The Cares of a Family Man

Last updated

"The Cares of a Family Man" (German: "Die Sorge des Hausvaters") is a short story by Franz Kafka, originally written in German, between 1914 and 1917 about a creature called Odradek.

Contents

The creature has drawn the attention of many philosophers and literary critics, who have all attempted to interpret its meaning; thus, there are numerous analyses of the text.

In 1919, the story appeared in Ein Landarzt. Kleine Erzählungen (A Country Doctor), a collection of Kafka's short stories published by Kurt Wolff (Munich and Leipzig). [1]

Etymology

The story, which is in the first-person narrative told entirely by the family man mentioned in the title, begins by discussing the etymological disparities associated with the word Odradek: [2]

Some say the word Odradek is of Slavonic origin, and try to account for it on that basis. Others again believe it to be of German origin, only influenced by Slavonic. The uncertainty of both interpretations allows one to assume with justice that neither is accurate, especially as neither of them provides an intelligent meaning of the word.

The narrator hopes that by discovering the meaning of the name, they will be able to clarify its purpose and origin, yet conclude that none of these derivations, neither German nor Slavic, can produce a sensible meaning of the word. This indicates that Odradek has no identifiable meaning, and therefore no apparent origin. [3]

Plot

The story deals with the narrator's attempt to make sense of the only additional character, Odradek, and gives a detailed description of the creature in the second paragraph:

At first glance it looks like a flat star-shaped spool for thread, and indeed it does seem to have thread wound upon it; to be sure, they are only old, broken-off bits of thread, knotted and tangled together, of the most varied sorts and colours. But it is not only a spool, for a small wooden crossbar sticks out of the middle of the star, and another small rod is joined to that at a right angle. [3]

These details offer the reader the ability to examine and criticize the purpose and necessities of objects for things or people such as Odradek. Odradek is described as an object, yet is also given a “hypothetical humanoid appearance” [4] when the narrator describes the object as being able to stand upright on two points of the star.

In the fourth paragraph the narrator states that Odradek has a lingering presence in his home, often not seen but his presence is noticeable. It is discovered that Odradek can speak, another human capability.

Throughout the story, the narrator provides an extensive analysis of Odradek, attempting to emphasize how the object has taken on a life of its own, displaying life like qualities and traits, as well as his silent relationship with the object.

The narrator's main concern about the creature Odradek is revealed in the final paragraph:

In vain I ask myself, what will happen to him. Can he die? Everything that dies has once had a sort of aim, a sort of activity, which has worn it out; this is not the case of Odradek. Will he therefore one day tumble down the stairs before the feet of my children and my children's children, trailing a line of thread after him? It's clear he does nobody any harm; but the notion that he might even outlive me is almost painful to me. [5]

The narrator fears that this purposeless object will outlive him. The family man, throughout the story, fears that Odradek will attack his role as the family man, the patriarchal figure in society.

Interpretations

Useless object

Odradek appears to represent an object with no clear purpose or apparent use. It appears not unlike an exhausted spool for thread, wound about by "old, broken-off bits of thread, knotted and tangled together, of the most varied sorts and colors". However, the text makes it explicit that there is no apparent use for the object. As such, scholars such as Samuel Rammelmeier have argued that the obscurity and uselessness of the object serves to create a foil for the narrator. [6] He argues that the object's apparent uselessness, when seen in light of the existential dread pervading the last paragraph, can be understood as underlining the narrator's lack of purpose. This is an opinion shared by Heinz Politzer when he states that Kafka's absurdist writing emphasizes the meaninglessness of its subjects' lives. [7] Such an interpretation can be compared to the nihilist tone of Kafka's better-known work, The Metamorphosis .

Critique of capitalism

Willi Goetschel analyzes "The Cares of a Family Man" from several perspectives. From the perspective of Marxist literary criticism the story might be a critique of capitalism in its last stage. Odradek represents commodities, it is "what is left of life once everything is reduced to materialism". [8]

Anya Meksin agrees that this interpretation is possible from a Marxist perspective. Odradek, being made of thread for mending, represents the world of manmade practical objects separated from the human work that produced them, and the relation between the house father and Odradek represents the alienated relation between worker and commodities he has produced. The idea that Odradek will survive the narrator and the anguish this situation causes to him can also be interpreted as the idea of commodities being inherited and transcend the worker who made them, but in such a way that the worker himself would be completely ignored. [9]

Objectification of memory

According to Goetschel, from a Freudian approach Odradek can be seen as "the psychological return of the repressed". In Freud's theory of repression, an unacknowledged trauma surfaces as unconscious associations and neuroses, which affect thought, memory and dreams. [10] Such an interpretation is supported by Kafka's letters and biography: in approximately 1921, he wrote a letter to Milena Jesenka in which he explains his mental disturbances in a distinctly Freudian light. [11] Furthermore, Kafka's Letter to His Father indicates that Kafka had suffered from emotional trauma due to his childhood, which lends biographical weight to this argument.

Religious interpretation

A religious perspective opens up another interpretation of the text. Goetschel indicates that the star-shaped form of the creature might represent tradition (specifically Jewish tradition), which is passed on from generation to generation and accumulates some more bits of "thread" in each generation.

According to Meksin, Odradek represents a rupture between the world of the family man and some other transcendent realm. It is immortal, and hides in shadows carrying a message from generation to generation, and witnessing it all. Meksin goes on to indicate that the physical description of Odradek with its wooden crossbar sticks joined to that at a right angle can also remind us of crucifixion.

While Rammelmeier argues against clean-cut metaphorical interpretations of the story, he acknowledges that Odradek possesses some supernatural qualities, such as disappearance and reappearance. [12] He states that these supernatural qualities are made all the more prominent by the text's otherwise objective or sachlich style. He adds that, due to the text's stylistic dryness, a reader who reads the story through an ideological lens may find evidence for any interpretation they may wish to hold. Nevertheless, the story's last passage and its concern with "my children's children", the object's apparent lack of purpose, the ephemeral qualities of Odradek, the religious symbolism of the transverse rod and the star shape, and the mention of death in the last line of the story provide textual evidence for associations of Odradek to religion, or at least cultural traditions. [12]

Odradek as complement

Slavoj Žižek emphasizes in his analysis that Odradek "once had some sort of intelligible shape and is now only a broken-down remnant," and as such it should be part of a whole. The relation between the narrator (a family man, a father) and the creature could be this whole: Odradek might be the complement of the narrator, who would also be broken down, with part of him transferred into Odradek. That is why Odradek is something a family man has to care for. [13]

Related Research Articles

<i>The Metamorphosis</i> 1915 novella by Franz Kafka

The Metamorphosis is a novella by Franz Kafka published in 1915. Its title has also been translated as The Transformation. One of Kafka's best-known works, The Metamorphosis tells the story of salesman Gregor Samsa, who wakes one morning to find himself inexplicably transformed into a huge insect and struggles to adjust to this condition. The novella has been widely discussed among literary critics, who have offered varied interpretations. In popular culture and adaptations of the novella, the insect is commonly depicted as a cockroach.

In literature and writing, stylistic devices are a variety of techniques used to give an auxiliary meaning, idea, or feeling.

<i>The Castle</i> (novel) 1926 novel by Franz Kafka

The Castle is the last novel by Franz Kafka. In it a protagonist known only as "K." arrives in a village and struggles to gain access to the mysterious authorities who govern it from a castle supposedly owned by Graf Westwest.

<span class="mw-page-title-main">The Judgment</span> Short story by Franz Kafka

"The Judgment", also translated "The Verdict", is a short story written by Franz Kafka in 1912, concerning the relationship between a man and his father.

"A Report to an Academy" is a short story by Franz Kafka, written and published in 1917. In the story, an ape named Red Peter, who has learned to behave like a human, presents to an academy the story of how he effected his transformation. The story was first published by Martin Buber in the German monthly Der Jude, along with another of Kafka's stories, "Jackals and Arabs". The story appeared again in a 1919 collection titled Ein Landarzt.

<i>Kafka on the Shore</i> 2002 novel by Haruki Murakami

Kafka on the Shore is a 2002 novel by Japanese author Haruki Murakami. Its 2005 English translation was among "The 10 Best Books of 2005" from The New York Times and received the World Fantasy Award for 2006. The book tells the stories of the young Kafka Tamura, a bookish 15-year-old boy who runs away from his Oedipal curse, and Satoru Nakata, an old, disabled man with the uncanny ability to talk to cats. The book incorporates themes of music as a communicative conduit, metaphysics, dreams, fate, and the subconscious.

<i>Sanatorium Under the Sign of the Hourglass</i> Novel by Bruno Schulz

Sanatorium Under the Sign of the Hourglass is the English title of Sanatorium Pod Klepsydrą, a novel by the Polish writer and painter Bruno Schulz, published in 1937.

<span class="mw-page-title-main">Representation (arts)</span> Signs that stand in for and take the place of something else

Representation is the use of signs that stand in for and take the place of something else. It is through representation that people organize the world and reality through the act of naming its elements. Signs are arranged in order to form semantic constructions and express relations.

<span class="mw-page-title-main">Dagon (short story)</span> 1919 short story by H. P. Lovecraft

"Dagon" is a short story by American author H. P. Lovecraft. It was written in July 1917 and is one of the first stories that Lovecraft wrote as an adult. It was first published in the November 1919 edition of The Vagrant. Dagon was later published in Weird Tales in October 1923. It is considered by many to be one of Lovecraft's most forward-looking stories.

"Josephine the Singer, or the Mouse Folk" is the last short story written by Franz Kafka. It deals with the relationship between an artist and her audience. The story was included in the collection A Hunger Artist published by Verlag Die Schmiede soon after Kafka's death.

<span class="mw-page-title-main">A Country Doctor (short story)</span> Short story by Franz Kafka

A Country Doctor” is a short story written in 1917 by Franz Kafka. It was first published in the collection of short stories of the same title. In the story, a country doctor makes an emergency visit to a sick patient on a winter night. The doctor faces absurd, surreal predicaments that pull him along and finally doom him.

<span class="mw-page-title-main">Before the Law</span> Short story by Franz Kafka

"Before the Law" is a parable contained in the novel The Trial, by Franz Kafka. "Before the Law" was published twice in Kafka's lifetime, first in the 1915 New Year's edition of the independent Jewish weekly Selbstwehr, then in 1919 as part of the collection Ein Landarzt. The Trial, however, was not published until 1925, after Kafka's death.

<i>Contemplation</i> (short story collection) Collection of short stories by Franz Kafka

Betrachtung is a collection of eighteen short stories by Franz Kafka written between 1904 and 1912. It was Kafka's first published book, printed at the end of 1912 in the Rowohlt Verlag on an initiative by Kurt Wolff.

<span class="mw-page-title-main">Franz Kafka bibliography</span>

Franz Kafka, a German-language writer of novels and short stories who is regarded by critics as one of the most influential authors of the 20th century, was trained as a lawyer and later employed by an insurance company, writing only in his spare time.

"Jackals and Arabs" is a short story by Franz Kafka, written and published in 1917. The story was first published by Martin Buber in the German monthly Der Jude. It appeared again in the collection Ein Landarzt in 1919.

<span class="mw-page-title-main">Up in the Gallery</span> Short story by Franz Kafka

"Up in the Gallery" is a short piece of fiction written by Franz Kafka. It was created between November 1916 and February 1917 and published in the collection Ein Landarzt in 1919. The story offers two versions of a scene in which a young man watches a circus ringmaster and a woman on horseback.

"The Bucket Rider" is a short story by Franz Kafka, written in 1917. It first appeared in the Prager Presse in 1921 and was published posthumously in Beim Bau der Chinesischen Mauer. The first English translation, by Willa and Edwin Muir, was published by Martin Secker in London in 1933. It also appeared in The Great Wall of China. Stories and Reflections.

<span class="mw-page-title-main">Odradek Records</span> American cooperative record label

Odradek Records is a cooperative, non-profit record label that releases recordings of classical music.

<i>A Country Doctor</i> (short story collection) Collection of short stories by Franz Kafka

A Country Doctor is a collection of short stories written mostly in 1917 by Franz Kafka, containing the story of the same name. Kurt Wolff published it in 1919 as the second collection of stories by Kafka, after Betrachtung.

<i>A Spool of Blue Thread</i> 2015 novel by Anne Tyler

A Spool of Blue Thread, published in 2015, is Anne Tyler’s 20th novel.

References

  1. Kafka, Franz. The Complete Stories. Translated by Willa and Edwin Muir. New York City: Schocken Books, 1995. 473.
  2. Gray, Goebel, Gross, Richard, Rolf, Ruth (2005). An Encyclopedia of Franz Kafka. Connecticut: Greenwood Press. p. 254.{{cite book}}: CS1 maint: multiple names: authors list (link)
  3. 1 2 Muir, Willa and Edwin. "The Cares of a Family Man" (PDF). Retrieved 2018-05-14.
  4. Lucht, Marc (2010). Kafka's Creatures. United Kingdom: Lexington Books. p. 159.
  5. Muir, Willis and Edwin. "The Cares of a Family Man" (PDF). Retrieved 2018-05-14.
  6. Goetschel, Willi. "Kafka's Dis/Enchanted World". Columbia University.
  7. Meksin, Anya. "Ragged Bits of Meaning, Wound on a Star Shaped Spool for Thread (The Cares of a Family Man)".
  8. Goetschel, Willi. Columbia University, Kafka's Dis/Enchanted World Archived 2008-10-11 at the Wayback Machine
  9. Meksin, Anya. "Ragged Bits of Meaning, Wound on a Star Shaped Spool for Thread (The Cares of a Family Man)" (PDF).
  10. Kihlstrom, John F. Suffering from reminiscences: Exhausted memory, implicit memory, and the return of the repressed. Recovered Memories and False Memories. pp. 100–112.
  11. Eric Marson & Keith Leopold (March 1964). "Kafka, Freud, and "Ein Landarzt"". The German Quarterly. 37 (2): 149.
  12. 1 2 Rammelmeier, Samuel (Fall 1987). "Notizen auf den Zweck Odradeks in Kafkas "Die Sorge des Hausvaters"". Monatshefte. 79 (2): 247–269.
  13. Zizek, Slavoj. "The Parallax View".