"Baba O'Riley" | ||||
---|---|---|---|---|
Single by the Who | ||||
from the album Who's Next | ||||
B-side | "My Wife" | |||
Released | October 1971 [1] | |||
Recorded | May 1971 | |||
Studio | Olympic (London) [2] | |||
Genre | Hard rock [3] | |||
Length | 5:00 | |||
Label | Polydor | |||
Songwriter(s) | Pete Townshend | |||
Producer(s) | The Who | |||
The Who singles chronology | ||||
| ||||
Audio | ||||
"Baba O'Riley" on YouTube |
"Baba O'Riley" is a song by the English rock band The Who, written by guitarist and principal songwriter Pete Townshend. It is the opening track to the Who's fifth studio album, Who's Next (1971). In Europe, it was released as a single in October 1971, coupled with "My Wife". Performances of "Baba O'Riley" appear on several Who live albums.
Widely regarded as one of the Who's finest songs and as one of the greatest rock songs of all time, "Baba O'Riley" appears in Time's "All-Time 100 Songs" list, Rolling Stone 's list of "The 500 Greatest Songs of All Time", and the Rock and Roll Hall of Fame as one of the 500 Songs That Shaped Rock and Roll.
Townshend wrote "Baba O'Riley" for his Lifehouse project, a rock opera intended as the followup to the Who's 1969 opera Tommy. In Lifehouse, a Scottish farmer named Ray would have sung the song at the beginning as he gathered his wife Sally and his two children to begin their move to London. When Lifehouse was scrapped, eight of the songs were salvaged and recorded for the Who's fifth studio album Who's Next (1971), with "Baba O'Riley" as the lead-off track.[ citation needed ] The song title refers to two of Townshend's primary inspirations at the time: Indian spiritual master Meher Baba and American minimalist composer Terry Riley. [4]
According to Townshend, at the end of the band's gig at the 1969 Isle of Wight Festival, the field was covered in rubbish left by fans, which inspired the line "teenage wasteland". [5] In another interview, Townshend said the song was also inspired by "the absolute desolation of teenagers at Woodstock, where audience members were strung out on acid and 20 people had brain damage. The irony was that some listeners considered the song a teenage celebration: 'Teenage Wasteland, yes! We're all wasted!'" [6]
The repeating set of notes (ostinato) in "Baba O'Riley" that opens and underlies the song was derived from the Lifehouse concept, where Townshend wanted to input the vital signs and personality of Meher Baba into a synthesiser, which would then generate music based on that data. When this idea fell through, Townshend instead recorded a Lowrey Berkshire Deluxe TBO-1 organ using its marimba repeat feature to generate them. [7] This modal approach was inspired by the work of minimalist composer Terry Riley.[ citation needed ]
The song was derived from a nine-minute demo, which the band reconstructed. [2] "Baba O'Riley" was initially 30 minutes in length, but was edited down to the "high points" of the track for Who's Next. [8] The other parts of the song appeared on the third disc of Townshend's Lifehouse Chronicles as "Baba M1 (O'Riley 1st Movement 1971)" and "Baba M2 (2nd Movement Part 1 1971)". Dave Arbus, whose band East of Eden was recording in the same studio, was invited by Keith Moon to play the violin solo during the outro. In most live performances, this part is played instead by Daltrey on harmonica.[ citation needed ]
"Baba O'Riley" was released in November 1971 as a single in several European countries. However, in the United Kingdom and the United States, it was released only as part of the album Who's Next. The song became one of the band's most popular songs, as well as a popular staple of AOR radio, and remains on the classic rock radio canon.
"Baba O'Riley" appears at No. 159 on Rolling Stone 's list of "The 500 Greatest Songs of All Time". [9] The song is in the Rock and Roll Hall of Fame as one of the 500 Songs That Shaped Rock and Roll. [10] The band Pearl Jam regularly plays a cover of the song during concerts, and a readers' poll in Rolling Stone awarded this cover as #8 in their "Greatest Live Cover Songs". [11] In 2012, Paste ranked the song number two on their list of the 20 greatest Who songs, [12] and in 2022, Rolling Stone ranked the song number six on their list of the 50 greatest Who songs. [13]
"Baba O'Riley" was used as the theme song for the television series CSI: NY (2004–2013), with each CSI series using a Who song as its theme. [14] The song was also used in the One Tree Hill episode "Pictures of You" (season 4, episode 13). The live version of the song from the album Who's Last (1984) plays in the opening segment of the Miami Vice episode "Out Where the Buses Don't Run" (season two, 1985). [15] One of the working titles of That '70s Show (1998–2006) was "Teenage Wasteland", a reference to the repeated lyric in the song. [16] The song was also used in the trailers for the films A Bug's Life (1998), American Beauty (1999), Resident Evil: Retribution (2012), Jobs (2013), The Peanuts Movie (2015), [17] Free Guy (2021) and season 3 of Stranger Things . [18] The song was also sung in the first season Sense8 episode "W. W. N. Double D?" by Riley's father at the airport. [19]
"Baba O'Riley" was included in the soundtrack for the 1997 film Prefontaine and the 1999 film Summer of Sam . The song was used in the 10th episode of the 2010 Fox show The Good Guys . The song was featured in the 2004 romantic comedy film The Girl Next Door , and was also used in the beginning and end credits of the 2012 movie Premium Rush . The song has also been used in episode 14 of season one in the TV series House and in episode 10 of season one in the TV series The Newsroom . It was also used in episode one of the UK version of Life on Mars . A remixed version of this song, re-done by Alan Wilkis, appears in the 2012 remake of Need for Speed: Most Wanted, as well as the Family Guy season 13 episode "Quagmire's Mom", the third Robot Chicken: Star Wars special and episode 11 of season one of Superstore. The song is featured in an episode[ when? ] of Joe Pera Talks with You .[ citation needed ]
In October 2001, the Who gave a much-lauded performance of the song at the Concert for New York City. [20] Since 2003, "Baba O'Riley" has been played during player introductions for the Los Angeles Lakers during home games at the Staples Center. [21] The song is played before live UFC events during a highlight package showing some of the most famous fights in the mixed martial arts company's history. [22] The song was used for the trailer of the EA Sports UFC 4 game. It is also the official theme song of competitive eater Joey Chestnut. [23]
At both the opening and closing ceremonies of the 2012 Summer Olympics, the 120 BPM dance track "The Road Goes on Forever" by the Welsh electronic music producer High Contrast, which samples "Baba O'Riley", is used during the countdown at the start of the proceedings. [24] "Baba O'Riley" was then performed by the Who as their first number during the last musical segment at the closing ceremony, with Roger Daltrey singing a changed lyric of "Don't cry/Just raise your eye/There's more than teenage wasteland". [25] "Baba O'Riley" is also used as the pregame music at Sanford Stadium and is played right before kickoff at every University of Georgia home football game. In addition, the Boston College Marching Band has featured a rendition of the song at football and hockey games. It is also played at halftime of most New England Patriots home games, leading up to the second-half kickoff. It is also the entrance music for the New York Rangers at Madison Square Garden for every Rangers home playoff game.[ citation needed ]
In the course of a debate on Twitter, it was noted that "Best Song Ever" (2013) by One Direction bore a strong resemblance to the basic structure of "Baba O'Riley". Pete Townshend responded to the claims by denying that the Who were pursuing legal action, and stated that he was a fan of One Direction's single and was happy that One Direction appeared to have been influenced by the Who, just as he had been influenced by earlier musicians such as Eddie Cochran. [26]
Chart (1972) | Peak position |
---|---|
Australia (Kent Music Report) [27] | 80 |
Netherlands (Dutch Top 40) [28] | 13 |
Netherlands (Single Top 100) [29] | 11 |
Chart (2012) | Peak position |
---|---|
France (SNEP) [30] | 200 |
UK Singles (OCC) [31] | 55 |
Region | Certification | Certified units/sales |
---|---|---|
Italy (FIMI) [32] | Platinum | 50,000‡ |
United Kingdom (BPI) [33] | Platinum | 600,000‡ |
‡ Sales+streaming figures based on certification alone. |
The Who are an English rock band formed in London in 1964. Their classic lineup (1964–1978) consisted of lead vocalist Roger Daltrey, guitarist Pete Townshend, bassist John Entwistle and drummer Keith Moon. Considered one of the most influential rock bands of the 20th century, their contributions to rock music include the development of the Marshall stack, large public address systems, the use of synthesizers, Entwistle's and Moon's influential playing styles, Townshend's feedback and power chord guitar technique, and the development of the rock opera. They are cited as an influence by many hard rock, punk, power pop and mod bands. The Who were inducted into the Rock and Roll Hall of Fame in 1990.
Peter Dennis Blandford Townshend is an English musician. He is the co-founder, guitarist, second lead vocalist and principal songwriter of the Who, one of the most influential rock bands of the 1960s and 1970s. His aggressive playing style and poetic songwriting techniques, with the Who and in other projects, have earned him critical acclaim.
Roger Harry Daltrey is an English singer, musician and actor. He is the co-founder and lead singer of the rock band the Who.
Who's Next is the fifth studio album by the English rock band the Who, released on 2 August 1971, by Track Records in the United Kingdom and Decca Records in the United States. It developed from the aborted Lifehouse project, a multi-media rock opera conceived by the group's guitarist Pete Townshend as a follow-up to the band's 1969 album Tommy. The project was cancelled owing to its complexity and to conflicts with Kit Lambert, the band's manager, but the group salvaged some of the songs, without the connecting story elements, to release as their next album. Eight of the nine songs on Who's Next were from Lifehouse, with the lone exception being the John Entwistle-penned "My Wife". Ultimately, the remaining Lifehouse tracks would all be released on other albums throughout the next decade.
Psychoderelict is a seventh studio album by the English musician Pete Townshend. Some characters and issues presented in this work were continued in Townshend's later opus The Boy Who Heard Music, first presented on the Who's eleventh studio album Endless Wire (2006) and then adapted as a rock musical.
Lifehouse is an unfinished science fiction rock opera by the Who intended as a follow-up to Tommy. It was abandoned as a rock opera in favour of creating the traditional rock album Who's Next, though its songs would appear on various albums and singles by the Who, as well as Pete Townshend's solo albums. In 1978, aspects of the Lifehouse project were revisited by the Who on Who Are You. In 2000, Townshend revived the Lifehouse concept with his set Lifehouse Chronicles and the sampler Lifehouse Elements. On 1 May 2007, he released an online software called The Lifehouse Method in which any "sitter" could create a musical "portrait". The site is now defunct. The artwork and design of the box set was undertaken by designer Laurence Sutherland.
"My Generation" is a song by the English rock band the Who, written by guitarist and primary songwriter Pete Townshend. One of the band's most recognizable songs, it was placed number 11 by Rolling Stone on its list of the “500 Greatest Songs of All Time” in 2004 and 2010, re-ranked number 232 in the 2021 edition. It became part of The Rock and Roll Hall of Fame's 500 Songs that Shaped Rock and Roll and is inducted into the Grammy Hall of Fame for "historical, artistic and significant" value. It is considered one of the band's signature songs.
Lifehouse Chronicles is a box set released in 2000 by Pete Townshend with the focus of the box being the formerly "abandoned" Lifehouse rock opera. The set contains song demos by Pete Townshend; including solo versions of "Baba O'Riley", "Won't Get Fooled Again", and "Who Are You", and the Lifehouse Radio Program. The box set release was followed by two Sadler's Wells Lifehouse concerts and the release of a live CD and video/DVD titled, respectively, Pete Townshend Live: Sadler's Wells 2000 and Pete Townshend – Music from Lifehouse.
"Won't Get Fooled Again" is a song by the English rock band the Who, written by guitarist and primary songwriter Pete Townshend. It was released as a single in June 1971, reaching the top 10 in the UK, while the full eight-and-a-half-minute version appears as the final track on the band's 1971 album Who's Next, released that August. In the US, the single entered Billboard on 17 July, reaching No. 15.
Who Came First is the debut studio album by the English musician Pete Townshend, released in 1972 on Track Records in the UK and Track/Decca in the US.
The Concert for New York City was a benefit concert that took place at Madison Square Garden in New York City in response to the September 11 attacks. Aside from performing for charity, the concert honored the first responders from the New York City Fire Department and New York City Police Department, their families, and those lost in the attacks and those who had worked in the ongoing rescue and recovery efforts in the weeks since that time.
"My Wife" is a song by the English rock band the Who, written and sung by bass guitarist John Entwistle. It was originally released in 1971 on Who's Next and later as the B-side of the single "Baba O'Riley" on 6 November 1971 in Europe by Polydor Records.
"Love, Reign o'er Me", subtitled "Pete's Theme", is a song by English rock band The Who. Written and composed by guitarist Pete Townshend, it was released on 27 October 1973 as the second single from the band's sixth studio album and second rock opera, Quadrophenia. It is the final song on the album, and has been a concert staple for years. The song peaked at number 76 on the US Billboard Hot 100 and number 54 on Cash Box.
"Getting in Tune" is a song written by Pete Townshend and originally released by the Who on their 1971 album Who's Next. It was originally written as part of Townshend's abandoned Lifehouse project. Its lyrics describe the power of music, as well as reflect the inner contradictions Townshend was feeling at the time between his spiritual needs and his persona as a rock star. The music incorporates a number of changes in tempo and has been praised by critics for its use of dynamics.
"Slip Kid" is a song from the Who's seventh album, The Who by Numbers. Written originally for Pete Townshend's shelved Lifehouse rock opera, "Slip Kid" was revived in 1975. The song was originally written as a warning about the music business, though Townshend has pointed out the song's relevance in different contexts. The song was released as a single in the US, backed by "Dreaming from the Waist", but failed to chart.
The Kids Are Alright is a 1979 rockumentary film about the English rock band the Who, including live performances, promotional films and interviews from 1964 to 1978. It notably features the band's last performance with long-term drummer Keith Moon, filmed at Shepperton Studios in May 1978, three months before his death.
Amazing Journey: The Story of The Who is a 2007 documentary film by Murray Lerner and Paul Crowder about English rock and roll band The Who. The film features new interviews with band members Roger Daltrey, John Entwistle, Kenney Jones, and Pete Townshend, as well as Sting, The Edge, Noel Gallagher, Eddie Vedder, Steve Jones and others, as well as rare photos of the four members of the band, and archival live footage of performances dating back to 1964. A soundtrack accompanying the film also serves as a greatest-hits compilation for the band.
"Bargain" is a song written by Pete Townshend that was first released by the Who on their 1971 album Who's Next. It is a love song, although the intended subject of the song is God rather than a woman. The song has been included on several compilation and live albums. It was also included on several of Townshend's solo projects. Critics have praised the song's lyricism and power, as well as the performance of the band on the song. Townshend acknowledged during the Who's concert at the Prudential Center in Newark on 19 March 2016 that this is his favorite song on the album.