The architecture of Kosovo dates back to the Neolithic period and includes the Copper, Bronze and Iron Ages, Antiquity and the Medieval period. It has been influenced by the presence of different civilizations and religions as evidenced by the structures which have survived to this day. Local builders have combined building techniques of conquering empires with the materials at hand and the existing conditions to develop their own varieties of dwellings. [1] [2]
The monasteries and churches from the 14th century represent the Serbian Orthodox legacy. Architectural heritage from the Ottoman period includes mosques and hamams from the 15th, 16th and 17th centuries. Other historical architectural structures of interest include kullas from the 18th and 19th centuries as well as a number of bridges, urban centers and fortresses. While some vernacular buildings are not considered important in their own right, taken together they are of considerable interest. During the 1999 conflict in Kosovo many buildings that represent this heritage were destroyed or damaged. [2] [3] In the Dukagjini region, at least 500 kullas were attacked, and most of them destroyed or otherwise damaged. [1]
During the 1990s and thereafter, thousands of illegal buildings have been built in Kosovo. Rexhep Luci, the urban planner of Pristina who started an initiative to face this problem was killed in September 2000. [4]
Ancient Ulpiana was a settlement of religious and cultural importance in the Roman Empire, that was active from the 1st to 7th centuries. Destroyed in an earthquake in 518, the settlement was later rebuilt by the emperor Justinian I. The city had a sustainable urban scheme typical of a Roman city in terms of street layout and water supply. It also had 3-meter-thick city walls with watch towers and 5-meter-wide castle gates. [5] Apart from Ulpiana, another notable city from the Roman period is the Municipium Dardanorum. Among the remaining sites from this city are the forum, the basilica, the temple and other buildings. [6]
According to geo-physical research conducted by an Albanian archaeologist and foreigners, more than 100 ha worth of objects lie in Ulpiana. On the north side of the city is the cemetery, where many objects have been found: the foundations of a basilica (Paleolithic-Christian) of early Christianity built in the beginning of the 4th century by Emperor Justinian. Also found is the north entry of the city with its walls and a memorium, a room or a form of funeral. The ruins of a building with a beautiful mosaic are found in the south of the city. The research mainly focused on antique objects which have been found on the sides of the main road which connected the antique city with the rest of the region. [7] Attention was given to the findings of the objects in the north entrance of the city. With the addition of the use of air photography and satellites in the past years archaeologists, with no costly digging, were able to find and describe lots of big antique buildings which included a public bathroom, the forum (administrative center of the city), a residency of the bishop in the era of the early Christianity, and a baptismal chapel. [8]
A monument dedicated to the Dardanian Empress is a site with notable architectural features from this era. [9]
Buildings from the Late Antiquity and Early Middle Ages, when Kosovo was under the reign of the Byzantine Empire include castles in Prizren, Veletin and Kasterc and Christian basilicas in Ulpiana, Vërmicë and Harilaq. These and other building signify cultural and spiritual developments in this area. In the Middle Ages, there was a simultaneous presence of Byzantine, Catholic and Orthodox Monuments. [9]
The Fortress of Prizren is located in the city of Prizren. The first mention of it is from the 6th century AD and the last time it was used for non-recreational purposes was in 1912. The fortress has seen a number of civilizations and constructions in the castle have happened in different historical periods. The remains of the fortress are of point of interest from an architectural point of view. Although it is an important historical monument, archaeological excavations haven't been completed. [2]
The church of the monastery in Deçan was built by a Franciscan Friar from Kotor called Vita (Vitus). The building is of the Romanesque and Gothic architectural styles. The style it was built in is influenced by Western tradition while the main dome of the church links it with Byzantine traditions. The external part of the church contains details made of marble of different colors decorated with sculpture, while the interior part contains Byzantine frescoes. Most of the original marble furniture is still in the church which is uncommon for churches of this period from the Balkans. The church was founded by the Serbian king Stefan Dečanski (1321–31) and it was constructed as his mausoleum. [3]
The Imperial Mosque, also known as King's Mosque (Albanian : Xhamia e Mbretit), is a mosque built in 1461 by Sultan Mehmed II. Based on the monument, structure, construction way and decorative elements it ranks among the most important buildings of Islamic architecture in Eastern Europe. [10]
Jashar Pasha Mosque is a 16th-century mosque located in the historical center of Pristina and it is one of the oldest buildings in Pristina. The mosque has a prayer hall, a porch and a minaret and it is covered with a cupola. It is an architectural monument of Kosovan style with oriental influences. [2]
In 1950, at the outset of Socialist Yugoslavia, the motto of the State as far as city planning was concerned was "Destroy the old, build the new". [11] A 1959 book by the Municipal National Council of Pristina called "Prishtina" shows the intentions of the regime at the time to lose the city's previous characteristics in the quest to give it more modern traits. The book boasts about 2200 newly built apartments, a number of health facilities, administrative buildings and schools, 130.000 square meters of new roads and pavements. According to this book, the new look of Pristina was to be built on the ruins of the old city. New memorials were being erected and special care was being given to set new aesthetic foundations on the city. [12]
Immediately following the Second World War, Yugoslavia's brief association with the Eastern Bloc ushered in a short period of socialist realism. Centralization within the communist model led to the abolition of private architectural practices and the state control of the profession. During this period, the governing Communist Party condemned modernism as "bourgeois formalism," a move that caused friction among the nation's pre-war modernist architectural elite. [13]
Socialist realist architecture in Yugoslavia came to an abrupt end with Josip Broz Tito's 1948 split with Stalin. In the following years the nation turned increasingly to the West, returning to the modernism that had characterized pre-war Yugoslav architecture.[ citation needed ] During this era, modernist architecture came to symbolize the nation's break from the USSR (a notion that later diminished with growing acceptability of modernism in the Eastern Bloc). [13] [14]
The Yugoslav break from Soviet socialist realism combined with efforts to commemorate World War II, which together led to the creation of an immense quantity of abstract sculptural war memorials, known today as spomenik [15] including the Monument of Brotherhood and Unity in Pristina's centre.
In the late 1950s and early 1960s Brutalism began to garner a following within Yugoslavia, particularly among younger architects, a trend possibly influenced by the 1959 disbandment of the Congrès Internationaux d'Architecture Moderne. [16]
With 1950s decentralization and liberalization policies in SFR Yugoslavia, architecture became increasingly fractured along ethnic lines. Architects increasingly focused on building with reference to the architectural heritage of their individual socialist republics in the form of critical regionalism. [17]
The Hotel Union building is located in the center of Pristina. It is a three-storey, L-shaped building of Austro-Hungarian architectural style with a surface of 500 square meters on the ground. It was designed by an Austrian architect and built in 1927 when it was used as a hotel. Because it is a distinguished example of that particular architectural style in Kosovo it was declared a protected cultural monument 1996. On August 22, 2009, the building caught on fire and sustained major damages. [2] [18] The building and the surrounding area went through a restoration Arassociati studio that made it functional again. Now it is operated by The United Colors of Benetton and is called Benetton Megastore in Pristina. The store was opened on September 9, 2013. The roof has remained its original form while the entrance has been given a new urban layout. [19]
The Palace of Youth and Sport, commonly called Boro-Ramizi, was built in 1977 with a surface of 8,136 square metres (87,580 sq ft) and was intended to be used for social, public, cultural and sport activities. The building caught fire in February 2000 due to an electrical malfunction. Now only the shopping center part of the building is functional. [20] [21]
Construction of the Christ the Saviour Cathedral in Pristina began in 1995; and although it was meant to be finished in 1999, construction was halted by the Kosovo War. [22]
There are different groupings that either support the demolition, the completion or the conversion of the building to a museum. Some Albanians support its demolition or conversion, the reason being that it was built for political and not religious reasons but there are others that support its completion. According to Albanian Architect Eduard Morina who supports demolishing the cathedral or repurposing it, the cathedral "... doesn’t have any architectural values and is not among [listed] cultural heritage objects since it is not an old building" he continues.
Archimandrite Sava Janjic, of the Visoki Decani monastery, on the other hand, strongly support making it functional. According to him, the cathedral is of architectural significance and "... it is a very interesting mixture of traditional and modern architecture, that shows that one must respect tradition, but also look into the future." [23]
After the war in Kosovo, the cathedral was bombed and structural damage was caused to it. In the aftermath of the war the church was bombed by unknown attackers and put under the protection of NATO peacekeepers for some years. [24]
The initiators of the project for building the Roman Catholic cathedral in Pristina are Ibrahim Rugova and Mark Sopi, who set the cornerstone for the building on June 26, 2005. Construction began on September 5, 2007, and it was formally opened by president Fatmir Sejdiu on September 5, 2000. [25] [26]
Its architectural style belongs to the neo-renaissance Italian style from the 16th century, and it was designed by the Architectural Association of Rome. The cathedral has a 70-meter-high tower. [25] [27]
The type of building called kulla is a fortified residential building built in Kosovo, mainly in the Metohija region. The Albanian word kulla means "tower" in English. This is a type of building that was initially built from wood and stone and eventually only from stone. This type of building is typical for the Kosovan School of National Albanian Building and they have been built exclusively by the Albanian population in Kosovo. They are also the only buildings in Kosovo that haven't been influenced by foreign styles.
Kullas are heavily fortified buildings with small windows and shooting holes, because their main purpose was to offer security in a fighting situation. The first kullas that were built are from the 17th century, a time when there was continuous fighting in the Dukagjini region, although most of the ones that still remain are from the 18th or 19th century. They are almost always built within a complex of buildings with various functions but kullas in towns exist mostly as standalone structures. They are also positioned within the complex of buildings that they exist in a way that makes it possible for the inhabitants to survey the surrounding area. Kullas in towns are usually built as standalone structures, while in villages they are more commonly found as a part of a larger ensemble of kullas and stone houses, usually grouped based on the family clan they belonged to.
Most kullas are three-storey buildings. A characteristic unit of its architectural structure in "Oda e burrave" (Chamber of Men or Gathering Room of Men) which was usually placed in the second floor of the Kulla, called Divanhane, while the ground floor served as a barn for cattle and the first floor was where the family quarters were located. The material from which the Divanhane is constructed, either wood or stone, is sometimes used to classify Kullas. [1] [28]
The architecture of Peja describes a large mixture of architectural structures which are a reflection of the influential foreign rule all across the city. The architecture of the city consists of buildings, structures and constructions which were built with an architectural influence of the Byzantine architecture, Serbo-Byzantine architecture, Ottoman architecture, Stalinist architecture (former Yugoslavia), and Modern cultures/architectures. Because of this there are many churches, mosques, buildings which are attraction points in the city and were built by the aforementioned influences. The foreign rule of the Ottoman and Serbian empires and the historical influence of former Yugoslavia (communist era) have shaped the architectural landscape of the city to become a conglomerate of cultures.
Pristina or Prishtina is the capital and largest city of Kosovo. It is the administrative center of the eponymous municipality and district.
The 2007–08 Football Superleague of Kosovo season, also known as the Raiffeisen Superleague of Kosovo for sponsorship reasons with Raiffeisen was the 10th season of top-tier football in Kosovo. The campaign began on 25 August 2007, and ended on 1 June 2008.
Tourism in Kosovo is characterized by archaeological heritage from Illyrian, Dardanian, Roman, Byzantine, Serbian and Ottoman times, traditional Albanian and Serbian cuisine, architecture, religious heritage, traditions, and natural landscapes. Kosovo is situated in south-eastern Europe. With its central position in the Balkans, it serves as a link in the connection between central and south Europe, the Adriatic Sea, and Black Sea.
Archaeology of Kosovo as a field of study and research was started in the second half of the 20th century. Kosovo's field of archaeology has developed in tandem with the historical study, studies of ancient authors' sources, classic philological studies, theological data research, topographic studies and ground survey, analysis of toponyms, deciphering of epigraphic and historiographic data. First data about antique monuments in Kosovo, were documented from the end of the 19th until the beginning of the Second World War, a time period when Kosovo was visited by researchers, guides, and archaeologists such as: Evans, Boue, Hahn, Kanitz, Tomaschek, Domaschevski, Arpad, Vulic, Jirecek, Patsch, Domenico Mustilli, etc.
Kosovo is a partially recognized state and disputed territory located in the Balkan Peninsula in Southeastern Europe. The majority of Kosovars are ethnically Albanian. Kosovo has an expansive cultural heritage, including monuments, clothing items, museums, and traditional food.
The Roman heritage sites in Kosovo represent a multitude of monuments of material and spiritual culture, which reflect the Roman period in this region. Among them, a special place is occupied by those that represent the development of art, such as the plastic monuments that are more frequent, and at the same time occupy an important place, because with the presentation of figures in relief and with numerous inscriptions they speak to us enough for this period.
Monuments of Kosovo comprise all the monuments that are located in Kosovo.
Pestova archaeological site is an archaeological site located in the village Pestova, in the municipality of Vushtrri, on the left side, stretched along the Pristina–Mitrovica road, more or less 4 km (2.5 mi) from Vushtrri. The area is known for a very fertile agricultural land, productive even in present days.
The Bazaar of Prishtina, Kosovo, was the core merchandising center of the Old Prishtina since the 15th century, when it was built. It played a significant role in the physical, economic, and social development of Pristina. The Old Bazaar was destroyed during the 1950s and 1960s, following the modernization slogan of "Destroy the old, build the new". In its place, buildings of Kosovo Assembly, Municipality of Prishtina, PTT, and Brotherhood and Unity socialist square were built. Nowadays, instead of PTT building resides the Government of Kosovo building. Only few historical buildings, such as the Bazaar Mosque and ruins of the Bazaar Hammam have remained from the Bazaar complex. Since then, Prishtina has lost part of its identity, and its cultural heritage has been scattered.
The Great Hammam of Pristina is an Ottoman-era monument in Pristina, Kosovo. It was built in the 15th century and was part of the Imperial Mosque. During the summer and spring, it was used as a meeting place. Considered one of the most important buildings of the cultural and historical heritage, the Great Hammam of Pristina was in poor condition through the years until its restoration was approved.
Kosovo does not have an official religion. Like the rest of the country, the majority of Pristina's population consider themselves to be Muslim. However, religious practices may tend to be liberal. Many do fast for Ramadan and praying is widely practiced.
Mitrovica is one of the oldest settlements in Kosovo and a very important urban ensemble. There are many traces which have special interest and prove early civilization of the territory of Mitrovica, in particular from the Illyrian inhabitation in antiquity.
As the capital city of Kosovo, Pristina is the heart of the cultural and artistic development of all Albanians that live in Kosovo. The department of cultural affairs is just one of the segments that arranges the cultural events, which make Pristina one of the cities with the most emphasized cultural and artistic traditions.
The National Gallery of Kosovo, formerly known as the Kosova National Art Gallery, is an art gallery situated at the University of Pristina Campus that focuses on 20th-century art.
Historical monuments in Pristina are made up of 21 monuments out of a total of 426 protected monuments all over Kosovo. A large number of these monuments date back to the Byzantine and Ottoman periods. Since 1945, the Yugoslav authorities followed the idea of constructing a modern Pristina by relying in the urban development motto “destroy the old, build the new” and this resulted with major changes in the structure of the buildings, their function and their surrounding environment. However, numerous types of monuments have been preserved, including four mosques, a restored orthodox church, an Ottoman bath, a public fountain, a clock tower, several traditional houses as well as European-influenced architecture buildings such as the Museum of Kosovo. These symbolize the historical and cultural character of Pristina as it was developed throughout centuries in the spirit of conquering empires.
The National Library of Kosovo is the highest library institution in Kosovo established by the Assembly and is located in Pristina.
Tourism in Pristina attracted 36,186 foreign visitors in 2012, which represents 74.2% of all visitors that visited Kosovo during that year. Foreign visitors mostly come from countries like Albania, Turkey, Germany, United States, Slovenia and North Macedonia, but also from other countries. Some of the most visited places in Pristina are Lake Batllava and Gadime Marble Cave, which are also among the most visited places in Kosovo.
The architectural heritage of the Kosovo Albanians during Yugoslav rule was shown institutionalised disregard for decades prior to outright conflict at the end of the 20th century. Numerous Albanian cultural sites in Kosovo were destroyed during the period of Yugoslav rule and especially the Kosovo conflict (1998-1999) which constituted a war crime violating the Hague and Geneva Conventions. In all, 225 out of 600 mosques in Kosovo were damaged, vandalised, or destroyed alongside other Islamic architecture during the conflict. Additionally 500 Albanian owned kulla dwellings and three out of four well-preserved Ottoman period urban centres located in Kosovo cities were badly damaged resulting in great loss of traditional architecture. Kosovo's public libraries, of which 65 out of 183 were completely destroyed, amounted to a loss of 900,588 volumes, while Islamic libraries sustained damage or destruction resulting in the loss of rare books, manuscripts and other collections of literature. Archives belonging to the Islamic Community of Kosovo, records spanning 500 years, were also destroyed. During the war, Islamic architectural heritage posed for Yugoslav Serb paramilitary and military forces as Albanian patrimony with destruction of non-Serbian architectural heritage being a methodical and planned component of ethnic cleansing in Kosovo.
Esat Stavileci was a Kosovan lawyer and professor at the Faculty of Law of the University of Prishtina.
The Mazhiq Mosque or the Mosque of Mazhiq is a cultural heritage monument of Kosovo, located 13 km from Mitrovica, in the village of Mazhiq. The mosque was built around the 15th century and today is almost fully destroyed, having lost its original function. This monument is classified as "architectural" and has been approved with the number 004 in the list of monuments of Kosovo. Together with St. Peter's Basilica Church in Stantërg, located around 2 km away and also in ruins, they stand as important religious and cultural landmarks in the region of Shala e Bajgorës.
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