"5D (Fifth Dimension)" | ||||
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Single by the Byrds | ||||
from the album Fifth Dimension | ||||
B-side | "Captain Soul" | |||
Released | June 13, 1966 | |||
Recorded | May 24–25, 1966 | |||
Studio | Columbia, Hollywood, California | |||
Genre | Folk rock, psychedelic rock | |||
Length | 2:33 | |||
Label | Columbia | |||
Songwriter(s) | Jim McGuinn | |||
Producer(s) | Allen Stanton | |||
The Byrds singles chronology | ||||
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"5D (Fifth Dimension)" is a song by the American rock band the Byrds, written by band member Jim McGuinn. [1] It was released as a single in June 1966, and also included as the title track on the Byrds' third album, Fifth Dimension . [2]
McGuinn has described the song's lyrics as an attempt to explain Albert Einstein's theory of relativity, and as having been directly inspired by the book 1-2-3-4, More, More, More, More by Don Landis. [3] In a 1966 interview with Hit Parader magazine, McGuinn stated, "It's sort of weird but...what I'm talking about is the whole universe, the fifth dimension, which is height, width, depth, time and something else. But there definitely are more dimensions than five. It's infinite. The fifth dimension is the threshold of scientific knowledge." [4] Talking to Michael Ross of Creem magazine in 1970, McGuinn further explained the song's meaning: "'5D' was an ethereal trip into metaphysics, into an almost Moslem submission to an Allah, an almighty spirit, free-floating, the fifth dimension being the 'mesh' which Einstein theorized about. He proved theoretically - but I choose to believe it." [5]
According to the Byrds' biographer Johnny Rogan, the song's abstract lyrics were largely interpreted by the band's audience as being about an LSD trip, much to McGuinn's dismay. [4] The notion that the song was about psychedelic drugs was given further credence when it was singled out, within a month of its release, by Variety magazine as one of a recent spate of pop songs containing references to illegal drug use. [4] As a result of these allegations, the song was banned by some radio stations in the U.S. [6]
The master recording of "5D (Fifth Dimension)" was taped on May 24 and 25, 1966, during sessions for the Fifth Dimension album, with Allen Stanton serving as record producer. [7] The song features the Bach-influenced organ and electric piano playing of Los Angeles composer, arranger, producer, and session musician, Van Dyke Parks. [7] [8]
The song was issued as a single on June 13, 1966, and reached number 44 on the Billboard Hot 100, but failed to chart in the United Kingdom. [2] [9] [10] The song was also included on the band's third album, Fifth Dimension , which was released on July 18, 1966. [2]
Billboard magazine described the single as an "off-beat lyric rocker with chart-topping potential". [11] Cash Box described the song as a "rhythmic, medium-paced, blues-soaked tale of rejection about a somewhat disoriented young man." [12] Critic Bruce Eder, writing for the AllMusic website, called the song, "the most improbable single ever issued by the Byrds", and "the most daring opening track ever on any Byrds album." [1] He went on to note that it followed the release of the band's influential "Eight Miles High" single, although, in his opinion, "5D (Fifth Dimension)" was more challenging and arguably took the Byrds' psychedelic experimentation to further extremes." [1] "5D (Fifth Dimension)" was a favorite of the Byrds' bass player, Chris Hillman, who described it as "one of the greatest songs McGuinn has ever written." [5]
Following its release, "5D (Fifth Dimension)" was performed sporadically during the Byrds' 1966 live concerts, but was abandoned for most of the rest of the group's lifespan. [13] However, the song is frequently performed by McGuinn during his solo concerts and consequently appears on his 2007 live album, Live From Spain. [14]
In addition to its appearance on the Fifth Dimension album, "5D (Fifth Dimension)" also appears on several Byrds' compilations, including The Byrds' Greatest Hits , History of The Byrds , The Original Singles: 1965–1967, Volume 1 , The Byrds , The Very Best of The Byrds , The Essential Byrds , and There Is a Season . [1]
The Byrds were an American rock band formed in Los Angeles, California, in 1964. The band underwent multiple lineup changes throughout its existence, with frontman Roger McGuinn remaining the sole consistent member. Although their time as one of the most popular groups in the world only lasted for a short period in the mid-1960s, the Byrds are considered by critics to be among the most influential rock acts of their era. Their signature blend of clear harmony singing and McGuinn's jangly 12-string Rickenbacker guitar was "absorbed into the vocabulary of rock" and has continued to be influential.
Younger Than Yesterday is the fourth studio album by the American rock band the Byrds and was released on February 6, 1967, on Columbia Records. It saw the band continuing to integrate elements of psychedelia and jazz into their music, a process they had begun on their previous album, Fifth Dimension. In addition, the album captured the band and record producer Gary Usher experimenting with new musical textures, including brass instruments, reverse tape effects and an electronic oscillator.
Ballad of Easy Rider is the eighth album by the American rock band the Byrds and was released in November 1969 on Columbia Records. The album was named after the song "Ballad of Easy Rider", which had been written by the Byrds' guitarist and singer, Roger McGuinn, as the theme song for the 1969 film, Easy Rider. The title was also chosen in an attempt to capitalize on the commercial success of the film, although the majority of the music on the album had no connection with it. Nonetheless, the association with Easy Rider heightened the Byrds' public profile and resulted in Ballad of Easy Rider becoming the band's highest charting album for two years in the U.S.
The Notorious Byrd Brothers is the fifth album by the American rock band the Byrds, and was released in January 1968, on Columbia Records. The album represents the pinnacle of the Byrds' late-'60s musical experimentation, with the band blending together elements of psychedelia, folk rock, country, electronic music, baroque pop, and jazz. With producer Gary Usher, they made extensive use of a number of studio effects and production techniques, including phasing, flanging, and spatial panning. The Byrds also introduced the sound of the pedal steel guitar and the Moog modular synthesizer into their music, making it one of the first LP releases on which the Moog appears.
"Chestnut Mare" is a song by the American rock band the Byrds, written by Roger McGuinn and Jacques Levy during 1969 for a planned country rock musical named Gene Tryp. The musical was never staged and the song was instead released in September 1970 as part of the Byrds' (Untitled) album. It was later issued as a single, peaking at number 121 on the Billboard singles chart and number 19 on the UK Singles Chart.
Turn! Turn! Turn! is the second studio album by the American rock band the Byrds, released on December 6, 1965, by Columbia Records. Like its predecessor, Mr. Tambourine Man, the album epitomized the folk rock genre and continued the band's successful mix of vocal harmony and jangly twelve-string Rickenbacker guitar. The album's lead single and title track, "Turn! Turn! Turn!", which was adapted by Pete Seeger from text in the Book of Ecclesiastes, had previously been arranged in a chamber-folk style by the Byrd's lead guitarist Jim McGuinn for folk singer Judy Collins' third album, but the arrangement he used for the Byrds' recording of the song utilizes the same folk-rock style as the band's previous hit singles.
Fifth Dimension is the third album by the American rock band the Byrds and was released in July 1966 on Columbia Records. Most of the album was recorded following the February 1966 departure of the band's principal songwriter Gene Clark. In an attempt to compensate for Clark's absence, guitarists Jim McGuinn and David Crosby increased their songwriting output. In spite of this, the loss of Clark resulted in an album with four cover versions and an instrumental, which critics have described as "wildly uneven" and "awkward and scattered". However, it was the first Byrds album not to include any songs written by Bob Dylan, whose material had previously been a mainstay of the band's repertoire.
The Byrds' Greatest Hits is the first greatest hits album by the American rock band the Byrds and was released in August 1967 on Columbia Records. It is the top-selling album in the Byrds' catalogue and reached number 6 on the Billboard Top LPs chart, but failed to chart in the UK.
Dr. Byrds & Mr. Hyde is the seventh studio album by the American rock band the Byrds and was released in March 1969 on Columbia Records. The album was produced by Bob Johnston and saw the band juxtaposing country rock material with psychedelic rock, giving the album a stylistic split-personality that was alluded to in its title. It was the first album to feature the new band line-up of Clarence White (guitar), Gene Parsons (drums), John York (bass), and founding member Roger McGuinn (guitar). Dr. Byrds & Mr. Hyde is unique within the band's discography for being the only album on which McGuinn sings the lead vocal on every track.
Farther Along is the eleventh album by the American rock band the Byrds and was released in November 1971 on Columbia Records. For the most part, the album was recorded and produced by the Byrds themselves in London, England, over the course of five work-intensive days in July 1971. It was quickly released as a reaction to the commercial failure of the Byrds' previous album, Byrdmaniax, and as an attempt to stem the criticism that album was receiving in the music press.
Byrds is the twelfth and final studio album by the American rock band the Byrds and was released in March 1973 on Asylum Records. It was recorded as the centerpiece of a reunion among the five original band members: Roger McGuinn, Gene Clark, David Crosby, Chris Hillman, and Michael Clarke. The last time that all five members had worked together as the Byrds was in 1966, prior to Clark's departure from the band. During the reunion, the current, latter-day lineup of the band continued to make live appearances until February 1973, with McGuinn being the only member common to both versions of the group.
"Eight Miles High" is a song by the American rock band the Byrds, written by Gene Clark, Jim McGuinn, and David Crosby. It was first released as a single on March 14, 1966. Musically influenced by sitar player Ravi Shankar and jazz saxophonist John Coltrane, the song was influential in developing the musical styles of psychedelia and raga rock. Accordingly, critics often cite "Eight Miles High" as being the first bona fide psychedelic rock song, as well as a classic of the counterculture era.
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