co-patrons. [24] [25]

Flag

Flag of Europe Flag of Europe.svg
Flag of Europe

A "Flag of Europe" was introduced by the Council of Europe in 1955, originally intended as a "symbol for the whole of Europe", [26] but due to its adoption by the European Economic Community (EEC) in 1985, and hence by the European Union (EU) as the successor organisation of the EEC, the flag is now strongly associated with the European Union so that it no longer serves the function of representing "Europe as a whole" at least since the early 2000s. The flag has notably been used by pro-EU protestors in the colour revolutions of the 2000s, e.g., in Belarus in 2004 [27] by the pro-EU faction in the Euromaidan riots in Ukraine in 2013, and by the pro-EU faction in the Brexit campaigns of 2016.

Pan-European flags adopted before 1955

Federalist flag displayed at the 1948 Congress of Europe in the Hall of Knights in The Hague Europa Congres Ridderzaal Den Haag. Overzicht, Bestanddeelnr 902-7379.jpg
Federalist flag displayed at the 1948 Congress of Europe in the Hall of Knights in The Hague
Western Union Standard displayed in 1949 Western Union Standard.jpg
Western Union Standard displayed in 1949

Prior to development of political institutions, flags representing Europe were limited to unification movements. The most popular were the European Movement's large green 'E' on a white background, and the "Pan European flag" of the Paneuropean Union (1922). [28]

See also

Related Research Articles

<span class="mw-page-title-main">Charlemagne</span> King of the Franks, first Holy Roman Emperor

Charlemagne was King of the Franks from 768, King of the Lombards from 774, and Emperor of what is now known as the Carolingian Empire from 800, holding these titles until his death in 814. He united most of Western and Central Europe, and was the first recognised emperor to rule from the west after the fall of the Western Roman Empire approximately three centuries earlier. Charlemagne's reign was marked by political and social changes that had lasting influence on Europe throughout the Middle Ages.

<span class="mw-page-title-main">Flag of Europe</span> Official symbol used by the Council of Europe and the European Union

The flag of Europe or European flag consists of twelve golden stars forming a circle on a blue field. It is the official flag of the European Union. It was designed and adopted in 1955 by the Council of Europe (CoE) as a symbol for the whole of Europe.

<span class="mw-page-title-main">Holy Roman Empire</span> European political entity (800–1806)

The Holy Roman Empire, also known as the Holy Roman Empire of the German Nation after 1512, was a polity in Central and Western Europe, usually headed by the Holy Roman Emperor. It developed in the Early Middle Ages and lasted for almost a thousand years until its dissolution in 1806 during the Napoleonic Wars.

<span class="mw-page-title-main">History of the European Union</span>

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<span class="mw-page-title-main">Europa (consort of Zeus)</span> Greek mythology character, daughter of Agenor

In Greek mythology, Europa was a Phoenician princess from Tyre and the mother of King Minos of Crete. The continent of Europe is named after her. The story of her abduction by Zeus in the form of a bull was a Cretan story; as classicist Károly Kerényi points out, "most of the love-stories concerning Zeus originated from more ancient tales describing his marriages with goddesses. This can especially be said of the story of Europa."

<span class="mw-page-title-main">Holy Roman Emperor</span> Ruler of the Holy Roman Empire from 800 to 1806

The Holy Roman Emperor, originally and officially the Emperor of the Romans during the Middle Ages, and also known as the Romano-German Emperor since the early modern period, was the ruler and head of state of the Holy Roman Empire. The title was held in conjunction with the title of King of Italy from the 8th to the 16th century, and, almost without interruption, with the title of King of Germany throughout the 12th to 18th centuries.

<span class="mw-page-title-main">Carolingian Empire</span> Frankish empire in Western and Central Europe (800–887)

The Carolingian Empire (800–887) was a Frankish-dominated empire in Western and Central Europe during the Early Middle Ages. It was ruled by the Carolingian dynasty, which had ruled as kings of the Franks since 751 and as kings of the Lombards in Italy from 774. In 800, the Frankish king Charlemagne was crowned emperor in Rome by Pope Leo III in an effort to transfer the status of Roman Empire from the Byzantine Empire to Western Europe. The Carolingian Empire is sometimes considered the first phase in the history of the Holy Roman Empire.

<span class="mw-page-title-main">Succession of the Roman Empire</span> Desire to be latter-day Roman Empire

The continuation, succession, and revival of the Roman Empire is a running theme of the history of Europe and the Mediterranean Basin. It reflects the lasting memories of power, prestige, and unity associated with the Roman Empire.

<span class="mw-page-title-main">King of Italy</span> Title of Italian monarchs before 1946

King of Italy was the title given to the ruler of the Kingdom of Italy after the fall of the Western Roman Empire. The first to take the title was Odoacer, a barbarian warlord, in the late 5th century, followed by the Ostrogothic kings up to the mid-6th century. With the Frankish conquest of Italy in the 8th century, the Carolingians assumed the title, which was maintained by subsequent Holy Roman Emperors throughout the Middle Ages. The last Emperor to claim the title was Charles V in the 16th century. During this period, the holders of the title were crowned with the Iron Crown of Lombardy.

<i>Globus cruciger</i> Christian symbol of authority

The globus cruciger, also known as stavroforos sphaira or "the orb and cross", is an orb surmounted by a cross. It has been a Christian symbol of authority since the Middle Ages, used on coins, in iconography, and with a sceptre as royal regalia.

<span class="mw-page-title-main">Kingdom of Italy (Holy Roman Empire)</span> Constituent kingdom of the Holy Roman Empire (962–1801)

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<span class="mw-page-title-main">Duchy of Austria</span> State of the Holy Roman Empire (1156–1453)

The Duchy of Austria was a medieval principality of the Holy Roman Empire, established in 1156 by the Privilegium Minus, when the Margraviate of Austria (Ostarrîchi) was detached from Bavaria and elevated to a duchy in its own right. After the ruling dukes of the House of Babenberg became extinct in male line, there was as much as three decades of rivalry on inheritance and rulership, until the German king Rudolf I took over the dominion as the first monarch of the Habsburg dynasty in 1276. Thereafter, Austria became the patrimony and ancestral homeland of the dynasty and the nucleus of the Habsburg monarchy. In 1453, the archducal title of the Austrian rulers, invented by Duke Rudolf IV in the forged Privilegium Maius of 1359, was officially acknowledged by the Habsburg emperor Frederick III.

<span class="mw-page-title-main">Palace of Aachen</span> Residence of Charlemagne from ca. 790 -814

The Palace of Aachen was a group of buildings with residential, political, and religious purposes chosen by Charlemagne to be the center of power of the Carolingian Empire. The palace was located north of the current city of Aachen, today in the German Land of North Rhine-Westphalia. Most of the Carolingian palace was built in the 790s but the works went on until Charlemagne's death in 814. The plans, drawn by Odo of Metz, were part of the program of renovation of the kingdom decided by the ruler. Today much of the palace is ruined, but the Palatine Chapel has been preserved and is considered a masterpiece of Carolingian architecture and a characteristic example of architecture from the Carolingian Renaissance.

<i>Reichsadler</i> Heraldic symbol used by various German polities

The Reichsadler is the heraldic eagle, derived from the Roman eagle standard, used by the Holy Roman Emperors, later by the Emperors of Austria and in modern coat of arms of Austria and Germany.

<i>Ebbo Gospels</i>

The Ebbo Gospels is an early Carolingian illuminated Gospel book known for its illustrations that appear agitated. The book was produced in the ninth century at the Benedictine Abbaye Saint-Pierre d’Hautvillers, by Ebbo, the archbishop of Reims. Its style influenced Carolingian art and the course of medieval art. The Gospels contains the four gospels by Saint Mark, Saint Luke, Saint John, and Saint Matthew, along with their illustrations containing symbolism and iconography. The evangelists illustrations reflect an expressive art style called Emotionalism, that has a stylistic relationship with the Utrecht Psalter and the Codex Aureus of St. Emmeram. In comparison to the Utrecht Psalter and the Codex Aureus of St. Emmeram, the Ebbo Gospels demonstrates very energetic lines and dimension, in contrast to the Classical Roman art style of the past.

<span class="mw-page-title-main">Christianity in the 9th century</span>

In the 9th century, Christianity was spreading throughout Europe, being promoted especially in the Carolingian Empire, its eastern neighbours, Scandinavia, and northern Spain. In 800, Charlemagne was crowned as Holy Roman Emperor, which continued the Photian schism.

<i>Europa regina</i> 16th-century map-like depiction of the European continent as a queen

Europa regina, Latin for "Queen Europe", is the map-like depiction of the European continent as a queen. Made popular in the 16th century, the map shows Europe as a young and graceful woman wearing imperial regalia. The Iberian Peninsula (Hispania) is the head, wearing a hoop crown. The Pyrenees, forming the neck, separate the Iberian peninsula from France (Gallia), which makes up the upper chest. The Holy Roman Empire is the centre of the torso, with Bohemia being the heart of the woman. Her long gown stretches to Hungary, Poland, Lithuania, Livonia, Bulgaria, Muscovy, Macedonia and Greece. In her arms, formed by Italy and Denmark, she holds a sceptre and an orb (Sicily). The map erronously depicts Europe as mostly separated from Asia by sea. In most depictions, Africa, Asia and the Scandinavian peninsula are partially shown, as are the British Isles, in schematic form.

<span class="mw-page-title-main">Dissolution of the Holy Roman Empire</span> 1806 dissolution of the Holy Roman Empire following Francis IIs abdication

The dissolution of the Holy Roman Empire occurred on 6 August 1806, when the last Holy Roman Emperor, Francis II of the House of Habsburg-Lorraine, abdicated his title and released all Imperial states and officials from their oaths and obligations to the empire. Since the Middle Ages, the Holy Roman Empire had been recognized by Western Europeans as the legitimate continuation of the ancient Roman Empire due to its emperors having been proclaimed as Roman emperors by the papacy. Through this Roman legacy, the Holy Roman Emperors claimed to be universal monarchs whose jurisdiction extended beyond their empire's formal borders to all of Christian Europe and beyond. The decline of the Holy Roman Empire was a long and drawn-out process lasting centuries. The formation of the first modern sovereign territorial states in the 16th and 17th centuries, which brought with it the idea that jurisdiction corresponded to actual territory governed, threatened the universal nature of the Holy Roman Empire.

The European Charlemagne Youth Prize, sometimes shortened Charlemagne Youth Prize, is a prize that has been awarded annual since 2008 jointly by the European Parliament and the Foundation of the International Charlemagne Prize of Aachen. It is awarded to projects run by young people between the ages of 16 and 30 that support democracy in Europe and promote cooperation and understanding both in Europe and internationally. Like the Charlemagne Prize, which has existed since 1949, the Youth Prize is named after Charlemagne, ruler of the Frankish Empire and founder of what became the Holy Roman Empire, who is buried in Aachen, Germany.

<span class="mw-page-title-main">Problem of two emperors</span> Problem arising when multiple people claim the title of emperor

The problem of two emperors or two-emperor problem is the historiographical term for the historical contradiction between the idea of the universal empire, that there was only ever one true emperor at any one given time, and the truth that there were often multiple individuals who claimed the position simultaneously. The term is primarily used in regards to medieval European history and often refers to in particular the long-lasting dispute between the Byzantine emperors in Constantinople and the Holy Roman emperors in modern-day Germany and Austria as to which monarch represented the legitimate Roman emperor.

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