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"Quem terra, pontus, sidera", also known by its more ancient name, "Quem terra, pontus, aethera", is a latin-language Christian hymn in long metre, in honour of the virgin Mary, mother of Jesus, attributed to Venantius Fortunatus.
The Roman Breviary divides it into two parts: the first, beginning with "Quem terra, pontus, sidera", assigned to Matins; the second, beginning with "O gloriosa virginum", similarly assigned to Lauds. Both parts conclude with the doxology of Marian hymns, "Jesu tibi sit gloria etc." As found in breviaries following the reforms of Urban VIII and preceding the reforms of Paul VI, the hymns are revisions, in the interest of classical prosody, of the older hymn, "Quem terra, pontus, æthera", found in many old breviaries and in manuscripts dating from the eighth century. Its ancient form was restored in the modern Liturgy of the Hours. In the Cistercian office it was sung officially at Compline during Advent. Sometimes it was divided into two parts, as in the Roman Breviary, the second part beginning with "O gloriosa Domina" (or "femina").
The Roman Breviary is a breviary of the Roman Rite in the Catholic Church. A liturgical book, it contains public or canonical prayers, hymns, the Psalms, readings, and notations for everyday use, especially by bishops, priests, and deacons in the Divine Office.
Vespers is a liturgy of evening prayer, one of the canonical hours in Catholic, Eastern Orthodox, Oriental Orthodox, and Lutheran liturgies. The word for this prayer time comes from the Latin vesper, meaning "evening".
Matins is a canonical hour in Christian liturgy, originally sung during the darkness of early morning.
Lauds is a canonical hour of the Divine office. In the Roman Rite Liturgy of the Hours it is one of the major hours, usually held after Matins, in the early morning hours.
Vexilla regis prodeunt is a Latin hymn in long metre by the Christian poet and saint Venantius Fortunatus, Bishop of Poitiers. It takes its title from its incipit.
The Liturgy of the Hours, Divine Office, or Opus Dei are a set of Catholic prayers comprising the canonical hours, often also referred to as the breviary, of the Latin Church. The Liturgy of the Hours forms the official set of prayers "marking the hours of each day and sanctifying the day with prayer." The term "Liturgy of the Hours" has been retroactively applied to the practices of saying the canonical hours in both the Christian East and West–particularly within the Latin liturgical rites–prior to the Second Vatican Council, and is the official term for the canonical hours promulgated for usage by the Latin Church in 1971. Before 1971, the official form for the Latin Church was the Breviarium Romanum, first published in 1568 with major editions through 1962.
The Office of the Dead or Office for the Dead is a prayer cycle of the Canonical Hours in the Catholic Church, Anglican Church and Lutheran Church, said for the repose of the soul of a decedent. It is the proper reading on All Souls' Day for all departed souls (Purgatory), and can be a votive office on other days when said for a particular decedent. The work is composed of different psalms, scripture, prayers and other parts, divided into The Office of Readings, Lauds, Daytime Prayer, Vespers and Compline.
Marcin Mielczewski was, together with his tutor Franciszek Lilius and Bartłomiej Pękiel, among the most notable Polish composers in the 17th century.
The Benedictine Rite is the particular form of Mass and Liturgy celebrated by the Benedictine Order, as based on the writings of St. Benedict on the topic.
The Ambrosian hymns are a collection of early hymns of the Latin liturgical rites, whose core of four hymns were by Ambrose of Milan in the 4th century.
Te lucis ante terminum is an old Latin hymn in long metre. It is the hymn at Compline in the Roman Breviary.
A liturgical book, or service book, is a book published by the authority of a church body that contains the text and directions for the liturgy of its official religious services.
Long metre or long measure, abbreviated as L.M. or LM, is a poetic metre consisting of four line stanzas, or quatrains, in iambic tetrameter with alternate rhyme pattern ABAB. The term is also used in the closely related area of hymn metres. When the poem is used as a sung hymn, the metre of the text is denoted by the syllable count of each line; for long metre, the count is denoted by 8.8.8.8, 88.88, or 88 88, depending on style.
Sidera can be:
"A solis ortus cardine" is a poem by Coelius Sedulius, recounting Christ's life from his birth to his resurrection. Its 23 verses each begin with a consecutive letter of the Latin alphabet, making the poem an abecedarius. It is one of the oldest parts of the Roman Catholic liturgy, with two hymns formed from the first seven and four later verses. There have been monastic translations into Anglo-Saxon and later translations into other languages, most notably the German versification of Martin Luther during the Reformation. The original Latin hymn and Luther's translation have been set for chorus and organ by many composers including Dufay, di Lasso, Praetorius, Palestrina, Scheidt, de Grigny and Bach.
A breviary is a liturgical book used in Christianity for praying the canonical hours, usually recited at seven fixed prayer times.
Conditor alme siderum is a seventh-century Latin hymn used during the Christian liturgical season of Advent. It is also known in English as Creator of the Stars of Night, from a translation by J.M. Neale.
The Cistercian Hymnal is a compilation of the ancient texts and melodies sung by Cistercian monks and nuns during the Liturgy of the Hours. This collection of hymns influenced the Cistercian Order's identity, since early abbots emphasized the compositions' musical quality. The hymnal developed in the course of the centuries.
Iste confessor is a Latin hymn used in the Divine Office at Lauds and Vespers on feasts of confessors. It exists in two forms. Iste confessor Domini sacratus is the original 8th Century hymn and Iste confessor Domini colentes is a 1632 edition, published by Pope Urban VIII with improved Latin style. The hymn is written in Sapphic and Adonic meter.
Elpis, also known as Elphe or Elpide, was a Latin poet and hymnographer, and the first wife of Severinus Boethius. Two hymns of praise to the apostles Peter and Paul are traditionally attributed to her.
This article incorporates text from a publication now in the public domain : Herbermann, Charles, ed. (1913). "Quem terra, pontus, sidera". Catholic Encyclopedia . New York: Robert Appleton Company.