"Space Oddity" is a song by the English singer-songwriter David Bowie. It was first released on 11 July 1969 by Philips Records as a 7-inch single, then as the opening track of his second studio album David Bowie. Produced by Gus Dudgeon and recorded at Trident Studios in London, it is a tale about a fictional astronaut named Major Tom; its title and subject matter were partly inspired by 2001: A Space Odyssey (1968) and Bowie's feelings of alienation at that point in his career. One of the most musically complex songs he had written up to that point, it represented a change from the music hall-influenced sound of his debut to a sound akin to psychedelic folk and inspired by the Bee Gees.
Never Let Me Down is the 17th studio album by the English musician David Bowie, released on 21 April 1987 through EMI America Records. Co-produced by Bowie and David Richards and featuring guitarist Peter Frampton, the album was recorded in Switzerland and New York City from September to November 1986. Bowie's goal for the project was to record it differently following his disappointment with 1984's Tonight. Musically, Never Let Me Down has been characterised as pop rock, art rock and hard rock; Bowie himself considered the record a return to rock and roll music. The cover artwork features Bowie surrounded by numerous elements from the songs.
"Golden Years" is a song by the English musician David Bowie, released by RCA Records on 21 November 1975 as the lead single from his tenth studio album Station to Station (1976). Partially written before Bowie began shooting for the film The Man Who Fell to Earth (1976), the song was mostly compiled in the studio and was the first track completed for the album. Co-produced by Bowie and Harry Maslin, recording took place at Cherokee Studios in Los Angeles during September 1975. Due to Bowie's heavy cocaine use, he later recalled remembering almost nothing of Station to Station's production.
"Do Anything You Say" is a single by English musician David Bowie, his first release solely credited to himself. Released by Pye Records on 1 April 1966, it was produced by Tony Hatch and featured contributions from his new backing band, the Buzz. The song failed to chart and has been negatively received by his biographers.
"Up the Hill Backwards" is a song by English musician David Bowie, released on his 1980 album Scary Monsters . It was later issued by RCA Records as the fourth and final single from the album in March 1981. Originally written under the title "Cameras in Brooklyn", the song was recorded between February and April 1980 at the Power Station in New York City and Good Earth Studios in London. The recording features backing vocalists, guitar contributions from Robert Fripp and acoustic guitar played by co-producer Tony Visconti. Lyrically, the song concerns the struggles of facing a crisis, partially influenced by Bowie's divorce from his wife Angie. Musically, the song contains numerous time signature changes and a Bo Diddley-inspired beat.
"Under the God" is the first official single released by Anglo-American hard rock band Tin Machine, taken from their eponymous debut album in June 1989.
"It's No Game" is a song written by English musician David Bowie for his 1980 album Scary Monsters , featuring lead guitar played by Robert Fripp. The song is split into two parts, opening and closing the album. "(No. 1)" is musically sinister, featuring Bowie screaming lyrics and Japanese narration provided by actress Michi Hirota. "(No. 2)", a stark contrast to "(No. 1)", is much calmer, which Bowie's biographers symbolise as Bowie facing the same situation in "(No. 1)", but after the album's duration.
"Teenage Wildlife" is a song written by David Bowie in 1980 for the album Scary Monsters . Running at almost seven minutes, the song was the longest track on Scary Monsters, and Bowie's longest composition since "Station to Station" (1976), although it was surpassed in length by later tracks such as 2003's "Bring Me the Disco King" and 2016's "Blackstar".
Mark Guiliana is a Grammy-nominated American drummer, composer and leader of the band Beat Music. He has played with Avishai Cohen, Brad Mehldau, David Bowie, Meshell Ndegeocello, Gretchen Parlato, Jason Lindner, Lionel Loueke, Dhafer Youssef, Tigran Hamasyan, Matisyahu, St. Vincent, the European piano trio Phronesis and his own groups, Heernt and the Mark Giuliana Jazz Quartet.
Donald Paul McCaslin is an American jazz saxophonist. He has recorded over a dozen albums as a bandleader in addition to many sideman appearances, including on David Bowie's final studio album, Blackstar (2016).
The Next Day is the 25th studio album by the English musician David Bowie. Released in March 2013, it was Bowie's first studio release in ten years, as he had retreated from public view after undergoing a procedure to treat a blocked heart artery in 2004. Co-produced by Bowie and Tony Visconti, the album was recorded in New York City between May 2011 and October 2012. It featured contributions from session musicians, some of whom he had worked with in the past, including Gerry Leonard, Earl Slick, Gail Ann Dorsey, Steve Elson, Sterling Campbell and Zachary Alford. Recording took place in secret; all personnel involved signed non-disclosure agreements.
"Sue (Or in a Season of Crime)" is a song by English musician David Bowie released on 17 November 2014 as the lead single from the 2014 compilation album Nothing Has Changed. Co-produced by Bowie and longtime collaborator Tony Visconti, the song originated after the two saw bandleader Maria Schneider perform with her orchestra in May 2014. They began collaborating on Bowie's first major project since The Next Day (2013). Following workshop sessions in mid-June, the track was recorded officially at Avatar Studios in New York on 24 July 2014, with contributions from Schneider's orchestra.
"Blackstar" is a song by English rock musician David Bowie. It was released as the lead single from his twenty-sixth and final studio album of the same name on 19 November 2015. "Blackstar" peaked at number 61 on the UK Singles Chart, number 70 on the French Singles Chart and number 78 on the Billboard Hot 100. "Blackstar" received both the Grammy Award for Best Rock Song and the Grammy Award for Best Rock Performance at the 59th Grammy Awards. At 9:57, it was the longest song to enter the Billboard Hot 100 charts, overtaking Harry Chapin's "A Better Place to Be", until Tool broke the record in 2019 with "Fear Inoculum".
Blackstar is the 26th and final studio album by English musician David Bowie. It was released worldwide on 8 January 2016, coinciding with Bowie's 69th birthday, through his ISO label, Columbia Records and Sony Music. The album was primarily recorded in secret between the Magic Shop and Human Worldwide Studios in New York City with Bowie's longtime co-producer Tony Visconti and a group of local jazz musicians: saxophonist Donny McCaslin, pianist Jason Lindner, bassist Tim Lefebvre and drummer Mark Guiliana; guitarist Ben Monder joined the ensemble for the final sessions, while James Murphy of LCD Soundsystem contributed percussion. The album contains re-recorded versions of two songs, "Sue " and "'Tis a Pity She Was a Whore", both of which were originally released in 2014. It was preceded by the singles "Blackstar" and "Lazarus", both of which were supported by music videos. The album cover, designed by Jonathan Barnbrook, features a large black star with five star segments at the bottom that spell out the word "BOWIE".
"Lazarus" is a song by English rock musician David Bowie. Released on 17 December 2015 as a digital download, it was the second single from his twenty-sixth and final studio album, Blackstar (2016). It is Bowie's last single to be released during his lifetime. The single received its world premiere on BBC Radio 6 Music's Steve Lamacq on the day of its release as a single. In addition to its release on Blackstar, the track is used in Bowie's off-Broadway musical of the same name. The official music video, directed by Johan Renck, was released on 7 January 2016, three days before Bowie's death.
"Dollar Days" is a song by English musician David Bowie. It is the sixth track on Bowie's twenty-sixth and final studio album, Blackstar, which was released on 8 January 2016. The track was written by Bowie, and it was produced by Bowie and Tony Visconti. "Dollar Days" charted in multiple countries, including Bowie's home country of the United Kingdom, in which the song peaked at number 138.
Tim Lefebvre is an American bass guitarist. Both as a session musician and band member, he has worked with a wide range of musicians, including David Bowie, The Black Crowes, Elvis Costello, Sting, Empire of the Sun, The Sleepy Jackson, Wayne Krantz, Patti Austin, John Mayer, Jovanotti, Chuck Loeb, Mark Guiliana, Jamie Cullum, Chris Botti, and Knower. A member of the Tedeschi Trucks Band until 2018, he also performed on film and television soundtracks, including Ocean's Twelve, The Departed, Analyze That, The Sopranos, and 30 Rock.
No Plan is an extended play, comprising songs written and recorded by English musician David Bowie, released posthumously on 8 January 2017. The release coincided with what would have been Bowie's 70th birthday, almost a year after his death. No Plan compiles the original songs written for Bowie's Off-Broadway musical, Lazarus, including the titular "Lazarus", "No Plan", "Killing a Little Time", and "When I Met You". The songs were first recorded by the cast of the musical as part of its official soundtrack. The recordings featured on No Plan come from the sessions for Bowie's twenty-fifth and final studio album Blackstar, with "Lazarus" appearing as the third track on the album. Upon release, No Plan debuted at #138 on the Billboard 200, selling more than 5,000 units in its first week there. The music video for the title track was also released in accompaniment with the EP. It was directed by Tom Hingston.
"Silly Boy Blue" is a song written and recorded by English singer-songwriter David Bowie. Originally demoed in 1965 as a mod-influenced track about a teenage runaway, it was revised in 1966 with new lyrics and released on Bowie's self-titled debut album in June 1967. This version reflects Bowie's fascination with Tibetan Buddhism, featuring various spiritual and geographic references in the lyrics and varied instrumentation such as a trumpet, cello and Chinese gong. Bowie remade the song twice during his stint with the Riot Squad in April 1967: as an instrumental for live performances and acoustically, which has appeared on compilations.
