The Hail Mary or Angelical salutation is a traditional Catholic prayer addressing Mary, the mother of Jesus. The prayer is based on two biblical passages featured in the Gospel of Luke: the Angel Gabriel's visit to Mary and Mary's subsequent visit to Elisabeth, the mother of John the Baptist. It is also called the Angelical Salutation, as the prayer is based on the Archangel Gabriel's words to Mary. The Hail Mary is a prayer of praise for and of petition to Mary, regarded as the Theotokos. Since the 16th century, the version of the prayer used in the Catholic Church closes with an appeal for her intercession. The prayer takes different forms in various traditions and has often been set to music.
Ave verum corpus is a short Eucharistic chant that has been set to music by many composers. It dates to the 13th century, first recorded in a central Italian Franciscan manuscript. A Reichenau manuscript of the 14th century attributes it to Pope Innocent
The Angelus is a Catholic devotion commemorating the Incarnation of Christ. As with many Catholic prayers, the name Angelus is derived from its incipit—the first few words of the text: Angelus Domini nuntiavit Mariæ. The devotion is practised by reciting as versicle and response three Biblical verses narrating the mystery, alternating with the prayer "Hail Mary". The Angelus exemplifies a species of prayers called the "prayer of the devotee".
"Ellens dritter Gesang", in English: "Ellen's Third Song", was composed by Franz Schubert in 1825 as part of his Op. 52, a setting of seven songs from Walter Scott's 1810 popular narrative poem The Lady of the Lake, loosely translated into German.
"Regina caeli" is a musical antiphon addressed to the Blessed Virgin Mary that is used in the liturgy of the Roman Rite of the Catholic Church during the Easter season, from Easter Sunday until Pentecost. During this season, it is the Marian antiphon that ends Compline and it takes the place of the traditional thrice-daily Angelus prayer.
O magnum mysterium is a responsorial chant from the Matins of Christmas.
The Ave Maria is a traditional Christian prayer addressing Mary, mother of Jesus.
Franz Xaver Biebl was a German composer of classical music. Most of his compositions were for choral ensembles.
Dominic of Prussia was a Carthusian monk and ascetical writer. He is credited with a popular early form of the Rosary which focused on meditation.
In Christian liturgical worship, Preces, also known in Anglican prayer as the Suffrages or Responses, describe a series of short petitions said or sung as versicles and responses by the officiant and congregation respectively. Versicle-and-response is one of the oldest forms of prayer in Christianity, with its roots in Hebrew prayer during the time of the Temple in Jerusalem. In many prayer books the versicles and responses comprising the Preces are denoted by special glyphs:
The Feast of the Annunciation commemorates the visit of the archangel Gabriel to the Virgin Mary, during which he informed her that she would be the mother of Jesus Christ, the Son of God. It is celebrated on 25 March; however, if 25 March falls either in Holy Week or in Easter Week, the feast is postponed to the Monday after the Second Sunday of Easter.
Jaakko Mäntyjärvi is a Finnish composer of classical music, and a professional translator.
"Angelus ad virginem" is a medieval carol whose text is a poetic version of the Hail Mary and the Annunciation by the archangel Gabriel to the Virgin Mary.
Three Hail Marys are a traditional Roman Catholic devotional practice of reciting Hail Marys as a petition for purity and other virtues. Believers recommend that it be prayed after waking in the morning, and before going to bed. This devotion has been recommended by SS. Anthony of Padua, Alphonsus Liguori, John Bosco and Leonard of Port Maurice. Two saints, Mechtilde and Gertrude the Great, are said to have received revelations from the Blessed Virgin Mary regarding this practice.
Rihards Dubra is a Latvian composer. Many of his works are religiously influenced, including a Te Deum and an Alma Redemptoris Mater for soprano saxophone, choir, and organ.
The veneration of Mary in the Catholic Church encompasses various devotions which include prayer, pious acts, visual arts, poetry, and music devoted to her. Popes have encouraged it, while also taking steps to reform some manifestations of it. The Holy See has insisted on the importance of distinguishing "true from false devotion, and authentic doctrine from its deformations by excess or defect". There are significantly more titles, feasts, and venerative Marian practices among Roman Catholics than in other Western Christian traditions. The term hyperdulia indicates the special veneration due to Mary, greater than the ordinary dulia for other saints, but utterly unlike the latria due only to God.
Roger Rossi is an American pianist, accompanist, vocalist, bandleader, published author and composer born Roger Rossitto, in Brooklyn, New York. He is the son of concert violinist Vincent Rossitto, who graduated from the Royal Conservatory of Bellini in Palermo, Sicily and performed on many of the great stages of Italy including Teatro Massimo.
There are differing views on the history of the rosary, a Christian prayer rope, cord or chain used to count specific prayers, commonly as a Marian devotion. The exact origin of the rosary as a prayer is less than clear and subject to debate among scholars. The use of knotted prayer ropes in Christianity goes back to the Desert Fathers in the 3rd and early 4th centuries. These counting devices were used for prayers such as the Jesus Prayer in Christian monasticism. The period after the Council of Ephesus in 431 witnessed gradual growth in the use of Marian prayers during the Middle Ages.
Ave Maria, WAB 6, is a sacred motet by Anton Bruckner, a setting of the Latin prayer Ave Maria. He composed it in Linz in 1861 and scored the short work in F major for seven unaccompanied voices. The piece, sometimes named an Offertorium, was published in Vienna in 1867. Before, Bruckner composed the same prayer in 1856 for soprano, alto, a four-part mixed choir, organ and cello, WAB 5. Later, he set the text in 1882 for a solo voice (alto) and keyboard, WAB 7.
Ave Maria, WAB 5, is a setting of the Latin prayer Ave Maria by Anton Bruckner.
