"Un buco nella sabbia" | ||||
---|---|---|---|---|
Single by Mina | ||||
from the album Studio Uno | ||||
Language | Italian | |||
B-side | "Se mi compri un gelato" | |||
Released | May 1964 [1] | |||
Genre | Pop | |||
Length | 2:18 | |||
Label | Ri-Fi | |||
Composer(s) | Piero Soffici | |||
Lyricist(s) | Alberto Testa | |||
Mina singles chronology | ||||
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"Un buco nella sabbia" (English: "A hole in the sand") is a song by Italian singer Mina, written by Piero Soffici and Alberto Testa. The song was released as a single, reaching number 7 on the Italian chart, [2] and was later included in the album Studio Uno (1965). [3]
There is also a Spanish-language version titled "Un Hoyo en la Arena", released in Spain in 1964 on the EP Mina Canta en Español. [4]
In 1965, a Japanese version of the song with lyrics by Kenji Sazanami was released in Japan. [5] The song achieved extraordinary success, taking the second position on the chart, and sales exceeded 400,000 copies; [6] at the end of the year, Mina was also recognized as the best international artist. [7] [8]
Chart (1964–1965) | Peak position |
---|---|
Italy ( Musica e dischi ) [2] | 7 |
Japan (Oricon) [6] | 1 |
Chart (1965) | Peak position |
---|---|
Japan (Oricon) [11] | 10 |
Minacantalucio is a studio album by Italian singer Mina, released in October 1975 by PDU and distributed by EMI Italiana.
Altro is a studio album by Italian singer Mina, released on 16 November 1972 by PDU and originally distributed by EMI Italiana with live album Dalla Bussola in a two-LP package entitled Mina 1+1; it was the first in her series of double albums.
Mina is a studio album by Italian singer Mina, released in 1971 by her own label, PDU.
...quando tu mi spiavi in cima a un batticuore... is a studio album by Italian singer Mina, released in November 1970 by PDU.
Canzonissima '68 is a studio album by Italian singer Mina, released in 1968 by PDU and distributed by Durium.
Sabato sera – Studio Uno '67 is a studio album by Italian singer Mina, issued in 1967.
Studio Uno 66 is a studio album by Italian singer Mina, released in June 1966 by Ri-Fi.
Studio Uno is a studio album by Italian singer Mina, released in March 1965 by Ri-Fi. All songs were performed during the Saturday TV show Studio Uno. Thanks to such super hits as "Città vuota", "È l'uomo per me", "Un anno d'amore", "Un buco nella sabbia", "Io sono quel che sono" e "L'ultima occasione", the record reached the top of the Italian chart.
Italian singer Mina has released seventy-six studio albums, three live albums, forty-five official compilation albums, six video albums and seventeen extended plays. During her career, Mina has sold more than 150 million copies of her recordings worldwide.
"L'immensità" is an Italian song, which was first performed by Johnny Dorelli and Don Backy in 1967 and became 9th at the Sanremo Song Contest. It represents a signature song for both Backy and Dorelli, entering for several weeks in the Italian charts.
Moliendo café is the fourth studio album by Italian singer Mina, released in April 1962 through Italdisc.
Renato is the fifth studio album by Italian singer Mina released in December 1962 through Italdisc.
Stessa spiaggia, stesso mare is the sixth studio album by Italian singer Mina, released on 1 October 1963 through Italdisc.
Mina con bignè is a studio album by Italian singer Mina, released in November 1977 by PDU and distributed by EMI Italiana.
Salomè is a double studio album by Italian singer Mina, released in November 1981 by PDU and distributed by EMI Italiana.
Italian singer Mina has released 159 official singles and 63 promotional singles.
Studio Collection is a compilation album by Italian singer Mina, released on 26 November 1998 by PDU and EMI.
Italian singer Ornella Vanoni has released forty-five studio albums, seven live albums, fifty-nine official compilation albums, two video albums and seven extended plays.
"Stessa spiaggia, stesso mare" is a song written by Piero Soffici and Mogol. Italian singer Piero Focaccia was the first to record the song, but Mina released the song about a month earlier. It is noteworthy that Mina uses the same arrangement as in the original, rather than adapting it for herself as she used to do with cover versions.
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