Words and Music | |
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Directed by | Norman Taurog |
Written by | Ben Feiner Jr. (adaptation) Fred F. Finklehoffe (writer) |
Story by | Guy Bolton Jean Holloway |
Produced by | Arthur Freed |
Starring | Tom Drake Mickey Rooney |
Cinematography | Charles Rosher Harry Stradling |
Edited by | Albert Akst Ferris Webster |
Music by | Richard Rodgers & Lorenz Hart |
Production company | |
Distributed by | Loew's Inc. |
Release date |
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Running time | 120 minutes |
Country | United States |
Language | English |
Budget | $3,048,000 [1] |
Box office | $4,552,000 [1] |
Words and Music is a 1948 American biographical musical film loosely based on the creative partnership of the composer Richard Rodgers and lyricist Lorenz Hart. The film stars Mickey Rooney as Hart and Tom Drake as Rodgers, along with Janet Leigh, Betty Garrett, Ann Sothern and numerous musical stars. It was the second in a series of MGM biopics about Broadway composers; it was preceded by Till the Clouds Roll By (Jerome Kern, 1946) and followed by Three Little Words (Kalmar and Ruby, 1950) and Deep in My Heart (Sigmund Romberg, 1954).
The film is best remembered for featuring the final screen pairing of Rooney and Judy Garland, and for the lavish showcasing of the Rodgers and Hart catalogue of songs. The story, as in many similar biopics of the era (such as Cole Porter’s depiction in Night and Day ), was heavily fictionalized. The script sanitized Hart's complex psychological problems, alcoholism, and self-destructive behavior, which all contributed to the break-up of the writing partnership and Hart's early death, as well as changed his sexual orientation (Hart was gay). [2]
The introduction to the film is staged as if composer Richard Rodgers were actually playing himself. Actor Tom Drake appears alone in character, identifies himself as Rodgers and tells the audience it is about to see the story of his collaboration with Lorenz Hart. (Contemporary posters from the film featured the faces of most major cast members, including Rooney, but did not show the face of Drake, and his name was in smaller type than those of the other main stars.)
Though the film performed very well at the box office, it proved to be quite an expensive production and, as a result, failed to recoup its cost in its first release. [3] The film was issued on DVD in 2007 by Warner Bros. and extras included video and audio outtakes. [4] Among these were two songs deleted from the film sung by Perry Como – "Lover" and "You're Nearer". [5]
Aspiring lyricist Lorenz "Larry" Hart needs a composer for his music, so Herb Fields introduces him to Richard "Dick" Rodgers and a partnership is born in 1919. They struggle to achieve success, however, and Dick considers leaving the business to sell children's underwear.
Larry becomes impressed with singer Peggy Lorgan McNeil, personally and professionally. But when a show by him and Dick is finally bound for Broadway, his promise to Peggy to play the starring role is ruined because the producer already has his protégé Joyce Harmon lined up for the part. Dick is attracted to Joyce, but she rejects him as too young to be involved with her. Next he is too old for young Dorothy Feiner. Larry makes a marriage proposal to Peggy, who turns him down, and he falls into a depression. A string of hit songs and shows follow, but Larry seems unable to enjoy the success. Conflict within his partnership with Dick arises from Larry’s unreliability and frequent absences.
After seeming to overcome his depression, things begin looking up for Larry as soon as Judy Garland agrees to do a movie with Rodgers and Hart music in it. Larry buys a home in California but falls back into melancholia, even after Dorothy marries Dick and invites Larry to share their home back East. Larry is hospitalized after collapsing at a party, but surreptitiously leaves his hospital bed one night to attend a revival of their show A Connecticut Yankee on Broadway; he stands at the back and watches for a moment, then abruptly exits the theater in distress and collapses on the sidewalk. He is hospitalized, but dies. Afterwards, at a memorial benefit concert to honor Larry, Gene Kelly introduces Perry Como who then sings “With a Song in My Heart”.
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The film was originally budgeted at $2,659,065. [6]
The film earned $3,453,000 in the US and Canada and $1,099,000 overseas but because of its high cost recorded a loss of $371,000. [1] [7]
The film is recognized by American Film Institute in these lists:
Richard Charles Rodgers was an American composer who worked primarily in musical theater. With 43 Broadway musicals and over 900 songs to his credit, Rodgers was one of the most well-known American composers of the 20th century, and his compositions had a significant influence on popular music.
Lorenz Milton Hart was an American lyricist and half of the Broadway songwriting team Rodgers and Hart. Some of his more famous lyrics include "Blue Moon"; "The Lady Is a Tramp"; "Manhattan"; "Bewitched, Bothered and Bewildered"; and "My Funny Valentine".
Meet Me in St. Louis is a 1944 American Christmas musical film made by Metro-Goldwyn-Mayer. Divided into a series of seasonal vignettes, starting with Summer 1903, it relates the story of a year in the life of the Smith family in St. Louis leading up to the opening of the Louisiana Purchase Exposition in the spring of 1904. The film stars Judy Garland, Margaret O'Brien, Mary Astor, Lucille Bremer, Tom Drake, Leon Ames, Marjorie Main, June Lockhart and Joan Carroll. The film was adapted by Irving Brecher and Fred F. Finklehoffe from a series of short stories by Sally Benson originally published in The New Yorker magazine called "The Kensington Stories" and later in novel form as Meet Me in St. Louis. The film was directed by Vincente Minnelli, who met Garland on the set and later married her. Tony Award-winning designer Lemuel Ayers served as the film's art director.
Babes in Arms is a 1937 coming-of-age musical comedy with music by Richard Rodgers, lyrics by Lorenz Hart, and book by Rodgers and Hart. It concerns a group of small-town Long Island teenagers who put on a show to avoid being sent to a work farm by the town sheriff. Several songs in Babes in Arms became pop standards, including the title song, "Where or When", and "The Lady Is a Tramp." The film version, released in 1939, starred Judy Garland and Mickey Rooney and was directed by Busby Berkeley.
This is a list of notable events in music that took place in the year 1937.
Tom Drake was an American actor. Drake made films starting in 1940 and continuing until the mid-1970s, and also made TV acting appearances.
Babes on Broadway is a 1941 American musical film starring Mickey Rooney and Judy Garland and directed by Busby Berkeley, with Vincente Minnelli directing Garland's big solo numbers. The film, which features Fay Bainter and Virginia Weidler, was the third in the "Backyard Musical" series about kids who put on their own show, following Babes in Arms (1939) and Strike Up the Band (1940). Songs in the film include "Babes on Broadway" by Burton Lane (music) and E.Y. "Yip" Harburg (lyrics), and "How About You?" by Lane with lyrics by Ralph Freed, the brother of producer Arthur Freed. The movie ends with a minstrel show performed by the main cast in blackface.
Norman Rae Taurog was an American film director and screenwriter. From 1920 to 1968, Taurog directed 180 films. At the age of 32, he received the Academy Award for Best Director for Skippy (1931), becoming the youngest person to win the award for eight and a half decades until Damien Chazelle won for La La Land in 2017. He was later nominated for Best Director for the film Boys Town (1938). He directed some of the best-known actors of the twentieth century, including his nephew Jackie Cooper, Spencer Tracy, Mickey Rooney, Judy Garland, Deanna Durbin, Fred Astaire, Gene Kelly, Deborah Kerr, Peter Lawford, Dean Martin, Jerry Lewis, Elvis Presley and Vincent Price. Taurog directed six Martin and Lewis films, and nine Elvis Presley films, more than any other director.
Three Little Words is a 1950 American musical film biography of the Tin Pan Alley songwriting partnership of Kalmar and Ruby. It stars Fred Astaire as lyricist Bert Kalmar and Red Skelton as composer Harry Ruby, along with Vera-Ellen and Arlene Dahl as their wives, with Debbie Reynolds in a small but notable role as singer Helen Kane and Gloria DeHaven as her own mother, Mrs. Carter DeHaven.
Till The Clouds Roll By is a 1946 American Technicolor musical film produced by Metro-Goldwyn-Mayer and a fictionalized biopic of composer Jerome Kern, portrayed by Robert Walker. Kern was involved with the production, but died before its completion. It was the first in a series of MGM biopics about Broadway composers.
"With a Song in My Heart" is a show tune from the 1929 Rodgers and Hart musical Spring Is Here.
For Me and My Gal is a 1942 American musical film directed by Busby Berkeley, and starring Judy Garland, George Murphy, Martha Eggerth, Ben Blue and Gene Kelly in his film debut. The film was written by Richard Sherman, Fred F. Finklehoffe and Sid Silvers, based on a story by Howard Emmett Rogers inspired by a true story about vaudeville actors Harry Palmer and Jo Hayden, when Palmer was drafted into World War I. The film was a production of the Arthur Freed unit at MGM.
Today is the 29th studio album by Perry Como. It was his final album for RCA Records and of his 55-year music career. This is also the penultimate recording ever made by Perry Como, the last being for a Christmas television special in 1994. This album is also significant in that it was the first and only album of Como's career to be released contemporaneously in both vinyl LP format and compact disc.
Babes in Arms is the 1939 coming of age American film version of the 1937 Broadway musical of the same title. Directed by Busby Berkeley, it stars Mickey Rooney and Judy Garland, and features Charles Winninger, Guy Kibbee, June Preisser, Grace Hayes, and Betty Jaynes. It was Garland and Rooney's second film together as lead characters after their earlier successful pairing in the fourth of the Andy Hardy films. The film concerns a group of youngsters trying to put on a show to prove their vaudevillian parents wrong and make it to Broadway. The original Broadway script was significantly revamped, restructured, and rewritten to accommodate Hollywood's needs. Almost all of the Rodgers and Hart songs from the Broadway musical were discarded.
Thoroughbreds Don't Cry is a 1937 American musical comedy film directed by Alfred E. Green and starring Mickey Rooney and Judy Garland in their first film together.
"I Wish I Were in Love Again" is a show tune from the 1937 Rodgers and Hart musical Babes in Arms. In the original show, Dolores, the Sheriff's daughter, talks to Gus, her former boyfriend, who tries to woo her unsuccessfully. They then sing about how they do not care that their relationship is over. The song was omitted from the 1939 film version.
"The Sweetest Sounds" is a popular song, with words and music written by Richard Rodgers for the 1962 musical No Strings. The song opens and closes the show for characters Barbara Woodruff and David Jordan, performed by Diahann Carroll and Richard Kiley in the original Broadway theatre production and subsequent cast recording.
Girl Crazy is a 1943 American musical film starring Judy Garland and Mickey Rooney. Produced by the Freed Unit of Metro-Goldwyn-Mayer, it is based on the stage musical Girl Crazy – which was written by Guy Bolton and Jack McGowan, with music and lyrics by George and Ira Gershwin. It was the last of Garland and Rooney's nine movies as co-stars, the pair appearing only once more together on film, as guest stars in 1948's Words and Music.
Strike Up the Band is a 1940 American musical film produced by the Arthur Freed unit at Metro-Goldwyn-Mayer. The film was directed by Busby Berkeley and stars Mickey Rooney and Judy Garland, in the second of a series of musicals they co-starred in, after Babes in Arms, all directed by Berkeley. The story written for the 1927 stage musical Strike Up the Band, and its successful 1930 Broadway revision, bear no resemblance to this film, aside from the title song.
"You're Nearer" is an American popular song by composer Richard Rodgers and lyricist Lorenz Hart from the 1940 film version of the Broadway musical Too Many Girls. It was not in the original Broadway show but was written especially for the movie and copyrighted on August 29, 1940. In the film, it was sung by Lucille Ball and also by Frances Langford with Ann Miller, Libby Bennett and Lucille Ball.