Travelin' On | ||||
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Studio album by | ||||
Released | 1968 (8-Track Cartridge), 1969 (LP) | |||
Recorded | April 1968 | |||
Studio | Hans Georg Brunner-Schwer Studio Villingen, West Germany | |||
Genre | Jazz | |||
Label | MPS | |||
Producer | Hans Georg Brunner-Schwer | |||
Oscar Peterson chronology | ||||
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Review scores | |
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Source | Rating |
AllMusic | [1] |
Penguin Guide to Jazz | [2] |
Travelin' On is an album by the jazz pianist Oscar Peterson and his trio, released in 1968. It was recorded during the same sessions as Mellow Mood . It was the sixth part of Peterson's Exclusively for My Friends series.
The Oscar Peterson trio included Sam Jones on bass and Bobby Durham on drums. "Sax No End" had been recorded for the first time in 1967 by the Kenny Clarke/Francy Boland Big Band. The AllMusic review suggested that "one can almost hear a larger ensemble by listening to Peterson's virtuoso interpretation in an uptempo setting, assisted by Jones' agile bass and Durham's steady percussion". [1]
The Penguin Guide to Jazz included the album in its selected "Core Collection". [2]
At the Opera House is a 1958 live album by Ella Fitzgerald. The album presents a recording of the 1957 Jazz at the Philharmonic Concerts. This series of live jazz concerts was devised by Fitzgerald's manager Norman Granz; they ran from 1944 to 1983. Featured on this occasion, in 1957, are Fitzgerald and the leading jazz players of the day in an onstage jam session. The first half of the 1990 CD edition includes a performance that was recorded on September 29, 1957, at the Chicago Opera House, whilst the second half highlights the concert recorded on October 7, 1957, at the Shrine Auditorium, in Los Angeles. The original LP obviously included only the mono tracks (#10-18).
We Get Requests is an album by jazz pianist Oscar Peterson and his trio, released in 1964 and recorded at RCA Studios New York City on October 19, October 20 and November 19 or 20. It marks the end of his 14-year partnership with Verve Records.
Benny Green is an American hard bop jazz pianist who was a member of Art Blakey's Jazz Messengers. He has been compared to Bud Powell and Oscar Peterson in style and counts them as influences.
Coleman Hawkins Encounters Ben Webster is a studio album recorded on October 16, 1957, by Coleman Hawkins and Ben Webster, accompanied by a rhythm section led by Oscar Peterson.
Exclusively for My Friends is a series of originally six albums for the MPS label by Canadian jazz pianist Oscar Peterson. The album tracks were recorded live by Hans Georg Brunner-Schwer for MPS on the occasion of private concerts with a small audience in his home studio. The albums have been collected in different box sets over the years.
Last Call at the Blue Note is a 1992 live album by Oscar Peterson; it is the third CD of the Telarc 4-CD set. The performance includes three of Oscar Peterson's famous originals: "Blues Etude", "March Past" and "Wheatland".
Live at the Blue Note is a 1990 live album by Oscar Peterson.
Something Warm is a live album by the Oscar Peterson Trio, recorded at the London House jazz club in Chicago. The sessions were in 1961, but the album was initially released as Verve V/V6-8681 in 1967.
The Way I Really Play is a 1968 album by jazz pianist Oscar Peterson. It is the third part of Peterson's Exclusively for My Friends series.
Mellow Mood is an album by jazz pianist Oscar Peterson and his trio. The session was recorded in Germany at the private studio of Hans Georg Brunner-Schwer and released on the German MPS label. This album was the fifth part of Peterson's Exclusively for My Friends series on MPS. The series was reissued as a box set in 1992 by MPS. A remastered SACD was issued in 2003 on Verve Records.
The Trumpet Summit Meets the Oscar Peterson Big 4 is a 1980 album featuring the trumpeters Dizzy Gillespie, Clark Terry, and Freddie Hubbard, supported by a quartet led by Oscar Peterson. Outtakes from the 1980 session that produced this album were released as The Alternate Blues.
The History of an Artist, Vol. 1 is a 1974 studio album by Oscar Peterson, the first of two albums so titled to provide a retrospective of his career.
The History of an Artist, Vol. 2 is a studio album by Oscar Peterson, the second of two albums so titled to provide a retrospective of his career.
Krupa and Rich is a 1956 studio album by jazz drummers Gene Krupa and Buddy Rich, released on Norman Granz' Clef Records. Krupa and Rich play on two different tracks each and play together only on "Bernie's Tune." Krupa and Rich would record again for Verve Records; their album Burnin' Beat was released in 1962.
Work Song is an album by jazz cornetist Nat Adderley, recorded in January 1960 and released on the Riverside label. It features Adderley with Bobby Timmons, Wes Montgomery, Sam Jones, Percy Heath, Keter Betts and Louis Hayes in various combinations from a trio to a sextet, with the unusual sound of pizzicato cello to the fore on some tracks.
Girl Talk is a 1968 studio album by jazz pianist Oscar Peterson, the second volume of his Exclusively for My Friends series. It was compiled from live studio sessions recorded between 1964 and 1966.
Action is an album by Oscar Peterson, the first volume of his Exclusively for My Friends series. Originally released by MPS Records, it was later released by Prestige Records as Easy Walker.
Exclusively for My Friends: Lost Tapes is a 1995 studio album by jazz pianist Oscar Peterson, part of his Exclusively for My Friends series.
Johnny Mathis is the first studio album by vocalist Johnny Mathis that was released by Columbia Records in 1956. The subtitle A New Sound in Popular Song can be found on the back cover but not on the front of the album or the disc label; in fact, this Mathis LP has been referred to as "the jazz album".
The Greatest Jazz Concert in the World is a 1967 live album featuring Duke Ellington and his orchestra, Ella Fitzgerald, Oscar Peterson, T-Bone Walker, Coleman Hawkins, Clark Terry and Zoot Sims. It was released in 1975.