"The Parson's Tale" seems, from the evidence of its prologue, to have been intended as the final tale of Geoffrey Chaucer's poetic cycle The Canterbury Tales . The "tale", which is the longest of all the surviving contributions by Chaucer's pilgrims, is in fact neither a story nor a poem, but a long and unrelieved prose treatise on penance. [1] Critics and readers are generally unclear what rhetorical effect Chaucer may have intended by ending his cycle in this unlikely, extra-generic fashion.
In the prologue to the tale, the host asks the Parson for a fable (the form used earlier with such apparent success by the Nun's Priest) but the Parson refuses with a round condemnation of fable stories, saying instead that he will tell an improving tale in prose since he can neither rhyme nor alliterate. It is also of interest that the host seems to be in some doubt as to the identity of the Parson, since he asks him to introduce himself:
"Sire preest," quod he,, "artow a vicary?
Or arte a person? Sey, sooth, by thy fey!
Be what thou be, ne breke thou nat oure pley;
For every man, save thou, hath toold his tale.
("Parson's Prologue", lines 22–25) [2]
Some idea of Chaucer's intended structure for the Canterbury Tales may be gleaned from this "final" prologue. The host speaks of al myn ordinaunce (being) almoost fulfild and says that the company lakketh...no tales mo than oon. Since known tales do not exist for all of the pilgrims, and since none reach the projected total of four tales each outlined in the "General Prologue", the host's remarks give a further indication of the way in which Chaucer's ultimate scheme for the cycle either was not realised or has not survived.
The subject of the parson's "tale" (or rather, treatise) is penitence. It may thus be taken as containing inferential criticism of the behaviour and character of humanity detectable in all the other pilgrims, knight included. [3] Chaucer himself claims to be swayed by the plea for penitence, since he follows the Parson's Tale with a Retraction (the conceit which appears to have been the intended close to the entire cycle) in which he personally asks forgiveness for any offences he may have caused and (perhaps) for ever having deigned to write works of worldly vanitee at all (line 1085).
The parson divides penitence into three parts; contrition of the heart, confession of the mouth, and satisfaction. The second part about confession is illustrated by referring to the Seven Deadly Sins and offering remedies against them. The Seven Deadly Sins are pride, envy, wrath, sloth, greed, gluttony, and lust; they are "healed" by the virtues of humility, contentment, patience, fortitude, mercy, moderation, and chastity.
Chaucer's text seems for the most part to be a combination, in English translation, of the texts of two Latin works on penitence popular at the time; the Summa casuum poenitentiae of Raymond of Peñafort, and the Summa vitiorum of William Perault. This is mingled with fragments from other texts. [4] It is not known whether Chaucer was the first to combine these particular sources, or whether he translated an existing combined edition, possibly from French. If the latter is the case, any direct source has been lost.
The Parson is considered by some to be the only good member of the clergy in The Canterbury Tales, while others have detected ambiguities and possible hints of Lollardy in the portrait. [5] Chaucer, in the General Prologue calls him a povre Persoun of a Toun. His depiction of a man who practices what he preaches seems to be positive:
He was a shepherde and noght a mercenarie.
And thogh he hooly were and vertuous,
He was to synful men nat despitous,
Ne of his speche daungerous ne digne,
But in his techyng discreet and benynge.
(Lines 514–518) [6]
if also rather forbidding; for instance, Chaucer's parson is no respecter of persons in demanding ultimate adherence to moral principles:
But it were any person obstinat,
What so he were, of heigh or lough estat,
Hym wolde he snybben sharply for the nonys.
(Lines 521–523) [6]
None of the explicit criticism of clergy that marks many of the other tales and character sketches is obvious here. The Parson is throughout depicted as a sensible and intelligent person. Chaucer is not uncritical of other clergy; in the paragraph headed "Lat us now touche the vice of flateryng", he describes flatterers – those who continuously sing placebo – as "develes chapelleyns".
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The Canterbury Tales is a collection of twenty-four stories that runs to over 17,000 lines written in Middle English by Geoffrey Chaucer between 1387 and 1400. It is widely regarded as Chaucer's magnum opus. The tales are presented as part of a story-telling contest by a group of pilgrims as they travel together from London to Canterbury to visit the shrine of Saint Thomas Becket at Canterbury Cathedral. The prize for this contest is a free meal at the Tabard Inn at Southwark on their return.
Geoffrey Chaucer was an English poet, author, and civil servant best known for The Canterbury Tales. He has been called the "father of English literature", or, alternatively, the "father of English poetry". He was the first writer to be buried in what has since come to be called Poets' Corner, in Westminster Abbey. Chaucer also gained fame as a philosopher and astronomer, composing the scientific A Treatise on the Astrolabe for his 10-year-old son Lewis. He maintained a career in the civil service as a bureaucrat, courtier, diplomat, and member of parliament.
"The Knight's Tale" is the first tale from Geoffrey Chaucer's The Canterbury Tales.
"The Miller's Tale" is the second of Geoffrey Chaucer's Canterbury Tales (1380s–1390s), told by the drunken miller Robin to "quite" "The Knight's Tale". The Miller's Prologue is the first "quite" that occurs in the tales.
"The Wife of Bath's Tale" is among the best-known of Geoffrey Chaucer's Canterbury Tales. It provides insight into the role of women in the Late Middle Ages and was probably of interest to Chaucer himself, for the character is one of his most developed ones, with her Prologue twice as long as her Tale. He also goes so far as to describe two sets of clothing for her in his General Prologue. She holds her own among the bickering pilgrims, and evidence in the manuscripts suggests that although she was first assigned a different, plainer tale—perhaps the one told by the Shipman—she received her present tale as her significance increased. She calls herself both Alyson and Alys in the prologue, but to confuse matters these are also the names of her 'gossib', whom she mentions several times, as well as many female characters throughout The Canterbury Tales.
"The Merchant's Tale" is one of Geoffrey Chaucer's Canterbury Tales. In it Chaucer subtly mocks antifeminist literature like that of Theophrastus ("Theofraste"). The tale also shows the influence of Boccaccio, Deschamps' Le Miroir de Mariage, Roman de la Rose by Guillaume de Lorris, Andreas Capellanus, Statius, and Cato. The tale is found in Persia in the Bahar Danush, in which the husband climbs a date tree instead of a pear tree. It could have arrived in Europe through the One Thousand and One Nights, or perhaps the version in book VI of the Masnavi by Rumi. Though several of the tales are sexually explicit by modern standards, this one is especially so. Larry Benson remarks:
The central episode of the Merchant's Tale is like a fabliau, though of a very unusual sort: It is cast in the high style, and some of the scenes are among Chaucer's most elaborate displays of rhetorical art.
Chaucer's Retraction is the final section of The Canterbury Tales. It is written as an apology, where Geoffrey Chaucer asks for forgiveness for the vulgar and unworthy parts of this and other past works, and seeks absolution for his sins.
"The Pardoner's Tale" is one of The Canterbury Tales by Geoffrey Chaucer. In the order of the Tales, it comes after The Physician's Tale and before The Shipman's Tale; it is prompted by the Host's desire to hear something positive after the physician's depressing tale. The Pardoner initiates his Prologue—briefly accounting his methods of swindling people—and then proceeds to tell a moral tale.
"The Nun's Priest's Tale" is one of The Canterbury Tales by the Middle English poet Geoffrey Chaucer. Composed in the 1390s, it is a beast fable and mock epic based on an incident in the Reynard cycle. The story of Chanticleer and the Fox became further popularised in Britain through this means.
"The Man of Law's Tale" is the fifth of the Canterbury Tales by Geoffrey Chaucer, written around 1387. John Gower's "Tale of Constance" in Confessio Amantis tells the same story and may have been a source for Chaucer. Nicholas Trivet's Les chronicles was a source for both authors.
"Sir Thopas" is one of The Canterbury Tales by Geoffrey Chaucer, published in 1387. The tale is one of two—together with The Tale of Melibee—told by the fictive Geoffrey Chaucer as he travels with the pilgrims on the journey to Canterbury Cathedral. The tale concerns the adventures of the knight Sir Thopas and his quest to win the elf-queen.
The General Prologue is the first part of The Canterbury Tales by Geoffrey Chaucer. It introduces the frame story, in which a group of pilgrims travelling to the shrine of Thomas Becket in Canterbury agree to take part in a storytelling competition, and describes the pilgrims themselves. The Prologue is arguably the most familiar section of The Canterbury Tales, depicting traffic between places, languages and cultures as well as introducing and describing the pilgrims who will narrate the tales.
"The Manciple's Tale" is part of Geoffrey Chaucer's The Canterbury Tales. It tends to appear near the end of most manuscripts of the poem, and the prologue to the final tale, "The Parson's Tale", makes it clear it was intended as the penultimate story in the collection. The Manciple, a purchasing agent for a law court, tells a fable about Phoebus Apollo and his pet crow, which is both an origin myth explaining the crow's black feathers and a moralistic injunction against gossip.
"The Shipman's Tale" is one of The Canterbury Tales by Geoffrey Chaucer.
"The Tale of Melibee" is one of The Canterbury Tales by Geoffrey Chaucer.
"The Monk's Tale" is one of the Canterbury Tales by Geoffrey Chaucer.
"The Canon's Yeoman's Tale" is one of The Canterbury Tales by Geoffrey Chaucer.
The Legend of Good Women is a poem in the form of a dream vision by Geoffrey Chaucer during the fourteenth century.
There are two pseudo-Chaucerian texts called "The Plowman's Tale".
The Canterbury Tales is a collection of stories, mostly in verse, written by Geoffrey Chaucer chiefly from 1387 to 1400. They are held together in a frame story of a pilgrimage on which each member of the group is to tell two tales on the way to Canterbury, and two on the way back. Fewer than a quarter of the projected tales were completed before Chaucer's death. It is uncertain in what order Chaucer intended the tales to appear; moreover it is very possible that, as a work-in-progress, no final authorial order of tales ever existed.
