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Sir Edward William Elgar, 1st Baronet, was an English composer, many of whose works have entered the British and international classical concert repertoire. Among his best-known compositions are orchestral works including the Enigma Variations, the Pomp and Circumstance Marches, concertos for violin and cello, and two symphonies. He also composed choral works, including The Dream of Gerontius, chamber music and songs. He was appointed Master of the King's Musick in 1924.
An oratorio is a musical composition with dramatic or narrative text for choir, soloists and orchestra or other ensemble.
Messiah is an English-language oratorio composed in 1741 by George Frideric Handel. The text was compiled from the King James Bible and the Coverdale Psalter by Charles Jennens. It was first performed in Dublin on 13 April 1742 and received its London premiere a year later. After an initially modest public reception, the oratorio gained in popularity, eventually becoming one of the best-known and most frequently performed choral works in Western music.
The Birmingham Triennial Musical Festival, in Birmingham, England, founded in 1784, was the longest-running classical music festival of its kind. It last took place in 1912.
The St Matthew Passion, BWV 244, is a Passion, a sacred oratorio written by Johann Sebastian Bach in 1727 for solo voices, double choir and double orchestra, with libretto by Picander. It sets the 26th and 27th chapters of the Gospel of Matthew to music, with interspersed chorales and arias. It is widely regarded as one of the masterpieces of Baroque sacred music. The original Latin title Passio Domini nostri J.C. secundum Evangelistam Matthæum translates to "The Passion of our Lord Jesus Christ according to the Evangelist Matthew".
The Dream of Gerontius, Op. 38, is a work for voices and orchestra in two parts composed by Edward Elgar in 1900, to text from the poem by John Henry Newman. It relates the journey of a pious man's soul from his deathbed to his judgment before God and settling into Purgatory. Elgar disapproved of the use of the term "oratorio" for the work, though his wishes are not always followed. The piece is widely regarded as Elgar's finest choral work, and some consider it his masterpiece.
Christus am Ölberge, Op. 85, is an oratorio by Ludwig van Beethoven portraying the emotional turmoil of Jesus in the garden of Gethsemane prior to his crucifixion. It was begun in the fall of 1802, soon after his completion of the Heiligenstadt Testament, as indicated by evidence in the Wielhorsky sketchbook. The libretto in German is by the poet Franz Xaver Huber, editor of the Wiener Zeitung, with whom Beethoven worked closely. It was written in a very short period; in a letter to Breitkopf & Härtel written shortly after the oratorio's completion, Beethoven spoke of having written it in "a few weeks", although he later claimed that the piece required no more than 14 days to complete. It was first performed on April 5, 1803 at the Theater an der Wien in Vienna; in 1811, it was revised by Beethoven for publication by Breitkopf & Härtel. The 10 years that passed between the composition of the work and its publication resulted in its being assigned a relatively high opus number. The piece premiered in the United States in 1809; it was Beethoven's first success in the United States.
The Music Makers, Op. 69, is a work for contralto or mezzo-soprano, chorus and orchestra composed by Edward Elgar. It was first performed at the Birmingham Festival in 1912.
Pierre Eugène Onfroy de Bréville was a French composer.
The Kingdom, Op. 51, is an English-language oratorio composed in 1906 by Edward Elgar. It was first performed at the Birmingham Music Festival on 3 October 1906, with the orchestra conducted by the composer, and soloists Agnes Nicholls, Muriel Foster, John Coates and William Higley. The dedication is "A. M. D. G." Elgar wrote The Kingdom for choral and instrumental forces.
The Hallé Choir is a large symphonic chorus of around 220 singers based in Manchester, England. It was founded as Manchester Choral Society alongside the Hallé Orchestra in 1858 by Sir Charles Hallé. The choir gives around 15 concerts a year with The Hallé at The Bridgewater Hall and other venues across the UK. Appearing with international conductors and soloists in concert and recordings, the choir performs a repertoire of major choral and operatic works ranging from mainstream pieces to more esoteric pieces and commissions.
Lobet Gott in seinen Reichen, BWV 11, known as the Ascension Oratorio, is an oratorio by Johann Sebastian Bach, marked by him as Oratorium In Festo Ascensionis Xsti, composed for the service for Ascension and probably first performed on 15 May 1738.
The Crucifixion: A Meditation on the Sacred Passion of the Holy Redeemer is an oratorio for a SATB choir and organ composed by John Stainer in 1887, with text by W J Sparrow Simpson. The piece relates the Biblical narrative of the Passion and Crucifixion of Jesus. It is particularly noted for the Christian hymn "All for Jesus, All for Jesus".
Messiah, the English-language oratorio composed by George Frideric Handel in 1741, is structured in three parts, listed here in tables for their musical setting and biblical sources.
Messiah, the English-language oratorio composed by George Frideric Handel in 1741, is structured in three parts. This listing covers Part III in a table and comments on individual movements, reflecting the relation of the musical setting to the text. Part I begins with the prophecy of the Messiah and his birth, shows the annunciation to the shepherds as a scene from the Gospel of Luke, and reflects the Messiah's deeds on Earth. Part II covers the Passion, death, resurrection, ascension, and the later spreading of the Gospel. Part III concentrates on Paul's teaching of the resurrection of the dead and Christ's glorification in heaven.
Johann Sebastian Bach's St Matthew Passion, BWV 244, is structured on multiple levels: the composition is structured in three levels of text sources and by the different forms that are used for musical expression.
Herbert Heyner was a noted English baritone. Heyner appeared in a handful of operas, and a number of broadcast operas, but his stage appearances were predominantly in oratorio and songs. He sang in some notable performances of Sir Edward Elgar's oratorios under the composer's baton. He sang in Britain, France, Germany, the United States and Canada, and he sang at The Proms 59 times between 1909 and 1937, in songs and operatic arias.
Der Messias, K. 572, is Wolfgang Amadeus Mozart's 1789 German-language version of Messiah, George Frideric Handel's 1741 oratorio. On the initiative of Gottfried van Swieten, Mozart adapted Handel's work for performances in Vienna.
Die Auferstehung und Himmelfahrt Jesu is an oratorio by Carl Philipp Emanuel Bach to a text by Karl Wilhelm Ramler on the subject of the resurrection and ascension of Jesus Christ. The first documented performance evidently took place in 1774, and was first publicly performed in 1778; it was further revised between 1778 and 1780. Along with the other oratorios that CPE Bach composed, Die Auferstehung und Himmelfahrt Jesu has been described as being "among the most important Protestant vocal works of the second half of the 18th century".
King Olaf is a cantata by British composer Edward Elgar scored for soloists, chorus and orchestra. It was commissioned for the North Staffordshire Music Festival of 1896, where it was well received. It went on to be performed by choral societies in other parts of the country.
References
- ↑ Kingsbury, Stephen. The Apostles at AllMusic . Retrieved 2014-07-27.
