Resheph was a god associated with war and plague, originally worshiped in Ebla in the third millennium BCE. He was one of the main members of the local pantheon, and was worshiped in numerous hypostases, some of which were associated with other nearby settlements, such as Tunip. He was associated with the goddess Adamma, who was his spouse in Eblaite tradition. Eblaites considered him and the Mesopotamian god Nergal to be equivalents, most likely based on their shared role as war deities.
Teshub was the Hurrian weather god, as well as the head of the Hurrian pantheon. The etymology of his name is uncertain, though it is agreed it can be classified as linguistically Hurrian. Both phonetic and logographic writings are attested. As a deity associated with the weather, Teshub could be portrayed both as destructive and protective. Individual weather phenomena, including winds, lightning, thunder and rain, could be described as his weapons. He was also believed to enable the growth of vegetation and create rivers and springs. His high position in Hurrian religion reflected the widespread importance of weather gods in northern Mesopotamia and nearby areas, where in contrast with the south agriculture relied primarily on rainfall rather than irrigation. It was believed that his authority extended to both mortal and other gods, both on earth and in heaven. However, the sea and the underworld were not under his control. Depictions of Teshub are rare, though it is agreed he was typically portrayed as an armed, bearded figure, sometimes holding a bundle of lightning. One such example is known from Yazılıkaya. In some cases, he was depicted driving in a chariot drawn by two sacred bulls.
Šarruma, also romanized as Šarrumma or Sharruma, was a Hurrian god. He could be depicted in both anthropomorphic form, sometimes riding on the back of a leopard, and in the theriomorphic form as a bull. His character is not fully understood, though it is known that he could function as a mountain god. He was regarded as a son of Ḫepat and Teshub. He was also linked to various moon deities. Additionally, the only mythological text he appears in addresses him as a messenger (sukkalu) of Kumarbi. He was worshiped by Hurrians in southeastern Anatolia and northern Syria, for example in Kummanni and Lawazantiya in Kizzuwatna. From this kingdom he was introduced to the Hittite pantheon as well. Hittite influence in turn resulted in his introduction to cities such as Aleppo, Emar and Ugarit. He was also venerated in Luwian religion in the first millennium BCE, with theophoric names invoking him attested from as late as the Hellenistic period in Cilicia and Lycia.
Ḫepat was a goddess associated with Aleppo, originally worshiped in the north of modern Syria in the third millennium BCE. Her name is often presumed to be either a feminine nisba referring to her connection to this city, or alternatively a derivative of the root ḫbb, "to love". Her best attested role is that of the spouse of various weather gods. She was already associated with Adad in Ebla and Aleppo in the third millennium BCE, and in later times they are attested as a couple in cities such as Alalakh and Emar. In Hurrian religion she instead came to be linked with Teshub, which in the first millenium BCE led to the development of a tradition in which she was the spouse of his Luwian counterpart Tarḫunz. Associations between her and numerous other deities are described in Hurrian ritual texts, where she heads her own kaluti, a type of offering lists dedicated to the circle of a specific deity. She commonly appears in them alongside her children, Šarruma, Allanzu and Kunzišalli. Her divine attendant was the goddess Takitu. In Hittite sources, she could sometimes be recognized as the counterpart of the Sun goddess of Arinna, though their respective roles were distinct and most likely this theological conception only had limited recognition. In Ugarit the local goddess Pidray could be considered analogous to her instead.
Kumarbi, also known as Kumurwe, Kumarwi and Kumarma, was a Hurrian god. He held a senior position in the Hurrian pantheon, and was described as the "father of gods". He was portrayed as an old, deposed king of the gods, though this most likely did not reflect factual loss of the position of the head of the pantheon in Hurrian religion, but only a mythological narrative. It is often assumed that he was an agricultural deity, though this view is not universally accepted and the evidence is limited. He was also associated with prosperity. It was believed that he resided in the underworld.
Kušuḫ, also known under the name Umbu, was the god of the moon in Hurrian pantheon. He is attested in cuneiform texts from many sites, from Hattusa in modern Turkey, through Ugarit, Alalakh, Mari and other locations in Syria, to Nuzi, located near modern Kirkuk in Iraq, but known sources do not indicate that he was associated with a single city. His name might be derived from the toponym Kuzina, possibly the Hurrian name of Harran, a city in Upper Mesopotamia, but both this etymology and identification of this sparsely attested place name remain uncertain. He was a popular, commonly worshiped god, and many theophoric names invoking him are known. In addition to serving as a divine representation of the moon, he was also associated with oaths, oracles and pregnancy. Some aspects of his character were likely influenced by his Mesopotamian counterpart Sin, while he in turn was an influence on the Ugaritic god Yarikh and Luwian Arma.
Ishara (Išḫara) was a goddess originally worshipped in Ebla and other nearby settlements in the north of modern Syria in the third millennium BCE. The origin of her name is disputed, and due to lack of evidence supporting Hurrian or Semitic etymologies it is sometimes assumed it might have originated in a linguistic substrate. In Ebla, she was considered the tutelary goddess of the royal family. An association between her and the city is preserved in a number of later sources from other sites as well. She was also associated with love, and in that role is attested further east in Mesopotamia as well. Multiple sources consider her the goddess of the institution of marriage, though she could be connected to erotic love as well, as evidenced by incantations. She was also linked to oaths and divination. She was associated with reptiles, especially mythical bašmu and ḫulmiẓẓu, and later on with scorpions as well, though it is not certain how this connection initially developed. In Mesopotamian art from the Kassite and Middle Babylonian periods she was only ever represented through her scorpion symbol rather than in anthropomorphic form. She was usually considered to be an unmarried and childless goddess, and she was associated with various deities in different time periods and locations. In Ebla, the middle Euphrates area and Mesopotamia she was closely connected with Ishtar due to their similar character, though they were not necessarily regarded as identical. In the Ur III period, Mesopotamians associated her with Dagan due to both of them being imported to Ur from the west. She was also linked to Ninkarrak. In Hurrian tradition she developed an association with Allani.
Nikkal or Nikkal-wa-Ib was a goddess worshiped in various areas of the ancient Near East west of Mesopotamia. She was derived from the Mesopotamian goddess Ningal, and like her forerunner was regarded as the spouse of a moon god, whose precise identity varied between locations. While well attested in Hurrian and Hittite sources, as well as in Ugarit. However, she is largely absent from documents from the western part of ancient Syria.
Šauška (Shaushka), also called Šauša or Šawuška, was the highest ranked goddess in the Hurrian pantheon. She was associated with love and war, as well as with incantations and by extension with healing. While she was usually referred to as a goddess and with feminine titles, such as allai, references to masculine Šauška are also known. The Hurrians associated her with Nineveh, but she was also worshiped in many other centers associated with this culture, from Anatolian cities in Kizzuwatna, through Alalakh and Ugarit in Syria, to Nuzi and Ulamme in northeastern Mesopotamia. She was also worshiped in southern Mesopotamia, where she was introduced alongside a number of other foreign deities in the Ur III period. In this area, she came to be associated with Ishtar. At a later point in time, growing Hurrian influence on Hittite culture resulted in the adoption of Šauška into the Hittite state pantheon.
Allani, also known under the Akkadian name Allatu was the Hurrian goddess of the underworld. She was also associated with the determination of fate. She was closely linked with Ishara, and they could be invoked or receive offerings together. She also developed connection with other underworld deities from neighboring cultures, such as Mesopotamian Ereshkigal, Anatolian Sun goddess of the Earth and Lelwani, and possibly Ugaritic Arsay. It is presumed she was chiefly worshiped in western areas inhabited by the Hurrians, though the location of her main cult center is uncertain. She is attested in texts from sites such as Tigunani, Tuttul and Ugarit. She was also incorporated into the Mesopotamian pantheon, and was venerated in Ur, Nippur and Sippar. Hittite sources mentioning her are known too.
Alalu or Alala was a primordial figure in Mesopotamian and Hurrian mythology. He is also known from documents from Emar, where he was known as Alal. While his role was not identical in these three contexts, it is agreed that all three versions share the same origin. Hurrian Alalu, who plays the role of the oldest king of gods in the Kumarbi Cycle, is the best known, and is commonly discussed in scholarship focused on comparative mythology but it is agreed Mesopotamian Alala represents the oldest tradition regarding this being. However, the precise etymology of his name is unknown, and likely neither Sumerian nor Semitic. Both Hurrian and Mesopotamian sources attest an association between him and Anu, but its nature varies between cultures.
The Hurrian religion was the polytheistic religion of the Hurrians, a Bronze Age people of the Near East who chiefly inhabited the north of the Fertile Crescent. While the oldest evidence goes back to the third millennium BCE, it is best attested in cuneiform sources from the second millennium BCE written not only in the Hurrian language, but also Akkadian, Hittite and Ugaritic. It was shaped by the contacts between Hurrians and various cultures they coexisted with. As a result, the Hurrian pantheon included both natively Hurrian deities and those of foreign origin, adopted from Mesopotamian, Syrian, Anatolian and Elamite beliefs. The culture of the Hurrians were not entirely homogeneous, and different local religious traditions are documented in sources from Hurrian kingdoms such as Arrapha, Kizzuwatna and Mitanni, as well as from cities with sizeable Hurrian populations, such as Ugarit and Alalakh.
Šimige was the Hurrian sun god. Known sources do not associate him with any specific location, but he is attested in documents from various settlements inhabited by the Hurrians, from Kizzuwatnean cities in modern Turkey, through Ugarit, Alalakh and Mari in Syria, to Nuzi, in antiquity a part of the kingdom of Arrapha in northeastern Iraq. His character was to a large degree based on his Mesopotamian counterpart Shamash, though they were not identical. Šimige was in turn an influence on the Hittite Sun god of Heaven and Luwian Tiwaz.
Adamma was a goddess worshiped in Ebla in the third millennium BCE, later also documented in Hurrian sources and in Emar. The origin and meaning of her name remain a matter of debate among researchers. It is commonly assumed that it originated in one of the Semitic languages and that it can be compared to Hebrew ʾădāmâ, "soil" or "earth". An alternate view is that it belongs to a linguistic substrate at some point spoken in part of modern Syria. Hurrian origin has been proposed as well, but is considered implausible. In Ebla, Adamma received sacrificial sheep on behalf of the royal palace. She also had clergy of her own, as evidenced by references to a dam-dingir priestess in her service. Eblaite texts indicate she was also venerated in Hadani and Tunip. She was locally regarded as the spouse of Resheph, though the connection between them is not attested in later sources. After the fall of Ebla, she was incorporated into Hurrian religion, and in this context appears in Hittite and Ugaritic sources as well, often forming a pair with Kubaba. Furthermore, she was worshiped in Emar, where under the name Adammatera she might have been perceived as a deity associated with storage areas and the underworld. It is also possible that the goddess Admu known from Mari and from the Mesopotamian god list An = Anum was the same deity.
Kiaše, also spelled Kiaže or Kiyaši was a Hurrian deity representing the sea. Sometimes in modern scholarship, he is simply referred to as "the Sea" or "the Sea God."
Nabarbi or Nawarni was a Hurrian goddess possibly associated with pastures. She was one of the major deities in Hurrian religion, and was chiefly worshiped in the proximity of the river Khabur, especially in Taite. It has been proposed that she was associated with the goddess Belet Nagar, linked to the Upper Mesopotamian city of Nagar. In addition to being venerated in Hurrian religion, she was also incorporated into the beliefs of the Hittites and into the local pantheon of Emar. She also continued to be worshiped in Taite in the Neo-Assyrian period, as attested in a text from the reign of Ashurbanipal, where she is one of the deities invoked to bless the king.
Takitu, Takiti or Daqitu was a Hurrian goddess who served as the sukkal of Ḫepat. She appears alongside her mistress in a number of Hurrian myths, in which she is portrayed as her closest confidante. Her name is usually assumed to have its origin in a Semitic language, though a possible Hurrian etymology has also been proposed. She was worshiped in Hattusa, Lawazantiya and Ugarit.
Namni and Ḫazzi were two mountain gods who belonged to the Hurrian pantheon. They are usually mentioned together in known texts. Ḫazzi corresponds to Jebel al-Aqra, while the identification of the mountain Namni represented is disputed. Both of them belonged to the court of the Hurrian weather god, Teššub, and it is possible they were worshiped alongside him in Aleppo. They are also attested in a variety of Hurrian and Hittite religious texts. They do not play an active role in known myths of Hurrian origin, though allusions to a conflict involving them have been identified in texts dealing with other deities.
Kešši or Kešše is the eponymous protagonist of a narrative of Hurrian origin known from Hattusa and Amarna. Fragments of versions in Hurrian, Hittite and Akkadian have been discovered. Individual events vary between them, and they do not fully correspond to each other, but it is agreed that they record variants of the same main narrative. In addition to Kešši himself it involved his wife Šintalimeni, his mother, his wife's evil brother Udipšarri, a number of Hurrian deities such as Kušuḫ and Kumarbi and other characters. The Hurrian version preserves sections focused on Kešši's despair after he is asked to donate his emmer, an argument between him and his wife and a number of references to events involving deities. The Hittite passages describe how Kešši abandoned his duties towards the gods and his mother after getting married, a hunting trip and a number of dreams he has in its aftermath. Individual elements of the narrative have been compared to tales focused on other heroes, namely Gurparanzaḫ and Gilgamesh.
