"Coffee & TV" | ||||
---|---|---|---|---|
Single by Blur | ||||
from the album 13 | ||||
B-side |
| |||
Released | 28 June 1999 | |||
Recorded | 1998 | |||
Genre | ||||
Length |
| |||
Label | Food | |||
Composer(s) | ||||
Lyricist(s) | Graham Coxon | |||
Producer(s) | William Orbit | |||
Blur singles chronology | ||||
| ||||
Music video | ||||
"Coffee & TV" on YouTube |
"Coffee & TV" is a song by British rock band Blur. It was written by the band's guitarist, Graham Coxon, who also sang lead vocals rather than frontman Damon Albarn. The song appears on Blur's sixth studio album, 13 (1999), and was the second single released from the album on 28 June 1999. The lyrics describe Coxon's struggle with alcoholism and the song's video, featuring a sentient milk carton searching for Coxon, won several awards. Commercially, "Coffee & TV" reached No. 11 in the United Kingdom and No. 26 in Ireland. It was a major hit in Iceland, where it peaked at No. 2 in September 1999.
The song, along with the rest of the material for 13, was recorded in late 1998 with producer William Orbit. [4] Coxon wrote the song about his struggle from alcoholism, and how after giving up drinking he would unwind by watching television over a cup of coffee instead and writing songs. [5] This experience also contributed to his first solo album, The Sky Is Too High . [6]
The song's musical style is an anomaly in comparison with the rest of 13 , appearing similar to Blur's earlier, Britpop days. [7] Despite featuring heavy guitar distortion and feedback during the instrumental break, major characteristics of 13, the track generally features subdued, calm lyrics and vocals. The edit of the singles cuts off the instrumental part after the fade out and runs about 40 seconds shorter than the album version. This instrumental part is a hidden track, which, though officially untitled, is known as "Coffee & TV Exitlude".
The song reached No. 11 in the UK Singles Chart on 4 July 1999. Blur manager Chris Morrison believed that it was deprived of a top-10 place after it was confirmed that some sales figures were not recorded.l, [8] although it was later revealed on a revised version of that week's chart, it was still at No. 11. The single edit of the song also appeared on Blur's Best Of compilation, released in 2000, and featured on the Cruel Intentions soundtrack.
Piers Martin of the NME selected the track as one of the album's highlights, claiming that it demonstrated that "Graham's a great guitarist and whaddaya know, he's a pretty decent singer". [9] The song was also praised by Straw in Melody Maker. [10] Rolling Stone described the song as a cross between Pavement and Brian Eno circa Taking Tiger Mountain . [11]
Coxon's guitar solo on the track has been singled out for critical praise. In a retrospective review, NME declared the guitar solo to be No. 38 of the top 50 solos of all time, describing it as "a string of discordant notes, building to a storm of haywire string-bending". [12] The Independent described the solo as "one of Coxon’s finest". [13]
To promote the single, the band recruited Hammer & Tongs to direct and produce a video. The result featured a sentient milk carton known as "Milky" searching for Coxon, who appeared as a missing person's face on its side. [14]
The video won several awards in 1999 and 2000 including Best Video at the NME Awards and the MTV Europe Awards. [15] In 2002, the video was ranked the fourth best video of all time by VH1. [16] In 2005, it was voted the 17th greatest pop video of all time in a poll by Channel 4. [17] In 2006, Stylus Magazine ranked it No. 32 in their list of the Top 100 Music Videos of All Time. In a similar poll, NME ranked it the 20th greatest music video of all time. In addition the video received heavy rotation on MTV in the US.
The model of Milky, as used in the video, was sold at an auction of Blur memorabilia in 1999. [18] When Blur played at the London 2012 Olympics Closing Concert Celebration at Hyde Park, fans who bought a Blur T-shirt on the day were given a free replica milk carton of Milky.[ citation needed ]
The video is seen on Season 3, Episode 11 of The Sopranos in which Anthony Jr is watching the music video on MTV. [19]
All music was written and composed by Albarn, Coxon, James and Rowntree. "Coffee & TV" lyrics were composed by Coxon. "Tender" lyrics were composed by Albarn and Coxon. "Bugman" lyrics were composed by Albarn.
UK CD1 [20]
UK CD2 [21]
UK cassette single [22]
UK 12-inch single [23]
| European CD single [24]
Japanese mini-album CD [25]
|
Chart (1999) | Peak position |
---|---|
Europe (Eurochart Hot 100) [26] | 41 |
Iceland (Íslenski Listinn Topp 40) [27] | 2 |
Ireland (IRMA) [28] | 26 |
Scotland (OCC) [29] | 10 |
UK Singles (OCC) [30] | 11 |
Chart (2012) | Peak position |
---|---|
France (SNEP) [31] | 178 |
Region | Certification | Certified units/sales |
---|---|---|
United Kingdom (BPI) [32] | Silver | 200,000‡ |
‡ Sales+streaming figures based on certification alone. |
Region | Date | Format(s) | Label(s) | Ref. |
---|---|---|---|---|
United Kingdom | 28 June 1999 |
| Food | [33] |
Japan | 7 July 1999 | CD |
| [34] |
Blur are an English rock band formed in London in 1988. The band consists of singer Damon Albarn, guitarist Graham Coxon, bass guitarist Alex James and drummer Dave Rowntree. Their debut album, Leisure (1991), incorporated the sounds of Madchester and shoegaze. Following a stylistic change influenced by English guitar pop groups such as the Kinks, the Beatles and XTC, Blur released the albums Modern Life Is Rubbish (1993), Parklife (1994) and The Great Escape (1995). As a result, the band helped to popularise the Britpop genre and achieved mass popularity in the UK, aided by a widely publicised chart battle with rival band Oasis in 1995 dubbed "The Battle of Britpop".
Graham Leslie Coxon is an English guitarist, singer and songwriter who came to prominence as a founding member of the rock band Blur. As the group's lead guitarist and secondary vocalist, Coxon is featured on all of Blur's studio discography. He has also led a solo career since 1998, producing and playing all instrumentation on his solo albums. As well as being a musician, Coxon is a visual artist: he designed the cover art for all his solo albums as well as Blur's 13 (1999).
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