Hard bop is a subgenre of jazz that is an extension of bebop music. Journalists and record companies began using the term in the mid-1950s to describe a new current within jazz that incorporated influences from rhythm and blues, gospel music, and blues, especially in saxophone and piano playing.
McKinley Howard "Kenny" Dorham was an American jazz trumpeter, composer, and occasional singer. Dorham's talent is frequently lauded by critics and other musicians, but he never received the kind of attention or public recognition from the jazz establishment that many of his peers did. For this reason, writer Gary Giddins said that Dorham's name has become "virtually synonymous with 'underrated'."
James Emory Garrison was an American jazz double bassist. He is best remembered for his association with John Coltrane from 1961 to 1967.
Arthur S. Taylor Jr. was an American jazz drummer, who "helped define the sound of modern jazz drumming".
Vertigo is an album by American saxophonist Jackie McLean, recorded in 1962 and 1963 but not released on the Blue Note label until 1980. The initial release contained only the five tracks from 1963, while the later 2000 limited CD edition, released as part of the "Connoisseur Series", added six tracks from a 1962 session originally marked for release as Jackie McLean Quintet, first issued in 1978 as part of a double LP entitled Hipnosis.
Coltrane is an album by the American jazz musician John Coltrane which was released in October 1957 by Prestige Records. The recordings took place at the studio of Rudy Van Gelder in Hackensack, New Jersey, and document Coltrane's first session as a leader. It has been reissued at times under the title of The First Trane!.
The Last Trane is an album credited to jazz musician John Coltrane, released in 1966 on Prestige Records, catalogue 7378.
The Believer is a jazz album by John Coltrane released in 1964 on Prestige Records, catalogue 7292. It was recorded by Rudy Van Gelder in Hackensack, New Jersey in 1957 and 1958.
Coltrane Jazz is a studio album by the jazz musician John Coltrane. It was released in early 1961 on Atlantic Records. Most of the album features Coltrane playing with his former Miles Davis bandmates, pianist Wynton Kelly, bassist Paul Chambers and drummer Jimmy Cobb during two sessions in November and December, 1959. The exception is the track "Village Blues", which was recorded October 21, 1960. "Village Blues" comes from the first recording session featuring Coltrane playing with pianist McCoy Tyner and drummer Elvin Jones, who toured and recorded with Coltrane as part of his celebrated "classic quartet" from 1960 to 1965.
The Heavyweight Champion: The Complete Atlantic Recordings is a 1995 box set by jazz musician John Coltrane. It features all of the recordings Coltrane made for Atlantic Records, spanning January 15, 1959, to May 25, 1961.
High Step is a jazz double album credited to bassist Paul Chambers and saxophonist John Coltrane, issued in 1975 on Blue Note Records, catalogue BN-LA451. It is a compilation taken from the 1956 Chambers' Music on the Jazz West label and Whims of Chambers, along with two unissued recordings from a session in Boston, Massachusetts, "Trane's Strain" from that session previously appearing on an anthology. Originally, all of these sessions were led by Chambers, but like Prestige Records before them, as Coltrane's fame grew long after he had stopped recording for the label, Blue Note used varied recordings where Coltrane had been merely a sideman, and reissued them with Coltrane's name more prominently displayed.
Johnny Griffin, Vol. 2, also known as A Blowing Session, is an album by the jazz saxophonist Johnny Griffin. It was recorded in April 1957 and released in September or October the same year through Blue Note Records.
Stereo Drive is an album by jazz musician Cecil Taylor featuring John Coltrane. It was released in 1959 on United Artists Records, catalogue UAS 5014. The mono edition was issued as UAL 4014 with the title Hard Driving Jazz credited to The Cecil Taylor Quintet, and later reissued under Coltrane's name in 1962 as Coltrane Time. Compact disc reissues appeared on the Blue Note Records label credited to Coltrane. It is the only known recording featuring both Coltrane and Taylor.
The Coltrane Legacy is a compilation album credited to jazz musician John Coltrane, released in 1970 on Atlantic Records, catalogue SD 1553. Issued posthumously, it consists of outtakes from recording sessions which yielded the albums Olé Coltrane, Coltrane Plays the Blues, Coltrane's Sound, and Bags & Trane. All selections were previously unreleased.
The Complete Blue Note Recordings of Thelonious Monk is a box set by American jazz pianist Thelonious Monk compiling his recordings for Blue Note first released as a limited four-LP box set on Mosaic Records in 1983 before being issued as a four-CD box set by Blue Note for the first time in 1994 as The Complete Blue Note Recordings.
Sonny's Crib is a studio album by the jazz pianist Sonny Clark. It was released through Blue Note Records in March 1958. The sextet assembled for the recording session consists of horn players Donald Byrd, Curtis Fuller, and John Coltrane and rhythm section Paul Chambers and Art Taylor. The first half of the album comprises three jazz standards, while the second half contains two original compositions by Clark. The recording was made on September 1, 1957.
Kenny Burrell, also known as Kenny Burrell, Volume 2, is an album by American jazz guitarist Kenny Burrell primarily recorded on March 12, 1956 and released on Blue Note the following year.
Chambers' Music is the debut album by jazz bassist Paul Chambers. It was released in September 1956 on the Jazz West label. It features Chambers with his Miles Davis bandmates, tenor saxophonist John Coltrane and drummer Philly Joe Jones, along with pianist Kenny Drew, and baritone saxophonist Pepper Adams and trombonist Curtis Fuller on three tracks.
Modern Jazz Trumpets is an album released by Prestige Records in 1951 with music by four jazz trumpeters: Fats Navarro, Dizzy Gillespie, Miles Davis and Kenny Dorham. The album was released on the 10" LP format and includes the first recordings by Davis for Prestige.
