| World Record | ||||
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| Studio album by | ||||
| Released | November 18, 2022 | |||
| Recorded | May 2-11, 2022 [1] | |||
| Studio | Shangri-La, Malibu, California | |||
| Genre | ||||
| Length | 46:38 | |||
| Label | Reprise | |||
| Producer |
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| Neil Young chronology | ||||
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| Crazy Horse chronology | ||||
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World Record is the 43rd studio album by Canadian-American singer-songwriter Neil Young and his 15th with Crazy Horse, [3] released on November 18, 2022, through Reprise Records. [4] The album was produced by Young and Rick Rubin, and preceded by the lead single "Love Earth". [5]
World Record's lyrical content concerns Young "reminisc[ing] with gratitude about the gifts the Earth has given him" as well as the "state of Earth" and "its uncertain future", as well as "Chevrolet", a song about "Young's relationship with cars". [3] [5] Several of the songs, including the lead single "Love Earth", were written while taking long walks in the woods around Young's Colorado home. He explains, "I was whistling it in the forest, that melody. And I recorded it on a flip phone. And I put it on my computer, and months later I wrote the song, just after hearing me whistle the melody, walking along through the forest. So that's how I got that song, and seven or eight others that are on this record. I was just walking." [6] He continues, "The record was a gift. It came from nowhere. Daryl and I were in Colorado, and I was going for a walk. I was whistling some kind of march song. Then I realized, This is a new melody. The next day I started whistling another melody. I recorded it into my phone. That happened over and over for days and days. Later I thought, I wouldn't mind making a record with Crazy Horse, and I remembered the flip phone and those recordings. I wrote all the words to the whole record in two days. I never stopped writing and never corrected a word." [7] He continues, "It seemed to me like each one came from a different spirit, as day after day I walked through the trees and the snow." [8]
"Love Earth" is inspired by Young's admiration for the planet, and his concerns about climate change. He says, "It's never too late to love. If you love something, you take care of it. If everyone realized that's what we need to do, it would be so unifying. Underneath it all, everyone knows climate change is out of control and we're doing almost nothing. Eventually world leaders will discuss what's going on and how we can work together. It's inevitable." [9]
"This Old Planet" also deals with climate change, and a longing for earlier times when the planet was healthier. He explains, "It's nostalgic because it talks about how a long time ago the seasons were normal. It's nostalgia for Earth as it can be. I've seen the seasons change many times and appreciated the beauty of the leaves changing. These things have a cumulative effect on me. I just feel like we're all in this. It's your place and it's my place. You can do whatever you want to affect this, even if it's just not leaving your car idling. When I was growing up there were no disturbances like we have now." [10]
"Break the Chain" was inspired by the early days of the Covid pandemic. Young explains to Howard Stern, " I did it while I was walking before the pandemic. The pandemic had just started and Daryl and I were out for a walk. And I'm walking through another area where there's beautiful grass and alpine aspen trees. And I'm walking step by step and I'm singing this song to myself saying 'break the chain'. And then all the words start coming and I'm copying them in a little piece of paper in my pocket. And I do this whole thing and it was a couple of months before we even about the barn or anything like that. It's about the pandemic and it's about COVID and it's about the bug and don't give it a place to hide. So I finished it. I wrote it all down and then I forgot it. So I found the paper maybe two months ago. So when we did Barn I didn't remember it. So I'm going to do that maybe in the next album. [11]
While most of the songs on the album deal with world events from Covid to war to climate change, the longest song on the album, "Chevrolet" relates a series of life events experienced from within an automobile. Young wrote the song on piano while living in a remote cabin, and it features a more complex structure than many of his other long songs he's written throughout his career. Young explains to Zach Sang, "After I finished recording Barn, about a year and a half later, I went up to a place that I really like where I used to live in Canada. We went up there and hung out there. And there's a piano there. So I was walking by the piano every day in this old fishing lodge that we had from the turn of the century, the 1900s, that was built by some wild people. It's great, on the water, and the piano's there. So I started writing this song and every day I'd come walking back and forth walking by this and write a song - a very complicated song and a long song. Each verse was like two minutes plus with no repetition. And it was a piano song. So I had written that song - I just had it in my head." [12] He continues with Tom Power: "It's got a very complex structure to it - much more complex than any of my other songs that are long songs like "Cowgirl" or "Down by the River" or "Love and Only Love". All those kind of songs that I've done with The Horse over the years. This is a little more than that. It's evolved to another place. But the song itself about the car, and not just about the car, but all the cars that have been there. They've taken me from place to place through things in my life - that came to me while writing that song. Monumental parts of my life. And now as much as I love that, I need to be thinking about the world. So I can't drive those cars anymore." [13]
The album was recorded live and mixed to analog tape at Rick Rubin's Shangri-La studio in Malibu, California. [5] It was completed in July 2022 with its release delayed to "properly release" the album in "quality" form on vinyl. [3] The album marks the first released collaboration between Young and Rubin. The duo had previously attempted to record together in 1997, but the sessions did not result in an album. [14] Young had previously recorded the albums Peace Trail and The Visitor at Rubin's Shangri-La studios and the duo performed interviews together prior to the sessions for World Record.
Lofgren explains how having an outside producer made World Record different from Colorado and Barn: "The idea of using a producer means turning over control. That's not something in Neil's nature. He used Rick as a guide. It was never like, 'You've got to do it this way.' That's just not going to work with Neil, and Rick knows that. But he would sometimes say things like, 'Why don't you try that one on acoustic guitar?' or 'Try going down a different road on this one.' At times, it allowed Neil to show up and just be a singer and guitar player." [15] He continues, "Obviously, any misgivings Neil had, they worked it out in advance. I think Rick had some great ideas that were different. And he reassured Neil that he was going to feel good about everything that wound up on the record. And I also think, once Neil got into the swing of it after a couple of days, he realized he could spend time on the job, just being a singer and guitar player. He didn't always have to have the producer's hat on. And it was great for all of us." [16] Bassist Billy Talbot adds, "Rick is a real music fan. He likes authentic things, things that happen naturally. He was really good for us." [17]
Young reached out to his longtime collaborators Crazy Horse to record the album as he wrote a fresh batch of songs. Lofgren recalls, "Neil reached out to us and was like, 'Hey, I've got two or three songs; When I get a batch, we'll record again. Maybe in the summer.' Sessions were moved up to May once Young wrote new material faster than anticipated. Lofgren continues, "I went, 'May 1?' That's not summer. That's a week and a half away!'" [18]
Young noted that the album is unlike 2021's Barn , [3] and contains "unheard of combinations of instruments". [19] The fact the songs were written while whistling meant that Young and the group had more freedom to choose instrumentation for each of the songs while recording. Young explains, "I've never written an album without an instrument. I don't even know what instrument to play." [20] Lofgren explains, "We sat down and started to attack the songs that Neil, by his own admission, didn't write on instruments, which was a whole new thing for him. I remember with Barn, we probably recorded in eight days and hung around for three or four more to help with the mixing. But Neil said, 'We're going to need three weeks because I need some time just to sort out what I'm doing, because I wrote almost all these songs walking with a little tape recorder in my hand, and I don't even know what instrument to play.' That was a new adventure for him." [21] Lofgren continues, "There was that whole element of him figuring out what to do. And as he jumped around instruments, I jumped around from keyboards to pump organ, Wurlitzer, lap steel, pedal steel. We had the After The Gold Rush upright piano, we had the Tonight's The Night grand piano – all kinds of great instruments. And the first gut reaction I had, I'd go to that sound. It was just a question of what fit the song." [22]
Lofgren spent the night during the sessions on site at Shangri-La, just outside the studio, giving him the ability to experiment with additional instruments and sounds for the album. On "I Walk with You (Earth Ringtone)", he plays pedal-steel guitar. He explains, "Neil came into my room and I had the pedal steel run through a little pedal that makes everything sound like a pipe organ. And I played him the sound, and he said, 'You know what, you've got to get that over to the main studio.' It had some saturation and some push, and it didn't sound like a pedal steel at all. But it also wasn't just another guitar. And the combination – after the bridge, Neil went off on this brief but haunted solo, and I thought, Man, that's it. That's the take." [23]
Young and Rubin employed a mix of analog and digital technology to record and mix the album. Young tells interviewer Zane Lowe: "This is a hybrid. This was done to tape and immediately to digital, so it was only on tape for a split second and then it was digital. But we still have the original tape. So then after that we're working with the digital copy of it." [24]
The album cover is a photograph of Young's father, the journalist Scott Young, with his date of birth printed next to it in the style of a dossier. [4] Inside the album are pictures of his mother, brother, and sister with their dates of birth. The cover image dates from the 1950s. Young explains "I think that was taken in the fifties, probably Toronto. My dad was working for the Toronto Globe and Mail at the time. He's just walking down the street. It's a great picture of him. There's somebody who knows where they're going!" [25]
The album was released on three-sided 2-LP to "optimize audio quality" with an etching on the remaining side, [3] along with CD, cassette, and for streaming and download. [26] CD copies include tracks 1-9 on disc one, and tracks 10 and 11 on disc two.
| Aggregate scores | |
|---|---|
| Source | Rating |
| Metacritic | 75/100 [27] |
| Review scores | |
| Source | Rating |
| AllMusic |   [28] |
| Exclaim! | 7/10 [29] |
| Paste | 6.8/10 [30] |
| Pitchfork | 7.1/10 [31] |
| Under the Radar |    [32] |
On review aggregator Metacritic, World Record has a score of 75 out of 100 based on seven critics' reviews, indicating "generally favorable" reception. [27] Reviews from Mojo and Uncut noted the presence of background harmonies, keyboards and pump organ, which are uncharacteristic of Young and Crazy Horse's previous output. [27] Fred Thomas of AllMusic also acclaimed Rubin's "muscular and often barnstorming production", which he found "lends itself unexpectedly well to the off-the-cuff recording method, pushing Young's vocals to the front of the mixes but making lots of space for the songs to breathe". [28]
Michael Gallucci of Ultimate Classic Rock felt that while the album "doesn't go too deep" and "can be messy and often unfocused", "Young and Crazy Horse's allegiance to the material and themselves leads them to do what they've always done best: plugging in, following the leader and having a blast for 45 or so minutes". [33] Reviewing the album for Exclaim! , Daniel Sylvester wrote that while "on paper [it is] a middle-of-the-pack Neil Young & Crazy Horse album", "it's filled with so much personality and passion that it begs to be remembered as one of his most soul-bearing". [29]
Pat King of Paste opined that the songs on World Record "come off feeling like an unflinching and unfiltered plea for our dying planet. When they don't click, though, the songs just feel unsubtle and unpracticed in their performance and messaging". [30] Writing for Under the Radar , Michael James Hall described the album as "a call to protest and a call to action delivered through a series of rough and tumble recordings", concluding that "even if [it] has neither the reach nor the presentation it might need to have a real impact, its heartfelt racket at least draws attention to itself and, consequently, to the action it begs us to take". [32]
| No. | Title | Length |
|---|---|---|
| 1. | "Love Earth" | 4:03 |
| 2. | "Overhead" | 3:40 |
| 3. | "I Walk with You (Earth Ringtone)" | 3:57 |
| 4. | "This Old Planet (Changing Days)" | 2:30 |
| 5. | "The World (Is in Trouble Now)" | 3:15 |
| 6. | "Break the Chain" | 4:07 |
| 7. | "The Long Day Before" | 2:18 |
| 8. | "Walkin' on the Road (To the Future)" | 2:57 |
| 9. | "The Wonder Won't Wait" | 3:17 |
| 10. | "Chevrolet" | 15:15 |
| 11. | "This Old Planet (Reprise)" | 1:19 |
| Total length: | 46:38 | |
Crazy Horse
Technical
| Chart (2022) | Peak position |
|---|---|
| Australian Digital Albums (ARIA) [34] | 10 |
| Austrian Albums (Ö3 Austria) [35] | 20 |
| Belgian Albums (Ultratop Flanders) [36] | 18 |
| Belgian Albums (Ultratop Wallonia) [37] | 28 |
| Dutch Albums (Album Top 100) [38] | 31 |
| Finnish Albums (Suomen virallinen lista) [39] | 42 |
| French Albums (SNEP) [40] | 51 |
| German Albums (Offizielle Top 100) [41] | 5 |
| Italian Albums (FIMI) [42] | 69 |
| Japanese Hot Albums ( Billboard Japan ) [43] | 90 |
| Portuguese Albums (AFP) [44] | 27 |
| Scottish Albums (OCC) [45] | 15 |
| Spanish Albums (PROMUSICAE) [46] | 59 |
| Swedish Albums (Sverigetopplistan) [47] | 47 |
| Swiss Albums (Schweizer Hitparade) [48] | 10 |
| UK Albums (OCC) [49] | 45 |
Nils Hilmer Lofgren is an American rock musician, recording artist, songwriter, and multi-instrumentalist. Along with his work as a solo artist, he has been a member of Bruce Springsteen's E Street Band since 1984, a member of Crazy Horse, and founder/frontman of the band Grin. Lofgren was inducted into the Rock and Roll Hall of Fame as a member of the E Street Band in 2014.
Greendale is the 25th studio album by Neil Young. Young and Crazy Horse's Greendale is a 10-song musical novel set in a fictional California seaside town of the same name. Based on the saga of the Green family, Greendale combines numerous themes on corruption, observation of the passing of time, environmentalism and mass media consolidation.
Tonight's the Night is the sixth studio album by Canadian / American songwriter Neil Young. It was recorded in August–September 1973, mostly on August 26, but its release was delayed until June 1975. It peaked at No. 25 on the Billboard 200. The album is the third and final of the so-called "Ditch Trilogy" of albums that Young released following the major success of 1972's Harvest, whereupon the scope of his success and acclaim became so difficult for Young to handle that he subsequently experienced alienation from his music and career.
After the Gold Rush is the third studio album by the Canadian-American musician Neil Young, released in September 1970 on Reprise Records. It's one of four high-profile solo albums released by members of folk rock group Crosby, Stills, Nash & Young in the wake of their chart-topping 1970 album Déjà Vu. Young's album consists mainly of country folk music along with several rock tracks, including "Southern Man." The material was inspired by the unproduced Dean Stockwell-Herb Bermann screenplay After the Gold Rush.
Crazy Horse is an American rock band best known for their association with Neil Young. Beginning in 1969 and continuing to the present day, they have been co-credited on a number of Young's albums, with 15 studio albums and numerous live albums being billed as by Neil Young and Crazy Horse. They have also released six studio albums of their own, issued between 1971 and 2009.
Weld is a live album by Neil Young and Crazy Horse released in 1991, comprising performances recorded on the tour to promote the Ragged Glory album. It was initially released as a limited edition three-disc set entitled Arc-Weld, with the Arc portion being a single disc consisting in its entirety of a sound collage of guitar noise and feedback. Arc has since been released separately.
Sleeps with Angels is the 20th studio album by Canadian musician Neil Young, released on August 16, 1994, on Reprise as a double LP and as a single CD. The album is Young's seventh with Crazy Horse. Co-produced by David Briggs, the album is Young's last with his long-time producer, who died the following year. The title track was written and recorded as a tribute to Kurt Cobain in wake of his suicide. Although the rest of the album was recorded before that event, the album takes on a somber, subdued tone throughout. Musician and author Ken Viola described the album as one of Young's "top five records. It examines the nature of dreams — both the light and dark side — and how they fuel reality in the nineties. Dreams are the only thing that we've got left to hang on to."
Silver & Gold is the 23rd studio album by Canadian/American musician Neil Young, released on April 25, 2000. Like the previous albums Comes a Time and Harvest Moon and the subsequent Prairie Wind, it largely features acoustic performances with a backing band of Nashville musicians with a long history of collaboration with Young.
Ragged Glory is the 18th studio album by Canadian singer-songwriter Neil Young, and his sixth album with the band Crazy Horse. It was released by Reprise Records on September 10, 1990. Ragged Glory was voted the 36th best Grunge album of all time by Rolling Stone Magazine in 2019.
Are You Passionate? is the 24th studio album by Canadian / American musician Neil Young, his only album to feature Booker T. & the M.G.'s, and his eighth with Crazy Horse, released on April 9, 2002 as a double LP and as a single CD. the album represents Young's foray into soul music, one of many explorations into different genres during his career. Exceptions are rocker "Goin' Home", recorded with Crazy Horse, and the brooding "Let's Roll", a response to the 9/11 terrorist attacks. The album ends with "She's a Healer", an extended jam.
Broken Arrow is the 22nd studio album by Canadian-American musician Neil Young, and his tenth with Crazy Horse, released in 1996.
This Note's for You is the 16th studio album by Canadian musician Neil Young, released April 11, 1988 on Reprise. The album marked Young's return to the recently reactivated Reprise Records after a rocky tenure with Geffen Records.
David Manning Briggs was an American record producer best known for his work with Neil Young and his band Crazy Horse.
Flip is a 1985 solo album from Nils Lofgren, longtime guitarist for Neil Young and Bruce Springsteen. The sound is typical of the style of the mid-'80s, with a heavy emphasis on the snare drum sound, Lofgren's guitar, and plenty of synthesizer. The name of the album reflects his signature trampoline 'flips' performed on stage whilst playing guitar solos.
Americana is the 31st studio album by Canadian / American musician Neil Young, released on June 5, 2012. The album was Young's first collaboration with backing band Crazy Horse since their 2003 album, Greendale, and its associated tour.
Psychedelic Pill is the 32nd studio album by Canadian / American musician Neil Young, released on October 30, 2012. It is the second collaboration between Young and Crazy Horse released in 2012 and their first original work together since the Greendale album and tour in 2003 and 2004. The album was streamed on Young's website on October 24, 2012, and leaked onto the Internet the same day.
Colorado is the 39th studio album by Canadian-American singer-songwriter Neil Young, released on October 25, 2019, by Reprise Records. The album was preceded by the singles "Milky Way" and "Rainbow of Colors" and is dedicated to Elliot Roberts, Young's manager since 1967, who died aged 76 on June 21, 2019. It was also the first album to feature Nils Lofgren as a member of Crazy Horse since 1971.
Neil Young Archives Volume II: 1972–1976 is a 10-CD box set from American-Canadian folk rock musician Neil Young that was initially released in a limited deluxe box set on November 20, 2020. The release is the second box set in his Neil Young Archives series, following 2009's The Archives Vol. 1 1963–1972, and covers a three-and-a-half-year period from 1972–1976. The track list was officially announced on the Neil Young Archives site on September 20, 2020, with the first single, "Come Along and Say You Will", being posted to the site as the Song of the Day on October 14. The set then went up for pre-order on October 16, 2020, as an exclusive release to his online store, with only 3,000 copies being initially made available worldwide. After selling out the following day, Young announced several weeks later that a general retail version, as well as a second pressing of the deluxe box set, is expected to be released to market on March 5, 2021. This was followed by the release of a second single, "Homefires", on October 21, and a third, an alternate version of "Powderfinger", on November 3.
Barn is the 41st studio album by Canadian-American singer-songwriter Neil Young and his 14th with American rock band Crazy Horse. The album was released on December 10, 2021, by Reprise Records. A stand-alone film of the same name directed by Young's wife Daryl Hannah was also released for streaming and on Blu-ray.
Toast is the 42nd album by Canadian-American singer-songwriter Neil Young and Crazy Horse. One of Young's several "lost" albums, it was recorded in 2000-2001 but shelved in favor of Are You Passionate?, and was finally released on July 8, 2022. It is Volume 09 of Neil Young Archives' Special Release Series.
