"Before the Law" | |
---|---|
Short story by Franz Kafka | |
Original title | Vor dem Gesetz |
Language | German |
Publication | |
Published in | Selbstwehr (1915) Ein Landarzt (1919) Der Process (1925) |
Publisher | Kurt Wolff (1919) |
Publication date | 1915 |
"Before the Law" (German: "Vor dem Gesetz") is a short story by Czech writer Franz Kafka. It was printed twice during Kafka's life, but is best known as an embedded narrative in the posthumously published novel The Trial (German : Der Prozess). "Before the Law" is described as a deliberately obscure parable or allegory on legal bureaucracy and the seeking of justice, reflecting the absurdist views on the subject expressed by Kafka in The Trial.
A man from the country seeks "the law" [1] and wishes to gain entry to it through an open doorway, but the doorkeeper tells the man that he cannot go through at the present time. The man asks if he can ever go through, and the doorkeeper says it is possible "but not now (jetzt aber nicht)". The man waits by the door for years, bribing the doorkeeper with everything he has. The doorkeeper accepts the bribes, but tells the man he only accepts them "so that you do not think you have left anything undone". The man does not attempt to gain entry by force, but waits at the doorway until he is about to die. Right before his death, he asks the doorkeeper why, even though everyone seeks the law, no one else has come in all the years he has been there. The doorkeeper answers, "No one else could ever be admitted here, since this gate was made only for you. I am now going to shut it."
Josef K has to show an important client from Italy around a cathedral. The client does not show up, but just as K is leaving the cathedral, the priest calls out K's name, although K has never met the priest. The priest reveals that he is a court employee, and he tells K the story (Before the Law), prefacing it by saying it is from "the opening paragraphs [introductory] to the Law". The priest and K then discuss interpretations of the story before K leaves the cathedral.
"Before the Law" was published twice in Kafka's lifetime, first in the 1915 New Year's edition of the independent Jewish weekly Selbstwehr, then in 1919 as part of the collection Ein Landarzt (A Country Doctor). The Trial, however, was not published until 1925, after Kafka's death.
The parable is referenced and reworked in the penultimate chapter of J. M. Coetzee's novel Elizabeth Costello (2003). [2]
Jacques Derrida's essay of the same title examines the meta-fictional aspects of the structure and content of Kafka's fable, such as the placing of the title before the body of the text and also within the first line of the text itself. Derrida incorporates Immanuel Kant's notion of the categorical imperative as well as Freudian psychoanalysis in his reading of Kafka's fable. [3]
The 1990 Robert Anton Wilson book Quantum Psychology contains a parable about Before the Law.[ citation needed ]
The 1985 Martin Scorsese film After Hours features a scene which parodies this parable. [4]
The post-rock band Long Distance Calling uses the spoken animated introduction sequence from the Orson Welles film adaptation of The Trial in the track "Fire in the Mountain" from their 2007 album Satellite Bay .[ citation needed ]
American composer Arnold Rosner created "Parable of the Law", a work for baritone singer and orchestra, based on Kafka's parable. [5]
Giorgio Agamben references the parable in his book, Homo Sacer: Sovereign Power and Bare Life.
Mandy Patinkin's character references [6] the parable in an episode of The Good Fight .
Franz Kafka was an Austrian-Czech novelist and writer from Prague. He is widely regarded as a major figure of 20th-century literature; he wrote in German. His work fuses elements of realism and the fantastic. It typically features isolated protagonists facing bizarre or surrealistic predicaments and incomprehensible socio-bureaucratic powers. It has been interpreted as exploring themes of alienation, existential anxiety, guilt, and absurdity. His best known works include the novella The Metamorphosis and the novels The Trial and The Castle. The term Kafkaesque has entered English to describe absurd situations like those depicted in his writing.
The Trial is a novel written by Franz Kafka in 1914 and 1915 and published posthumously on 26 April 1925. One of his best-known works, it tells the story of Josef K., a man arrested and prosecuted by a remote, inaccessible authority, with the nature of his crime revealed neither to him nor to the reader. Heavily influenced by Dostoevsky's Crime and Punishment and The Brothers Karamazov, Kafka even went so far as to call Dostoevsky a blood relative. Like Kafka's two other novels, The Castle and Amerika, The Trial was never completed, although it does include a chapter that appears to bring the story to an intentionally abrupt ending.
Fable is a literary genre defined as a succinct fictional story, in prose or verse, that features animals, legendary creatures, plants, inanimate objects, or forces of nature that are anthropomorphized, and that illustrates or leads to a particular moral lesson, which may at the end be added explicitly as a concise maxim or saying.
The parable of the Good Samaritan is told by Jesus in the Gospel of Luke. It is about a traveler who is stripped of clothing, beaten, and left half dead alongside the road. A Jewish priest and then a Levite come by, both avoiding the man. A Samaritan happens upon him and, though Samaritans and Jews were generally antagonistic toward each other, helps him. Jesus tells the parable in response to a provocative question from a lawyer in the context of the Great Commandment: "And who is my neighbor?" The conclusion is that the neighbor figure in the parable is the one who shows mercy to their fellow man or woman.
John Maxwell Coetzee FRSL OMG is a South African and Australian novelist, essayist, linguist, translator and recipient of the 2003 Nobel Prize in Literature. He is one of the most critically acclaimed and decorated authors in the English language. He has won the Booker Prize (twice), the CNA Literary Award (thrice), the Jerusalem Prize, the Prix Femina étranger, and The Irish Times International Fiction Prize, and holds a number of other awards and honorary doctorates.
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After Hours is a 1985 American black comedy film directed by Martin Scorsese, written by Joseph Minion, and produced by Amy Robinson, Griffin Dunne, and Robert F. Colesberry. Dunne stars as Paul Hackett, an office worker who experiences a series of misadventures while attempting to make his way home from Manhattan's SoHo district during the night.
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The rich man and Lazarus is a parable of Jesus from the 16th chapter of the Gospel of Luke. Speaking to his disciples and some Pharisees, Jesus tells of an unnamed rich man and a beggar named Lazarus. When both die, the rich man goes to Hades and implores Abraham to send Lazarus from his bosom to warn the rich man's family from sharing his fate. Abraham replies, "If they do not listen to Moses and the Prophets, they will not be convinced even if someone rises from the dead."
Theophilus is the name or honorary title of the person to whom the Gospel of Luke and the Acts of the Apostles are addressed. It is thought that both works were written by the same author, and often argued that the two books were originally a single unified work. Both were written in a refined Koine Greek, and the name Θεόφιλος (Theophilos), as it appears therein, means friend of God or (be)loved by God or loving God in the Greek language. The true identity of Theophilus is unknown, with several conjectures and traditions around an identity. In English Theophilus is also written "Theophilos", both a common name and an honorary title among the learned (academic) Romans and Jews of the era. The life of Theophilus would coincide with the writing of Luke and the author of the Acts.
Elizabeth Costello is a 2003 novel by South African-born Nobel Laureate J. M. Coetzee.
Life & Times of Michael K is a 1983 novel by South African-born writer J. M. Coetzee. The novel won the Booker Prize for 1983. The novel is a story of a man named Michael K, who makes an arduous journey from Cape Town to his mother's rural birthplace, amid a fictitious civil war during the apartheid era, in the 1970-80s.
The Trial is a 1962 drama film written and directed by Orson Welles, based on the 1925 posthumously published novel of the same name by Franz Kafka. Welles stated immediately after completing the film: "The Trial is the best film I have ever made". The film begins with Welles narrating Kafka's parable "Before the Law" to pinscreen scenes created by the artists Alexandre Alexeieff and Claire Parker.
Godspell is a 1973 American musical comedy-drama film, an adaptation of the 1971 Off-Broadway musical Godspell, created by John-Michael Tebelak with music and lyrics by Stephen Schwartz.
The Morall Fabillis of Esope the Phrygian is a work of Northern Renaissance literature composed in Middle Scots by the fifteenth century Scottish makar, Robert Henryson. It is a cycle of thirteen connected narrative poems based on fables from the European tradition. The drama of the cycle exploits a set of complex moral dilemmas through the figure of animals representing a full range of human psychology. As the work progresses, the stories and situations become increasingly dark.
Foe is a 1986 novel by South African-born Nobel laureate J. M. Coetzee. Woven around the existing plot of Robinson Crusoe, Foe is written from the perspective of Susan Barton, a castaway who landed on the same island inhabited by "Cruso" and Friday as their adventures were already underway. Like Robinson Crusoe, it is a frame story, unfolded as Barton's narrative while in England attempting to convince the writer Daniel Foe to help transform her tale into popular fiction. Focused primarily on themes of language and power, the novel was the subject of criticism in South Africa, where it was regarded as politically irrelevant on its release. Coetzee revisited the composition of Robinson Crusoe in 2003 in his Nobel Prize acceptance speech.
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The Trial is an English-language opera in two acts, with music by Philip Glass to a libretto by Christopher Hampton, based on the 1925 eponymous novel by Franz Kafka. The opera was a joint commission between Music Theatre Wales, the Royal Opera House, Covent Garden, Theater Magdeburg and Scottish Opera.