This article needs additional citations for verification .(June 2009) |
Chocolate and Cheese | ||||
---|---|---|---|---|
![]() | ||||
Studio album by | ||||
Released | September 27, 1994 [1] | |||
Recorded | 1994 | |||
Genre | ||||
Length | 55:00 | |||
Label | Elektra | |||
Producer | Andrew Weiss | |||
Ween chronology | ||||
| ||||
Singles from Chocolate and Cheese | ||||
|
Chocolate and Cheese is the fourth studio album by the American rock band Ween, originally released by Elektra Records in 1994. It was the first Ween album to be recorded in a professional studio, in contrast to the four-track home recordings of The Pod and Pure Guava . However, most of the instruments were still played by Dean and Gene Ween, including their drum machine.
Ween's previous two albums The Pod (1991) and Pure Guava (1992) had been recorded in a very lo-fi setting – the band only had access to their guitars and a four-track cassette TASCAM Portastudio; the albums were recorded in their apartment (nicknamed "The Pod", hence the name of their second album). Having signed to major label Elektra Records, Ween now had access to better resources to record. In addition, drummer Claude Coleman Jr. joined the band, meaning they had live instrumentation as opposed to relying on a drum machine.
As a result, Chocolate and Cheese ended up sounding more hi-fi than Ween's prior works. The sound is clearer due to having been recorded digitally as opposed to the tapes that the first three albums were done on, and the resources the band now had meant they could experiment more than they did in the previous lo-fi set up.
The album is dedicated to comedian John Candy, who died while Ween was putting the album together. "A Tear for Eddie" was dedicated to Parliament-Funkadelic guitarist Eddie Hazel, who died in 1992. In a 2011 interview, Gene Ween credited a Spanish lesson on Sesame Street with inspiring "Buenas Tardes Amigo". [2] The album's title is phonetically similar to the British saying "chalk and cheese", a way of saying that two items have nothing in common.
In an interview with Hank Shteamer during the writing of the 33⅓ book about Chocolate and Cheese, Dean Ween said that the original idea for the album art was to "get a sailor, like a gay sailor, in red, white and blue wearing the belt", [3] but the studio rejected this idea, thinking it was inappropriate.
Gene Ween claims to have come up with the idea for the album art that ended up being made, saying "I had it sketched out ... I remember telling Mickey how the top of the [shirt] would cut out right below the nipple line and so it was very important to have big breasts with a large 'under portion'". The creative director of Reiner Design Consultants, Roger Gorman, stated that they were given the direction to make it look like an album cover by the Ohio Players. [4]
The model for the album art was Ashley Savage, and photography was done by John Kuczala. In the early 2000s, the cover was voted "sexiest album cover of all time" by readers of Playboy.com. [5]
Review scores | |
---|---|
Source | Rating |
AllMusic | ![]() ![]() ![]() ![]() ![]() |
Chicago Sun-Times | ![]() ![]() ![]() ![]() |
Entertainment Weekly | B [7] |
NME | 6/10 [8] |
Pitchfork | 9.0/10 [9] |
Q | ![]() ![]() ![]() ![]() ![]() |
The Rolling Stone Album Guide | ![]() ![]() ![]() ![]() ![]() |
Select | 4/5 [12] |
Spin Alternative Record Guide | 8/10 [13] |
Uncut | 9/10 [14] |
In her review of Chocolate and Cheese for Spin , Terri Sutton observed that Ween "seems to have potty-trained its predilection for lengthy funk deconstructions", limiting their "Prince/Brothers Johnson fixation" to "a prized few taut, sexy saunters" and elsewhere exploring new musical territory by taking influence from Southern rock, Philadelphia soul, and disco, among other styles. [15] "Certifiably insane and dangerously insidious," Paul Rees wrote in Select , "Chocolate and Cheese is the finest argument for dropping out and tuning in to Ween's parallel universe." [12]
Entertainment Weekly 's Dimitri Ehrlich was more reserved in his praise, likening Ween to "someone so impossibly weird it almost gives you a headache – yet you think about the things that person said for weeks". [7] Mark Sutherland of NME called Chocolate and Cheese "more like a trip round a very odd compilation than a proper, coherent album", advising listeners "to tape the best bits and ponder on why Ween don't just stop mucking about and record an entire album's worth of similar gems." [8] Robert Christgau selected "Spinal Meningitis (Got Me Down)" as the sole "choice cut" from the album in The Village Voice . [16]
Retrospectively, AllMusic critic Heather Phares lauded Chocolate and Cheese as "a brilliant fusion of pop and gonzo humor" and "arguably Ween's finest moment", which "proved for once and all that along with their twisted sense of humor and wide musical vocabulary, Dean and Gene are also impressive songwriters." [1] Similarly, Pitchfork reviewer Stuart Berman wrote that it showed "that when you scraped away the cruddy production and pitch-shifting chicanery that defined their previous records, Ween were undeniable pop songwriters." [9] Rob Hughes of Uncut found that despite Ween's many "audacious stylistic turns" throughout Chocolate and Cheese, "the songs are so good they transcend notions of pastiche", concluding that the album, while sometimes crossing "the limits of acceptable taste", documents the band's "sheer verve, ideas and invention". [14]
In 2014, Guitar World included Chocolate and Cheese on its list of "50 Iconic Albums That Defined 1994". [17] The entire album was played live as part of the group's setlist at the Desert Daze festival in California on October 12, 2019. [18]
"I Can't Put My Finger on It" served as the title track of an EP released by Elektra in 1994, which also included the tracks "A Tear for Eddie", "Now I'm Freaking Out", and "Bakersfield". The same year, "Voodoo Lady" was released by the New Zealand label Flying Nun Records as a 7" single, with "Buenas Tardes Amigo" on the B-side; both songs were also issued on the Voodoo Lady EP in CD format, along with the tracks "There's a Pig" and "Vallejo". "Freedom of '76" was the title track of an EP released by Flying Nun in 1995, which included two versions of the title track plus "Now I'm Freaking Out" and "Pollo Asado".
The first music video for the album was "I Can't Put My Finger on It", followed by "Voodoo Lady", and "Freedom of '76", filmed circa March 1995. [19] CKY guitarist (and dedicated Ween fan) Chad Ginsburg appeared in the "Freedom of '76" promo video as an extra shouting at Gene and Dean after they stole the Liberty Bell.
"Voodoo Lady" can be heard in the films Road Trip and Dude, Where's My Car? , as well as the original version of "In the Bathroom", a skit from the sketch comedy show The State , while the album track "Buenas Tardes Amigo" was featured in the German films Lammbock and Herr Lehmann .
On top of the Elektra Records release (Elektra 61639-2 US 1994), Chocolate and Cheese was pressed and distributed by the label Grand Royal in the US in 1994 as a 2 LP non-gatefold version (Grand Royal GR 010 US 1994). Flying Nun released two different versions in 1994, one of which came with a bonus 7" single (Flying Nun Records FN314 Europe 1994, no 7") and (Flying Nun Records FNSP314 UK 1994, with 7").
Note that there is a catalog number for the vinyl issue by Elektra Records, but there is no confirmation it was pressed on vinyl at this time, possibly only in promo edition.
A number of songs on Chocolate and Cheese have been covered by a variety of other artists in the years since its release.
On June 7, 2024, Ween announced they would be releasing a deluxe edition of Chocolate and Cheese to commemorate the album's 30th anniversary, with a release date of August 2, 2024. [25] The deluxe edition features both remasters of the original tracks done by Bernie Grundman, [26] as well as 15 previously unreleased tracks. [27] One of these tracks, "Junkie Boy", was released as a single the same day as the announcement. On July 19, a second single was released for the 30th anniversary edition, a demo version of "Voodoo Lady".
The deluxe edition came packaged with a booklet written by Dean Ween giving more details about the album's production, revealing alternate track lists that were considered, giving stories of the album's making, and showing exclusive photos and production notes. [28]
The deluxe edition was a commercial success. Forbes reported that it had sold 5,300 copies in its first week, with sales being strong enough for the deluxe edition to hit number 15 on Billboard 's Top Album Sales chart and number 3 on the magazine's Vinyl Albums chart. [29]
All tracks are written by Ween, except where noted
No. | Title | Length |
---|---|---|
1. | "Take Me Away" | 3:01 |
2. | "Spinal Meningitis (Got Me Down)" | 2:53 |
3. | "Freedom of '76" (Ween, Ed Wilson) | 2:51 |
4. | "I Can't Put My Finger on It" | 2:48 |
5. | "A Tear for Eddie" (instrumental) | 4:50 |
6. | "Roses Are Free" | 4:35 |
7. | "Baby Bitch" | 3:04 |
8. | "Mister, Would You Please Help My Pony?" | 2:55 |
9. | "Drifter in the Dark" | 2:32 |
10. | "Voodoo Lady" | 3:48 |
11. | "Joppa Road" | 3:03 |
12. | "Candi" | 4:03 |
13. | "Buenas Tardes Amigo" | 7:07 |
14. | "The HIV Song" | 2:10 |
15. | "What Deaner Was Talkin' About" | 2:00 |
16. | "Don't Shit Where You Eat" | 3:20 |
Total length: | 55:00 |
No. | Title | Length |
---|---|---|
17. | "Crappy Anniversary Jimmy" | 3:35 |
18. | "Warm Socks" | 2:42 |
19. | "Stop, Look, Listen (and Learn)" | 3:30 |
20. | "Dirty Money" | 3:55 |
21. | "I Got It" | 2:12 |
22. | "Belgian Stew" | 3:09 |
23. | "Voodoo Lady (Demo)" | 4:35 |
24. | "Junkie Boy" | 3:30 |
25. | "Smooth Mover" | 1:41 |
26. | "Church Fire" | 1:41 |
27. | "Take Me Away (Demo)" | 2:31 |
28. | "Sasha" | 3:01 |
29. | "Roses Are Free (Demo)" | 3:58 |
30. | "Candi (Demo)" | 2:34 |
31. | "I Really Miss You (And I'm All Alone)" | 3:29 |
The band
Additional personnel
Deluxe edition reissue personnel [30]
Chart (1994–1995) | Peak position |
---|---|
Australian Albums (ARIA) [31] | 80 |
US Heatseekers Albums (Billboard) [32] | 10 |
Chart (2024) | Peak position |
---|---|
Belgian Albums (Ultratop Flanders) [33] | 78 |
US Top Album Sales (Billboard) [34] | 15 |
Quebec is the eighth studio album by the American rock band Ween, released on August 5, 2003, on Sanctuary Records. It was the first album released after the band's contract with Elektra expired, and marked its return to independent labels.
Michael Melchiondo Jr., better known by his stage name Dean Ween, is an American guitarist, singer and a founding member of the alternative rock group Ween. He is currently active in the groups Ween, Moistboyz and The Dean Ween Group.
Junta is the debut studio album by the American rock band Phish. The album was self-released by the band in May 1989 without the support from a record label, and received a wider release when Elektra Records reissued it on compact disc in 1992. Junta was preceded by two demo recordings – The White Tape (1986) and The Man Who Stepped Into Yesterday (1987) – which circulated among the band's fanbase but did not receive an official release.
Lawn Boy is the second studio album by the American rock band Phish. It was released on September 21, 1990, by Absolute A Go Go Records in the United States, with distribution by Rough Trade Records. The album was reissued on June 30, 1992, by Elektra Records.
Hampton Comes Alive is a six-disc live album by the American rock band Phish, released on November 23, 1999, by Elektra Records. It is the band's third live album and the first time complete live Phish concerts were released in their entirety. Hampton Comes Alive consists of two full concerts recorded on November 20 and 21, 1998, at the Hampton Coliseum in Hampton, Virginia. The album title is a play on Peter Frampton's classic live album Frampton Comes Alive!.
GodWeenSatan: The Oneness is the debut studio album by American rock band Ween, released on November 16, 1990, by Twin/Tone Records. The album introduces several key themes for the group, including their eclecticism, gonzo sense of humor, and their demon god/mascot, the Boognish.
The Pod is the second studio album by American rock band Ween. It was released on September 20, 1991, by Shimmy-Disc.
Pure Guava is the third studio album and major label debut by American rock band Ween, released on November 10, 1992, by Elektra Records. The record contains the US radio hit "Push th' Little Daisies".
12 Golden Country Greats is the fifth studio album by the American rock band Ween, and their third on Elektra Records. It is the only album on which the group limited themselves to a specific genre of music.
The Mollusk is the sixth studio album by American rock band Ween, released by Elektra Records on June 24, 1997. It is a multi-genre concept album with a dark nautical theme, with most songs incorporating elements from psychedelia and/or sea shanties, while also featuring a heavy progressive rock influence. Dean Ween described the album as "the only record that I ever felt really confident about" and "my favorite record we've ever done". Gene Ween has echoed this sentiment, saying: "The Mollusk is probably my favorite, at the end of the day".
Paintin' the Town Brown is a live compilation by American rock band Ween, released by Elektra Records on June 22, 1999.
Ween is an American rock band from New Hope, Pennsylvania, formed in 1984 by Aaron Freeman and Mickey Melchiondo, better known by their respective stage names, Gene and Dean. Generally categorized as an alternative rock band, the band are known for their irreverent, highly eclectic catalog of songs inspired by funk, soul, country, gospel, prog, psychedelia, R&B, heavy metal, and punk rock.
The Voodoo Lady is an extended play (EP) by American rock band Ween, released in the United Kingdom in January 1995 on Flying Nun Records. It appears on their fourth studio album, Chocolate and Cheese (1994).
Live in Toronto Canada, is the second live album by the American rock band Ween, released in 2001 on their own Chocodog label. It was recorded during the now legendary tour with Bobby Ogdin and the Shit Creek Boys on October 23, 1996, at the Phoenix Theatre in Toronto, Ontario. The setlist is divided evenly between 12 Golden Country Greats tunes and previous fan favorites such as "Push th' Little Daisies" and "Buenas Tardes Amigo". The album exemplifies the Ween live experience, drunkenness and all. The album was reissued on vinyl in 2018 by Schnitzel Records.
Shinola, Vol. 1 is a compilation album by the American rock band Ween. Released by Chocodog on July 19, 2005, Shinola is a collection of remastered outtakes dating back to 1990.
Phish is an American rock band noted for their live concerts and improvisational jamming. Audience recordings of Phish's live shows have been traded among fans since the band's earliest days. In addition to numerous studio albums and projects, Phish has maintained a steady output of live releases and albums, including the Live Phish series, the Live Bait series, the Live Phish Downloads series, along with numerous box sets and stand-alone archival releases. The band has also officially released every show they've performed since 2002, which are available at LivePhish
"Down with Disease" is a 1994 song by American band Phish. It is the second track from their 1994 album Hoist and was released as their fifth promotional single by Elektra Records. The song is a funk rock song written by Phish guitarist and lead vocalist Trey Anastasio and lyricist Tom Marshall. The song's lyrics were based on a bout with infectious mononucleosis suffered by Marshall.
Z-Rock Hawaii is the name of the debut self-titled album by Z-Rock Hawaii, released in 1996. The supergroup features Gene Ween, Dean Ween and Claude Coleman Jr. of Ween collaborating with Yamantaka Eye, Seiichi Yamamoto, Yoshimi P-We, and Yoshikawa Toyohito of Boredoms.
"Even If You Don't" is a song by the American rock band Ween. It was released in 2000 as the lead single from the album White Pepper. It was described as "a flamboyant rocker".
The following is the discography of Ween, a Pennsylvania-based experimental alternative band formed by childhood friends Aaron Freeman and Mickey Melchiondo, better known by their respective stage names, Gene Ween and Dean Ween. Starting out with a few locally released demo tapes, including The Crucial Squeegie Lip, AXIS: Bold as Boognish, and The Live Brain Wedgie / WAD Excerpts, the band was picked up by independent label Twin/Tone Records in 1990 and released their debut GodWeenSatan: The Oneness. In 1991 they signed with another independent label, Shimmy-Disc, and released The Pod. Later, Ween signed with Elektra Records and released their major label debut Pure Guava in 1992. It features their highest-charting single to date, "Push th' Little Daisies". While touring for this album, they played at Chapel Hill, North Carolina, which would later be released as a CD/DVD live album in 2008 titled At the Cat's Cradle, 1992.