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"Bring Flowers of the Rarest" (also known as the Fairest) is a Marian hymn written by Mary E. Walsh. It was published as the "Crowning Hymn" in the Wreath of Mary 1871/1883 and later in St. Basil's Hymnal (1889).[ citation needed ] The hymn is frequently sung during a May Crowning service, one of several May devotions to the Blessed Virgin Mary. [1] [2]
Queen of Heaven is a title given to the Virgin Mary, by Christians mainly of the Catholic Church and, to a lesser extent, in Anglicanism, Lutheranism, and Eastern Orthodoxy. The title has long been a tradition, included in prayers and devotional literature and seen in Western art in the subject of the Coronation of the Virgin from the High Middle Ages, long before it was given a formal definition status by the Church.
The following are Roman Catholic prayers to Saint Joseph.
"For All the Saints" was written as a processional hymn by William Walsham How, who was ultimately the Anglican Bishop of Wakefield. The hymn was first printed in Hymns for Saints' Days, and Other Hymns, by Earl Nelson, 1864.
"Regina caeli" is a musical antiphon addressed to the Blessed Virgin Mary that is used in the liturgy of the Roman Rite of the Catholic Church during the Easter season, from Easter Sunday until Pentecost. During this season, it is the Marian antiphon that ends Compline and it takes the place of the traditional thrice-daily Angelus prayer.
The "Salve Regina", also known as the "Hail Holy Queen", is a Marian hymn and one of four Marian antiphons sung at different seasons within the Christian liturgical calendar of the Catholic Church. The Salve Regina is traditionally sung at Compline in the time from the Saturday before Trinity Sunday until the Friday before the first Sunday of Advent. The Hail Holy Queen is also the final prayer of the Rosary.
Marian hymns are Christian songs focused on Mary, mother of Jesus. They are used in both devotional and liturgical services, particularly by the Roman Catholic, Eastern Orthodox, Oriental Orthodox, Anglican, and Lutheran churches. They are often used in the month of May devotions. Some have also been adopted as Christmas hymns. Marian hymns are not popular among some Protestants, as they see Marian veneration as idolatry. However, the practice is very common among Christians of Catholic traditions, and a key component of the Eastern Orthodox liturgy. There are many more hymns to Mary within the Eastern Orthodox yearly cycle of liturgy than in Roman Catholic liturgy.
"Alma Redemptoris Mater" is a Marian hymn, written in Latin hexameter, and one of four seasonal liturgical Marian antiphons sung at the end of the office of Compline.
The Prayer to Our Lady of Mount Carmel is a prayer in the Roman Catholic Church. It is a part of a novena for prayer beginning on July 7, July 8, and in time of need.
"For the Beauty of the Earth" is a Christian hymn by Folliott S. Pierpoint (1835-1917).
Thanksgiving after Communion is a spiritual practice among Christians who believe in the Real Presence of Jesus Christ in the Communion bread, maintaining themselves in prayer for some time to thank God and especially listening in their hearts for guidance from their Divine guest. This practice was and is highly recommended by saints, theologians, and Doctors of the Church.
Catholic tradition and Mariology include specific prayers and devotions as acts of reparation for perceived insults and blasphemies against Mary, mother of Jesus, often known as the Blessed Virgin Mary to Catholics. Similar prayers as Acts of Reparation to Jesus Christ and Acts of Reparation to The Holy Trinity also exist.
May devotions to the Blessed Virgin Mary refer to special Marian devotions held in the Catholic Church during the month of May honoring Mary, mother of God as "the Queen of May". These services may take place inside or outside. A "May Crowning" is a traditional Roman Catholic ritual that occurs in the month of May.
Marian feast days in the liturgical year are celebrated in honour of the Blessed Virgin Mary. The number of Marian feasts celebrated, their names can vary among Christian denominations.
The veneration of Mary in the Catholic Church encompasses various devotions which include prayer, pious acts, visual arts, poetry, and music devoted to her. Popes have encouraged it, while also taking steps to reform some manifestations of it. The Holy See has insisted on the importance of distinguishing "true from false devotion, and authentic doctrine from its deformations by excess or defect". There are significantly more titles, feasts, and venerative Marian practices among Roman Catholics than in other Western Christian traditions. The term hyperdulia indicates the special veneration due to Mary, greater than the ordinary dulia for other saints, but utterly unlike the latria due only to God.
Saint Louis de Montfort's Prayer to Jesus is a reflection of his philosophy of "total consecration to Jesus Christ through Mary", a theme that centuries later influenced the development of Roman Catholic Mariology.
"Immaculate Mary" or "Immaculate Mother" is a popular Roman Catholic Marian hymn. It is also known as the Lourdes Hymn, a term which also refers to the hymn tune itself. It is often sung in honour of the Immaculate Conception of the Blessed Virgin Mary.
"All Glory, Laud and Honour" is an English translation by the Anglican clergyman John Mason Neale of the Latin hymn "Gloria, laus et honor", which was written by Theodulf of Orléans in 820. It is a Palm Sunday hymn, based on Matthew 21:1–11 and the occasion of Christ's triumphal entry into Jerusalem.
Rosa Mystica is a poetic title of Mary. One form of Marian devotion is invoking Virgin Mary's prayers by calling upon her using a litany of diverse titles, and the title 'Mystical Rose' is found in the Litany of Loreto. It is also a Catholic title of Our Lady based on the Marian apparitions reported between 1947 and 1966 by Pierina Gilli at Montichiari and Fontanelle, in Italy.
Salve Regina is a composition for organ by Olivier Latry, a meditation of the Latin hymn "Salve Regina". Each of the seven movements reflects one line of the hymn which can optionally be sung in chant before the related movement. The work was first performed on 9 October 2007 by the composer at Notre Dame in Paris, recorded there and published by Gérard Billaudot.
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