| What's New | ||||
|---|---|---|---|---|
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| Studio album by Bill Evans with Jeremy Steig | ||||
| Released | 1969 | |||
| Recorded | January 30, February 3 & 5 and March 11, 1969 | |||
| Studio | Webster Hall, New York City, NY | |||
| Genre | Jazz | |||
| Length | 44:22 | |||
| Label | Verve V6-8777 | |||
| Producer | Helen Keane | |||
| Bill Evans chronology | ||||
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| Jeremy Steig chronology | ||||
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What's New is an album by jazz pianist Bill Evans with flautist Jeremy Steig which was released in 1969 on the Verve label. [1] [2] [3]
| Review scores | |
|---|---|
| Source | Rating |
| Allmusic |   [4] |
| The Village Voice | B [5] |
Allmusic's Scott Yanow said: "this is a quartet set with guest flutist Jeremy Steig, whose playing recalls Herbie Mann's recording ( Nirvana ) with Evans back in the early '60s. Both flutists were always open to the influences of pop and rock, although in both of their collaborations with Evans, the music is very much on the pianist's turf". [4]
Jeremy Steig was an American jazz flutist.
Portrait in Jazz is the fifth studio album by American jazz pianist Bill Evans as a leader, released in 1960. It is the first of only two studio albums to be recorded with his famous trio featuring bassist Scott LaFaro and drummer Paul Motian.
You Must Believe in Spring is an album by American jazz pianist Bill Evans, recorded by Evans, bassist Eddie Gómez, and drummer Eliot Zigmund in August 1977, and released in February 1981 after Evans' death in September 1980.
California Here I Come is a live album by jazz pianist Bill Evans. It was recorded in 1967, but not released on the Verve label until 1982 as a double LP. It peaked at number 12 on the Billboard Jazz Album charts in 1983 and was reissued on CD in 2004. The pieces were recorded at the Village Vanguard, where Evans had previously recorded the sets that appeared on the highly influential Waltz for Debby and Sunday at the Village Vanguard, both later comprised on the definitive collection The Complete Village Vanguard Recordings, 1961.
Marty Morell is a jazz drummer who was a member of the Bill Evans Trio for seven years—longer than any other drummer. Before joining Evans, he worked with the Al Cohn-Zoot Sims Quintet, Red Allen, Gary McFarland, Steve Kuhn, and Gábor Szabó.
New Bottle Old Wine is an album by jazz composer, arranger, conductor and pianist Gil Evans recorded in 1958 by Evans with an orchestra. The album is a suite of songs written by and/or associated with major jazz musicians and composers, in original arrangements by Gil Evans. Cannonball Adderley is featured as the main soloist. The orchestra also featured a number of important players including Bill Barber, Frank Rehak, Johnny Coles, Art Blakey, and Paul Chambers.
Jazzhouse is a live album by jazz pianist Bill Evans with Eddie Gómez and Marty Morell recorded at the Jazzhus Montmartre in Copenhagen in 1969 but not released until the 1980s on the Milestone label. The same concert also produced the album You're Gonna Hear From Me.
You're Gonna Hear From Me is a live album by jazz pianist Bill Evans with Eddie Gómez and Marty Morell recorded at the Jazzhus Montmartre in Copenhagen in 1969 but not released until 1988 on the Milestone label. The same concert also produced the album Jazzhouse.
Re: Person I Knew is a live album by jazz pianist Bill Evans with Eddie Gómez and Marty Morell recorded at the Village Vanguard in New York City in 1974 and released on the Fantasy label in 1981. Additional recordings from Evans' 1974 Village Vanguard performances were also issued on the album Since We Met (1974). The name of the album is an anagram on the name of Orrin Keepnews, who produced for Evans while he was signed with Riverside Records, and who was one of his earliest champions.
Since We Met is a live album by jazz pianist Bill Evans with Eddie Gómez and Marty Morell, recorded at the Village Vanguard in New York City in 1974 and released on the Fantasy label in 1976. Additional recordings from Evans' 1974 Village Vanguard performances were also issued on the album Re: Person I Knew, released posthumously in 1981. The album was digitally remastered and reissued as a CD in 1991 on Original Jazz Classics.
Blue in Green: The Concert in Canada is a live album by jazz pianist Bill Evans with Eddie Gómez and Marty Morell recorded in Camp Fortune, Gatineau, Quebec, Canada in 1974 and released on the Milestone label in 1991.
Energy is an album by American jazz flautist Jeremy Steig released on the Capitol label in 1971.
Wayfaring Stranger is an album by American jazz flautist Jeremy Steig released on the Blue Note label in 1971.
Jeremy & The Satyrs is an album by American jazz flautist Jeremy Steig released on the Reprise label in 1968. Steig initially formed the group to back folksinger Tim Hardin in 1966.
This Is Jeremy Steig is an album by American jazz flautist Jeremy Steig released on the Solid State label in 1969. The album features three compositions by folksinger Tim Hardin whom Steig had accompanied in 1966.
Legwork is an album by American jazz flautist Jeremy Steig released on the Solid State label in 1970.
Leaving is an album of duets by pianist Richard Beirach and flautist Jeremy Steig recorded in 1976 and originally released on the Japanese Trio label before being rereleased on the Danish Storyville label on CD in 1988.
Outlaws is a live album featuring duets by flautist Jeremy Steig and bassist Eddie Gómez recorded in Germany in 1976 and released on the German Enja label the following year.
Lend Me Your Ears is an album by flautist Jeremy Steig, bassist Eddie Gómez and drummer/percussionist Joe Chambers recorded in West Germany in 1978 and released on the German CMP label.
Music for Flute & Double-Bass is an album by flautist Jeremy Steig and bassist Eddie Gómez recorded in New York in 1978 and released on the German CMP label.
