This article includes a list of general references, but it lacks sufficient corresponding inline citations .(April 2016) |
When the Boys Meet the Girls | |
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Directed by | Alvin Ganzer |
Screenplay by | Robert E. Kent |
Based on | |
Produced by | Sam Katzman |
Starring | Connie Francis Harve Presnell |
Cinematography | Paul C. Vogel |
Edited by | Ben Lewis |
Music by | Fred Karger |
Production company | |
Distributed by | Metro-Goldwyn-Mayer |
Release date |
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Running time | 97 minutes |
Country | United States |
Language | English |
When the Boys Meet the Girls is a 1965 American musical film directed by Alvin Ganzer and starring Connie Francis and Harve Presnell based on the musical Girl Crazy and a remake of MGM's 1943 film Girl Crazy .
A playboy (Harve Presnell) helps a young woman (Connie Francis) turn her father's Nevada ranch into a haven for divorcees.
The film was a remake of MGM's Girl Crazy (1943 film). The remake was produced by Sam Katzman, who made it as the first of five films he did for the studio in 1965. [1] In April 1965 Connie Francis was attached as star. [2]
In June 1965 Jeffrey Hayden was to direct and the stars were announced as Connie Francis, Harve Presnell, Paul Anka, Fran Jeffries and Louis Armstrong. [3]
The title was changed to I've Got Rhythm [4] then When the Boys Meet the Girls. [5]
Presnell played the same role as Mickey Rooney in the original. Presnell said "When we did Molly Brown on Broadway, we had a standing joke whenever I didn't do something right. I said 'Well why don't you get Mickey Rooney?'." [6]
Filming started July 1965.
It was the film debut of Herman's Hermits. MGM were so pleased with their performance they put them in a series of films. [7]
When the Boys Meet the Girls | ||||
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Soundtrack album by Various artists | ||||
Released | 1966 | |||
Length | 29:51 | |||
Label | MGM | |||
Herman's Hermits British chronology | ||||
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Herman's Hermits American chronology | ||||
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All tracks are written by George Gershwin (music), Ira Gershwin (lyrics) except where noted
No. | Title | Writer(s) | Artist(s) | Length |
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1. | "When the Boys Meet the Girls" | Jack Keller, Howard Greenfield | Connie Francis | 2:04 |
2. | "Monkey See, Monkey Do" | Johnny Farrow | Sam the Sham and The Pharaohs | 2:33 |
3. | "Embraceable You" | George & Ira Gershwin | Harve Presnell | 2:56 |
4. | "Throw It Out of Your Mind" | Billy Kyle, Louis Armstrong | Louis Armstrong & Orchestra | 2:10 |
5. | "Mail Call" | Fred Karger, Sid Wayne, Ben Weisman | Connie Francis | 2:17 |
6. | "I Got Rhythm" | George & Ira Gershwin | Connie Francis & Harve Presnell | 3:34 |
No. | Title | Writer(s) | Artist(s) | Length |
---|---|---|---|---|
1. | "Listen People" | Graham Gouldman | Herman's Hermits | 2:31 |
2. | "Bidin' My Time" | George & Ira Gershwin | Herman's Hermits | 2:26 |
3. | "Embraceable You" | George & Ira Gershwin | Connie Francis | 2:12 |
4. | "Aruba Liberace" | Liberace | Liberace | 2:46 |
5. | "But Not for Me" | George & Ira Gershwin | Connie Francis & Harve Presnell | 2:58 |
6. | "I Got Rhythm" | George & Ira Gershwin | Louis Armstrong & Orchestra | 1:24 |
Upon the film's release The New York Times reported that "If the music of the Gershwin brothers can survive a terrible little musical such as "When the Boys Meet the Girls" [...] chances are it could outlast atomic annihilation," described the film overall as "a dull, silly scramble," and described the talents of Francis and Presnell as "strictly middling" and "teamed romantically, they look like Mutt and Jeff, and their vocal wrestling with the grand Gershwin melodies is slippery at best." [8] A contemporary review in Variety described the film as "a spotty comedy film, loaded with often extraneous tunes, also limited to some okay performances and gags," and reported that "Langdon remains the most impressive of the principals; she makes a first rate shrew." [9] Writing for Turner Classic Movies, critic Roger Fristoe described the film as "a very loose reworking of the George and Ira Gershwin musical Girl Crazy," and noted that "the film allows for musical performances from an eclectic gathering of guest stars." [10]
In 1966, the year after the film was released, it received some prestigious awards at that year's Laurel Awards ceremony. Harve Presnell was nominated for a Golden Laurel in the category of Musical Performance, Male for his talented musical numbers. Though he did not win, he was awarded 3rd place. Connie Francis was also nominated for a Golden Laurel in the category of Musical Performance, Female for her musical numbers. She did not win either, but came in a gratifying 4th place.
Herman's Hermits are an English rock and pop group formed in 1964 in Manchester and fronted by singer Peter Noone. Known for their jaunty beat sound and Noone's often tongue-in-cheek vocal style, the Hermits charted with numerous transatlantic hits in the UK and in America, where they ranked as one of the most successful acts in the Beatles-led British Invasion. Between March and August 1965 in the United States, the group logged twenty-four consecutive weeks in the Top Ten of Billboard's Hot 100 with five singles, including the two number ones "Mrs. Brown You've Got a Lovely Daughter" and "I'm Henry VIII, I Am".
The Unsinkable Molly Brown is a 1964 American Western musical comedy film directed by Charles Walters and starring Debbie Reynolds, filmed in Panavision. The screenplay by Helen Deutsch is based on the book of the 1960 musical of the same name by Richard Morris. The song score was composed by Meredith Willson. The plot is a fictionalized account of the life of Margaret Brown, who survived the 1912 sinking of the RMS Titanic. Reynolds was nominated for the Academy Award for Best Actress for her portrayal of Brown.
George Harvey Presnell was an American actor and singer. He began his career in the mid-1950s as a classical baritone, singing with orchestras and opera companies throughout the United States.
Girl Crazy is a 1930 musical by George Gershwin with lyrics by Ira Gershwin and book by Guy Bolton and John McGowan. Ethel Merman made her stage debut in the first production and co-lead Ginger Rogers became an overnight star. Rich in song, it follows the story of Danny Churchill who has been sent to fictional Custerville, Arizona, to manage his family's ranch. His father wants him there to focus on matters more serious than alcohol and women but Danny turns the place into a dude ranch, importing showgirls from Broadway and hiring Kate Forthergill as entertainer. Visitors come from both coasts and Danny falls in love with the local postmistress, Molly Gray.
Where the Boys Are is a 1960 American CinemaScope comedy film directed by Henry Levin and starring Connie Francis, Dolores Hart, Paula Prentiss, George Hamilton, Yvette Mimieux, Jim Hutton, and Frank Gorshin. It was written by George Wells based on the 1960 novel of the same name by Glendon Swarthout. The screenplay concerns four female college students who spend spring break in Fort Lauderdale. The title song "Where the Boys Are" was sung by Connie Francis, who also co-starred in a supporting role.
Sam Katzman was an American film producer and director. Katzman's specialty was producing low-budget genre films, including serials, which had disproportionately high returns for the studios and his financial backers.
Joseph Herman Pasternak was a Hungarian-American film producer in Hollywood. Pasternak spent the Hollywood "Golden Age" of musicals at Metro-Goldwyn-Mayer, producing many successful musicals with female singing stars like Deanna Durbin, Kathryn Grayson and Jane Powell, as well as swimmer/bathing beauty Esther Williams' films. He produced Judy Garland's final MGM film, Summer Stock, which was released in 1950, and some of Gene Kelly’s early breakthrough roles. Pasternak worked in the film industry for 45 years, from the later silent era until shortly past the end of the classical Hollywood cinema in the early 1960s.
"I Got Rhythm" is a piece composed by George Gershwin with lyrics by Ira Gershwin and published in 1930, which became a jazz standard. Its chord progression, known as the "rhythm changes", is the foundation for many other popular jazz tunes such as Charlie Parker's and Dizzy Gillespie's bebop standard "Anthropology ".
Duchess of Idaho is an American musical romantic comedy produced in 1950 by Metro-Goldwyn-Mayer. Directed by Robert Z. Leonard, it was the fourth film pairing Esther Williams and Van Johnson. It was filmed at the MGM Studios lot and exteriors shot in Sun Valley, Idaho.
Elliott Kastner was an American film producer, whose best known credits include Where Eagles Dare (1968), The Long Goodbye (1973), The Missouri Breaks (1976), and Angel Heart (1987).
The Power is a 1968 American Tech noir, science fiction thriller film from MGM, produced by George Pal, directed by Byron Haskin, that stars George Hamilton and Suzanne Pleshette. It is based on the 1956 science fiction novel The Power by Frank M. Robinson.
"Embraceable You" is a jazz standard song with music by George Gershwin and lyrics by Ira Gershwin. The song was written in 1928 for an unpublished operetta named East Is West. It was published in 1930 and included in that year's Broadway musical Girl Crazy, performed by Ginger Rogers in a song and dance routine choreographed by Fred Astaire.
Domingo Samudio, better known by his stage name Sam the Sham, is a retired American rock and roll singer. Sam the Sham is known for his camp robe and turban and hauling his equipment in a 1952 Packard hearse with maroon velvet curtains. As the front man for the Pharaohs, he sang on several Top 40 hits in the mid-1960s, including the Billboard Hot 100 runners-up "Wooly Bully" and "Li'l Red Riding Hood".
Two on a Guillotine is a 1965 American horror film produced and directed by William Conrad and starring Connie Stevens. The screenplay by John Kneubuhl and Henry Slesar is based on a story by Slesar. The movie would be the first in a series of low-budget suspense dramas made by Warner Bros in the vein of the successful William Castle films, and was followed by My Blood Runs Cold and Brainstorm, both also released in 1965 with Conrad as director. A fourth movie, The Thing at the Door, was proposed, but never made.
The Glory Guys is a 1965 American Western Panavision film directed by Arnold Laven and written by Sam Peckinpah based on the 1956 novel The Dice of God by Hoffman Birney. Produced by Levy-Gardner-Laven and released by United Artists, the film stars Tom Tryon, Harve Presnell, Senta Berger, James Caan and Michael Anderson Jr.
Girl Crazy is a 1943 American musical film starring Judy Garland and Mickey Rooney. Produced by the Freed Unit of Metro-Goldwyn-Mayer, it is based on the stage musical Girl Crazy – which was written by Guy Bolton and Jack McGowan, with music and lyrics by George and Ira Gershwin. It was the last of Garland and Rooney's nine movies as co-stars, the pair appearing only once more together on film, as guest stars in 1948's Words and Music.
Follow the Boys is a 1963 American comedy film directed by Richard Thorpe and starring Connie Francis, Paula Prentiss, and Janis Paige, released by Metro-Goldwyn-Mayer. Shot on location on the French and Italian Riviera, Follow the Boys was MGM's second film vehicle for top recording artist Francis following Where the Boys Are (1960). While Francis' role in the earlier film had been somewhat secondary, she had a distinctly central role in Follow the Boys playing Bonnie Pulaski, a newlywed traveling the Riviera.
Easy to Wed is a 1946 Technicolor American musical comedy film directed by Edward Buzzell, and starring Van Johnson, Esther Williams, Lucille Ball, and Keenan Wynn. The screenplay by Dorothy Kingsley is an adaptation of the screenplay of the 1936 film Libeled Lady by Maurine Dallas Watkins, Howard Emmett Rogers, and George Oppenheimer.
Hold On! is a 1966 American musical film directed by Arthur Lubin and starring Peter Noone, Shelley Fabares, Herbert Anderson, and Sue Ane Langdon. The film features performances by Herman's Hermits and stars the band as fictionalized versions of themselves. The soundtrack was released as an album, also called Hold On!.
The Great Man's Whiskers is a 1972 American made-for-television drama film about Abraham Lincoln, directed by Philip Leacock. It was based on a play by Adrian Scott. The film featured a number of well known theatre and television character actors. Harve Presnell, featured as a ballad singer in the film, sings "The Wilderness Man" written by Earl Robinson with lyrics by Yip Harburg. Isabel Sanford sings "Things Go Bump in the Night" also written by Robinson and Harburg. This was Mr. Harburg’s last work.
*When the Boys Meet the Girls at TCMDB