We're Not Married! | |
---|---|
Directed by | Edmund Goulding |
Screenplay by | Nunnally Johnson |
Adaptation by | Dwight Taylor |
Based on | If I Could Remarry unpublished work by Gina Kaus Jay Dratler |
Produced by | Nunnally Johnson |
Starring | |
Cinematography | Leo Tover |
Edited by | Louis R. Loeffler |
Music by | Cyril Mockridge |
Production company | |
Distributed by | 20th Century Fox |
Release date |
|
Running time | 85 minutes |
Country | United States |
Language | English |
Box office | $2 million (US rentals) [1] |
We're Not Married! is a 1952 American anthology romantic comedy film directed by Edmund Goulding. [2] It was released by 20th Century Fox. [3]
The screenplay was written by Nunnally Johnson, while the story was adapted by Dwight Taylor from Gina Kaus's and Jay Dratler's unpublished work "If I Could Remarry". [4]
The film stars Ginger Rogers, Fred Allen, Victor Moore, Marilyn Monroe, David Wayne, Eve Arden, Paul Douglas, Eddie Bracken, and Mitzi Gaynor. Co-stars include Louis Calhern, Zsa Zsa Gabor, James Gleason, Paul Stewart, and Jane Darwell.
When elderly Mr. Bush is appointed justice of the peace, he starts marrying couples on Christmas Eve. However, his appointment takes effect on the first of January. Later, this issue becomes known when one of the six couples he married files for divorce. To avoid a bigger scandal, the remaining five couples are informed that they are not really married. The film then shows how the other couples react to the news.
Steve and Ramona Gladwyn are a husband-and-wife radio team whose on-air loving behavior on their show "Breakfast with the Glad Gladwyns" conceals the fact that they cannot stand each other. However, they do not want to lose their large salaries. When they arrive outside the marriage license bureau, they encounter a happy couple leaving. The sight makes Steve reconsider his relationship with Ramona, then she does too.
The second couple is Jeff and Annabel Norris. Annabel has just won the "Mrs. Mississippi" pageant. Jeff is fed up with taking care of their child, while Annabel and her manager Duffy are out preparing to compete for the title of "Mrs. America". Jeff is delighted at the prospect of getting Annabel back when he learns they are not married. He sees to it that she loses her title, but in the end is pleased when his now-fiancée wins the "Miss Mississippi" contest.
Bush remembers Hector and Katie Woodruff talking constantly, but they have now run out of things to say to each other. When Hector gets the letter from the Governor's office, he imagines seeing all his gorgeous girlfriends again, then burns the letter before Katie sees it.
Kind millionaire Freddie Melrose is married to a young gold-digger named Eve. When Freddie goes on a business trip, she suggests she'll fly that evening to meet him at his hotel, but instead sets him up. Another woman shows up instead, followed shortly afterward by three men who witness his fake adultery. Eve and her attorney, Stone, inform Freddie that while Eve is entitled by law to half his assets in a divorce, they want much more, threatening him with criminal charges. Bush's letter arrives just in time to save him.
Young soldier Wilson "Willie" Fisher is about to be shipped out to Hawaii and the "Asiatic-Pacific Theater." At the train station, his wife Patsy arrives late and just has time to tell him she is pregnant before his train leaves. He is unable to tell her that they are not married. He sends her a telegram, urging her to meet him at the port. There, he goes AWOL in order to try to marry her, while dodging two MPs. However, he is caught and thrown in the brig, and his ship sets sail. Fortunately, a military chaplain notices an upset Patsy and manages to extract the story from her. He then arranges for her and Willie to get married by radio.
Bosley Crowther of The New York Times wrote: "it must be said for Mr. Johnson and Mr. Goulding that they cut their capers well and came forth with a tailored entertainment that is one of the snappiest of the year." [5] Crowther's favorite segment "most particularly because of the droll demonstration of confusion and beaming triumph that Louis Calhern gives—(is) the little drama in which a Texas millionaire confounds a scheming wife and her attorney who are trying to skin him with the old Army game. In this one, Mr. Calhern is delicious as he helplessly blinks and squirms through the obvious embarrassments of a frame-up and the subsequent bludgeonings of the kill. And then he is beautifully nimble as he finds his ace card and turns upon his relentless harassers..."
Song[ citation needed ] | Performer(s) | Note(s) |
---|---|---|
"Cuddles" | Sung by the lunch room counter man | Written by Edmund Goulding |
"The Wedding March" | Played during the opening credits | From A Midsummer Night's Dream (Music by Felix Mendelssohn-Bartholdy) |
"The First Noel" | Sung during the opening scene | - |
"Silent Night, Holy Night" | Sung by the carolers when the Gladwyns get married | Music by Franz Gruber Lyrics by Joseph Mohr |
"Waltz from 'Coppélia'" | Played after Ramona turns on the light while getting up | Music by Léo Delibes |
"Home, Sweet Home" | Played on the organ at the beginning of the radio show | Music by Henry Bishop |
"Sweet and Lovely" | Played during the bathing beauty contest | Written by Gus Arnheim, Harry Tobias and Neil Moret (as Jules LeMare) |
"Baby Face" | Played after Annabel is handed the trophy | Music by Harry Akst |
"Perfidia" | Played on the radio when Hector is telling Katie about the Latin Quarter | Written by Alberto Domínguez |
"Wien, Wien, nur du allein" | Played during the Mr. and Mrs. Melrose episode | Written by Rudolf Sieczyński |
Heaven Can Wait is a 1943 Technicolor American supernatural comedy film produced and directed by Ernst Lubitsch. The screenplay was by Samson Raphaelson based on the play Birthday by Ladislaus Bus-Fekete. The music score was by Alfred Newman and the cinematography by Edward Cronjager.
Carl Henry Vogt, known by his stage name Louis Calhern, was an American actor. Described as a “star leading man of the theater and a star character actor of the screen,” he was appeared in over 100 roles on the Broadway stage and in films and television, between 1923 and 1956. He was nominated for the Academy Award and the Golden Globe Award for Best Actor for portraying U.S. Supreme Court Justice Oliver Wendell Holmes in the 1950 film The Magnificent Yankee.
I Was a Communist for the FBI is a 1951 American crime film noir produced by Bryan Foy, directed by Gordon Douglas and starring Frank Lovejoy.
Night After Night is a 1932 American pre-Code drama film starring George Raft, Constance Cummings, and Mae West in her first movie role. Others in the cast include Wynne Gibson, Alison Skipworth, Roscoe Karns, Louis Calhern, and Bradley Page. Directed by Archie Mayo, it was adapted for the screen by Vincent Lawrence and Kathryn Scola, based on the Cosmopolitan magazine story Single Night by Louis Bromfield, with West allowed to contribute to her lines of dialogue.
Thanks a Million is a 1935 musical film produced and released by 20th Century Fox and directed by Roy Del Ruth. It stars Dick Powell, Ann Dvorak and Fred Allen, and features Patsy Kelly, David Rubinoff and Paul Whiteman and his band with singer/pianist Ramona. The script by Nunnally Johnson was based on a story by producer Darryl F. Zanuck and contained uncredited additional dialogue by Fred Allen, James Gow, Edmund Gross and Harry Tugend.
Betrayed is a 1954 American Eastmancolor war drama film directed by Gottfried Reinhardt and starring Clark Gable, Lana Turner, Victor Mature, and Louis Calhern. The screenplay was by Ronald Millar and George Froeschel. The musical score was by Walter Goehr and Bronislau Kaper, and the cinematography by Freddie Young. The picture, Gable's last for Metro-Goldwyn-Mayer, was filmed on location in the Netherlands and England, and was based on the story of turncoat Dutch resistance leader Christiaan Lindemans, also known as "King Kong". The supporting cast features O. E. Hasse, Wilfrid Hyde-White, Ian Carmichael, Niall MacGinnis, and Theodore Bikel. Betrayed was the fourth and final movie in which Gable played opposite Turner, and their third pairing set during World War II.
Freaky Friday is a 1976 American fantasy-comedy film directed by Gary Nelson, with the screenplay written by Mary Rodgers based on her 1972 novel of the same name. The film stars Barbara Harris and Jodie Foster in the lead roles. John Astin, Patsy Kelly and Dick Van Patten are featured in supporting roles. In the film, a mother and her daughter switch their bodies, and they get a taste of each other's lives. The cause of the switch is left unexplained in this film, but occurs on Friday the 13th, when Ellen and Annabel, in different places, say about each other at the same time, "I wish I could switch places with her for just one day." Rodgers added a water skiing subplot to her screenplay.
The Prisoner of Zenda is a 1952 American Technicolor adventure film version of the 1894 novel of the same name by Anthony Hope and a remake of the 1937 sound version and the 1922 silent. This first color version, made by Loew's and Metro-Goldwyn-Mayer, was directed by Richard Thorpe and produced by Pandro S. Berman. The film stars Stewart Granger, Deborah Kerr, and James Mason, with Louis Calhern, Robert Douglas, Jane Greer, and Robert Coote in supporting roles.
The Bigamist is a 1953 American drama film noir directed by Ida Lupino starring Joan Fontaine, Ida Lupino, Edmond O'Brien, and Edmund Gwenn. Producer/Screenwriter Collier Young was married to Fontaine at the time and had previously been married to Lupino. The Bigamist has been cited as the first American feature film made in the sound era in which the female star of a film directed herself.
George Washington Slept Here is a 1942 comedy film starring Jack Benny, Ann Sheridan, Charles Coburn, Percy Kilbride, and Hattie McDaniel. It was based on the 1940 play of the same name by Moss Hart and George S. Kaufman, adapted by Everett Freeman, and was directed by William Keighley.
For Heaven's Sake is a 1950 fantasy film starring Clifton Webb as an angel trying to save the marriage of a couple played by Joan Bennett and Robert Cummings. It was adapted from the play May We Come In? by Harry Segall.
Ever Since Eve is a 1937 American romantic comedy film directed by Lloyd Bacon and starring Marion Davies, Robert Montgomery and Frank McHugh.
It Started with Eve is a 1941 American musical romantic comedy film directed by Henry Koster and starring Deanna Durbin, Robert Cummings, and Charles Laughton. The film received an Oscar nomination for Best Original Music Score. The film is considered by some critics to be Durbin's best film, and the last in which she worked with the producer and director who groomed her for stardom. It Started with Eve was remade in 1964 as I'd Rather Be Rich.
The Chocolate Soldier is a 1941 American musical film directed by Roy Del Ruth. It uses original music from the Oscar Straus 1908 operetta of the same name, which was based on George Bernard Shaw’s 1894 play Arms and the Man. Unable to come to terms with Shaw, the studio used a story to which it already had rights: the Ferenc Molnár play The Guardsman,. The plot centers on the romantic misunderstandings and professional conflicts between two recently married opera singers, played by Metropolitan Opera star Risë Stevens and Nelson Eddy, who perform excerpts from the operetta during the film. This screenplay was written by Leonard Lee and Keith Winter. The Guardsman—a huge hit on Broadway in 1924— was brought to the screen in 1931, with Alfred Lunt and Lynn Fontanne reprising their stage roles as married actors.
Third Finger, Left Hand is a 1940 American romantic comedy film directed by Robert Z. Leonard and starring Myrna Loy, Melvyn Douglas and Raymond Walburn. The screenplay concerns a woman who pretends to be married to fend off would-be suitors and jealous wives, then has to live with her deception when she meets an artist who pretends to be her husband.
Affair with a Stranger is a 1953 American comedy-drama directed by Roy Rowland and starring Jean Simmons and Victor Mature. It was originally to be released as Kiss and Run.
Lovely to Look At is a 1952 American musical romantic comedy film directed by Mervyn LeRoy, based on the 1933 Broadway musical Roberta.
Surrender is a 1950 American Western film directed by Allan Dwan, written by James Edward Grant and Sloan Nibley, and starring Vera Ralston, John Carroll, Walter Brennan, Francis Lederer, William Ching, Maria Palmer and Jane Darwell. It was released on September 15, 1950, by Republic Pictures.
Handle with Care is a 1922 American silent comedy film directed by Phil Rosen. It stars Grace Darmond, Harry Myers, and James Morrison, and was released on January 22, 1922.