Two songs—"Jaane Tu" and "Aaya Re Toofan"—were released as singles on 31 January and 6 February 2025. The album was distributed by Sony Music India and released on 12 February at a music launch-cum-live concert held at the Nita Mukesh Ambani Cultural Centre in Mumbai. The soundtrack and score received mixed response, with criticism directed on the use of contemporary instruments and soundings in a period film resulting in it being unsuitable for the film's historical themes.[1]
Development
The film's musical score and soundtrack were composed by A. R. Rahman, who earlier collaborated with Laxman on Mimi (2021).[2] Rahman received the offer to score for Chhaava, when he finished composing for Ponniyin Selvan: I and II. Though initially hesitant, Laxman admitted that the film was completely different to the two-part series and wanted a global sound to the story.[2] Despite being musically driven, Rahman provided a subtle approach for the film, adding that "When people come out, they just feel the movie. They don’t say how great the music is, they say, ‘What a great movie, what a great performance.’ That’s what music should do. It should enhance in a subliminal way where everything is heightened — the action and the characters."[2]
The first theme he wrote, was for the protagonist Chatrapati Sambhaji Maharaj (Kaushal), which he tuned after Utekar suggested a theme that emphasizes the king's glory. He composed multiple variations of the theme before the final version. The song "Jaane Tu" was also the first of the tunes that came, as "we went all around trying different ideas and then ultimately came back to this tune". The tune appears in multiple instances, while its purpose was signified in the climatic portions, where it becomes the voice of his wife coming back and embodied their telepathic spiritual relationship.[2]
Rahman refrained from using any ideas when it comes for composing historical films, but to provide the story and visuals, a contemporary feel which would resonate with the current generation audiences.[2]
Release
The album was preceded by the first single "Jaane Tu", which released on 31 January 2025.[3][4] It is a romantic ballad picturized on Kaushal and Mandanna, and featured vocals by Arijit Singh.[5][6] The second single titled "Aaya Re Toofan" was released on 6 February 2025.[7][8] The film's music launch was held on 12 February 2025 at the Nita Mukesh Ambani Cultural Centre in Mumbai.[9] The cast and crew felicitated the event, which also featured live performance of the songs by Rahman and his musical team.[10][11] The album will be distributed in vinyl LP formats, by the music company Blisstainment with an expected release in March 2025.[12]
The music received mixed reception from critics and audiences, who noted Rahman's use of contemporary sounds being "out of place" for a period film set in the 17th century.[1] Devesh Sharma of Filmfare noted "While AR Rahman’s background score is typically masterful, the use of electric guitar in the midst of tense sequences, reminiscent of Wagner’s Ride of the Valkyries, feels out of place in a period drama. A more culturally rooted score, using Indian tunes and instruments, would have better suited the historical setting."[13] Prasanna D. Zore of Rediff.com criticised that "A R Rahman has become monotonous with his melodies after Lagaan."[14] Nandini Ramnath of Scroll.in and Pratikshya Mishra of The Quint also remarked as "deafening" and "ill-fitting".[15] Mishra further summarized that "in isolation, perhaps these tunes, loud as they are in the film, could work. But on screen, in a film set after 1680, it’s so disjointed. This is a soundtrack for a modern film; not a period drama."[16]
In contrast, Ganesh Aaglave of Firstpost said "A.R Rahman’s music, BGM and scores blends beautifully with the narrative and enhances the storytelling."[17] Nishad Thalaivappil of News18 wrote "The theme track of the film, Aaya Re Toofan, along with the two soulful melodies, Jaane Tu and Zinda Rahey, already makes this album a strong contender for the music accolades. However, the background score might just take you on a trip to Jodha Akbar, as it sounds slightly similar here and there."[18]
Personnel
Music composed, produced, arranged and programmed by: A. R. Rahman
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